[HN Gopher] 1632 by Eric Flint (2000)
       ___________________________________________________________________
        
       1632 by Eric Flint (2000)
        
       Author : mikewarot
       Score  : 60 points
       Date   : 2021-11-16 09:48 UTC (13 hours ago)
        
 (HTM) web link (www.baen.com)
 (TXT) w3m dump (www.baen.com)
        
       | rmah wrote:
       | This book is definitely an example where judging a book by its
       | cover leads to very wrong conclusions. The cover looks silly and
       | implies amateurly written dreck. But it's actually very well
       | written. Interesting premise and gripping plot with compelling
       | characters. Even a few surprises. It's a great book and one of
       | the best of the genre, IMO. I _highly_ recommend reading it.
        
         | aidenn0 wrote:
         | If I had never heard the phrase "Thirty years war" before
         | reading the blurb, will I be able to appreciate it?
        
           | lnanek2 wrote:
           | It was an enjoyable read for me back as a kid even though I
           | knew little history. It's pretty strong on the wish
           | fulfillment end of things. E.g. big bad ass Americans go back
           | in time and are better than everyone else. That sort of thing
           | can still be fun, though, if you need to relax.
        
           | mikewarot wrote:
           | I didn't even remember where the 30 years war was, and here I
           | am recommending the series. The history is provided, you're
           | not expected to know it.
        
         | JPKab wrote:
         | Looking forward to reading it.
         | 
         | My family on both sides come from West Virginia, and
         | interestingly, all of Appalachia was settled by people fleeing
         | the various religious wars in Europe in that time.
         | Specifically, Appalachia was settled mostly by refugees from
         | Ulster (primarily the Scots-Irish Presbyterians and other non-
         | Anglican protestants who found themselves isolated in northern
         | Ireland) and a smaller percentage of the settlers were
         | Protestants fleeing the aftermath of the 30 years war in
         | Germany. My family's ancestry reflects this.
         | 
         | The echoes of those wars still carry on in the culture there.
         | What was then known as Presbyterian (virtually zero relation to
         | the current Presbyterian faith, and far more in line with
         | evangelical Christians today) at the time shaped the culture to
         | be hugely antagonistic to all forms of central authority. The
         | Scots-Irish were particularly antagonistic to the British
         | monarchy due to them being used to secure northern Ireland, and
         | then in decades following being isolated from society due to
         | laws treating non-Anglicans as second class citizens. The part
         | of history I want to learn far more about is the 30 years war
         | in Germany. My lack of knowledge on this subject was
         | particularly embarrassing when I last went to Prague and was
         | looking at the former seat of power for the Holy Roman Empire
         | (one of many, since the capital shifted over the years to
         | various cities). I had very little historical context for that
         | part of Europe, which was frustrating.
        
           | cafard wrote:
           | I think it is incorrect to describe the Scots-Irish as
           | refugees. They mostly had some capital, didn't they? Also, I
           | think that _Albion ' Seed_ suggested that the Scots-Irish
           | emigration was much outnumbered by the entirely Scots
           | emigration.
        
             | JPKab wrote:
             | Appalachia was particularly favored amongst the Scots-
             | Irish. Good point on the term "refugee". For the most part,
             | they were certainly very poor, but I've never read Albion'
             | Seed before. I have read a book that is considered an
             | update on it, called Eleven Nations by Colin Woodward.
             | 
             | I am curious as to what percentage were out of Ulster vs.
             | from the borderlands.
        
       | aardvark179 wrote:
       | Not passing any judgment on the books themselves, but that web
       | page makes me want to run a mile.
       | 
       | "At that moment Freedom and Justice, American style, are
       | introduced to the middle of The Thirty Years War." It all feels a
       | little too like A Connecticut Yankee in King Arthur's Court but
       | not written as a burlesque.
        
         | corpdronejuly wrote:
         | For most fans of the series this is a feature, not a bug.
         | 
         | There is a lot of desperate demand for the simple
         | acknowledgment that America got a lot of things right, and had
         | a deep commitment to doing better.
         | 
         | The books have some lengthy subplots exploring our nations
         | sins, and dark parts. But the general framing is, "good people
         | with good intent doing their best who fall short, get up and do
         | their best again. And that is AWESOME!"
        
           | karlmdavis wrote:
           | I think "deep commitment" is rather debatable. We've moved in
           | the right direction, generally, but only slowly and with far
           | too much foot dragging. Remember, gay marriage was only
           | legalized six years ago. Six!
           | 
           | And that's just one example out of many.
        
         | ThrowawayR2 wrote:
         | If the theme bothers you, I'd instead try Flint's previous
         | _Belisarius_ series, which similarly has introduction of
         | anachronistic tech as one of its themes in the context the
         | Eastern Roman Empire in the era of Justinian the Great. It 's
         | not deep but it is fun and frankly, I thought it was much
         | better written than the _1632_ series, which IMO was rather
         | unmemorable.
        
         | throwanem wrote:
         | As with durian, natto, and many others in Baen's stable, Eric
         | Flint is very much an acquired taste.
        
           | mherdeg wrote:
           | I wonder how much overlap there is in fan base between Flint
           | and his occasional collaborator David Weber?
           | 
           | I've read all the Honor Harrington books/stories and
           | basically nothing else by either of them. Every now and then
           | I read the phpbb forums (forums.davidweber.net) because it's
           | interesting to see conversations by people who have a pretty
           | different worldview than me. Seems like pretty nice folks.
        
             | fmajid wrote:
             | I have no issues with Eric Flint or David Weber (although I
             | find Flint's infatuation with Gustavus Adolphus quite
             | bizarre).
             | 
             | The one author whose book I just set down because it made
             | want to puke was one by John Ringo (it was an ARC, don't
             | worry, no money of mine went into his pocket).
        
               | spiralx wrote:
               | I read this review of one of John Ringo's series some
               | years back and have never been tempted to read anything
               | by him - the review is hilarious, the books sound
               | absolutely fucking awful.
               | 
               | https://hradzka.livejournal.com/194753.html
               | 
               | This review even coined the meme "OH JOHN RINGO NO" lol.
        
               | LegitShady wrote:
               | I don't have asuch time to read as I used to but I used
               | to read a lot (like 3-4 novels a week) and John Ringo's
               | books stand out to me as the type that are so bad they're
               | funny if that makes sense. Its not that he can't write
               | because he can, it's that he crossed the line of "well
               | that's in bad taste" over into "you're doing this on
               | purpose right?".
               | 
               | I can't say "good times" but i read a bunch of Ringo's
               | books just because I couldn't believe how an original so
               | bad could get multiple sequals.
        
               | throwanem wrote:
               | As a historiographer, Flint makes a solid writer. As a
               | writer, Weber makes a solid historiographer.
        
         | BryantD wrote:
         | To some degree, that's more reflective of Baen's marketing than
         | it is of the book. Or, more accurately: Eric Flint's concept of
         | American freedom and justice is not the same as John Ringo or
         | Thomas Kratman's concept of the same. At least at the time of
         | publication, he was a serious union supporter and at one point
         | was a member of the Socialist Workers Party. 1632 is not at all
         | a socialist novel, but the concept of workers rights is
         | important for at least the first few books (which is as far as
         | I read).
         | 
         | I found them moderately enjoyable pulp adventure myself.
        
         | piaste wrote:
         | Having read many of the books and short stories as a boy, I
         | would rank them as 'entertainingly trashy'.
         | 
         | The Americans are a collection of unintentionally hilarious
         | stereotypes - the rugged hero who saves the beautiful &
         | brilliant damsel in distress and gets everybody swooning over
         | him, the virgin nerd who suddenly gets appreciated by a strong
         | girl, the badass teenager girl who shows all those prejudiced
         | old fools how much ass a badass teenager girl can kick, oh
         | yeah!
         | 
         | The 'native' characters are a bit better, because the author is
         | constrained by historical records to make them slightly less
         | cartoonish. Gustav Adolf (& related family) is the designated
         | Good King but he's still an absolute king and occasionally a
         | jerk as a result; Axel Oxenstierna and Richelieu get
         | caricatured as villainous viziers but their reasons for
         | opposing the New American Order do get at least a perfunctory
         | acknowledgment. Non-historical 'native' characters are as two-
         | dimensional as the Americans, though.
         | 
         | The reason I do not regret reading the series is that it
         | scratches certain nerdy itches very very well. It's full of
         | wikipedia-type fun facts that gets turned into plot points,
         | like clothing dyes being a big deal, or customary laws of Early
         | Modern Germany being an absolute clusterfuck, and of course all
         | kinds of changing social mores from privacy in the presence of
         | house servants to serving wine to children. It has funny nerd
         | moments like Lennard Torstensson gawking over a micrometer, or
         | when Richelieu is revealed to be the first leader smart enough
         | to acquire a spoiler (a history book from the 'future') and
         | take action over it, in that case refocusing away from costly
         | European wars in order to consolidate control of the New World
         | and set up France to become the dominant world empire in the
         | timeline.
         | 
         | I think the short stories are probably the best part of the
         | setting for an adult reader, because they have less focus on
         | the sub-par characters and more focus on the fascinating
         | peculiarities of the time and place. And while the History of
         | kingdoms and religions got derailed pretty early in the series,
         | making historical accuracy kind of a moot point, the little
         | histories of craftsmen and traders get a chance to shine and be
         | properly explored in the short stories.
        
       | eru wrote:
       | I grew up in and around Magdeburg, a city that plays a large role
       | in the book(s). It's interesting that they've never been
       | translated into German.
        
       | strenholme wrote:
       | This book is available in a bunch of e-book formats as a free
       | download: https://www.baen.com/1632.html There's also an updated
       | version of the book one can buy on the same website.
       | 
       | Baen is a good source of science fiction and fantasy which, as
       | often as not, has a conservative military slant to it. May not be
       | everyone's taste, but I also greatly enjoy reading Orson Scott
       | Card who has a conservative (but _not_ fundamentalist) religious
       | slant to his stories.
        
       | Adam_36 wrote:
       | Thanks for the update. I'll be sure to keep an eye on this
       | thread. https://www.advancedmd.ltd/
        
       | alex_stoddard wrote:
       | Another very entertaining series, with a much more SF bent, by
       | Eric Flint, with Ryk E. Spoor is kicked of by the freely
       | available 'Boundary'.
       | 
       | https://www.baen.com/boundary.html
       | 
       | (Like 1632 it also has a dreadful cover - actively despised by
       | Ryk I believe).
        
       | bayesian_horse wrote:
       | Authors in the 1632 series have a very optimistic view of
       | capitalism. Also very little understanding of the German
       | language, which is explained away by the creation of
       | "Amideutsch". In the real world, "Amideutsch" wasn't nearly as
       | bad and while Germans readily take up English words, they aren't
       | that malleable when it comes to grammatical mistakes/changes.
       | Especially adults probably wouldn't form that kind of creole and
       | there aren't enough American children to make that much of a
       | difference...
       | 
       | The series helped me think more deeply about the history of
       | Europe, also other parts of the World. There are now stories
       | about China, India, the Americas, probably other places I am
       | forgetting right now.
        
         | eru wrote:
         | > Authors in the 1632 series have a very optimistic view of
         | capitalism.
         | 
         | Really? The series leans heavily pro-union, for example.
        
           | bayesian_horse wrote:
           | Does it, really? At least one uptime Union and its members
           | play a big role, but I don't remember much about unionization
           | efforts and major strikes. Nothing close to what happened in
           | the industrialization age in Europe. Partly that is because
           | some of the political gains from those efforts have already
           | been leapfrogged downtime.
           | 
           | My point is more around the entrepreneurship and how easy it
           | is for the Americans (and sometimes downtimers) to make a
           | fortune. Also how easy it is to retool whole industries and
           | economies in a short time-frame. But hey, it's fiction...
        
             | spiralx wrote:
             | Eric Flint specifically talks about his long-term support
             | for unions in one of the prefaces (I think) of the early
             | books in the series, quite likely 1632 itself. He's worked
             | in a union as a longshoreman, truck driver, auto worker,
             | steelworker, meatpacker, glassblower and a machinist and
             | was a labour union organiser.
        
             | ghaff wrote:
             | >retool whole industries and economies in a short time-
             | frame
             | 
             | It's a general pattern with this type of book. They're
             | probably way too optimistic about what you could accomplish
             | in the absence of refined raw materials, tools, etc. even
             | if you had a lot of the basic knowledge in some form. Even
             | if you weren't thrown in prison as a wizard or crazy
             | person, making even WWI-level weaponry or antibiotics in a
             | world without even the concept of standardized
             | manufacturing processes would be challenging to put it
             | mildly.
        
               | rmah wrote:
               | IMO this book does a rather good job of that. And the
               | problems you describe is an ongoing theme throughout the
               | series.
               | 
               | For example, they learn that they _cannot_ even make WW1
               | level weapons (they settle on a sort of hybrid civil-war
               | era rifles + flintlocks for mass production because of
               | problems making percussion caps, IIRC). And they learn
               | quickly that they can 't make antibiotics at more than
               | small lot lab amounts. A lot of their retooling is
               | cannibalizing parts from existing equipment for different
               | uses.
        
               | ghaff wrote:
               | It's been a long time since I read that particular book.
               | It was more of a general comment about how it often seems
               | in these sorts of books that one smart person with some
               | instructions can basically advance technology by hundreds
               | of years in a month or so.
        
               | rmah wrote:
               | Understood. But that doesn't happen in 1632.
        
               | LanceH wrote:
               | Not saying they got all tech decisions right, but they
               | did handle it by falling back many steps, using current
               | knowledge to build crude antique tech. They had more
               | concern with bootstrapping than jumping straight to
               | launching satellites. They were also concerned with the
               | scarcity and value of rather mundane things in our lives
               | today, like rubber tires, plastic bottles, etc...
               | 
               | Some low hanging advances like clean sheets and washing
               | your hand among doctors.
        
             | lstodd wrote:
             | > Does it, really?
             | 
             | It does, with G. Ritchter and CoCs.
        
         | Apocryphon wrote:
         | The original book came out in 2000. Pre-9/11, pre-Enron, pre-
         | financial crisis, most _everyone_ had an optimistic view of
         | capitalism. If this series had been started a few years later
         | than it was, it would feel very different.
        
         | irishsultan wrote:
         | > In the real world, "Amideutsch" wasn't nearly as bad
         | 
         | In the real world Germans already were on a technological
         | comparable level to the Americans. Not to mention that by the
         | 1940s the German language had already been much more
         | standardized than it would have been in 1632, one big reason
         | mentioned in the books that boosted "Amideutsch" was the fact
         | that there was no "German" language that all German immigrants
         | to Grantville/Magdeburg could fall back to.
        
           | bayesian_horse wrote:
           | I can easily read and understand most texts from that period.
           | It does feel and sound "old". The grammar is pretty much
           | identical.
           | 
           | It's sometimes difficult to distinguish between a grammatical
           | error and a grammatical "difference to the standard", for
           | example in a dialect or even Creole language. But if it hurts
           | a native speaker, it may very well be a mistake.
        
             | irishsultan wrote:
             | I don't entirely disagree on whether the German in the
             | books is bad, I definitely notice issues when they have
             | someone speaking in Dutch. It's just that I don't see how
             | you could compare amideutsch (1632) with amideutsch (real
             | world).
        
       | spiralx wrote:
       | I've been reading these for a while now and they're a genuinely
       | great exploration of 17th century European cultural, religious,
       | political and scientific ideas as well as a fascinating take on
       | how the 20th century would fare in that situation. How would the
       | 1911 Encyclopedia Brittanica affect the lives of those people
       | featured in it? How would the Catholic Church deal with the
       | changes in Vatican II? What effects would radio and antibiotics
       | have on society? How would the Bach family react to discovering
       | the complete works of a man who wouldn't have been born for
       | another half century?
       | 
       | The Grantville Gazette publishes short stories set in the world
       | by other authors, there's in fact a master character list where
       | authors can "check out" characters to ensure consistency. It also
       | has technical articles on subjects such as building aircraft
       | using 17th century techniques, how to build radios that are
       | effective during the Maunder Minimum or how to synthesise
       | different primers in order to manufacture cartridge ammunition.
        
         | panzagl wrote:
         | Is there a 'main thread' through the books? I read the first
         | book, but then, like the Honor Harrington series, it seems to
         | split into more offshoots than I care to tackle.
        
           | ucm_edge wrote:
           | 1633, 1633, 1634: Baltic War, 1635: The Eastern Front, 1636:
           | The Saxon Uprising, 1636: The Ottoman Onslaught, 1637: Polish
           | Maelstrom
           | 
           | Although honestly I lost interest around the first 1636 book.
           | For me the initial setup of the United States of Europe was
           | interesting but I feel like as the books progressed they got
           | fairly fast and loose with history and historical characters
           | become one dimensional. The first three books were really
           | good as historical fiction that is clearly trying to be
           | entertaining while trying keep some connection to reality,
           | fourth one was decent, and by the time Flint got to 1636 it
           | was too far out of left field for me and I preferred to going
           | back to just reading nonfiction history books.
        
             | panzagl wrote:
             | Thanks, I'll see how far I get. Would be nice if I could
             | make it until the winged hussars arrive...
        
           | derefr wrote:
           | Don't know about this series in particular, but the
           | Harrington series _does_ have a  "main thread", and is
           | intentionally written+ to not interdepend; the mainline
           | sequence of books by Drake make some references to things
           | happening in the other series, but the books don't
           | expect/require you to have read those series (i.e. the books
           | reintroduce any characters and events that happened in those
           | series that are relevant to the current plot.)
           | 
           | + I find the logic of this series-splitting very interesting;
           | David Drake seems to license out his setting for the creation
           | of, essentially, fanfiction, but fanfiction where he sits in
           | as creative consultant. So other authors create stories in
           | his setting, and he declares them canon.
           | 
           | But, since those stories are not _his_ stories -- not created
           | as part of his original series planning -- the later novels
           | in the mainline series aren 't planned to take these side-
           | sequences into account, but rather just have references to
           | those side-sequences worked in in non-arc-damaging ways as
           | the series allows. Almost like the characters and events from
           | the ascended fanfic are "guest starring" in the main series,
           | as a reward to the audience for reading those side-series and
           | a semi "seal of quality" nod by Drake toward those series.
           | 
           | This isn't a practice I've ever seen anywhere else. The
           | closest might be simultaneously-running TV dramas with
           | different writing teams who lend one-another characters (and
           | their actors) for crossovers, with each writing team acting
           | as the creative consultant for how that character is written
           | by the other team. But even then, there isn't a
           | _hierarchical_ relationship between the two teams, as both
           | teams own their own setting. Also, this setup usually implies
           | that the dramas to be owned by the same production studio.
           | 
           | What Drake does with his settings, is more like when
           | franchise with a valuable IP licenses that IP out for the
           | creation of "licensed" works in adjacent media, on the
           | condition that they sit in as creative consultant for how
           | their IP is being used. E.g. when some random game studio
           | decides to make "a Spiderman game." Except in this case, the
           | IP isn't all that valuable, just an inspiring setting for
           | other authors; and the licensed works aren't in an adjacent
           | medium, but rather also in the original medium, such that
           | they almost "blend in" with the original works.
           | 
           | It's be as if Star Wars were primarily a novel series, but
           | then the various Star Wars Extended Universe licensed novels
           | were still a thing.
        
             | chokolad wrote:
             | I think you got your Davids confused. Honor Harrington
             | series are written by a David Weber.
        
               | panzagl wrote:
               | Oddly enough, I'd love it if David Drake spun out
               | 'Hammers Slammers' the way Weber did Harrington...
        
       | hoseja wrote:
       | I'm still sad Rome Sweet Rome fizzled out.
        
         | Apocryphon wrote:
         | _Pax Romana_ finished but also didn't amount to much. Great
         | setup and art though:
         | 
         | https://imagecomics.com/comics/series/pax-romana-1
        
         | tomcam wrote:
         | I still reread it occasionally. Electrifying. For those who
         | missed it:
         | 
         | https://www.reddit.com/r/AskReddit/comments/k067x/could_i_de...
        
       | JasonFruit wrote:
       | History, time travel, and rednecks doing liberty shit? Sign me
       | up!
        
       | zeckalpha wrote:
       | If you like this you may like The Watch, by Dennis Danvers. Peter
       | Kropotkin ends up in Virginia in 1999...
       | 
       | https://www.kirkusreviews.com/book-reviews/dennis-danvers/th...
        
         | Aaargh20318 wrote:
         | Another series in the same vein is the Safehold series by David
         | Weber:
         | https://www.goodreads.com/book/show/72199.Off_Armageddon_Ree...
        
           | ThrowawayR2 wrote:
           | _Safehold_ was decent but kind of drags towards the end.  "
           | _Oh, no, if us bad guys lose these huge armies, our treasury
           | will be dry and we 'll collapse!_", then at the start of the
           | next volume, " _We lost those armies, which we already couldn
           | 't afford, but we somehow managed to scrape up an even huger
           | army than last time that are even better armed and this time,
           | if we lose them too, no honest, our treasury will be dry and
           | we'll collapse, totally for real this time!_"; lather, rinse,
           | repeat.
        
             | Aaargh20318 wrote:
             | That seems to be a problem with a lot of these series. They
             | usually start out good but they drag on and on. The story
             | gets stretched out over too many books and it never gets to
             | a satisfying end. It kills the pacing and makes me burn out
             | on a series.
             | 
             | Nowadays I won't even start a series if I see it has that
             | many books without showing any signs of coming to an end.
             | At some point I want to have some closure.
             | 
             | Ideally a series has 5 books _max_ , 3 or 4 would be ideal.
        
       | mikewarot wrote:
       | I think a lot of people here have already read, or would be
       | interested in this book/series.
       | 
       | There seemed to be a lot of questions about what would happen if
       | the supply chain broke today... this series explores that issue
       | in a deep way.
        
         | throwaway10122 wrote:
         | It also got me interested in the 30 years war which i didnt
         | realise was possibly even bloodier period than WW1 and 2 in
         | europe for the populations impacted. He has another series in
         | same premise with a modern cruise ship going back to ancient
         | greek times, not as good as this series tho'.
         | 
         | if anyone else has any other recommendations in same genre of
         | time travel and re-booting up civilisation it be great to hear!
         | I always found the genre interesting since Jules Verne's
         | Mysterious Island
         | https://www.goodreads.com/book/show/32831.The_Mysterious_Isl...
        
           | dj_gitmo wrote:
           | I had no idea about this. Did Jules Verne really have to be
           | the originator or every science fiction sub-genre? What a
           | jerk.
        
             | Apocryphon wrote:
             | He was a contemporary of Edison's. Perhaps both were future
             | men, out of time...
        
           | sanxiyn wrote:
           | > if anyone else has any other recommendations in same genre
           | of time travel and re-booting up civilisation it be great to
           | hear!
           | 
           | The island of Nantucket goes back to the Bronze Age.
           | https://en.wikipedia.org/wiki/Island_in_the_Sea_of_Time
        
             | ghaff wrote:
             | Yes, Stirling's Nantucket series is a good example. Loosely
             | also his Emberverse (basically the flip side of the
             | Nantucket series) although I lost interest as I often do
             | with long-running series. Lucifer's Hammer by Niven and
             | Pournelle. A Connecticut Yankee in King Arthur's Court is
             | probably the classic of the genre (Mark Twain).
             | 
             | Most of these books are probably overly optimistic about
             | what one or a small group of smart people who just happen
             | to have to right skill sets could accomplish in such a
             | situation with very limited supply chains.
        
           | coremoff wrote:
           | > if anyone else has any other recommendations in same genre
           | of time travel and re-booting up civilisation
           | 
           | There's a couple that I know of:
           | 
           | https://www.goodreads.com/series/40821-belisarius
           | https://www.goodreads.com/search?q=safehold&qid=
           | 
           | Flint was involved in the Belisarius series (along with David
           | Drake), and Safehold is basically Weber's "reboot" of one of
           | the books in his "Armageddon Moon" series.
           | 
           | If you liked 1632 you will probably like these as they're in
           | a similar vein
        
           | bhaak wrote:
           | The short story "The Man Who Came Early" by Poul Anderson
           | touches on that theme as well. A soldier is transported back
           | to Iceland of about the year 900 AD.
           | 
           | https://en.wikipedia.org/wiki/The_Man_Who_Came_Early
           | 
           | Another classic one is "Lest Darkness Fall" by L. Sprague de
           | Camp in which an archaeologist is transported to Rome in the
           | year 535 AD.
           | 
           | https://en.wikipedia.org/wiki/Lest_Darkness_Fall
        
             | jwhitlark wrote:
             | David Drake wrote a sort of prequel to "Lest Darkness Fall"
             | called "To Bring the Light", with an imperial Roman woman
             | transported back to the founding of Rome. Drake's personal
             | experiences increase the realism of his writing, IMO.
             | 
             | He also wrote "Ranks of Bronze" which is sort of the
             | reverse idea, a Roman Legion kidnapped by aliens for
             | preindustrial warfare. Absolutely worth a read, and an
             | interesting counterpoint to most of the 'bringing
             | civilization to the barbarians' narrative these stories
             | normally follow.
             | 
             | H. Beam Piper did a bunch too, check out "Lord Kalvan of
             | Otherwhen" if you can find it.
        
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