[HN Gopher] The Cold War Fashion Showdown
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The Cold War Fashion Showdown
Author : benbreen
Score : 28 points
Date : 2021-08-02 18:03 UTC (4 days ago)
(HTM) web link (thereader.mitpress.mit.edu)
(TXT) w3m dump (thereader.mitpress.mit.edu)
| cafard wrote:
| Somewhere Ortega y Gasset, writing in the 1920s or 1930s, said
| that the British had the worst-dressed men in Europe, simply
| because they had matters of real importance to deal with.
| dr-detroit wrote:
| CIA has declassified all their reports from this era. They sent
| extremely wealthy socialites over and all they did was complain
| daily about how the free sausage line was 8 people long in
| downtown Moscow (the horror!) and they could only buy 10
| varieties of boots (not enough!!!).
|
| Fashion is antihuman.
| assbuttbuttass wrote:
| We're still doing cold war propaganda 30 years later?
| jchallis wrote:
| There was a vintage Wendy's ad in the 1980s that spoofed just
| this lack of "fashion" sense.
| https://www.youtube.com/watch?v=5CaMUfxVJVQ
| dvh wrote:
| All workers in that era wore these working clothes:
|
| https://www.tifantex.sk/fotky39121/fotos/_vyrp11_35pracovne-...
|
| We called them "monterky". They were terrible. They didn't even
| had belt loops, you couldn't put any gear on you, as if they were
| designed to lower the productivity. The only thing they were good
| for was standing around with hands in your pockets. That's why
| communism failed.
| twic wrote:
| In the '80s, the western countries were terrified of Japan
| because they feared they would soon develop the technology for
| trousers to have _two_ belts. The productivity lead would have
| been unassailable.
| cafard wrote:
| Is that why one isn't supposed to wear a belt and suspenders,
| for fear of overproduction?
| dr-detroit wrote:
| Those wearables wont even sync with my iLife and appleThoughts!
| motohagiography wrote:
| The mystery of writing about fashion is why it matters. Bierce's
| "a despot whom the wise ridicule and obey," covers it. When you
| look at it as how people signal their alignment to what they
| percieve as power, it makes more sense.
|
| The article was essentially about who leads and who follows, and
| how they could tell, where when russians wore copies of western
| suits, the writing was on the wall, even if it would be decades
| before the wall came down.
|
| There is another piece to fashion, where it is a way to assess
| real desire. There are opinion polls and things people lie about,
| and then there are what they actually do. Envy for american
| fashions could have (and ultimately did) contribute to erosion of
| the soviet edifice. I remember hearing stories about how in the
| 80's, the vintage shops we all liked in the punk scene had made
| money by getting used jeans here to ship to Germany so they could
| be smuggled into Eastern Germany.
|
| Turns out the stories weren't apocryphal either, a transcript:
| https://www.businessinsider.com/brought-to-you-by-podcast-bt...
|
| Such interesting times.
| mc32 wrote:
| >" where when russians wore copies of western suits, the
| writing was on the wall..."
|
| I don't think that's quite right.
|
| I think it's more a reflection of the despot being dead
| (Stalin) and being free of that shackle.
|
| The UK and North America used to follow French fashion (hats,
| dresses, textiles, etc) that didn't mean the French were
| winning (be it economic, cultural or otherwise) aristocracy
| just thought they had forward fashion sense.
| motohagiography wrote:
| On that last point, the House of Bourbon would probably
| disagree. They had rulers all over the world, and UK
| aristocrats adopting their fashion was arguably a nod to
| their ascendency, and as a way to distinguish themselves with
| with signals of the global and exotic.
|
| After the revolution/terror, french fashion was out until the
| rise of the industrial middle class. It was during/after the
| restoration that French brands like Charvet and Hermes were
| founded (c. 1830's) and still later, Louis Vuitton, and they
| once again became ascendent on the global stage. Themes in
| fashion are a pretty good macro signal for where growth is
| going.
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