[HN Gopher] Film Restoration Today: The Elusive Perfect Viewing ...
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Film Restoration Today: The Elusive Perfect Viewing Experience
Author : Arnt
Score : 21 points
Date : 2021-04-30 09:14 UTC (1 days ago)
(HTM) web link (mubi.com)
(TXT) w3m dump (mubi.com)
| rodgerd wrote:
| A nice wrap-up of the kinds of considerations that people are
| working with. Thanks for submitting it.
| crazygringo wrote:
| I'm curious why this article uses the term "color timing" instead
| of the industry-standard "color grading".
|
| I had to look it up, and it appears "color timing" was the analog
| practice of adjusting the time film took to develop, in order to
| over- or under-develop it, which seems to be primarily about
| exposure (brightness/darkness).
|
| Whereas color grading is essentially about 1) ensuring an
| accurate white balance and then 2) adjusting further for whatever
| artistic warm, cool, undersaturated, etc. look is desired.
|
| But this article seems to use the term "color timing" as a
| synonym for "color grading". Is this standard practice somewhere?
| toast0 wrote:
| I've seen color timing in credits, but I don't think I've seen
| color grading.
| dylan604 wrote:
| The term in credits is colorist referring to the one that
| does the color grading.
| dylan604 wrote:
| Color timing is an older term from the film days based on
| amount of light used to expose film prints. Color grading has
| become the more modern term since it's not actually dependant
| on time exposing film.
|
| "The earlier photochemical film process, referred to as color
| timing, was performed at a film lab during printing by varying
| the intensity and color of light used to expose the
| rephotographed image. Since, with this process alone, the user
| was unable to immediately view the outcome of their changes,
| the use of a Hazeltine color analyzer was common for viewing
| these modifications in real time."
|
| https://en.wikipedia.org/wiki/Color_grading
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(page generated 2021-05-01 23:00 UTC)