[HN Gopher] Why Are So Many Romances Set in the Regency Period?
       ___________________________________________________________________
        
       Why Are So Many Romances Set in the Regency Period?
        
       Author : apollinaire
       Score  : 45 points
       Date   : 2021-02-01 23:06 UTC (1 days ago)
        
 (HTM) web link (daily.jstor.org)
 (TXT) w3m dump (daily.jstor.org)
        
       | mymythisisthis wrote:
       | Restoration periods are always really fun. The Napoleonic wars
       | were ending, which meant peace and prosperity.
       | 
       | By the 1820s you get into the electrical age, with Faraday. <a
       | href="https://youtu.be/6Ns5tRyvoHY?t=92">First electric motor,
       | 1822, Fraday.</a><br> Now you're into the Steampunk aesthetic.
        
       | dangerbird2 wrote:
       | I guess the snarky answer would be "because Austen and the
       | Brontes"
        
         | Peritract wrote:
         | Georgette Heyer is the originator here, not Austen or the
         | Brontes. Obviously those authors do have imitators, but the
         | focus and aesthetic is very different to modern Regency
         | romances.
        
           | jacobolus wrote:
           | Georgette Heyer was explicitly inspired by Austen, and
           | presumably many of her readers were Austen fans hungry for
           | more stories from the same era.
           | 
           | In a similar way we might say that Tolkien was the progenitor
           | of a line of pulp fantasy novels, even though they have a
           | significantly different character.
        
             | neaden wrote:
             | Pulp fantasy started before Tolkien, Howard and Burroughs
             | are more important for that genre. Tolkien is what took
             | fantasy out of the pulps and started the hard cover
             | doorstopper fantasy series.
        
             | Peritract wrote:
             | Sure, but I think you have to draw a line somewhere between
             | proximal and ultimate inspirations; modern Regency romances
             | are very like Heyer (albeit generally much more explicit)
             | and rather unlike Austen.
             | 
             | We subdivide modern fantasy into 'epic', 'sword and
             | sorcery', 'low', and so on, even though they have common
             | ancestors.
        
               | arbitrage wrote:
               | > We subdivide modern fantasy into 'epic', 'sword and
               | sorcery', 'low', and so on, even though they have common
               | ancestors.
               | 
               | that's news to me. i personally consider that meticulous
               | categorization of fiction to be tedious and childish.
               | Consider that there are no good definitions of "high" vs
               | "low" fantasy, and that there a few books that are both
               | a) successful (whether you measure this in terms of
               | profitability, popularity, or a combination of both) and
               | b) regimented enough to hold themselves to a dictionary-
               | style definition of what the author is supposed to be
               | writing about.
               | 
               | you're using a definition of fantasy that is frankly not
               | supported by the reality of how we consume and produce
               | said literary works.
        
               | milesskorpen wrote:
               | You can disagree without attacking the original poster.
               | It's obviously not news to you, since you present a
               | counter argument, and nothing in your comment suggests
               | thinking there are subgenres is childish. Why resort to
               | ad hominems?
        
               | Peritract wrote:
               | Genres are complex and fuzzily-defined, but they're
               | definitely both useful and widely-used.
               | 
               | You don't have to make it incredibly strict and granular,
               | but subgenres give an easy way to say 'these works are
               | similar', and that's helpful in all kinds of situation.
        
               | bear8642 wrote:
               | >"high" vs "low" fantasy
               | 
               | Thought distinction (originally at least) was whether
               | fantasy happening on imagined realm or here on Earth?
        
               | ameister14 wrote:
               | >i personally consider that meticulous categorization of
               | fiction to be tedious and childish
               | 
               | When you read several hundred books a year,
               | categorization goes from being tedious and childish to
               | being necessary and useful.
        
               | dsr_ wrote:
               | Ooch. In my experience talking to professional reviewers,
               | they will generally say that genres are marketing, not
               | objective categories.
               | 
               | Ilona Andrews's books are marketed to romance (three
               | series) and to urban fantasy (one series). Two of the
               | romance-marketed series could get new covers and be sold
               | as SF. The urban fantasy novels could get romance covers
               | put on and be sold that way.
               | 
               | Repeat ad infinitum with literary SF, magic realism,
               | respun fairy tales, space opera, epic fantasy, issekai,
               | portal fantasies, hard SF, character-driven gay romance
               | post-apocalyptic cyberpunk action fantasy (that was a
               | very good one)...
               | 
               | I read 203 books in 2019. I assure you that the marketing
               | categories are not helpful in my basic quest, which is to
               | determine if the book is good. Nothing short of starting
               | to read the book can do that.
        
               | 0xffff2 wrote:
               | >I read 203 books in 2019.
               | 
               | That is really remarkable! Can I ask how you go about
               | selecting what to read? Compared to the ~20 books I read
               | every year that seems like an absolute firehose. I
               | wouldn't even know where to start assembling such a long
               | list.
        
               | dsr_ wrote:
               | The vast majority of my reading is SF/F, history,
               | biography, autobiography, and sciences. Each of these
               | have excellent reviewers who I treat as sources of
               | recommendations.
               | 
               | e.g.: for current SF/F, James Nicoll, Locus, and John
               | Scalzi's posts which are nothing but "here's what
               | publishers sent me as ARCs which they are hoping I will
               | blurb" are all good sources. I have access to NetGalley
               | and some insider-baseball publishing sites thanks to my
               | wife, who used to be a professional reviewer for
               | Publishers Weekly. When I read a book by an author I
               | really like, I try to add their blog or website to my RSS
               | reader.
               | 
               | I think the 203 in 2019 was not a record for me, but it
               | was certainly much larger than in 2020, where I had
               | several multiweek periods of not wanting to read. This
               | year is looking up.
               | 
               | One of my long-term tactics is to have some reserve books
               | that I know I want to read but haven't, yet. Currently
               | that pile includes a Walter Jon Williams, a Steven Brust,
               | and an Elizabeth Bear. If I see a long run of not-so-
               | great books, I know I have those to pull me out.
        
               | harperlee wrote:
               | How quickly do you read!? That's 1.8 books per day!
               | Assuming a book is 240 pages, that takes me about 6 hours
               | if it's not too dense prose, so for me that would be a
               | full time job with quite some overtime and weekends,
               | assuming I don't get tired.
               | 
               | Honest question, there's a couple assumptions in my
               | napkin calculation :)
        
               | 0xffff2 wrote:
               | I think you did the division backwards. By my math that's
               | 1.8 _days per book_. I 'm guessing OP reads pretty fast,
               | and 1-2 hours per day spent reading isn't outside the
               | realm of possibility. I would probably read 2-3 times as
               | many books, except I'm a fairly slow reader and since I
               | read for fun I have pretty much zero interest in reading
               | faster.
        
               | ghaff wrote:
               | I don't read much fantasy but I do read a fair bit of
               | science fiction and categories like cyberpunk, soft,
               | hard, space opera, etc. while fuzzy are something I tend
               | to find somewhat useful (as is the distinction between SF
               | and fantasy). There are probably books in every category
               | I like but I generally favor some categories over others.
        
               | ashtonkem wrote:
               | You don't actually need to use other people's categories,
               | you know. It's not a personal attack against your
               | interests.
        
         | science4sail wrote:
         | Sort of. From the article:
         | 
         | > For the origins of the modern Regency romance, look to the
         | works of Georgette Heyer. Starting in 1935, Heyer wrote over
         | two dozen meticulously researched historical books, all set in
         | Jane Austen's era, with an obsessive focus on London's tiny
         | upper class. According to literary scholar Diana Wallace, it
         | was the incredible popularity of Heyer's historical novels that
         | helped transform historical fiction into a more feminine space
         | that continues to "centralise female subjectivity, desires and
         | apprehensions to an unusual extent."
        
         | [deleted]
        
       | tragomaskhalos wrote:
       | Coincidentally, started "Bridgerton" on Netflix just yesterday.
       | Mills and Boon brought to the screen basically so bound to be a
       | ratings winner, a lot of fun but with clever contemporary twists
       | like a completely multi-ethnic aristocracy at which no character
       | turns a hair.
        
         | jfengel wrote:
         | I think it's mostly just a way of making the show more visually
         | interesting. Take a look at those dance scenes, and then
         | compare it to a shot from any other regency romance movie. The
         | faces in the latter all just blend in to one another;
         | everything looks like a big blur.
         | 
         | The ethnicity is largely ignored. There's one interesting
         | passing reference to it -- the idea that it's a recent
         | phenomenon that could easily be reversed -- but they spend
         | little time on it.
         | 
         | It's not authentic, but of course nothing about Bridgerton is
         | authentic. Queen Charlotte's skin color is no wronger than her
         | clothing, which is more 1770s France than 1810s England (and
         | not really authentic at that, either). The Duke of Hastings'
         | skin exactly matched that of the real Duke of Hastings -- since
         | Hastings was a Barony.
        
       | travisgriggs wrote:
       | Today I learned there was a short period of history called
       | Regency and I demured on the fact that British society could put
       | a psycho executive in restraint while my country, a supposed
       | enlightened democracy (the US), can not.
       | 
       | I actually found the article wanting. I could not turn to a
       | colleague after reading it and explain _why_ this period was an
       | ideal setting for romances. I learned who some of sources of
       | romance in this period are. I learned that perhaps modern
       | romances set in the period aren 't true to the original form. And
       | I got a glimpse at some of the attributes of said era (fictional
       | or not so). But I did not see much that told me why this was an
       | appealing backdrop for romance novels. What about this era makes
       | it ideal for romance vs other eras?
        
         | Veen wrote:
         | > the fact that British society could put a psycho executive in
         | restraint while my country, a supposed enlightened democracy
         | (the US), can not.
         | 
         | That "psycho executive"--George III--reigned during the period
         | of the American War of Independence, which, if you recall, he
         | lost, so it seems both nations managed to restrain his power.
        
         | rsynnott wrote:
         | > I demured on the fact that British society could put a psycho
         | executive in restraint while my country, a supposed enlightened
         | democracy (the US), can not
         | 
         | The UK's mechanisms for restraining Naughty Monarchs, back when
         | it was relevant, were largely unwritten but pretty extensive;
         | 150 years previously, Charles I had, ah, lost his head about
         | it. The US's mechanisms are limited, written, and, as it turns
         | out, don't work.
         | 
         | It's probably best to keep in mind, though, that George III had
         | a lot less power than the US president; the monarch had
         | basically lost the royal assent (veto) by then, for practical
         | purposes. I'm reasonably sure that by that point the monarch
         | had nothing similar to an executive order, either.
        
         | Mizza wrote:
         | That literally just happened, and democracy was the process by
         | which it occurred.
        
           | jfengel wrote:
           | Barely. Even now there are a great many people -- tens of
           | millions -- who believe that democracy failed.
        
           | [deleted]
        
         | macspoofing wrote:
         | >I demured on the fact that British society could put a psycho
         | executive in restraint while my country, a supposed enlightened
         | democracy (the US), can not.
         | 
         | To be clear, this is a partisan political opinion that borders
         | on authoritarianism. You may not like Trump, but he was
         | democratically elected. So prey tell, what would "restraining"
         | a democratically elected 'executive' look like? Remember, any
         | rule you define has to be measured against past presidents and
         | apply to future presidents.
        
           | AnimalMuppet wrote:
           | It would look like the 25th Amendment being exercised.
        
             | ashtonkem wrote:
             | It's generally agreed upon by constitutional scholars that
             | the 25th amendment wasn't designed for that, and that
             | trying to use it in that way creates some nightmare
             | scenarios. Specifically it gives the president the ability
             | to challenge their removal and have the senate adjudicate,
             | which would be decidedly not great.
             | 
             | If Trump had been intubated with Covid or suffered a
             | stroke, then the 25th amendment would have been an
             | appropriate choice. Otherwise the proper avenue to remove a
             | misbehaving president is impeachment.
        
               | AnimalMuppet wrote:
               | > It's generally agreed upon by constitutional scholars
               | that the 25th amendment wasn't designed for that...
               | 
               | Well, we sure had a bunch of "constitutional scholars"
               | saying that the 25th should be invoked for exactly that.
               | If you want to claim that those people were random people
               | pushing their viewpoint rather than actual scholars, I
               | could accept that. But if you're saying there's a general
               | consensus among the experts, I wouldn't mind seeing a
               | credible source to that effect.
        
               | 0xffff2 wrote:
               | >... and have the senate adjudicate, which would be
               | decidedly not great.
               | 
               | Why not? Sounds like it's roughly tantamount to giving
               | the cabinet the power to impeach the President. Given the
               | natural restraint on that power in that the cabinet is
               | appointed by the President, I'm not sure I see any
               | problem there.
        
               | macspoofing wrote:
               | >Sounds like it's roughly tantamount to giving the
               | cabinet the power to impeach the President
               | 
               | Congress also the ability to impeach the President.
               | Congress couldn't get the votes to do remove the
               | President from office ... so your partisan solution is
               | for the cabinet to find a reason to remove the President?
               | Why? Because you don't like how your fellow citizens
               | voted?
               | 
               | How about this: Vote him out in the next election? Oh
               | that actually happened! And Democracy survived!
               | 
               | For all the talk about Trump, the opposition is perfectly
               | willing to destroy every single norm and democratic
               | institution just to get him.
        
               | 0xffff2 wrote:
               | Woha, what? This wasn't "my solution". I was just
               | commenting because I didn't understand the particular
               | danger, which the OP clarified.
        
               | ashtonkem wrote:
               | My wording was unclear. Having the Senate check on the
               | 25th amendment is a good thing; the cabinet should not
               | have the power to depose the president just because.
               | That's clearly a very dangerous power to just leave
               | laying around like that.
               | 
               | What's bad is having a very much awake and ambulatory
               | Trump arguing in front of the Senate that he should be
               | back in power. That's a political nightmare, and far
               | worse than Congress using its powers to expel the
               | president on their own initiative. It's much better for
               | our body politic for Congress to impeach and save the
               | 25th amendment for less politically ambiguous situations.
        
             | macspoofing wrote:
             | What are you talking about? Remove Trump for what reason?
             | Because you don't like him and so you're willing to discard
             | the votes of half the country just get him out?
             | 
             | Insanity.
        
         | heavenlyblue wrote:
         | The supposedly enlightened democracy is currently heavily
         | polarised and the British society back then was not.
        
           | FearNotDaniel wrote:
           | The reason the article is found wanting is that the answer to
           | the question is not _really_ in anything to do with the
           | Regency era per se. It 's mostly because Jane Austen was
           | really good at writing romantic comedies, and so set a
           | template that everyone wants to follow in much the same way
           | that nearly all modern era Hollywood romcoms are pale
           | imitations of Nora Ephron's work (When Harry Met Sally,
           | Sleepless in Seattle, You've Got Mail - which was itself a
           | remake anyway but with the Ephron formula liberally applied).
           | 
           | Ephron's genius, as with Austen's, was not simply the fact
           | that she seemed to have come up with a winning formula, there
           | was also an enormous amount of craft, wit, originality and
           | compassion involved.
        
           | monadic3 wrote:
           | How do you figure the time was not polarizing? This reeks of
           | nostalgia. Jane Austen's time, for instance, was an
           | incredibly volatile time in the labor market. She just
           | doesn't acknowledge contemporary issues because they weren't
           | relevant to the stories she wanted to tell.
           | 
           | Meanwhile if you watch "You've Got Mail", the fact that it
           | does touch on contemporary issues sours the whole film.
        
           | rsynnott wrote:
           | That's an... interesting view of history. I think people do
           | downplay it these days, but there was significant unrest for
           | most of the 19th century.
        
           | stereolambda wrote:
           | I don't know, it was the sort of a period when regular people
           | in England where ran over by cavalry for demanding suffrage
           | rights: https://en.wikipedia.org/wiki/Peterloo_Massacre The
           | whole Europe's elites were busy putting down the post-French
           | Revolution upheaval.
        
       | dr-detroit wrote:
       | People overrate the number of smart people and the number of
       | dedicated writers. Most literature is just hacks copying hacks to
       | make a buck.
        
       | JohnJamesRambo wrote:
       | >one of the characters eulogizes George IV's reign as "holiday
       | time for people intent upon promoting the greatest happiness of
       | the smallest number," notes scholar Winifred Hughes.
       | 
       | This seems rather applicable to now as well.
        
       | Animats wrote:
       | They still are? The bodice-ripper era was in the 1970s and the
       | 1980s. Or is it back, now that vampires, zombies, and Navy SEALs
       | have been done to death?
        
       | rossdavidh wrote:
       | Am I just missing something, or did this article not really even
       | attempt to answer the question? I guess there's nothing wrong
       | with that.
       | 
       | It occurs to me that the "Old West" books, movies, etc. in the
       | U.S. are nearly as small a period in terms of both time and
       | people, and they have been subject to a similarly obsessive
       | focus, although more male-oriented.
        
       | dependsontheq wrote:
       | The regency period is interesting because it combines the
       | influence of the French Revolution with the aristocratic society
       | of England. Clothes, fashion and behavior no longer were supposed
       | to match your role and status but also your personality. So you
       | have individualism and princes and balls and at the same time it
       | feels quite modern. So it's not that Jane Austen wrote some
       | books, she lived in a time where she could write books that feel
       | quite modern to us.
        
       | naringas wrote:
       | because this period of history is being rewrriten in the public
       | culture to reifnorce myths about the present and so influence
       | (softly control) the future
       | 
       | edit: the first sentence gets downvoted. I both expected and felt
       | bad about it.
        
         | throwaway2245 wrote:
         | I was surprised this article didn't mention British colonialism
         | at all.
        
           | Nasrudith wrote:
           | Why would it be worth emphasizing in a very home island bound
           | setting which doesn't even address the middle class residents
           | of the isle. Colonialism went on for over a century before
           | and after.
           | 
           | It would be like emphasizing that Edgar Allen Poe married his
           | thirteen year old cousin when discussing his horror
           | influence. Terrible but hardly germane to the topic.
        
             | throwaway2245 wrote:
             | "Le bon ton" likely had a very direct hand in shaping
             | colonialism, given that they were aristocrats and landed
             | gentry, and given the "season" spent in London was shaped
             | around political networking.
             | 
             | However, I also meant that it was a sort of cultural neo-
             | colonialism: that the British are allowed to present the
             | history of this period as a romantic drama.
        
               | desas wrote:
               | Bridgerton at least was written by an American novelist
               | and then made into a TV show by an American director /
               | writer / producer team for an American media company.
        
               | rebolek wrote:
               | People are free. This notion of collective guilt - "the
               | British are allowed" - is terrifying.
        
               | [deleted]
        
         | TheOtherHobbes wrote:
         | #BLM has challenged that period in the UK and US. And it was a
         | terrible period, with those vast idyllic country estates being
         | built on the backs of slavery abroad and Enclosure of common
         | land at home.
         | 
         | Slavery is being acknowledged now, but the Enclosures still
         | don't figure in the national narrative.
         | 
         | But Regency Romance has been a money spinning genre for a very
         | long time, and it's not _more_ popular now than it used to be.
         | 
         | Nor is there any evidence of conscious narrative control by
         | editors and publishers. There's far more evidence of that
         | elsewhere - for example in both the mytho-feminist and techno-
         | dystopian ends of contemporary SF.
         | 
         | But it's actually most obvious in period and class-specific
         | movies and soaps, which the UK specialises in, and which are a
         | very different genre to romantic fiction.
         | 
         | Here's the creator of Downton Abbey. He's now working on a US
         | equivalent called - unsurprisingly - The Gilded Age. Could he
         | possibly have an angle to sell?
         | 
         | https://en.wikipedia.org/wiki/Julian_Fellowes
        
           | arethuza wrote:
           | The Highland Clearances are certainly remembered in Scotland
           | - one of the reasons why there is a lot of support for
           | community buy outs of estates:
           | 
           | https://en.wikipedia.org/wiki/Highland_Clearances
        
         | naringas wrote:
         | so I expand:
         | 
         | but of course, this is not an answer; it's an explanation in
         | the style of the surreal way in which I have chosen to make
         | sense of the larger world around me.
         | 
         | however, who am I to chose how to make sense of the world? who
         | am I to say that mytholgy-engineering has anything to do with
         | the reason for the creation lots and lots of romances set in
         | the british pre-victorian era?
         | 
         | in order to be taken seriously I must provide sources, backing,
         | it is not enough to explain my thoughts cogently. I must show
         | other ideas that support what I say. I must acquire a
         | reputation and then, only then, I can say whatever I want.
         | 
         | But how does one gather a reputation such that whatever I say
         | will be read mindfully and not just dismissed right out when I
         | start to make reasoning leaps all around? the most direct way
         | is to simply repeat what other people with a reputation have
         | said; to preach to the choir.
        
           | seneca wrote:
           | HN, for all of its claims of intellectualism, is pretty
           | unforgiving to any thoughts that don't fit one of a couple of
           | echo chamber themes. I hang around because I think it's
           | important for people (including me) to hear other ideas, but
           | you should expect to be downvoted.
        
             | Kaibeezy wrote:
             | It takes long, hard work to accumulate the knowledge and
             | experience to be able to consistently say things that
             | matter. It's impossible to fake, and an astute crowd will
             | always spot it.
             | 
             | The Luke-in-Yoda's-hut scene pops to mind.
        
             | Chris2048 wrote:
             | Which thoughts? Are you talking about the liberal echo-
             | chamber downvote squad, the americana/patriot downvote
             | squad, or something else?
        
             | silicon2401 wrote:
             | I've only been coming to this site for maybe 5 years now
             | (not under this account in case people do the lame reddit
             | thing of checking your account history at the drop of a
             | hat), but I feel like even in that time things have become
             | noticeably more echo-y here.
        
               | minikites wrote:
               | Hacker News is just Reddit plus a thesaurus.
        
             | nomdep wrote:
             | Some americans went insane after Trump won in 2016 and the
             | media fed that insanity for harvesting clicks.
             | 
             | As a reaction, the "with me or against me" mantra was
             | increasingly strong for the last four and a half years.
             | 
             | I hope people calm down again now that that its over.
        
             | naringas wrote:
             | > is pretty unforgiving to any thoughts that don't fit one
             | of a couple of echo chamber themes.
             | 
             | sounds better in ther converse: "it's pretty forgiving of
             | thoughts that do go along the predilect tropes"
        
           | Chris2048 wrote:
           | > in order to be taken seriously I must provide sources,
           | backing, it is not enough to explain my thoughts cogently
           | 
           | You must at least provide reasoning, for the thoughts to be
           | cogent. Your assertions are vague - you allude to things
           | without clarifying what you mean, and why you believe it to
           | be so.
           | 
           | > in order to be taken seriously I must...
           | 
           | > I must show...
           | 
           | > I must acquire...
           | 
           | You _must_ do theses things? According to who. again,
           | assertion without explanation. Understand, your thoughts don
           | 't explain themselves!
        
           | selimthegrim wrote:
           | Man, you really hated Bridgerton huh
        
           | neaden wrote:
           | I honestly am having trouble understanding what you are
           | trying to say here, I think the reason you are encountering
           | so much resistance isn't necessarily because of what you are
           | trying to say, but how you are saying it.
        
           | jcranmer wrote:
           | > in order to be taken seriously I must provide sources,
           | backing, it is not enough to explain my thoughts cogently. I
           | must show other ideas that support what I say. I must acquire
           | a reputation and then, only then, I can say whatever I want.
           | 
           | No one here is actually asking for your sources, so far as I
           | can see. The people who are taking umbrage at your comment
           | are most likely (like me) those who do not see your
           | explanation as cogent but instead an assertion that doesn't
           | even fully explain what is asserting. You're promoting a
           | conspiracy theory--a shadowy "They" who are conspiring to do
           | something--without explaining what the conspiracy actually
           | is. What are the myths being enforced? Why are "They" doing
           | this? Who even is "They"?
           | 
           | > But how does one gather a reputation such that whatever I
           | say will be read mindfully and not just dismissed right out
           | when I start to make reasoning leaps all around? the most
           | direct way is to simply repeat what other people with a
           | reputation have said; to preach to the choir.
           | 
           | In my experience on HN, that reputation is gathered mostly by
           | being seen to speak authoritatively on topics. The highest
           | upvote comments I have gathered are generally when I can put
           | together thorough, concise explanations quickly. It doesn't
           | have to agree with the current zeitgeist, but you do
           | generally want to provide stronger argumentation for your
           | viewpoints in that situation.
        
             | kiliantics wrote:
             | There doesn't need to be a shadowy "they" for this to be
             | true. It can be purely the result of a dynamic in the
             | system that results due to certain feedback loops and
             | hierarchies in the organisation of media institutions. This
             | is essentially the thesis of Chomsky's "Manufacturing
             | Consent" -- that the only media that gets put in front of
             | you has been selected by a process which is emergent and
             | not controlled by some "cabal" but nevertheless results in
             | a form of, essentially, propaganda which supports the power
             | structures of the system.
        
           | dudul wrote:
           | Without providing sources or backing, it would be useful to
           | be a bit more explicit. You could mention the myths that are
           | being re-inforced, that would be interesting.
        
           | lucozade wrote:
           | You alleged that Georgian romances are part of a conspiracy
           | to control the future. That's a surprising allegation that
           | you made no attempt to justify nor explain, cogent or
           | otherwise.
           | 
           | Under those circumstances, it's perfectly coherent for
           | strangers to dismiss the allegation if it doesn't conform to
           | their preconceived view. It is also perfectly coherent for
           | strangers to agree with it if it does.
           | 
           | Now, if you wish for strangers to come to agree with your
           | world view then you'll have to make some effort to convince
           | them. Whether or not you can be arsed to do that is, of
           | course, up to you.
        
         | lkbm wrote:
         | That explains nothing whatsoever as to what's so special about
         | the Regency period? As the article notes, it's _nine years_.
         | Why not when George III was still in command? Why not during
         | Victoria 's reign?
        
           | ghaff wrote:
           | Definitions vary. The formal Regency period was nine years.
           | But, from Wikipedia: "The term Regency (or Regency era) can
           | refer to various stretches of time; some are longer than the
           | decade of the formal Regency, which lasted from 1811 to 1820.
           | The period from 1795 to 1837, which includes the latter part
           | of George III's reign and the reigns of his sons George IV
           | and William IV, is sometimes regarded as the Regency era,
           | characterised by distinctive trends in British architecture,
           | literature, fashions, politics, and culture."
        
           | arbitrage wrote:
           | because the constituencies involved (of both the characters
           | in the book, and the modern audience that consumes them)
           | prefer the absence of a strong federating remote figure, to
           | the ability of being able to imprint/insert themselves as
           | participatory observers of the events.
           | 
           | lack of a strong central nexus gives fantasy writers and
           | readers the opportunity to engage with the story and period
           | on their own terms, instead of being subjugated to what some
           | accidental monarch wants the era to have been.
        
             | Nasrudith wrote:
             | There really wasn't much of a difference for them in terms
             | of actual actions aside from more gentry officers actually
             | being in the field. They still could and did have those
             | parties before and after. It would be a matter of being
             | upshown instead of controlled.
        
         | the_af wrote:
         | Can you elaborate? Which myths are being reinforced, how can
         | they be used to influence the future, and who is trying to
         | influence it and for what?
         | 
         | I'm not asking for hard references, like your other comment
         | implied. Just trying to make sense of your comment.
        
           | naringas wrote:
           | I'm not talking about myths under a precise definition (as in
           | stories to make sense of the world), rather mythology in the
           | rougher sense of the way we think about our ancestors and
           | people from the past (in the vein of "the good ol' days" or
           | in contrast "the dark ages")
           | 
           | also, "who is trying to influence" seems to imply some sort
           | of distinct actor (with agency) doing it based on some
           | definite agenda.
           | 
           | but I don't think this is the case; as some other comments
           | point out, it's closer to a dynamic. it gets fashionable so
           | everybody does it never mind the fact that the next
           | generation of people will inform their beliefs about our
           | ancestor's lives based on this romanticized versions. so in a
           | sense "cultural ideology" is the "agent" behind this.
           | 
           | finally, answering how does this affect our future is not so
           | easy. I said it because knowing our past (our history) allows
           | understanding our present circumstance. and based on this we
           | are able to visualize our future. If I could explain this
           | better I could probably also answer why is there historical
           | revisionism
        
             | the_af wrote:
             | But how does this relate to the article?
        
               | naringas wrote:
               | my original post answers the question posed by its title
               | (but in an unrelated way)
        
         | arbitrage wrote:
         | if you feel that badly being disagreed with, perhaps you should
         | go back to a safe content/context bubble on reddit, where your
         | views can be constantly reinforced, and any challengers to your
         | domain can be proudly assailed and repulsed by your impeccable
         | logic and unassailable wit.
        
         | ska wrote:
         | > the first sentence gets downvoted.
         | 
         | Pretty sure that's because it's a mix of unsubstantiated,
         | controversial, and incoherent.
        
         | seneca wrote:
         | Indeed. It's startling how much entertainment is actually
         | social engineering. It's worth reading Propaganda by Edward
         | Bernaise if you're interested in better understanding these
         | coordinated approaches.
         | 
         | I'm not sure how much I'd say that's why so much romance is set
         | in a particular era, but I'd buy that's why they are promoted
         | so much and heavily influences their tone and themes.
         | 
         | "Who control the past controls the future. Who controls present
         | controls the past." essentially.
        
           | Nasrudith wrote:
           | You can take anything and try to claim it is social
           | engineering if it differs from your viewpoint. That sort of
           | tripe has been applied to boring uncontroversial dry
           | Newtonian physics textbooks being called "cultural
           | imperialism".
           | 
           | It is absurd black and white thinking to declare that
           | anything which reflects its source culture is propaganda even
           | if it embeds the bullshit influnces of propaganda of the day
           | like the classics obsession of the Enlightenment.
           | 
           | Calling a work propaganda merely because it reflects a source
           | culture is propaganda in itself. Used to justify suppression
           | of anything not actively promoting their world view as
           | actively in service of evil. That has been used by amongst
           | many others evangelical fundamentalists and the Party in
           | basically every nation which called themselves Communists.
        
       | ape4 wrote:
       | The clothes helped
        
       | ohnoesoes wrote:
       | probably because music, art and society weren't about pulling
       | hoes and shaking asses or shallow chemistry. may have been about
       | actual love and love games. but the plebes want ass shaking today
       | so no wonder.
        
       | jhallenworld wrote:
       | I wonder about the premise: we need a plot of of number of
       | romance stories by setting year.. my guess is that modern pulp
       | romance outweighs all others.
        
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