[HN Gopher] Miraculous Mozart
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Miraculous Mozart
Author : tintinnabula
Score : 29 points
Date : 2021-01-29 16:45 UTC (2 days ago)
(HTM) web link (newcriterion.com)
(TXT) w3m dump (newcriterion.com)
| telesilla wrote:
| I'm currently reading the book - Jan Swafford is masterful. See
| https://g.co/kgs/2Jv69s for the book itself.
|
| I was waiting for this to come out since his book on Beethoven
| was, and I mean this, a riveting page-turner, I devoured it:
| https://g.co/kgs/KfQ34W. If you are a pianist you'll love it. So
| far, the Mozart is equally good. Can't wait to finish it. Must
| put down phone and return..
| gnramires wrote:
| I find the contrast and coherence between Mozart and Haydn really
| wonderful.
|
| Those days I hear more Haydn than Mozart. Mozart's pieces are
| amazing, but they're so powerful and distinctive I don't find
| drawn to them over and over. Haydn's pieces are often just as
| prodigious, but more modest; he calmly draws you in and paints
| the main themes. I find hearing Haydn a journey. Mozart is more
| catchy, viral, virtuosic. To me Mozart is miraculous in his
| operas of course, but also when he set sights on "modest" forms
| of the string and piano quartet (learning from Haydn no doubt).
|
| K 458 is a good example to me:
|
| https://www.youtube.com/watch?v=pYTuXWxNhxo
|
| I encourage everyone to discover Haydn as well! He had much more
| time to develop the techniques and depths of composition, and it
| shows in his later works. Mozart is good, but mature Haydn
| pieces... I can hardly believe it's music I'm hearing and not a
| beautiful story.
| khazhoux wrote:
| For anyone in the Bay Area: if we ever get out of pandemic, the
| St. Lawrence String Quartet are artists-in-residence at
| Stanford who specialize in Haydn. They have regular Sunday
| afternoon performances, as well as three free noon concerts
| during the summer. Their energy and enthusiasm for Haydn is
| thrilling, and they're big supporters of living composers as
| well.
| madhadron wrote:
| There's a standard joke among quartet players that Haydn builds
| string quartets and Mozart destroys them.
|
| New quartets begin playing Haydn because it all fits together
| so solidly that it guides the quartet into gelling. Mozart
| quartets regularly just don't have that scaffolding and the
| quartet had better have their quasi-telepathic communication
| down first.
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