[HN Gopher] Post-Human Nightmares - The World of Japanese Cyberp...
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       Post-Human Nightmares - The World of Japanese Cyberpunk Cinema
       (2011)
        
       Author : keiferski
       Score  : 101 points
       Date   : 2021-01-25 13:32 UTC (9 hours ago)
        
 (HTM) web link (www.midnighteye.com)
 (TXT) w3m dump (www.midnighteye.com)
        
       | ExcavateGrandMa wrote:
       | WTF how the story starts :D
        
       | alexfromapex wrote:
       | Well that was some terrible mental images
        
       | twic wrote:
       | Would be nice to have an update on what's happened in the almost
       | ten years since this article was written.
        
       | ousta wrote:
       | Tsukamoto is one of the most underappreciated / unpopular great
       | japanese director overseas. I never understood why he was never
       | famous especially when Hideo Nakata, Kyoshi Kurosawa, Kitano,
       | Koreeda (and Miike for audition) are super popular.
       | 
       | His movie Kotoko is probably one the greatest modern horror
       | movies.
        
       | Minor49er wrote:
       | What a great article. For anyone interested who hasn't seen it
       | before, Texhnolyze is an anime that explores more of a dystopian
       | cybernetic futurescape and its possible outcome for humanity. It
       | was co-created by ABe, one of the main creators of Serial
       | Experiments: Lain.
        
         | Der_Einzige wrote:
         | What's weird to me is that Serial Experiments Lain is my
         | favorite anime of all time - but I did not find Texhnolyze
         | enjoyable at all!
        
           | livueta wrote:
           | I don't think I _enjoyed_ Tex either, per se, but it
           | definitely left an impression. I'll never look at an Edward
           | Hopper painting the same way again.
        
             | anotherman554 wrote:
             | I should probably rewatch Tex at some point. I remember
             | enjoying it in general but finding the ending to be
             | disappointing.
        
           | bluedays wrote:
           | Sorta hits you like a punch in the gut. I'm not sure it's
           | suppose to be "enjoyable". Then again, I'm not sure that all
           | art has to be enjoyable.
        
           | dfxm12 wrote:
           | I don't think that's so weird. Sure, they had the same writer
           | and character designer, but the themes were somewhat
           | different. I mean, even though the movies shared the same
           | director, not everyone who likes the Terminator also likes
           | Avatar, etc.
        
       | khimaros wrote:
       | site appears down. internet archive to the rescue:
       | https://web.archive.org/web/20210125133431/https://www.midni...
        
       | dfxm12 wrote:
       | I know they're referred to as Japanese cyberpunk, but it's almost
       | like a different genre or subgenre, akin to body horror, with an
       | over-emphasis on melding flesh and machinery, to the point where
       | we have to question if the characters are human anymore. I feel
       | like I heard a more specific name for this genre (or sub genre) a
       | while back, but have since forgotten it. Or maybe "Japanese
       | cyberpunk" is a distinct genre from "cyberpunk". I really enjoyed
       | some of these, especially _Electric Dragon 80000 V_.
       | 
       | My first exposure to something influenced by Japanese cyberpunk
       | is probably Billy Idol's Shock to the System music video -
       | https://www.youtube.com/watch?v=lx2fZU5USus.
        
         | wodenokoto wrote:
         | Wikipedia calls it "cyberpunk body horror"
         | 
         | > Tetsuo: The Iron Man (Tie Nan , Tetsuo) is a 1989 Japanese
         | cyberpunk body horror film.
        
       | keiferski wrote:
       | One of the films mentioned ( _Tetsuo: The Iron Man_ ) is
       | available to watch for free on archive.org. Probably not safe to
       | watch at work.
       | 
       | https://archive.org/details/TetsuoTheIronMan
        
         | b0rsuk wrote:
         | It's a great film. It's getting tiresome for me towards the
         | end, but for most part it's a movie that pulls me in based on
         | visuals alone and that's rare.
        
         | twic wrote:
         | I file that film firmly under Not Safe For Anywhere!
        
         | dfxm12 wrote:
         | ...and if you subscribe to Shudder, this was on a recent-ish
         | episode of The Last Drive-In with Joe Bob Briggs. He also goes
         | into some history of Japanese cyberpunk as he introduces the
         | film.
        
       | xiaolingxiao wrote:
       | Is there anyone here who is familiar with Japanese culture? The
       | country's ability to express truly psychologically horrific
       | "stuff" is unmatched by what's seen here in the U.S. Is it
       | because the movie industry there is more permissive towards such
       | genere? Is there something in the culture that prompt people to
       | be inspired in this direction.
        
         | jephson wrote:
         | Your questions make me realise I've long held the presumption
         | this is a cultural response to events like Hiroshima and
         | Nagasaki.
        
           | dfxm12 wrote:
           | That's probably part of it and Godzilla is a direct response
           | to it, but Japanese horror goes back further than that. If
           | you're interested, it's worth exploring Japanese folklore.
           | Something Wicked from Japan is an interesting collection of
           | ukiyo prints about this:
           | https://www.barnesandnoble.com/w/something-wicked-from-
           | japan...
        
         | brbrodude wrote:
         | I'm also very curious about on how the deep & disturbing topics
         | seep in, I've seen some YouTube explainers commenting on
         | philosophical stuff under some famous anime and I get confused
         | about the "literature aspect" involved. I won't remember now
         | what Youtubes I mean, but if I remember correctly the narrator
         | really seem to meant that there were a lot of intentional
         | references(possibly it was Ghost in the Shell).
         | 
         | Is it just something like "rule of cool" in that they just pick
         | whatever seems 'fucked-up-cool' or is it a culture of going for
         | intellectual hard topics? Are japanese writers just hardcore
         | about philosophy and 'deep reality' topics in general?(again I
         | could be talking crap because I don't haven't even played all
         | the games, but geopolical perspectives in Metal Gear Solid also
         | pretty original and based in actual dry research instead of the
         | charicatures we mostly get from western industry).
         | 
         | If anyone is familiar plz help :P
        
         | GuB-42 wrote:
         | Generally, US horror is more "realistic" than Japanese horror.
         | 
         | It is common for US horror movies to be "based on a true
         | story", featuring serial killers that could be real life
         | criminals. It is scary because it is not just a story, it is
         | real life, and you are not safe.
         | 
         | Japanese stories are more into the supernatural. They don't try
         | to scare you by making things look as real as possible, instead
         | they mess with your mind, trying to make you accept things that
         | obviously fictive as genuinely threatening.
         | 
         | This is just a general trend of course, the west also has its
         | fair share of ghost stories too, and Japan has its deranged
         | killers.
         | 
         | My guess is that culture, in particular religion has something
         | to do with it. The Japanese have a rich supernatural world to
         | tap into, full of ghosts and spirits. Westerners essentially
         | wiped that off in favor of an almighty god, where evil come
         | from human with corrupted souls rather than from supernatural
         | entities.
        
         | dfxm12 wrote:
         | _...is unmatched by what 's seen here in the U.S. Is it because
         | the movie industry there is more permissive towards such
         | genere?_
         | 
         | Can you elaborate on this? On the face of your comment, I think
         | you might just be unaware of a lot of films that have been made
         | in the US. The article mentioned the American David Lynch's
         | Eraserhead as an influence of these works. David Cronenberg is
         | also undoubtedly a huge influence here as well (I know he's
         | Canadian, but he largely works in the American movie industry).
         | 
         | It's not like Tetsuo: The Iron Man was a huge financial or
         | mainstream success. Most of these movies were mostly relegated
         | to the grindhouse, and American has more than its share of
         | grindhouse film makers (ala John Waters). Also consider that
         | The Fly was as big a financial success as Akira.
         | 
         | Basically, what I'm saying is that I don't think Japanese
         | artists & audiences are very different from their American
         | counterparts in this regard. It is not distinctly Japanese or
         | American to dream up horrific stuff, but rather, it's _human_
         | to hold up a mirror to an, at times, horrific existence.
        
         | buzzert wrote:
         | My personal theory: Article IX of their constitution[0].
         | 
         | During WWII, the Japanese were absolutely brutal and
         | persistent. Having your constitution rewritten to forbid a
         | society like that from having a military could lead to some...
         | extremely creative outlets in art.
         | 
         | [0]:
         | https://en.m.wikipedia.org/wiki/Article_9_of_the_Japanese_Co...
        
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       (page generated 2021-01-25 23:02 UTC)