https://lrtimelapse.com/news/total-lunar-eclipse-over-teide-crater-tenerife/ * #English * #Deutsch [LRTimelaps] advanced timelapse photography made easy * [?] * Demos * Download * Install * Tutorials * Instructions * FAQ * Buy * LRT Pro Timer * Blog * Forum * Contact * About * [?] * Demos * Download * Install * Tutorials * Instructions * FAQ * Buy * LRT Pro Timer * Blog * Forum * Contact * About - LRTimelapse 7.3 released! Total lunar eclipse over the Teide crater, Tenerife - a project with many obstacles... Posted on 2025-03-21 by Gunther Wegner Rarely have I thought so often about abandoning a photography project as during this lunar eclipse on Tenerife. Somehow, everything seemed to conspire against us this time. This is the story of an elaborately planned photo project where almost everything went wrong, but perseverance ultimately paid off. But let's start from the beginning... Germans: Hier gibt es eine Deutsche Version. We, that is Uli and I, have made it almost a tradition to meet on Tenerife (Canary Islands, Spain) once a year. This time, Uli said, hey, on March 14th there's a total lunar eclipse, and I've calculated a location from which we can photograph the fully eclipsed moon setting directly over the crater of Teide at dawn! It sounded almost too good to be true--because typical lunar eclipses are rather dull photographically, especially after you've seen and photographed a few. Without an interesting foreground, pictures of a red moon look the same anywhere in the world. Technically challenging, perhaps, but not very creative. [2025-03-10_115053_GZ8_6238-720x405] A Unique Project Now, several exciting factors came together in Uli's idea: 1. We would experience a total eclipse on Tenerife, while in Germany, for example, the moon would only be partially eclipsed. 2. We would have a foreground--the impressive crater of Teide, Tenerife's landmark and Spain's highest mountain at 3,715 meters. 3. The totality would occur during dawn, meaning the sky would already be somewhat blue, and the moon would be low enough for us to use the crater as a foreground. We expected very aesthetic images from the contrast of the red eclipsed moon against the blue sky. 4. According to my research, this opportunity to photograph a totally eclipsed moon over Teide wouldn't occur again within the next 10 years--or possibly even much longer; I didn't look further. These images would be genuinely unique. The Planning Uli used the smartphone app Planit for planning. This app not only displays exact eclipse timings but also shows the moon's position relative to the observer's location--in three dimensions. The app has quite a learning curve, but roughly speaking: You define the summit of Teide as your "target," jump to the app's day and time of moonset, and primarily search for a camera position reachable by foot. [Screenshot_20250315-093421_2-720x610] On the left, I've aligned the "scene" with the peak of Teide. The blue line on the right marks the spot where we'd need to be standing for the shot, based on where it intersects the trail. This means looking for an intersection on the blue line with a hiking trail or road. On Tenerife, there was actually only one reachable location, on a hiking path in the Canadas, below the caldera rim--about an hour's hike from the nearest parking lot. This spot becomes your virtual camera position in Planit. Once you've found this spot, you can switch Planit to the VR camera mode to see Teide's peak, the moon, and the Earth's shadow through a virtual camera. You can even specify the focal length. [Screenshot_20250315-093745-392x400] We need to move further to the right to get the moon lined up over the crater. You can use the arrows to shift the camera position accordingly. Now, you can finely tune both the camera's time and position--we want the fully shadowed moon precisely descending into the crater. [Screenshot_20250315-094051-503x720] Finally, you save the GPS coordinates for your chosen location. Leaving Nothing to Chance Rather than navigating blindly at night, we decided to scout the location during daylight first. [2025-03-10_111445_GZ8_6224-720x480] Beautiful Landscapes in the Canadas del Teide On a sunny morning, we drove an hour and a half up to Teide National Park and hiked to the spot. The route was quite strenuous, but the sun was shining, it was about 10 degrees Celsius--not too cold--and the solitude and landscape were fantastic. We didn't want to think about the night yet, knowing temperatures would drop below freezing, coupled with the wind. [2025-03-10_111604_GZ8_6227-720x480] In the background you can see the edge of the Caldera, the giant outer crater that surrounds the Pico del Teide. "A few meters more to the right," said Uli, and I drew a line in the dust with my foot. Here's where it would happen. At the moment, the sky was bright blue, and there was no sign of the moon. Hardly imaginable that in a few days, from exactly this spot, it would be precisely above the crater and eclipsed. We felt optimistic. This could really work out. On our way back, a wind began to pick up, funneling down from the direction of the Izana observatories into our valley, like through a jet. The temperature dropped rapidly, and we already had to push a bit against the wind. A first, small taste of what was still ahead of us... [2025-03-10_113928_GZ8_6233-720x480] Equipment Shortcomings I was not entirely happy with the equipment I had available on the island. Usually, I don't photograph much with telephoto lenses here, so my longest focal length was a 70-200mm f/2.8. Uli--always hardcore--had traveled to the island with 60 kg of gear, prepared for everything. Besides all his Sony lenses (200-600mm) and his Nikon Coolpix P1000 (24-3000mm!), he even had a 300mm and a Nikon 400mm f/2.8 with him. Crazy. "Since you have so many lenses - could you lend me your Nikon?" (The only lens of his that would fit my cameras.) Uli agreed. One less worry, as 200mm was quite short for moon photography. Another issue was my tripod situation. I had only one reliable tripod on the island. The second one didn't deserve the name--I usually just use it as a holder for my tablet. Since this was a unique opportunity, I wanted to use two cameras. I had my Nikon Z8 and the Nikon Z50 II with me. So I decided to ask a friend--who was planning to visit us a few days later--to bring me a tripod. Unfortunately, he had to cancel the trip last minute, so once again, I was left tripod-less. Ordering stuff here on the island is a bit tricky, and good camera stores are few and far between. So I figured I'd head into the capital to buy one there. The selection I had briefly checked online wasn't huge, but there was one tripod that actually deserved the name (and to be honest, I'm pretty into it now). After that little half-day trip, I could check off another item from the list. Now everything should finally go smoothly! (... though hindsight is always 20/20... ;-)) [PXL_20250302_120155422-720x480] Bad weather is coming... Weather Challenges Alright, but the weather was still a big question mark. For days--actually, weeks--there'd been this weird weather pattern hanging over the Atlantic. Weird meaning strong winds from the west (instead of the usual northeast trade winds), rain, even snow up in the mountains, really bad weather in the north of the island, and high clouds--yep, even over the rim of the caldera, which was exactly where we wanted to shoot. [Screenshot_20250318-184812-720x302] And sure enough, the evening of the event was super cloudy. We kept checking the webcams and forecasts over and over. Uli wanted to head up the night before the lunar eclipse to set up a few wide-angle cameras for some time-lapse shots, planning to pick them up again the next morning. I was hoping to catch a bit of sleep beforehand. The alarm was set for 2 a.m. Worst-case scenario kicks in Just as I had packed everything and was about to head to bed, Uli called: "I've got good news and bad news. The good--weather's actually not that bad. Not as windy as we feared." "Sounds promising--and the bad?" "While I was out setting up my cameras, someone broke into my car and stole my second backpack--with all my telephoto lenses and other cameras..." "What??!!" Uli was surprisingly calm, considering he'd just lost two-thirds of his gear: "It's insured..." -- but still, how were we supposed to shoot the lunar eclipse now, without any long lenses? It really felt like the universe was telling us it wasn't meant to be. I only had the 70-200 mm, and Uli's longest lens left was a 135 mm. Not exactly ideal for capturing a lunar eclipse. If it had happened just a day earlier, we might've been able to borrow some lenses. But just hours before? No chance. We went back and forth. "So should we just call it off? Weather's supposed to be unstable anyway..." Thinking about calling it off That little inner voice--the one that already had zero interest in getting up at 2 a.m. and hiking for hours in the cold--kept chiming in: "This is going to be a bust anyway, it's way too cold and probably all clouded over. Why don't you just shoot it from down here in town, at the pier? You could sleep in two extra hours, it's less windy, and way warmer." Uli said he'd drive back down first and stop by a couple of electronics stores along the way--maybe, just maybe, he could find a telephoto lens there. Luckily, shops stay open pretty late on Tenerife... "Alright, let's talk again once you're back." I kept refreshing the weather apps and checking webcams. Ran the numbers in Planit to figure out if we could at least capture the event down here on the coast. Sure, it would work... but it just wouldn't be that once-in-a-lifetime shot. ...or maybe not? At some point, Uli called back: "They don't even carry camera gear at all anymore at places like MediaMarkt--but I just remembered I actually have another 300 mm lens lying around..." Me: " speechless..." Alright then--300 mm for him, 200 mm for me... not ideal, but worth a shot. Inner slacker, pipe down. "Alright, let's do this. I'll pick you up at 2:30," I said. As you can probably guess, it was a short night. I showed up right on time at Uli's: "Wow, traveling light, huh?" -- honestly, without some dark humor, this whole thing would've been unbearable... Let's go--up the mountain! Already in Vilaflor, the last village before the national park, the car beeped at 4degC. A few curves later, the roads were wet, and a little further up, they even started to sparkle with frost. I crawled up into the national park at 20 km/h. As soon as we entered the Caldera, we could see clouds spilling over the rim from the north--yep, exactly the direction we needed to head. "The observatories are still completely buried in clouds," Uli said. Yeah... I figured as much. We drove past the massive "Roques de Garcia." The full moon was so bright, we could actually see the landscape with the naked eye. At one point, I switched off the headlights--crazy how bright that full moon is. Is the weather about to ruin everything? "What if we just shoot the eclipse here, with the silhouette of the Roques in the foreground?" We thought about it for a moment. The downside: the moon would dip behind them later, since the rocks aren't that tall, and the sky would already be getting brighter with dawn. Plus, there'd be a much higher chance of bumping into other people here--people who might wander straight into our timelapses. And honestly, it just wouldn't be the shot we'd spent so much time planning for. So, we kept going. From the Teide cable car station onwards, the road got damp again, and I had to slow way down. These curves are no joke--and there are no winter tires on Tenerife. Wisps of clouds started forming above us. Just 4 km to go. The clouds kept thickening. Oh man, this is not looking good... Eventually, we reached the parking lot near El Portillo. The clouds were spilling into the caldera from the left and drifting right over us. [PXL_20250314_035852971] Down there, where the clouds are drifting--that's where we need to go. (Shot on smartphone) "Let's walk over to the viewpoint and check things out--worst case, we head back to the Roques. Timing-wise, we'd still make it." But honestly, the viewpoint didn't really give us any new insights. The clouds were still there, and we couldn't tell whether they'd get better or worse. We figured we had about a 50:50 chance of getting our shot. At the Roques? Pretty much a guaranteed 100%. But of course... it just wouldn't be the same. So--what to do? We decided to take the risk In the end, we went with the more uncertain, but potentially way more rewarding option--and started the hike. [PXL_20250314_043050220] Inside the caldera (Smartphone) Thanks to the full moon, we didn't need a headlamp or any other light. Even the initial bit of scrambling over some rocks worked just fine in moonlight alone. As timelapse and astro photographers, we naturally have a bit of an aversion to those insanely bright LED floodlights people call "headlamps" these days. And speaking of which--we actually saw quite a few of them, despite the unstable weather, making their way up the slopes of Teide. It never ceases to amaze me how many people head up there, no matter the conditions. And if it was already -4degC and pretty windy where we were at 2,200 meters, it must've been closer to -10degC up there, more than 1,000 meters higher--with some seriously brutal wind. [PXL_20250314_043841768] Teide in the full moonlight (Smartphone) But we had layered up properly, and while we were hiking, we weren't cold at all. The wind was at our backs, too. Setting up The moon was still fairly high, so we had plenty of time to set everything up without rushing. Uli planned to use his main camera with the 300 mm on the Polarie star tracker. Getting the mount perfectly aligned with the North Star always takes a little time--but luckily, he managed to catch a clear glimpse of Polaris through a gap in the clouds. I had the 24-70 on the Z50II set to about 50 mm, aiming for a wide shot with the whole Teide in frame. Once the moon moved a bit lower, I was going to switch over to the 70-200 on my new tripod, dialed in at 200 mm, and aim it right at the crater's summit. But first, I shot a "boring" sequence--just the already-eclipsed moon on its own, no background. [PXL_20250314_070302446-720x480] A layer of ice formed on our gear in no time I controlled the exposure of both cameras using qDslrDashboard--but mostly manually, not with the "Auto Holy Grail" mode. The reason? During a lunar eclipse, you need to be able to adjust exposure very quickly, while the "Auto Holy Grail" algorithm is designed to do the opposite: it smooths out short-term brightness changes and only adapts gradually over time--perfect for sunrises and sunsets, but not so much for a fast-changing eclipse. At one point, the moon drifted out of frame on the 200 mm, so I decided it was time to set up the final shot. The idea was to frame the crater at the bottom and start shooting just as the moon was entering the frame--this way, I wouldn't have to touch the camera again until the moon had completely moved out. Challenge: Exposure A quick word about exposure during a lunar eclipse--because honestly, it's one of the biggest challenges. While even just a sliver of the full moon is still visible, not even today's sensors--with their 14 or 15 stops of dynamic range--can capture both the moon and the landscape without compromise. Either you expose for the landscape and the moon is totally blown out, or you expose for the moon and the landscape turns to pure black. The trick is finding that sweet spot: a balance where you can still pull some detail out of the landscape in post without everything being a noisy mess, and where the moon doesn't just show up as a giant white blob. Test shots and histograms? Not much help either--the moon just shows up as a bright dot on the screen, everything else around it looks pitch black. [2025-03-14_051815_Z52_2186-720x480] This is what the image preview looks like on the monitor... At that point, you really have to rely on experience to judge the exposure--trying to nail it so there's still just enough hidden in the shadows to pull the landscape out later. Even with a flat camera profile, there's just no way to tell from the JPG or histogram what you'll actually be able to recover from the RAW file later on. [2025-03-14_051815_Z52_2186_2-720x480] The same image (Nikon Z50 II) after RAW processing - you can now see the moon is already slightly eclipsed, and there's detail in the landscape too. [2025-03-14_061937_Z52_3414-720x405] As totality approaches, exposure gets easier since the contrast drops. The Z50II performed well here, though of course it can't quite keep up with the dynamic range of the Z8. 30mm, f/2.8, 2 sec, ISO 800. Everything changes suddenly the moment totality begins. In our case, the eclipse was right on the edge of the umbra, so even toward the end of totality, we still had a faint glow on the right side of the moon in the images. To get the best possible timelapse of a lunar eclipse, you have to react fast when totality hits and adjust your exposure accordingly. For the 50 mm wide shot, I decided to let the moon blow out just a little--as little as possible, but enough to still keep some detail in the landscape. For the telephoto shot, I was only capturing totality anyway, which made it way easier to expose properly. Meanwhile, clouds had drifted in front of Teide and we found ourselves standing in freezing rain. Thankfully, the crater and the moon were still more or less visible. Our camera bags were crusted with ice crystals by now, and during my final camera adjustments, I couldn't feel my fingers anymore. I couldn't even manage to turn off the display--the button just wouldn't press. Oh well, the battery would survive. Hopefully. [2025-03-14_062458_GZ8_7109-Verbessert-RR-720x480] Would the moon actually fall into the crater? Shot with the Nikon Z8 at 200mm, f/2.8, ISO 800, and 2 sec exposure. So, we were all set: my wide shot was rolling, the telephoto sequence was up and running, and both of Uli's cameras were clicking away too. I had set the interval to 3 seconds, by the way. Unexpected interruption Finally, we could shove our hands into our warm pockets and just enjoy the show. Just as we were starting to relax, we suddenly saw two of those ultra-bright "searchlight" headlamps making their way down the rocky slope--right between us and Teide. WTF?? There's no trail there, and definitely no parking spot up top--where the heck did they come from? They just kept weaving their way down toward us, totally unfazed, and their insanely bright beams kept sweeping straight in our direction--almost certainly hitting our cameras, too. You've got to be kidding me. "Turn off the lights!" I shouted into the night. "!Apaguen las luces! " -- no reaction. I called again, louder this time. Still nothing. Eventually, they settled on some rocks in front of us--but left their lights on the entire time. Who are these people? I mean, who else would be able to pinpoint this exact location so precisely? Probably only photographers, right? I mean, who else knows how to use Planit? But then again, photographers--especially astro nerds--usually know better than to blast everything with full-beam headlamps all night. We didn't get the feeling they were even shooting photos... so what were they doing there? Guess we'll never know. But seriously, running into someone out here, at this hour, was the last thing we expected. In the end, we just had to roll with it. Whether those lights would show up in our footage... well, we'd find out later. For now, we just wanted to soak in the magic of the total lunar eclipse. The freezing rain had stopped, and the clouds decided to give the summit a break--drifting by just beneath the peak. Totality approaches From the moment totality began to the point where the moon disappeared behind the crater, we had just 6 minutes. The sky had already started to take on a faint blue hue with the approaching dawn. And now, more clouds were looming--this time coming in from the right. Just after the moon touched the edge of the crater, one of those clouds drifted right in front of it--because of course it did. Luckily, it was a small one and didn't mess up the final result too much. And--miraculously--the lights from those ridiculously bright headlamps didn't show up in the timelapse at all. Sometimes, you just need a bit of luck! We did it! And here it is--the single frame from the timelapse that made all of this effort totally worth it: [2025-03-14_063046_GZ8_7225-20250314-DxO_DeepPRIME-XD2s-720x480] It worked! Nikon Z8, 200mm, f/2.8, 2 sec, ISO 800. Once the moon had disappeared, we briefly considered running off to the right to catch one last glimpse of it beside the mountain--but it didn't take long to realize that wasn't going to happen. We still had to de-ice and pack up all the gear, and with how quickly the moon was setting, there was just no way we'd make it in time. So instead, we let the cameras keep rolling a little longer and simply watched as the day slowly began to break. [IMG20250314065332-720x480] Photo: Uli Fehr [PXL_20250314_070310008-720x480] One more timelapse with the ice-covered camera, this time facing the edge of the caldera, where clouds were now spilling in from the south as well. [PXL_20250314_070344267-720x480] We did it! The way back Frozen to the bone but happy, we packed up everything calmly and started the hike back to the car. Straight into the thick clouds that soon wrapped around us. We battled against the wind, and a thin layer of ice had formed on the ground. I really didn't want to think about the drive back just yet... [PXL_20250314_071721369-720x480] Somewhere out there in that fog bank... is our car. [PXL_20250314_072020444-720x480] Every now and then, Teide lit up in a beautiful orange glow from the rising sun. [PXL_20250314_074332239-720x480] Everything frozen... [PXL_20250314_071352096-720x480] When we finally got back to the car, it was completely frozen over too. Ice scrapers in Tenerife? Yeah... not exactly a booming market. [PXL_20250314_075104542-720x480] So with hands that were finally starting to thaw, we scraped the ice off the windshield. My phone still showed -4degC. And once again, we got lucky: the road wasn't too icy, so we carefully began the drive back--at a snail's pace. The higher the sun climbed and the farther south we got, the drier the road became, and before long the thermometer crept back into positive territory. We did it! A little riddle for you Tired but seriously happy, we started our descent--and ended up witnessing a super interesting physical-chemical phenomenon. Check out this photo: [PXL_20250314_082909550-720x480] In the spots where there was shadow--or just recently had been--the road had already dried. But in the sun? Still wet. How's that even possible? If you know the answer, drop it in the comments! Uli picked up the camera he'd set up the night before, and then we headed back down to the warm coast for a well-deserved late breakfast--though not without quickly grabbing our laptops first to offload the sequences. And while we were still waiting for our food and coffee, we couldn't help ourselves--we already started reviewing the footage. The excitement was just too much! Do you want to learn how to shoot and edit such timelapses? Get my E-Book Timelapse Photography and learn it step by step the easy way! My timelapse And to wrap things up, here's a little compilation of the timelapse sequences I captured. Enjoy the show! https://youtu.be/dSuCsWTxZ6UVideo can't be loaded because JavaScript is disabled: Total Lunar Eclipse over Crater of Pico del Teide, Tenerife (HDR Timelapse) (https://youtu.be/dSuCsWTxZ6U) To watch the video in HDR, you'll need an HDR-capable TV or, on a computer, an HDR-capable monitor and browser (Chromium-based), with HDR enabled in your operating system. Make sure to watch the video directly on YouTube! P.S. Have you ever planned and pulled off a photo project this elaborate? I'd love to hear about it--drop me a comment! P.P.S. And be sure to check out Uli on Instagram and Facebook--he's always up to some wild photo adventures. This might also be of interest to you: * thumbnail-ceremony-2LA Timelapse Film Festival - the award ceremony now on Youtube! 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I've spent an enormous amount of time... * los-angeles-palm-trees-wide-copyLA Timelapse Film Festival Audience Voting and Livestream Next Saturday, Jan. 28, 2023, the award ceremony for the Los Angeles Timelapse Film Festival will take place in an online ceremony - and... * Title_LRTimelapse_7_Basic_ENBasic Tutorial This is the complete basic tutorial for LRTimelapse. Additionally to the internal editing and processing in LRTimelapse it also includes editing and exporting via... - LRTimelapse 7.3 released! 6 Responses to Total lunar eclipse over the Teide crater, Tenerife - a project with many obstacles... 1. Constantin says: 2025-03-22 at 3:06 pm On the topic of the road: Parts still in shade have humidity collected from the night in form of very light frost, barely visible. This melts when the sun hits and thereby becomes clearly visible as wet road. Reply 1. Gunther Wegner says: 2025-03-22 at 5:15 pm Yes, but here the road is wet in the sun while it is dry in the shade. That's paradoxical and the other way around, as you would expect. I'll wait for a few more answers, then I'll solve it! Reply 2. Gavin says: 2025-03-22 at 7:27 am I had a think about this phenomenon on the road and I suspect that the road heated by the sun is much closer to the dew point than the road in the shade. The clear night sky has kept the road dry, but with the advent of some warming, the moisture in the air is attracted to objects at or close to the dew point. Best way to find out the answer is to have a stab in the dark, like I have, and then the experts will show up to give us the science. Reply 3. Matthew Wheeler says: 2025-03-22 at 5:07 am Thank you for a great finger-nail biting account of this expensive adventure, with such a beautiful, spectacular outcome after all the work and obstacles-it is so well presented and I had to read to the end right away! About the shadow "photography" on the road: I have seen this fair bit in Canada, where the snow can be etched away by the sun, leaving quite intricate images of the shadows. Frozen mud can become quite light in tone, and darken when it thaws. In this case it is possible the pavement looks dry because drizzle had frozen into it, and the width of the gap outside the current shadow shows the time it took to melt and darken the road surface. Reply 4. Silvana Della Camera says: 2025-03-22 at 12:27 am Wonderful! I am glad you didn't give up. I have found that the battle within is often harder than the difficult task itself. Thank you for sharing your story and the remarkable results. Reply 5. John Edwards says: 2025-03-21 at 7:48 pm Love the planning and perseverance. Thanks for sharing your story and your excellent timelapse of the lunar eclipse. Reply Leave a Reply Cancel reply Your email address will not be published. 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