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The Human Alphabet
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In Louisa May Alcott's Little Women (1868-69), we are told how "Demi
learned his letters with his grandfather, who invented a new mode of
teaching the alphabet by forming letters with his arms and legs, thus
uniting gymnastics for head and heels." Composed across more than
half a millennium, the images gathered below also unite contortion
and composition, and seem to celebrate the innate humanness of
writing, which tops the list of qualities that distinguish our dear
species most distinctly from our fellow animals.
Typographical characters have long had an affinity with the character
and shape of the human body. As Peter John Brownlee has discussed,
geometer Luca Pacioli, engraver Geoffroy Tory, and other late
Renaissance figures "utilized the human anatomy as scaffolding on
which to form properly proportioned letters". We find such
scaffolding in Peter Flotner's woodcut Menschenalphabet (1534), where
the artist's own body is often reworked into elegantly balanced
letters. Later instances of the embodied alphabet depart from
Renaissance celebrations of humanism toward subtle commentary on the
character-forming qualities of pedagogy. The Comical Hotch Potch, or
the Alphabet Turn'd Posture Master (published in Britain in 1782 and
later reproduced in 1812 by Philadelphia printer James Webster), for
instance, features obsequious men striving to affect the alphabet:
"He first finds a way, To form a great A", "L sits him down easy, And
hopes for to please ye", "To please every sex, I am forming an X".
With the advent of photography, the conceit gained new life. A photo
series of human letters appeared in an 1897 article by William G.
FitzGerald for The Strand Magazine. "The idea of building up each
letter of the alphabet and each figure from 1 to 0 out of the bodies
of human beings is an absolutely unique 'notion.'", he writes, and
takes a page from Alcott's book: "Our human alphabet may also suggest
to hard-worked teachers of infants a novel way of imparting to little
ones their letters". As the image gallery below demonstrates, the
claim of being an absolutely unique notion is certifiably untrue, but
this "real" human alphabet is indeed bulkier, for there are living
bodies at play. FitzGerald bemoans the clunkiness of E: "It is rather
a pity that Mr. Harry Delevine's body is so prominent, thereby making
the upper part of the letter unduly thick. But what would you [do]?
It was quite unavoidable."
Medium
* Images
Theme
* Design & Typography
Style
* Painting & Drawing
* Manuscript Illumination
* Book Illustration
* Design
* Engraving
Epoch
* Pre-16th Century
* 16th Century
* 17th Century
* 18th Century
* 19th Century
Tags
alphabet18best of design52best of language and communication25
typography8best of images86design31alphabet books15
Indexed under...
A
* Alphabetmade of humans
Source Source Various
Rights Underlying Work PD Worldwide
Rights
Digital Copy Various - see source links.
Rights
Download Download Right click on image or see source for
higher res versions
Found Found Via Zoe Typelark / Io9 / Spamula.net / Sotirios
Via Raptis
Bourbonnoise Alphabet, unknown artist (1789)Scroll through the whole
page to download all images before printing.
Buy as a Print
Bourbonnoise Alphabet, unknown artist, 1789 -- Source.
The Comical Hotch Potch, or The Alphabet turn'd Posture-Master (1782)
Scroll through the whole page to download all images before printing.
The Comical Hotch Potch, or The Alphabet turn'd Posture-Master, 1782
-- Source.
The Man of Letters, or Pierrot's Alphabet (1794)Scroll through the
whole page to download all images before printing.
The Man of Letters, or Pierrot's Alphabet, 1794 -- Source.
Page from a Tudor pattern book, (ca. 1520) human alphabetScroll
through the whole page to download all images before printing.
Page from a Tudor pattern book (ca. 1520) -- Source.
Peter Flotner's Human AlphabetScroll through the whole page to
download all images before printing.
Peter Flotner's "Human Alphabet", 1534 -- Source.
Pages from The Funny Alphabet (ca. 1850)Scroll through the
whole page to download all images before printing.
Pages from The Funny Alphabet (ca. 1850) -- Source.
Honore Daumier's comic alphabet (1836)Scroll through the whole page
to download all images before printing.
Honore Daumier's comic alphabet, 1836 -- Source.
Page from the Horae ad usum Parisiensem, 1475-1500Scroll through the
whole page to download all images before printing.
Page from the Horae ad usum Parisiensem (1475-1500) -- Source.
Attributed to Lampridio Giovanardi (1811-1878), Anthropomorphic or
Posture Master Alphabet (ca. 1860)Scroll through the whole page to
download all images before printing.
Attributed to Lampridio Giovanardi, 1811-1878, Anthropomorphic or
Posture Master Alphabet, ca. 1860 -- Source.
Detail from above.Scroll through the whole page to download all
images before printing.
Detail from above.
Part of the painted alphabet of Giovannino de' Grassi (d. 1398)Scroll
through the whole page to download all images before printing.
Part of the painted alphabet of Giovannino de' Grassi (d. 1398) --
Source.
Pages from *Alfabeto in sogno* (1683) by Giuseppe Maria MitelliScroll
through the whole page to download all images before printing.
Page from Alfabeto in sogno (1683) by Giuseppe Maria Mitelli. The
title translates as Dream Alphabet -- Source.
*Alfabeto in sogno* (1683) by Giuseppe Maria MitelliScroll through
the whole page to download all images before printing.
Page from Alfabeto in sogno (1683) by Giuseppe Maria Mitelli. The
title translates as Dream Alphabet -- Source.
*Alfabeto in sogno* (1683) by Giuseppe Maria MitelliScroll through
the whole page to download all images before printing.
Page from Alfabeto in sogno (1683) by Giuseppe Maria Mitelli. The
title translates as Dream Alphabet -- Source.
Pages from Alfabeto in sogno (1683) by Giuseppe Maria
MitelliScroll through the whole page to download all images before
printing.
Page from Alfabeto in sogno (1683) by Giuseppe Maria Mitelli. The
title translates as Dream Alphabet -- Source.
Choreographic interpretation of the letter "K", photographed from the
book Abeceda (1926)Scroll through the whole page to download
all images before printing.
Choreographic interpretation of the letter "K", photographed from the
book Abeceda (1926) -- Source.
Word TYPES made from letters looking like human bodiesScroll through
the whole page to download all images before printing.
Cover illustration (detail) from Chicago Times Portfolio of Midway
Types (1895) -- Source.
Photograph of humans arranged as lettersScroll through the whole page
to download all images before printing.
Illustration from The Strand Magazine, 1897 -- Source.
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Published
Nov 3, 2016
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