https://scholar.google.com/citations?view_op=view_citation&hl=en&user=UgSR4RsAAAAJ&citation_for_view=UgSR4RsAAAAJ:vDijr-p_gm4C Loading... The system can't perform the operation now. Try again later. My profileMy libraryMetricsAlerts Settings Sign in View article Sign in Jesus Angel Gonzalez Jesus Angel Gonzalez [PDF] from researchgate.net 'Wiring'The Wire: Transtextual layers and tragic realism in The Wire Authors Jesus Angel Gonzalez Publication date 2019/10/1 Journal Journal of Popular Television Volume 7 Issue 3 Pages 279-297 Publisher Intellect Description The Wire's (2002-08) creator David Simon has contended that it is neither a 'cop' nor a 'crime show' and has called it a 'visual novel' and associated it with Greek tragedy instead. These associations have been contested by critics like Amanda Ann Klein and Linda Williams, who, while praising The Wire, reject its consideration as a Greek tragedy and propose its analysis as television melodrama. This article deals with the different transtextual layers in The Wire, from its obvious connections with cop shows, police procedurals or the hard-boiled detective novel, to its deeper associations with melodrama, going through the more or less veiled references to Dickens, the Greek tragedy, gangster films, westerns or Edgar Allan Poe. By means of this analysis and by applying Jonathan Franzen's concept of 'tragic realism', I reconsider the show's features and generic affiliation, and engage in the debate initiated by Williams ... Total citations Cited by 3 20203 Scholar articles 'Wiring'The Wire: Transtextual layers and tragic realism in The Wire JA Gonzalez - Journal of Popular Television, 2019 Cited by 3 Related articles All 4 versions * PrivacyTermsHelp About ScholarSearch help