https://www.newyorker.com/books/page-turner/mark-fishers-k-punk-and-the-futures-that-have-never-arrived Skip to main content The New Yorker * Newsletter To revisit this article, select My Account, then View saved stories Close Alert Sign In Search * News * Books & Culture * Fiction & Poetry * Humor & Cartoons * Magazine * Puzzles & Games * Video * Podcasts * Archive * Goings On * Shop Open Navigation Menu To revisit this article, visit My Profile, then View saved stories Close Alert The New Yorker Page-Turner Mark Fisher's "K-Punk" and the Futures That Have Never Arrived [hsu-hua] By Hua Hsu December 11, 2018 * * * * * Save this story for later. * * * * * Save this story for later. Mark Fisher was a writer and academic from the English Midlands who, in the early two-thousands, felt at odds with many of the institutions around him. Fisher, then in his mid-thirties, had devoted himself to theories of capitalism and Internet culture that few people in his immediate vicinity appeared to care about. He was zealous about obscure music and cinema at a time when critical discourse seemed to be reorienting itself around our biggest stars. So, in 2003, he decided to start a blog. Mark Fisher Fisher feared that we were losing our ability to conceptualize a tomorrow that was radically different from our present.Photograph by Georg Gatsas / Verso Books Fisher's blog was called K-Punk. The K came from kyber, the Greek root of "cyber," and it was intended to signal his interest in a time before the rise of the sort of cyber boosterism that Fisher associated with Wired magazine. Punk, for Fisher, was a way of being and seeing that involved a refusal of things as they were. The blog would be a place to workshop and refine ideas, and a forum for debates that seemed marginal within academia but too dense for mainstream magazines. [hsu-hua] Hua Hsu is a staff writer at The New Yorker and the author of "A Floating Chinaman: Fantasy and Failure Across the Pacific." More:BooksWritingBloggingCriticismInternetMusicTheories Books & Fiction Get book recommendations, fiction, poetry, and dispatches from the world of literature in your in-box. Sign up for the Books & Fiction newsletter. E-mail address [ ] Sign up By signing up, you agree to our User Agreement and Privacy Policy & Cookie Statement. Read More Image may contain Canvas and Art Touchstones Nirvana's "Nevermind" Made, and Unmade, Alternative Culture The band's unglamorous style was a welcome reaction against the groupie-chasing, hard-partying posing that had dominated MTV for so long. By Hua Hsu Illustration of girl playing the harp Pop Music Reconsidering the Harp New releases from Jeff Majors and Mary Lattimore bring the classical instrument to a range of new spaces. By Hua Hsu The History of Internet Memes Video The History of Internet Memes Discover the history of Internet memes. The New Yorker Sections * News * Books & Culture * Fiction & Poetry * Humor & Cartoons * Magazine * Crossword * Video * Podcasts * Archive * Goings On More * Customer Care * Shop The New Yorker * Buy Covers and Cartoons * Conde Nast Store * Digital Access * Newsletters * Jigsaw Puzzle * RSS * Site Map * About * Careers * Contact * F.A.Q. * Media Kit * Press * Accessibility Help * Conde Nast Spotlight (c) 2022 Conde Nast. All rights reserved. Use of this site constitutes acceptance of our User Agreement and Privacy Policy and Cookie Statement and Your California Privacy Rights. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Conde Nast. Ad Choices * * * * * Do Not Sell My Personal Info