https://photographylife.com/features-more-cameras-need Photography Life PL provides various digital photography news, reviews, articles, tips, tutorials and guides to photographers of all levels [Search... ][SUBMIT] * * * * * * Reviews * Learn * About Us * Forum * Search Home - Cameras and Lenses The Features That More Cameras Should Have * * * * By Spencer Cox 34 Comments Published On November 17, 2021 It's easy to look at the impressive slate of cameras today and wonder what more they could possibly do. But there's always room for improvement, which is why I'd like to go through some of the most useful features found on some - but not enough - cameras today. All the features I'm listing below exist at least somewhere on the market. In other words, the technology is there. But I think there's a big gap on the market if a company wants to stand out with their feature set, since no camera comes anywhere close to having all of these. Note that when I've listed the features below, I've also mentioned some of the prominent cameras today with each feature. It's not an exhaustive list and I'm sure I missed plenty, especially on brands that I'm not as familiar with like Pentax and Panasonic. If you let me know in the comments, I'll add any missing cameras to the appropriate sections. Without further ado, here are the features I think should be found on more cameras today: Table of Contents * Back-in-Time Buffer * Sensor Dust Protector Curtain * Voice Memos * GPS * Illuminated Buttons * Bulb Mode Preview * Vibration Detection Shutter Firing * Native Image Averaging * Sensor Shift High Resolution * Focus Stacking * Photographer's-Eye-Sensing Autofocus * Multi-Axis Tilting Camera Screen * Shutter Speeds Beyond 30 Seconds * Raw Histograms * 16-Bit Raw * Animal-Eye-AF * Brighter Light Compositing * Base ISO Below 100 * Built-in Flash Commander * Star Tracking Sensor Shift * Conclusion 1. Back-in-Time Buffer One of the key skills of sports and wildlife photography is anticipating the moment. There's always some shutter lag - and lag in our own perception - to deal with. But even with top-tier anticipation skills, you'll occasionally end up pressing the shutter button a hair too late and missing the moment. One feature that can save the day is what I like to call a "back-in-time buffer." It's found on some Olympus cameras and a few smartphones, as well as a more limited implementation on the discontinued Nikon 1 line of cameras. Here's how it works. Any time you hold down the shutter button halfway, the camera captures a constant burst of photos with the electronic shutter. (It discards them rather than saving them to the memory card.) Once you fully press the shutter button, the camera saves the backlog of images from the past half-second or so. As a result, you'll capture a moment that you otherwise would have photographed too late. (On the late Nikon 1 cameras, the camera automatically chooses which "back in time" frames to keep, and only keeps 5 frames total.) Of course, this feature takes up more card space - and some pros may tell you just to learn anticipation skills instead - but you can always turn it off if you don't want it. * Currently Found On: Many of the newest Olympus cameras (where it's called "Pro Capture"), including the OM-D E-M5 Mark III and all OM-D E-M1 cameras from Mark II and beyond; more limited implementation on Nikon 1 cameras (called "Smart Photo Selector") * Helps With: Sports and wildlife photography Wildlife photo ISO 450Lucky timing! But that won't always be the case. 2. Sensor Dust Protector Curtain I've found when shooting mirrorless that my sensor gets dirty more often compared to using a DSLR. It's not a big pain to clean it, but I'd rather worry about other things when I'm out in the field. I'm sure someone will correct me on this, but as far as I know, the first camera with a dust-protection curtain was the Canon EOS R. When you remove the lens on the EOS R, the shutter curtain closes in order to protect the sensor from the outside world, including dust. Other cameras have added this feature in the meantime, including the Nikon Z9 (which doesn't even have a mechanical shutter and instead uses a dedicated dust protection curtain for the job). I hope it becomes standard issue on all mirrorless cameras, and frankly, even on DSLRs. * Currently Found On: Sony A9 II and A1; Nikon Z9; Canon full-frame mirrorless cameras other than the EOS RP * Helps With: Any genre of photography where you're using narrow apertures, especially landscapes, macro, and architecture 3. Voice Memos Practically every camera these days has a microphone and a storage device. So why has it taken so long for voice memos to find their way to the masses? High-end professional cameras have had voice memo options for ages. A quick Google search tells me it existed on the Canon EOS-1D Mark II in 2007 and the Nikon D2X in 2004, and maybe even on some earlier cameras. Voice memos aren't something everyone would use, but for documentary photographers, wedding photographers, and a few others, they can be a big help. I'm glad to see Nikon adding voice memos to some of their less expensive cameras via a firmware update, including the Nikon Z6 that was released a few years ago. Hopefully more camera companies follow suit. * Currently Found On: Most flagship sports cameras; Nikon Z6 and Z6 II (not the Z7 or Z7 II for some reason); Canon 5D IV for $100 service fee; Fuji X-Pro2, X-Pro3, X-T2, X-T3, and Fuji medium format cameras * Helps With: Any sort of documentary photography 4. GPS A lot of cameras are compatible with external GPS units that can tag your photos as you take them, but there's no reason for the extra expense and annoyance of a dongle. To me, the proof is in point-and-shoot cameras. So many of them have built-in GPS, even cameras from more than a decade ago. If companies could add it to such basic cameras for so long, why isn't everyone adding it to higher-end cameras today? (Maybe this next part is asking too much, but I'd also like to see the GPS sync your current location with the camera's clock, so you don't need to change the time in the menu each time you go to a different time zone.) At least GPS is found on more cameras than some of the other features on this list. But it should be as common as WiFi and bluetooth - and it shouldn't require you to sync your camera to your smartphone in order to piggyback on the phone's GPS. * Currently Found On: Nikon Z9, D6, D5300; Olympus E-M1X; Canon EOS R3, 1DX II, 5D IV, 6D II; Pentax K-1 series and K-3 II; several point-and-shoot cameras; almost all smartphones and drones * Helps With: Documentary photography, landscape photography, or any time that you want to remember a location Uncropped Drone Photo with Minimal Noise ReductionI like that drones almost always tag GPS coordinates to an image, so I can revisit a promising location more easily in the future 5. Illuminated Buttons I'll be the first to say that you should learn how to use your camera with your eyes closed. You should instinctively know the location of every button and dial, or you'll miss some shots in fast-moving conditions. However, for Milky Way photography or other shoots in pitch-black environments, backlit illuminated buttons can still be very useful. It certainly beats a bright headlamp that can shine into your photo or just ruin your night vision. A few cameras have illuminated buttons, and the Pentax K-1 series even has a small light that illuminates the camera lens mount! For changing lenses at night, this makes things a lot easier. I'd like to see both these features on landscape-oriented cameras in the future. * Currently Found On: Canon EOS 1DX III; Nikon D850, D4-D6, D500, Z9; Pentax K-1 series (separate light, not backlit buttons); Panasonic S1 series * Helps With: Astrophotography and other times when you're taking pictures in the dark. 6. Bulb Mode Preview Some cameras show a live preview of how your exposure is building up during a Bulb or Time exposure. This is a helpful way to tell when to end an ultra-long exposure rather than spending lots of time with trial and error. This is a big win for Olympus including such a feature when most camera companies don't! * Currently Found On: Most recent Olympus cameras; some smartphones * Helps With: Long exposure landscape photography 7. Vibration Detection Shutter Firing Imagine if your camera could measure external sources of camera shake - for example, a gust of wind when you're shooting on a tripod - and only fire the shutter once it detects the image will be stable? I'd find that to be a huge help as a landscape photographer, even if it's not a feature I'd always keep turned on. Sometimes, I think a photo is perfectly sharp, only to realize at home (once it's too late to fix it) that there's a bit of low-lying blur thanks to the wind. Very few cameras have this feature today, but a couple Phase One medium format cameras do. They call it "Seismographic vibration delay." Hopefully the other companies are taking notes. * Currently Found On: Phase One XF IQ4 cameras * Helps With: Landscape photography 8. Native Image Averaging I'm a big fan of image averaging as a way to dramatically improve your image quality and dynamic range. So too, it seems, is Phase One. On a few Phase One and Olympus cameras, there's built-in image averaging to simulate ultra-long exposures without an ND filter, as well as improving shadow noise significantly. Image averaging is basically a way to simulate arbitrarily low ISO values, and it would be a great addition for a lot of landscape photographers. * Currently Found On: Phase One XF IQ4 cameras; Olympus E-M1 III and E-M1 X * Helps With: Landscape photography and any application that requires high dynamic range 9. Sensor Shift High Resolution One feature that's gotten a lot of attention recently, and is found in increasingly more cameras, is a pixel-shift high resolution mode on cameras with in-body image stabilization. This mode takes multiple photos in a row with slightly different sensor positions, then merges them together to increase resolution substantially. On most cameras with pixel-shift, you can quadruple the sensor's native resolution. * Currently Found On: Lots of cameras, but still not enough! A majority of recent high-end cameras have this, aside from Nikon and Canon cameras, which still don't * Helps With: High resolution needs, especially landscape and architectural photography Hong Kong Blue Hour Taken with Panasonic S1RDC-S1R + LUMIX S 24-105/ F4 @ 105mm, ISO 200, 1 second, f/5.0; High resolution sensor shift for 180 megapixels 10. Focus Stacking Landscape and macro photographers often have a difficult time capturing enough depth of field without resorting to tilt-shift lenses or narrow, diffraction-prone apertures like f/16. Some cameras have a built-in focus stacking mode that can help you get around that problem. I'd like to see focus stacking expand to more cameras. I'd also like to see it output a single, stacked raw file rather than making you assemble the final stack yourself on your computer. * Currently Found On: Most new Olympus, Nikon, and Fuji cameras * Helps With: Landscape and macro photography Crab at SunriseNIKON D7000 + 105mm f/2.8 @ 105mm, ISO 400, 1/320, f/ 13.0, Seven-image focus stack 11. Photographer's-Eye-Sensing Autofocus Canon caused a stir when the EOS R3 was confirmed to track your eye - specifically, where in the frame you look when you're using the viewfinder - to figure out where to focus. It's still not a fully-featured operation that lets you track the subject (it's just used for initial acquisition), but it's still an amazing sight. I'd love to see this in more cameras, especially as the technology keeps improving. * Currently Found On: Canon EOS R3 * Helps With: Sports and wildlife photography 12. Multi-Axis Tilting Camera Screen As a landscape photographer, I've found tilting camera screens to be a huge ergonomic improvement in recent cameras. And while almost every camera these days has at least a single-axis tilt, not enough of them can tilt sideways. For vertical photography, this sideways tilt is a big help. I'd like to see multi-axis tilting screens (or fully articulating screens) find their way to more cameras in the future. Although a lot more cameras have it these days, a few companies still lack it in some of their most important cameras (like the Nikon Z7 II and Sony A7R IV). * Currently Found On: Nikon Z9, Zfc, D5600 series; Panasonic S1 series; Pentax K-1 series; Fuji medium format and X-T4 series; Sony A7S III; most Micro Four-Thirds cameras * Helps With: Composing vertical images from a tripod 13. Shutter Speeds Beyond 30 Seconds Nikon was early to the game with extended shutter speeds beyond 30 seconds, and I really thought that other camera companies would copy them. But so far, it's not really happening. I'd love to see more cameras on the market capable of taking multi-minute exposures without the need for a cable release. * Currently Found On: Most new Nikon cameras; Panasonic S1 cameras (up to 60 seconds); most Olympus cameras (a "time" exposure mode where you press the shutter once to start the exposure and once to end it) * Helps With: Landscape and astrophotography 60 Second Exposure of Sand DunesNIKON D780 + VR 100-400mm f/4.5-6.3E @ 380mm, ISO 100, 60 seconds, f/8.0 14. Raw Histograms It's almost comical how long the "every ounce of image quality" club (which includes me) has been asking for raw histograms on a modern camera. The response from camera companies? Crickets. There's are only a few cameras on the market with a raw histogram. One of them is a Leica that only shoots black and white, and the others are Phase One medium format backs. * Currently Found On: First generation of Leica M Monochrome; Phase One XF IQ4 cameras * Helps With: Maximizing image quality through proper ETTR 15. 16-Bit Raw Although I just admitted that I'm part of the "every ounce of image quality" club, even I don't care too much about getting 16-bit raw on a camera. 14-bit raw is already excellent. But at the same time, I also know that if my camera had a 16-bit raw option, I'd be using it for my landscape photography. Some medium format cameras already have it, and it's a contributing factor to their excellent range of colors and tones. * Currently Found On: Most medium format Hasselblad and Phase One cameras * Helps With: Landscape photography, studio photography, and other situations requiring utmost image quality 16. Animal-Eye-AF Most new cameras have eye-AF capabilities that can track the eye of the person you're photographing. Animal-eye-AF, though, is rarer. I admit that this feature may not be necessary once you master the standard tracking capabilities of your camera, but it's still something I'd like to see more often. Not all photographers are pros who have hundreds of hours to spend learning their camera's tracking capabilities inside and out, so a bit of a head start like this can be nice. * Currently Found On: All recent Sony cameras, even some aps-c; Canon EOS R3, R5, R6; Nikon Z9, and limited implementation (cat and dog only) on other Nikon Z cameras * Helps With: Wildlife photography Puffin PhotoNIKON D800E + 70-200mm f/4 @ 175mm, ISO 100, 1/250, f/4.0 17. Brighter Light Compositing This next feature is a bit difficult to describe, but I'll do my best. The idea is that you're taking a long exposure that doesn't get overly bright over time. Instead, it only composites particularly bright lights into the exposure over time. It's easier to describe by example. If you're photographing lightning, you can use a 10-minute exposure, and the foreground doesn't get drastically brighter during that time. But the moment a lightning strike flashes, it shows up in the photo because it's a bright light. This mode would be useful for photographing fireworks or even star trails to avoid getting an overexposed foreground. It's only found on Olympus cameras these days (where it's called "live composite"), but I'd like to see it on more. * Currently Found On: Most Olympus cameras * Helps With: Photographing lightning and a few other long exposure subjects Nikon Z7 Sample Photo of LightningI took this with my camera on a time-lapse and ended up capturing hundreds of nearly identical photos that evening. Only a few were keepers. Live Composite would have made things a lot easier if my camera had it. 18. Base ISO Below 100 With camera sensors improving so much in terms of noise and dynamic range, they've almost hit a ceiling. One way around that, at least in terms of dynamic range, is to implement a lower base ISO. We've seen it work with the Nikon D850, Z7, and Z7 II. These cameras have class-leading dynamic range that's about 2/3 stop better than any base ISO camera on the market. I hope more camera companies follow suit, and maybe even try to go down to ISO 50, 32, and so on. (Though implementing the built-in image averaging feature I discussed a moment ago can serve a similar purpose.) * Currently Found On: Nikon D810, D850, Z7, Z7 II, Z9 * Helps With: Landscape photography and any situations requiring extreme dynamic range. A Break in the Clouds at SunsetNIKON Z 7 + NIKKOR Z 24-70mm f/4 S @ 70mm, ISO 64, 1/100, f/7.1 19. Built-in Flash Commander Almost all new cameras have gotten rid of the pop-up flash, and I've never heard anyone complain about the loss of the weird, harsh light they used to give. But I have heard a lot of people complain that removing the pop-up flash also removed the commander mode for firing external flashes! I wish that a company would add this back, even if they only add a commander mode to fire external lights and not the full pop-up flash. * Currently Found On: Most cameras that have a pop-up flash * Helps With: Portraiture, studio photography, and other situations where you're using an external flash 20. Star Tracking Sensor Shift A lot of clever things can be done with a moving camera sensor. In-body image stabilization is only the beginning. One of the most interesting is the ability to track stars for Milky Way photography, a feature found on a couple Pentax DSLRs at the moment. It's a bit of a niche feature, but considering that the baseline IBIS technology is already built into most new mirrorless cameras these days, it's a niche feature that more cameras should have. * Currently Found On: Pentax K-1 series * Helps With: Astrophotography Final Stacked Star Tracker ImageTaken with an external star tracker instead of one that's built-in, because the Nikon Z7 doesn't have one built-in! It sure would have been nice to save the weight. Conclusion One thing that impressed me while working on this article is that the unique features I've listed here are spread out among camera brands pretty evenly (although Olympus gets the nod for having the most). To me, this shows that every camera company has something good to offer and they can still learn from one another when making new cameras. Now it's just time to put that into practice! Let's see a camera that has all these features and more. I'm sure there are many possible features that I can't even begin to guess, which aren't on any camera today. Are there any that I missed, or some feature you're especially hoping reaches your next camera? For my landscape photography, I'd personally love to see a camera with raw histograms and vibration detection when firing the shutter, unlikely though it may be. But I'd frankly be excited if any of these features become more widespread. After all, as I said at the start of the article, the technology is already here - all we need is for today's camera companies to bring it all together. Subscribe to Our Newsletter If you liked this article, please subscribe below to our weekly email to get more great content like this! Email Address [ ] First Name [ ] [ ] By checking this box I consent to the use of my information, as detailed in the Privacy Policy. Subscribe Related Articles * Nikon D5300 Image Samples Nikon D5300 Image Samples * Nikon D780 Nikon D780 Announcement * Nikon D90 SDXC Compatibility Nikon D90 SDXC Compatibility * Nikon D5 Sample Images Nikon D5 Sample Images * Nikon D4s vs D4 Nikon D4s vs D4 * Nikon D5000 Nikon D5000 vs D90 Disclosures, Terms and Conditions and Support Options Filed Under: Cameras and Lenses Tagged With: Canon, Mirrorless, Nikon , Olympus, Pentax, Sony [svg] About Spencer Cox I'm Spencer Cox, a macro and landscape photographer based in Denver. My photos have been displayed in galleries worldwide, including the Smithsonian Museum of Natural History and exhibitions in London, Malta, Siena, and Beijing. These days I'm active on Instagram and YouTube. guest Label[ ] [ ] Name* [ ] Email* [Post Comment] guest Label[ ] [ ] Name* [ ] Email* [Post Comment] 34 Comments Newest Oldest Most Voted Inline Feedbacks View all comments wayne wayne November 17, 2021 2:00 pm book mark for video. When shooting sports videos, I want to hit a button that adds a bookmark to indicate . Some action point in the video - like a goal. Then it would be easy to edit the video and clip out all the goals, steals, turnovers etc without having to rewatch the entire event. Voice memo could do that.... 0 Reply Sam Walker Sam Walker November 17, 2021 1:29 pm #13. - My Fuji X-T2 has shutter speed settable up to 15 minutes. 0 Reply Tom Thorpe Tom Thorpe November 17, 2021 12:04 pm A simple request! as a Canon R5 owner and I know this applies to many brands as well why oh why can't they give us a LCD screen that rotates the info display in portrait mode? surely a simple software fix. I can have that luxury looking through the viewfinder but when I'm out doing landscape it would be so nice to see the info correctly displayed on LCD it's 2021! I know fuji do it! 0 Reply Michael Michael Reply to Tom Thorpe November 17, 2021 2:45 pm The Z9 does that. Agreed, seems like it's should be an easy feature to add. 0 Reply Frode Frode November 17, 2021 11:01 am I used to have a Casio EX-F1 (?) with what you call "back in time buffer". It is a common feature on high speed film camera's. If the action takes place at an unpredictable moment and just takes a split second, you can't train for it. No matter how professional you are I would like to see high speed +1000fps (at lower resolution if needed) on my camera's. If casio could do this years ago...imagine what modern camera's can do with their processing power. 0 Reply Frode Frode November 17, 2021 10:54 am I used to have a Casio Z1 (?) with what you call "back in time buffer". It is a common feature on high speed film camera's. If the action takes place at an unpredictable moment and just takes a split second, you can't train for it. No matter how professional you are That being said. I would like to see high speed (>1000 fps) on all my camera's. I seldom use my camera's for film, but really liked this feature on the old Casio years ago - even with the low resolutions - and just can dream of what modern camera's could do with the extra power they have... 0 Reply Frode Frode Reply to Frode November 17, 2021 12:06 pm Excuse for the double post. Thought i was editing the first post. It was a Casio EX-FZ1 ;-) 0 Reply Nasim Mansurov Nasim Mansurov Admin November 17, 2021 10:52 am Spencer, a couple of additions to your awesome list, some of which we've discussed before: 21) Built-in ability to do hyperfocal distance. This can be as simple as, you point the camera at the scene, and the camera automatically sets aperture and focuses in the ideal spot to get everything from front to back perfectly sharp. A more advanced implementation would be - you set the front object that you want sharp by focusing on it, the camera takes it into account and moves the focus point to hyperfocal distance automatically (double the distance method). 22) Automatic "ideal aperture" selection. Dumb mode: point the camera at the scene, the camera recognizes what you are trying to do and selects the best aperture. Smart mode: camera allows taking a bunch of shots with your lens to determine the sharpest aperture at a given distance (or perhaps based on some database with known characteristics). It uses the best aperture by default, but allows one to override it when needed. Can be extended to much more complex algorithms. 23) Proper panorama mode. No, not the useless JPEG-only panorama mode we see on Sony cameras. But one that automatically captures RAW panoramas (single and multi-row), telling you where to move your camera to continue. Takes into account everything, including aperture, camera to subject distance, shutter speed (preventing blurry shots). 24) Anti-blur mode. As I was writing #23, I thought about this one being a cool idea. Why not implement a camera setting that can figure out if your image is going to be blurry, preventing you from taking it in the first place? If the shutter speed is too low for hand-held shooting, you could get something as simple as a warning inside the EVF that warns you. Or perhaps it does a quick analysis of the image after you captured it and lets you know that it is blurry. Algorithm to develop this would be super simple to develop based on a JPEG preview. 1 Reply JOHN J MOTZI JOHN J MOTZI November 17, 2021 10:22 am Great Stuff! What I would really like to see is a square format 36x36mm "full" frame sensor with selectable aspect ratios. All aspects would be selectable as portrait or landscape. That way we could shoot without ever having to use an L-bracket, as the camera would always be in the same orientation. Of course the lenses would have to cope with the full 36mm circle. Can you tell that 1:1 is my preferred format? :) Anyway, I can dream. 0 Reply UrbexMark UrbexMark Reply to JOHN J MOTZI November 17, 2021 11:51 am I'd like that too but I don't think its realistic to expect full 36mmx36mm coverage. That's an almost 70% bigger image circle than is needed for 24x36. We already get a lot of vignetting especially with faster lenses with the current image circles - something to cover that would need to be much bigger especially on the normal to wide end. Instead as you say one could shoot portrait or landscape without rotating and you could have ~30mm square image based on the current lens coverage. Unfortunately I don't think any of the current mounts will allow for that because of where the electric contacts are. Also the rear of lenses (the plastic parts inside the mount) often have a rectangular shape which presumably would prevent such coverage. 0 Reply JOHN J MOTZI JOHN J MOTZI Reply to UrbexMark November 17, 2021 2:02 pm Ah, reality creeps in :) I regularly shoot the Z7/D850 in 1:1 mode which ends up being 24x24mm. Because of the sensor resolution, it's still plenty of pixels and I never have image circle woes. 0 Reply emcee emcee November 17, 2021 9:57 am Great list with some ideas I hadn't thought of before (especially love the IBIS star tracking). As a landscape photographer, technology has more or less leveled off in the last few years for me. Instead of chasing more megapixels, I think camera manufacturers would be well-served to see what smartphones are doing with computational imaging, easy sharing, ISP/silicon improvements, etc. 0 Reply Spencer Cox Spencer Cox Author Reply to emcee November 17, 2021 9:58 am Absolutely. There are still a few places they can improve image quality, but it's not as simple as adding a dozen more megapixels any more. 0 Reply Warren Edwards Warren Edwards November 17, 2021 9:54 am Awesome list, Spencer. #1.. Canon, we know that you are out there watching.. Canon, are you listening? 0 Reply Spencer Cox Spencer Cox Author Reply to Warren Edwards November 17, 2021 9:55 am I'm sure all the camera companies know about these features at some level, but the question is how proactive they're going to be about adding them to future cameras. And it seems like the answer is mostly "not very" which leaves room for someone to step in and claim a bit of market share. 0 Reply David David November 17, 2021 9:51 am An excellent article. One small point. The Fuji XT-3 has a three way tilting screen while the XT-4 4 has the fully articulating screen. It's as if we need to design some cameras for landscape photography rather than photography and video. Some of the hybrid cameras such as the XT4 have compromises for the landscape photographer. And, while we can live with the compromises, it would be nice if we did not have to do do so. 0 Reply Spencer Cox Spencer Cox Author Reply to David November 17, 2021 9:54 am I know that some photographers have a preference on fully articulating vs dual axis screens. I've used both and don't particularly care, I'd just like one or the other! So I put the XT-3 and XT-4 in the same category for that feature. But of course you're right, it's a different implementation on both, and not everyone will be as ambivalent about the two variations as I am. 0 Reply Sam Walker Sam Walker Reply to Spencer Cox November 17, 2021 1:25 pm The X-T2 has the 3-way articulation as well. 0 Reply Load More Comments Primary Sidebar Learn * Beginner Photography * Landscape Photography * Wildlife Photography * Portraiture * Post-Processing * Advanced Tutorials Reviews * Camera Reviews * Lens Reviews * Other Gear Reviews * Best Cameras and Lenses Photography Tutorials Photography Basics Landscape Photography Wildlife Photography Macro Photography Composition & Creativity Black & White Photography Night Sky Photography Portrait Photography Street Photography Photography Videos Support Us B&H Photo Video Banner Footer Site Menu * About Us * Beginner Photography * Lens Database * Lens Index * Photo Spots * Search * Forum Reviews * Reviews Archive * Camera Reviews * Lens Reviews * Other Gear Reviews More * Contact Us * Subscribe * Workshops * Support Us * Submit Content Copyright (c) 2021 * Photography Life [ ] Insert