https://www.smithsonianmag.com/arts-culture/secret-codes-lady-wroth-first-female-english-novelist-180978365/ * * * Accessibility Navigation Primary Navigation Content Toggle Share Search SUBSCRIBE (Left) RENEW (Left) GIVE A GIFT (Left) September 2021 magazine cover Smithsonian Magazine Subscribe (Mobile) Facebook Instagram Pinterest Twitter Google+ Newsletter Search Search Search [ ] Search SmartNews History Science Innovation Arts & Culture Travel World's Worst Invasive Weed Sold at Garden Centers Featured: World's Worst Invasive Weed Sold at Garden Centers History Archaeology U.S. History World History Video Newsletter Miners Struggle 100 Years After Blair Mountain Featured: Miners Struggle 100 Years After Blair Mountain Science Age of Humans Future of Space Exploration Human Behavior Mind & Body Our Planet Space Wildlife Newsletter Earth Optimism Summit Will the World's First Space Sweeper Work? Featured: Will the World's First Space Sweeper Work? Ingenuity Ingenuity Awards Innovation for Good Education Energy Health & Medicine Technology Video Newsletter A.I., Drones and Other Tools Help Fight Wildfires Featured: A.I., Drones and Other Tools Help Fight Wildfires Arts & Culture Museum Day Art Books Design Food Music & Film Video Newsletter History Through Hip-Hop Featured: History Through Hip-Hop Travel Virtual Travel Travel With Us Outdoor Travel Newsletter Underwater Museum Opens in Cyprus Featured: Underwater Museum Opens in Cyprus At the Smithsonian Visit Exhibitions New Research Artifacts Curators' Corner Ask Smithsonian Podcasts Newsletter Voices Ask Smithsonian Featured: Ask Smithsonian Photos 18th Annual Photo Contest Winners and Finalists Announced! Photo of the Day Instagram Video Ingenuity Awards Ask Smithsonian Smithsonian Channel Video Contest Podcasts Games Daily Sudoku Universal Crossword Daily Word Search Jumble Mah Jong Quest KenKen Backgammon Subscribe (Top Menu) September 2021 magazine cover Subscribe Save 84% off the newsstand price! * Subscribe (Dropdown) * Renew (Dropdown) * Give a Gift (Dropdown) Shop Smithsonian Magazine Subscribe SmartNews History Science Ingenuity Arts & Culture Travel At the Smithsonian Photos Video Games + At the Smithsonian Magazine Photos Videos Games Shop Search Facebook Twitter Museum Day Art Books Design Food Music & Film Video Newsletter Subscribe Shop Travel With Us SmartNews History Science Ingenuity Arts & Culture Travel At the Smithsonian Photos Video Games Magazine Newsletters The Secret Codes of Lady Wroth, the First Female English Novelist The Renaissance noblewoman is little known today, but in her time she was a notorious celebrity a painting of Mary Wroth The bold, brilliant Mary Wroth with a string instrument called a theorbo, circa 1620. (Alamy) By V.M. Braganza Smithsonian Magazine | Subscribe September 2021 Two summers ago, I found myself face to face with a 400-year-old mystery. I was trying to escape the maze of books at Firsts, London's Rare Book Fair, in Battersea Park. The fair was a tangle of stalls overflowing with treasures gleaming in old leather, paper and gold. Then, as I rounded a corner, a book stopped me. I felt as though I had seen a ghost--and, in a sense, I had. Stamped onto its cover was an intricate monogram that I recognized instantly. It identified the book as the property of Lady Mary Wroth. She was a pathbreaker. A contemporary of Shakespeare in the early 17th century, Wroth was England's first female writer of fiction. The startling thing about seeing this book was that her house in England burned down two centuries ago, and her extensive library with it; not one book was believed to exist. As a literary scholar specializing in rare books, I had seen a photograph of the monogram five years earlier on the bound leather manuscript of a play Wroth had written that was not in the library at the time of the fire. Now it appeared that the volume I was staring at--a biography of the Persian emperor Cyrus the Great--had escaped the inferno as well. The monogram was not merely a few fancy initials, although fashionable nobles of Wroth's period were known to adorn their books, jewelry and portraits with elaborate designs. This was more: a coded symbol, a cipher. It was unmistakable to me. Ciphers conceal meanings in plain sight and require the viewer to possess some secret knowledge, or key, to understand their meaning, one which the creator wants only a few to know. To most people, Wroth's cipher would look like a pretty decoration. Little known today, Wroth was notorious in her time. A noblewoman at the court of King James I, Wroth was a published author at a time when the culture demanded a woman's silence and subservience. Queen Elizabeth I's Master of the Revels, Edmund Tilney, went so far as to say in 1568 that a husband should "steal away [his wife's] private will." cover art on a book This copy of Xenophon's Cyropaedia belonged to Lady Wroth's son. On the cover are entwined letters, a cipher, referring to her illicit love affair with his father. (Courtesy Vanessa Braganza) But an author she was. In 1621, Wroth's first and only printed work caused a scandal. A romance entitled The Countess of Montgomery's Urania, often called simply the Urania, it's the forerunner of modern novels. At nearly 600 pages, it contains more characters than War and Peace or Middlemarch, and is based largely on Wroth's own family and acquaintances at court--some of whom were outraged to find their lives and exploits published under a veil of fiction. One aristocrat wrote a scathing invective about the impropriety of Wroth's work. She fired back, calling him a "drunken poet" who penned "vile, railing and scandalous things" and brazenly challenged him to "Aver it to my face." Later women novelists, such as Jane Austen, Charlotte Bronte and George Eliot, owed a historical debt to Mary Wroth's 17th-century struggle to be heard. Perhaps the defining point of Wroth's life was when she fell in love with a man who was not her husband. He was William Herbert--the dashing 3rd Earl of Pembroke. Herbert had a reputation as a patron of the arts and was something of a cad. In 1609, Shakespeare dedicated his sonnets to "W.H.," and scholars still speculate that William Herbert was the beautiful young man to whom the first 126 love sonnets are addressed. Although we don't know whether Wroth and Herbert's romance began before or after her husband's death in 1614, it continued into the early 1620s and lasted at least a few years, producing two children, Katherine and William. Wroth modeled the Urania's main characters, a pair of lovers named Pamphilia and Amphilanthus, after herself and Herbert. In the Urania, Pamphilia writes love poems and gives them to Amphilanthus. In real life, Wroth wrote a romantic play entitled Love's Victory and gave a handwritten manuscript of it to Herbert. This volume, bound in fine leather, is the only other known to be marked with her cipher; designed with the aid of a bookbinder or perhaps by Wroth alone, the cipher must have been intended to remind Herbert of their love, for the jumbled letters unscramble to spell the fictional lovers' names, "Pamphilia" and "Amphilanthus." Wroth's romantic bliss was not to last. By the mid-1620s, Herbert abandoned her for other lovers. Around this time, she was at work on a sequel to the Urania. This second book, handwritten but never published, sees Pamphilia and Amphilanthus marry other people. It also introduces another character, a knight called "Fair Design." The name itself is mysterious. To Wroth, "fair" would have been synonymous with "beautiful," while "design" meant "creation." Fair Design, then, was the fictionalized version of Wroth and Herbert's son, William. The story's secret, hinted at but never revealed, is that Amphilanthus is Fair Design's father--and that Amphilanthus' failure to own up to his paternity is why the boy lacks a real, traditional name. a painting of a man in a frilled collar William Herbert, 3rd Earl of Pembroke, cut a dashing figure in 17th-century England, intriguing not only Lady Wroth but also, apparently, Shakespeare. ((c) National Trust Images) So, too, did William lack the validation his mother longed to see. In 17th-century England, being fatherless was as good as having no identity at all. Property and noble titles passed down from father to son. But William did not inherit his father's lands or title. Herbert died in 1630, never having acknowledged his illegitimate children with Wroth. The monogrammed book staring saucily back at me from a glass bookcase that day in Battersea could not have been a gift from Wroth to Herbert: It was published in 1632, two years after his death. I think Wroth intended to give her son this book, stamped with its elaborate cipher, the intertwined initials of his fictionalized mother and father. The book itself was a recent English translation of the Cyropaedia, a kind of biography of Cyrus the Great of Persia, written by the Greek scholar Xenophon in the fourth century B.C. It was a staple text for young men beginning political careers during the Renaissance, and Wroth took the opportunity to label it with the cipher, covertly legitimizing William even though his father had not. To his mother, William was the personification of Wroth's fair design. Although Wroth camouflaged her scandalous sex life in a coded symbol, others may have known of her hopes and dashed dreams. William's paternity was probably an open secret. Wroth's and Herbert's families certainly knew about it, and so, in all likelihood, did William. The symbol's meaning would have been legible to a small social circle, according to Joseph Black, a University of Massachusetts historian specializing in Renaissance literature. "Ciphers, or monograms, are mysterious: They draw the eye as ostentatious public assertions of identity. Yet at the same time, they are puzzling, fully interpretable often only to those few in the know." Wroth was a firebrand fond of secrets. She was also an obstinate visionary who lived inside her revolutionary imagination, inhabiting and retelling stories even after they ended. Writing gave her a voice that speaks audaciously across history, unfolding the fantasy of how her life should have turned out. This discovery of a book from Wroth's lost library opens a tantalizing biographical possibility. "If this book survived," Black says, "maybe others did as well." In the end, the cipher and its hidden meanings outlived its referents. William died fighting for the Royalist cause in the English Civil War in the 1640s. Wroth is not known to have written another word after Herbert's death. She withdrew from court life and died in 1651, at the age of 63. Sometime thereafter, daughter Katherine probably gathered up some keepsakes from her mother's house before it burned. They included the manuscript of the Urania's sequel and William's copy of the Cyropaedia, which survived to haunt the present and captivate a book detective one day in Battersea. As a student I lacked the means to buy Wroth's orphaned book. But I told a Harvard curator exactly where he could find it. Today Lady Wroth's Cyropaedia is shelved in the university's Houghton Rare Books Library. Hiding in Plain Sight In early-modern Europe, ciphers expressed romance, friendship and more. Some remain mysteries to this day --By Ted Scheinman 1 of 5 Paying Court [1] ((c) The Trustees of the British Museum) Hans Holbein the Younger, the German artist who served in Henry VIII's court, created this plan for a small shield, likely when the king was romancing Anne Boleyn; the pair's initials are joined in a lover's knot. The image appears in Holbein's Jewellery Book, now in the British Museum. 1 of 5 Preview thumbnail for video 'Subscribe to Smithsonian magazine now for just $12 Subscribe to Smithsonian magazine now for just $12 This article is a selection from the September issue of Smithsonian magazine Buy Like this article? SIGN UP for our newsletter [ ] [SIGN UP] Privacy Policy, Terms of Use About Ted Scheinman Ted Scheinman is a senior editor for Smithsonian magazine. He is the author of Camp Austen: My Life as an Accidental Jane Austen Superfan Read more from this author | Follow @Ted_Scheinman About V.M. Braganza V.M. Braganza is a book historian and literary critic of women's writing during the English Renaissance. Read more from this author | Follow @VanessaBraganza Tags British Writers Ciphers Code Renaissance William Shakespeare Women's History Writers Recommended Videos Comment on this Story Please enable JavaScript to view the comments powered by Disqus. comments powered by Disqus Photo of the day Beautiful scenic view of Great Falls Park during sunrise. Great Falls Park Photo of the Day>> Most Popular 1. King Arthur's Stone Is Older Than Stonehenge 2. See When Fall Foliage Will Peak With This Interactive Map 3. What Does Comirnaty Mean? 4. Thousands of Rare Artifacts Discovered Beneath Tudor Manor's Attic Floorboards 5. Roman Priest's Exceptionally Well-Preserved Remains Found in Pompeii 6. Lost Monastery Run by Early Medieval Queen Discovered in England 7. The World's Oldest Forest Has 385-Million-Year-Old Tree Roots 8. Spot the Difference 9. Archaeologists Unearth Egyptian Queen's Tomb, 13-Foot 'Book of the Dead' Scroll 10. Archaeologists in Egypt Discover Mummy With Gold Tongue 11. The History of Scooby-Doo Is Tied to RFK's Death 12. Burrowing Bunnies in Wales Unearth Trove of Prehistoric Artifacts 13. More Than 80 Cultures Still Speak in Whistles 14. In 1947, A High-Altitude Balloon Crash Landed in Roswell. The Aliens Never Left 15. Female Octopuses Throw Things at Male Harassers "Smithsonian Current Issue | September 2021 September 2021 magazine cover * Twenty Years Later, First Responders and Families Remember the People They Lost on 9/11 * Groundbreaking Archaeologist Ann Axtell Morris Finally Gets the Cinematic Treatment * At an Old Juke Joint in Mississippi, the Blues Are Alive View Table of Contents Subscribe Save 84% off the newsstand price! First & Last Name Last Name [ ] First Name [ ] Address 1 [ ] Address 2 [ ] City / State City [ ] State [AL] Zip [ ] Email Address Enter your email address [ ] Continue or Give a Gift Newsletters Get the best of Smithsonian magazine by email. Keep up-to-date on: * History * Science & Innovation * Art * Travel * Special Offers Sign-Up Now Email Address Enter your email address [ ] Privacy Terms of Use Sign up Smithsonian Magazine SmartNews History Science Ingenuity Arts & Culture Travel At the Smithsonian Photos Video Games About Contact Advertising Sustainability Subscribe RSS Member Services Smithsonian Institution Air & Space Magazine Smithsonian Store Smithsonian Journeys Smithsonian Channel Smithsonian Books (c) 2021 Smithsonian Magazine. Privacy Statement Cookie Policy Terms of Use Advertising Notice California Do Not Sell My Info Smithsonian Institution dcsimg *