https://www.newyorker.com/culture/cultural-comment/the-revolution-in-classic-tetris Skip to main content The New Yorker * Newsletter To revisit this article, select My Account, then View saved stories . Close Alert Sign In Search * News * Books & Culture * Fiction & Poetry * Humor & Cartoons * Magazine * Crossword * Video * Podcasts * Archive * Goings On * Shop Open Navigation Menu To revisit this article, visit My Profile, then View saved stories. Close Alert The New Yorker Cultural Comment The Revolution in Classic Tetris How a younger generation used the Internet to master the falling blocks. By Jacob Sweet March 26, 2021 * * * * * Save this story for later. A man with glasses waving his fingers while Tetris shapes float around him. Illustration by Nick Little * * * * * Save this story for later. It was the final match of the 2016 Classic Tetris World Championship, and Jeff Moore, a thirty-six-year-old from Las Vegas, was playing out of his mind. "Boom!" the announcers yelled with each four-line clearance. "Tetris for Jeff!" Their enthusiasm couldn't be contained. Jeff's opponent, a taproom manager in his mid-thirties named Jonas Neubauer, had won the world title five times. Jeff had never even been close. Could he defeat the Michael Jordan of falling blocks? "He's ready for a Tetris--where is the long bar? Are we going to see it?" the announcers cried, talking over one another, voices stacking in intensity. After a few seconds, the longed-for rectangle arrived. Four lines, cleared. Jeff, who was staring placidly at an outdated television set, was soaring to the pinnacle of piece-piling. Alas, Jeff could not shake the Tetris hierarchy. Jonas beat him handily, sending him home with a silver T-piece trophy and a five-hundred-dollar prize. Trey Harrison, the tournament's chief technical officer, helped to upload the match footage to YouTube, mainly for archival purposes. Months later, he noticed something strange. "It was just blowing up," he said. "I don't know why. The views just kept climbing and climbing and climbing." Soon there were spin-offs. Someone compiled every "Boom, Tetris!" from the match into a video that stretched more than two minutes. Another user posted a quick-cut video of the tournament's especially meme-able moments. "Boom, Tetris for Jeff!" was a sensation. Jacob Sweet is a writer and clarinetist from Carmel, New York. More:TetrisVideo GamesTeen-agersCompetitionChampionshipYouTube The New Yorker Recommends What our staff is reading, watching, and listening to each week. Enter your e-mail address [ ] Sign up Will be used in accordance with our Privacy Policy. Read More Morgan Davison and their bassoon. Culture Desk Bassoonfluencers: The World of Instagram Practice Accounts The bassoonist Morgan Davison is part of a flourishing micro-niche of online orchestral practicing. By Jacob Sweet A still from Animal Crossing New Horizons. Culture Desk Finding Connection During Quarantine with Animal Crossing: New Horizons In the game, players can enjoy the experience of visiting neighbors' houses, browsing fully stocked shop shelves, and hopping on a plane to visit a friend, without fear of infection. By Simon Parkin KenKen, a strange little math puzzle from Japan, may conquer the world. Video KenKen, a strange little math puzzle from Japan, may conquer the world. The creator, Tetsuya Miyamoto, insists that the craft of making the puzzle cannot be replicated by a machine. The New Yorker Sections * News * Books & Culture * Fiction & Poetry * Humor & Cartoons * Magazine * Crossword * Video * Podcasts * Archive * Goings On More * Customer Care * Shop The New Yorker * Buy Covers and Cartoons * Conde Nast Store * Digital Access * Newsletters * Jigsaw Puzzle * RSS * Site Map * About * Careers * Contact * F.A.Q. * Media Kit * Press * Accessibility Help * Conde Nast Spotlight * Do Not Sell My Personal Info (c) 2021 Conde Nast. All rights reserved. Use of this site constitutes acceptance of our User Agreement (updated as of 1/1/21) and Privacy Policy and Cookie Statement (updated as of 1/1/21) and Your California Privacy Rights. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Conde Nast. Ad Choices * * * * *