.


Under all circumstances, I should hardly wish a contest with Philodrama—Philo-Drury—Asbestos, H——, and all the anonymes and synonymes of Committee candidates. Seriously, I think you have a chance of something much better; for prologuising is not my forte, and, at all events,
either
my pride or my modesty won't let me incur the hazard of having my rhymes buried in next month's Magazine, under "Essays on the Murder of Mr. Perceval." and "Cures for the Bite of a Mad Dog," as poor Goldsmith complained of the fate of far superior performances
2
.


I am still sufficiently interested to wish to know the successful candidate; and, amongst so many, I have no doubt some will be excellent, particularly in an age when writing verse is the easiest of all attainments.


I cannot answer your intelligence with the "like comfort,"
unless
, as you are deeply theatrical, you may wish to hear of Mr. Betty
3
, whose acting is, I fear, utterly inadequate to the London engagement into which the managers of Covent Garden have lately entered.
His
figure is fat, his features flat, his voice unmanageable, his action ungraceful, and, as Diggory
4
says, "I defy him to extort that damned muffin face of his into madness." I was very sorry to see him in the character of the "Elephant on the slack rope;" for, when I last saw him, I was in raptures with his performance. But then I was sixteen—an age to which all London condescended to subside. After all, much better judges have admired, and may again; but I venture to "prognosticate a prophecy" (see the
Courier
) that he will not succeed.


So
, poor dear Rogers has stuck fast on "the brow of the mighty Helvellyn"
5
I hope not for ever. My best respects to Lady H.:—her departure, with that of my other friends, was a sad event for me, now reduced to a state of the most cynical solitude.
"By the waters of Cheltenham I sat down and drank, when I remembered thee, oh Georgiana Cottage! As for our harps, we hanged them up upon the willows that grew thereby. Then they said, Sing us a song of Drury Lane," etc.;
—but I am dumb and dreary as the Israelites. The waters have disordered me to my heart's content—you
were
right, as you always are.


Believe me, ever your obliged and affectionate servant,


Byron
.






Footnote 1:
  Drury Lane Theatre was reopened, after the fire of February 24, 1809, on Saturday, October 10, 1812. In the previous August the following advertisement was issued:
"Rebuilding of Drury-Lane Theatre.

"The Committee are desirous of promoting a fair and free competition for an Address, to be spoken upon the opening of the Theatre, which will take place on the 10th of October next: They have therefore thought fit to announce to the Public, that they will be glad to receive any such Compositions, addressed to their Secretary at the Treasury Office in Drury Lane, on or before the 10th of September, sealed up, with a distinguishing word, number, or motto, on the cover, corresponding with the inscription, on a separate sealed paper, containing the name of the Author, which will not be opened, unless containing the name of the successful Candidate. Theatre Royal, Drury-Lane, August 13, 1812.

Owing to an accidental delay in the publication of the above Advertisement, the Committee have thought proper to extend the time for receiving Addresses, from the last day of August to the 10th of September."
Byron, on the suggestion of Lord Holland, intended to send in an
Address
in competition with other similar productions. He afterwards changed his mind, and refused to compete. After all the
Addresses
had been received and rejected, the Committee applied to him to write an
Address
. This he consented to do.

return to footnote mark



Footnote 2:
 
"The public were more importantly employed, than to observe the easy simplicity of my style, or the harmony of my periods. Sheet after sheet was thrown off to oblivion. My essays were buried among the essays upon liberty, Eastern tales, and cures for the bite of a mad dog."
Vicar of Wakefield
, chap. xx.

return



Footnote 3:
  See
Letters
, vol. i. p. 63,
note
2 [Footnote 2 of Letter 24].

return



Footnote 4:
  "Diggory," one of Liston's parts, a character in Jackman's
All the World's a Stage
, asks (act i. sc. 2), "But how can you extort that damned pudding-face of yours to madness?"

return



Footnote 5:
  Rogers had gone for a tour in the North. Byron alludes to Scott's poem
Helvellyn
:
"I climb'd the dark brow of the mighty Helvellyn," etc., etc.
The poem was occasioned, as Scott's note states, by the death of "a young gentleman of talents, and of a most amiable disposition," who was killed on the mountain in 1805.

return


List of Letters

Contents




245—to John Murray


Cheltenham, Sept. 14, 1812.



Dear Sir
,—The parcels contained some letters and verses, all (but one) anonymous and complimentary, and very anxious for my conversion from certain infidelities into which my good-natured correspondents conceive me to have fallen.
The
books were presents of a
convertible
kind also,—
Christian Knowledge
and the
Bioscope
1
, a religious Dial of Life explained:—to the author of the former (Cadell, publisher,) I beg you will forward my best thanks for his letter, his present, and, above all, his good intentions. The
Bioscope
contained an MS. copy of very excellent verses, from whom I know not, but evidently the composition of some one in the habit of writing, and of writing well. I do not know if he be the author of the
Bioscope
which accompanied them; but whoever he is, if you can discover him, thank him from me most heartily. The other letters were from ladies, who are welcome to convert me when they please; and if I can discover them, and they be young, as they say they are, I could convince them perhaps of my devotion. I had also a letter from Mr. Walpole on matters of this world, which I have answered.


So
you are Lucien's publisher
2
! I am promised an interview with him, and think I shall ask
you
for a letter of introduction, as "the gods have made him poetical." From whom could it come with a better grace than from
his
publisher and mine? Is it not somewhat treasonable in you to have to do with a relative of the "direful foe," as the
Morning Post
calls his brother?


But my book on
Diet and Regimen
, where is it? I thirst for Scott's
Rokeby
; let me have y'e first-begotten copy.
The
Anti-Jacobin Review
3
is all very well, and not a bit worse than the
Quarterly
, and at least less harmless. By the by, have you secured my books? I want all the Reviews, at least the Critiques, quarterly, monthly, etc., Portuguese and English, extracted, and bound up in one volume for my
old age
; and pray, sort my Romaic books, and get the volumes lent to Mr. Hobhouse—he has had them now a long time. If any thing occurs, you will favour me with a line, and in winter we shall be nearer neighbours.


Yours very truly,


Byron
.


P. S.—I was applied to to write the
Address
for Drury Lane, but the moment I heard of the contest, I gave up the idea of contending against all Grub Street, and threw a few thoughts on the subject into the fire. I did this out of respect to you, being sure you would have turned off any of your authors who had entered the lists with such scurvy competitors; to triumph would have been no glory, and to have been defeated—'sdeath!—I
would
have choked myself, like Otway, with a quartern loaf
4
; so, remember I had, and have, nothing to do with it, upon
my Honour!






Footnote 1:
  Granville Penn (1761-1844) was the author of numerous works on religious subjects.
The Bioscope, or Dial of Life Explained
appeared in 1812. The other work referred to by Byron is probably Penn's
Christian's Survey of all the Primary Events and Periods of the World
(1811), of which a second edition was published in 1812.

return to footnote mark



Footnote 2:
  Lucien Buonaparte (1775-1840), Prince of Canino, since 1810 a landed proprietor in Shropshire, wrote an epic poem,
Charlemagne, ou l'Église délivrée
. It was translated (1815) by Dr. Butler of Shrewsbury and Francis Hodgson.

return



Footnote 3:
 
The Anti-Jacobin Review
criticized
Childe Harold
in August, 1812; the
Quarterly
, in March, 1812.

return



Footnote 4:
 Otway died April, 1685, at the age of thirty-three, from a fever contracted by drinking water when heated by running after an assassin (Spence's
Anecdotes
, p. 44). Theophilus Cibber (
Lives of the Poets
, ed. 1753, vol. ii. pp. 333, 334) gives another account of his death, viz. that he begged a shilling of a gentleman, and, being given a guinea, bought a roll, with which he was choked.

return


List of Letters

Contents




246—to Lord Holland


September 22, 1812.



My Dear Lord,—In a day or two I will send you something which you will still have the liberty to reject if you dislike it. I should like to have had more time, but will do my best,—but too happy if I can oblige
you
, though I may offend a hundred scribblers and the discerning public.


Ever yours.


Keep
my name
a
secret
; or I shall be beset by all the rejected, and, perhaps, damned by a party.


List of Letters

Contents




247—to Lord Holland


Cheltenham, September 23, 1812.



Ecco!—I have marked some passages with
double
readings—choose between them—
cut—add—reject
—or
destroy
—do with them as you will—I leave it to you and the Committee—you cannot say so called "a
non committendo
."
What
will
they
do (and I do) with the hundred and one rejected Troubadours
1
?


"With trumpets, yea, and with shawms," will you be assailed in the most diabolical doggerel. I wish my name not to transpire till the day is decided. I shall not be in town, so it won't much matter; but let us have a
good deliverer
. I
think
Elliston
2
should be the man, or Pope
3
; not Raymond
4
, I implore you, by the love of Rhythmus!


The passages marked thus = =, above and below, are for you to choose between epithets, and such like poetical furniture. Pray write me a line, and believe me


Ever, etc.


My best remembrances to Lady H. Will you be good enough to decide between the various readings marked, and erase the other; or our
deliverer
may be as puzzled as a commentator, and belike repeat both. If these
versicles
won't do, I will hammer out some more endecasyllables.


P.S.—Tell Lady H. I have had sad work to keep out the Phœnix—I mean the Fire Office of that name. It has insured the theatre, and why not the Address?






Footnote 1:
  The genuine rejected addresses were advertised for by B. McMillan, of Bow Street, Covent Garden, and forty-two of them were published by him in November, 1812, with the following title:
The Genuine Rejected Addresses presented to the Committee of Management for Drury Lane Theatre; preceded by that written by Lord Byron and adopted by the Committee
.


The youngest competitor was "Anna, a young lady in the fifteenth year of her age."


The actual number sent in was 112, and sixty-nine of the competitors invoked the Phœnix. Among the competitors were Peter Pindar, whose
Address
was printed in 1813; Whitbread, the manager, who gave the "poulterer's description" of the Phœnix; and Horace Smith, who published his
Address without a Phœnix
, By S. T. P., in
Rejected Addresses
.

return to footnote mark



Footnote 2:
  Robert William Elliston (1774-1831), according to Genest (
English Stage
, vol. ix. p. 338), made his first appearance at Bath in April, 1791, as "Tressel" in
Richard III
., and from 1796 to 1803 Bath remained his head-quarters. An excellent actor both in tragedy and comedy, he became in 1803 a member of the Haymarket Company. From 1804 to 1809, and again from 1812 to 1815, he acted at Drury Lane. Byron's Prologue was spoken by him on October 10, 1812, at the reopening of the new theatre. It was at Drury Lane in April, 1821, while he was lessee (1819-26), that Byron's
Marino Faliero
was acted. His last appearance was as "Sheva" in
The Jew
, at the Surrey Theatre, of which (1826-31) he was lessee. In spite of his drunken habits, he won the enthusiastic praise of Charles Lamb as the "joyousest of once embodied spirits" (see
Essays of Elia
, "To the Shade of Elliston" and "Ellistoniana").

return



Footnote 3:
  Alexander Pope (1763-1835), miniaturist,
gourmand
, and actor, was for years the principal tragedian at Covent Garden. Opinion was divided as to his merits as an actor. He owed much to his voice, which had a "mellow richness ... superior to any other performer on the stage." Genest, who quotes the above (vol. ix. p. 377), adds that "in his better days he had more pathos about him than any other actor." He made his first appearance in Cork as "Oroonoko," and subsequently (January, 1785) at Covent Garden in the same part. He ceased acting at Covent Garden in June, 1827.

return



Footnote 4:
 In the cast for
Hamlet
, with which Drury Lane reopened, Raymond played the Ghost. Raymond was also the stage manager of the theatre.

return


List of Letters

Contents




248—to Lord Holland


September 24.



I send a recast of the four first lines of the concluding paragraph.
This greeting o'er, the ancient rule obey'd,
The drama's homage by her Herald paid,
Receive our welcome too, whose every tone
Springs from our hearts, and fain would win your own.
The curtain rises, etc., etc.
And do forgive all this trouble. See what it is to have to do even with the
genteelest
of us.


Ever, etc.


List of Letters

Contents




249—to Lord Holland


Cheltenham, Sept. 25, 1812.



Still
"more matter for a May morning."
1
Having patched the middle and end of the Address, I send one more couplet for a part of the beginning, which, if not too turgid, you will have the goodness to add.
After
that flagrant image of the
Thames
(I hope no unlucky wag will say I have set it on fire, though Dryden
2
, in his
Annus Mirabilis
, and Churchill
3
, in his
Times
, did it before me), I mean to insert this:
As flashing far the new Volcano shone
And swept the skies with {lightnings}/{meteors} not their own,
While thousands throng'd around the burning dome,
Etc., etc.
I think "thousands" less flat than "crowds collected"—
but
don't let me plunge into the bathos, or rise into Nat. Lee's
Bedlam metaphors
4
.


By the by, the best view of the said fire (which I myself saw from a house-top in Covent-garden) was at Westminster Bridge, from the reflection on the Thames.


Perhaps the present couplet had better come in after "trembled for their homes," the two lines after;—as otherwise the image certainly sinks, and it will run just as well.