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Dog


You little friend, your nose is ready; you sniff,
Asking for that expected walk,
(Your nostrils full of the happy rabbit-whiff)
And almost talk.

And so the moment becomes a moving force;
Coats glide down from their pegs in the humble dark;
The sticks grow live to the stride of their vagrant course.
You scamper the stairs,
Your body informed with the scent and the track and the mark
Of stoats and weasels, moles and badgers and hares.

We are going out. You know the pitch of the word,
Probing the tone of thought as it comes through fog
And reaches by devious means (half-smelt, half-heard)
The four-legged brain of a walk-ecstatic dog.

Out in the garden your head is already low.
(Can you smell the rose? Ah, no.)
But your limbs can draw
Life from the earth through the touch of your padded paw.

Now, sending a little look to us behind,
Who follow slowly the track of your lovely play,
You carry our bodies forward away from mind
Into the light and fun of your useless day.

* * * * *

Thus, for your walk, we took ourselves, and went
Out by the hedge and the tree to the open ground.
You ran, in delightful strata of wafted scent,
Over the hill without seeing the view;
Beauty is smell upon primitive smell to you:
To you, as to us, it is distant and rarely found.

Home ... and further joy will be surely there:
Supper waiting full of the taste of bone.
You throw up your nose again, and sniff, and stare
For the rapture known
Of the quick wild gorge of food and the still lie-down
While your people talk above you in the light
Of candles, and your dreams will merge and drown
Into the bed-delicious hours of night.

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The Nightingale Near the House


Here is the soundless cypress on the lawn:
It listens, listens. Taller trees beyond
Listen. The moon at the unruffled pond
Stares. And you sing, you sing.

That star-enchanted song falls through the air
From lawn to lawn down terraces of sound,
Darts in white arrows on the shadowed ground;
And all the night you sing.

My dreams are flowers to which you are a bee
As all night long I listen, and my brain
Receives your song, then loses it again
In moonlight on the lawn.

Now is your voice a marble high and white,
Then like a mist on fields of paradise,
Now is a raging fire, then is like ice,
Then breaks, and it is dawn.

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Man Carrying Bale


The tough hand closes gently on the load;
Out of the mind, a voice
Calls 'Lift!' and the arms, remembering well their work,
Lengthen and pause for help.
Then a slow ripple flows from head to foot
While all the muscles call to one another:
'Lift! 'and the bulging bale
Floats like a butterfly in June.

So moved the earliest carrier of bales,
And the same watchful sun
Glowed through his body feeding it with light.
So will the last one move,
And halt, and dip his head, and lay his load
Down, and the muscles will relax and tremble.
Earth, you designed your man
Beautiful both in labour and repose.

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Thomas Moult


For Bessie, Seated by Me in the Garden

To the heart, to the heart the white petals
Quietly fall.
Memory is a little wind, and magical
The dreaming hours.
As a breath they fall, as a sigh;
Green garden hours too langorous to waken,
White leaves of blossomy tree wind-shaken:
As a breath, a sigh,
As the slow white drift
Of a butterfly.
Flower-wings falling, wings of branches
One after one at wind's droop dipping;
Then with the lift
Of the air's soft breath, in sudden avalanches
Slipping.
Quietly, quietly the June wind flings
White wings,
White petals, past the footpath flowers
Adown my dreaming hours.
At the heart, at the heart the butterfly settles.
As a breath, a sigh
Fall the petals of hours, of the white-leafed flowers,
Fall the petalled wings of the butterfly.
To my heart, to my heart the white petals
Quietly fall.

To the years, other years, old and wistful
Drifts my dream.
Petal-patined the dream, white-mistful
As the dew-sweet haunt of the dim whitebeam
Because of memory, a little wind ...
It is the gossamer-float of the butterfly
This drift of dream
From the sweet of to-day to the sweet
Of days long drifted by.
It is the drift of the butterfly, it is the fleet
Drift of petals which my noon has thinned,
It is the ebbing out of my life, of the petals of days.
To the years, other years, drifts my dream....
Through the haze
Of summers long ago
Love's entrancements flow,
A blue-green pageant of earth,
A green-blue pageant of sky,
As a stream,
Flooding back with lovely delta to my heart.
Lo the petalled leafage is finer, under the feet
The coarse soil with a rainbow's worth
Of delicate colours lies enamelled,
Translucently glowing, shining.
Each balmy breath of the hours
From eastern gleam to westward gloam
Is meaning-full as the falling flowers:
It is a crystal syllable
For love's defining,
It is love alone can spell — —
Yea, Love remains: after this drift of days
Love is here, Love is not dumb.
The touch of a silken hand, comradely, untrammelled
Is in the sunlight, a bright glance
On every ripple of yonder waterways,
A whisper in the dance
Of green shadows;
Nor shall the sunlight be shut out even from the dark.

Beyond the garden heavy oaks are buoyant on the meadows,
Their rugged bark
No longer rough,
But chastened and refined in the glowing eyes of Love.
Around us the petals fulfil
Their measure and fall, precious the petals are still.
For Love they once were gathered, they are gathered for Love again,
Whose glance is on the water,
Whose whisper is in the green shadows.
In the same comrade-hand whose touch is in the sunlight,
They are lying again.
Here Love is ... Love only of all things outstays
The drift of petals, the drift of days,
Petals of hours,
Of white-leafed flowers,
Petalled wings of the butterfly,
Drifting, quietly drifting by
As a breath, a sigh....

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'Truly he hath a Sweet Bed

Brown earth, sun-soaked,
Beneath his head
And over the quiet limbs....
Through time unreckoned
Lay this brown earth for him. Now is he come.
Truly he hath a sweet bed.

The perfume shed
From invisible gardens is chaliced by kindly airs
And carried for welcome to the stranger.
Long seasons ere he came, this wilderness
They habited.

They, and the mist of stars
Down-spread
About him as a hush of vespering birds.
They, and the sun, the moon:
Naught now denies him the moon's coming,
Nor the morning trail of gold,
The luminous print of evening, red
At the sun's tread.

The brown earth holds him.
The stars and little winds, the friendly moon
And sun attend in turn his rest.
They linger above him, softly moving. They are gracious,
And gently-wise: as though remembering how his hunger,
His kinship, knew them once but blindly
In thoughts unsaid,
As a dream that fled.

So is he theirs assuredly as the seasons.
So is his sleep by them for ever companioned.
...And, perchance, by the voices of bright children playing
And knowing not: by the echo of young laughter
When their dancing is sped.
Truly he hath a sweet bed.

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Lovers' Lane


This cool quiet of trees
In the grey dusk of the north,
In the green half-dusk of the west,
Where fires still glow;
These glimmering fantasies
Of foliage branching forth
And drooping into rest;
Ye lovers, know
That in your wanderings
Beneath this arching brake
Ye must attune your love
To hushed words.
For here is the dreaming wisdom of
The unmovable things...
And more: — walk softly, lest ye wake
A thousand sleeping birds.

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Robert Nichols


The Sprig of Lime


He lay, and those who watched him were amazed
To see unheralded beneath the lids
Twin tears, new-gathered at the price of pain,
Start and at once run crookedly athwart
Cheeks channelled long by pain, never by tears.
So desolate too the sigh next uttered
They had wept also, but his great lips moved,
And bending down one heard, 'A sprig of lime;
Bring me a sprig of lime.
' Whereat she stole
With dumb signs forth to pluck the thing he craved.

So lay he till a lime-twig had been snapped
From some still branch that swept the outer grass
Far from the silver pillar of the bole
Which mounting past the house's crusted roof
Split into massy limbs, crossed boughs, a maze
Of close-compacted intercontorted staffs
Bowered in foliage wherethrough the sun
Shot sudden showers of light or crystal spars
Or wavered in a green and vitreous flood.
And all the while in faint and fainter tones
Scarce audible on deepened evening's hush
He framed his curious and last request
For 'lime, a sprig of lime.' Her trembling hand
Closed his loose fingers on the awkward stem
Covered above with gentle heart-shaped leaves
And under dangling, pale as honey-wax,
Square clusters of sweet-scented starry flowers.

She laid his bent arm back upon his breast,
Then watched above white knuckles clenched in prayer.

He never moved. Only at last his eyes
Opened, then brightened in such avid gaze
She feared the coma mastered him again ...
But no; strange sobs rose chuckling in his throat,
A stranger ecstasy suffused the flesh
Of that just mask so sun-dried, gouged and old
Which few — too few! — had loved, too many feared.
'Father!' she cried; 'Father!'
             He did not hear.

She knelt and kneeling drank the scent of limes,
Blown round the slow blind by a vesperal gust,
Till the room swam. So the lime-incense blew
Into her life as once it had in his,
Though how and when and with what ageless charge
Of sorrow and deep joy how could she know?

Sweet lime that often at the height of noon
Diffusing dizzy fragrance from your boughs,
Tasselled with blossoms more innumerable
Than the black bees, the uproar of whose toil
Filled your green vaults, winning such metheglyn
As clouds their sappy cells, distil, as once
Ye used, your sunniest emanations
Toward the window where a woman kneels —
She who within that room in childish hours
Lay through the lasting murmur of blanch'd noon
Behind the sultry blind, now full now flat,
Drinking anew of every odorous breath,
Supremely happy in her ignorance
Of Time that hastens hourly and of Death
Who need not haste. Scatter your fumes, O lime,
Loose from each hispid star of citron bloom,
Tangled beneath the labyrinthine boughs,
Cloud on such stinging cloud of exhalations
As reek of youth, fierce life and summer's prime,
Though hardly now shall he in that dusk room
Savour your sweetness, since the very sprig,
Profuse of blossom and of essences,
He smells not, who in a paltering hand
Clasps it laid close his peaked and gleaming face
Propped in the pillow. Breathe silent, lofty lime,
Your curfew secrets out in fervid scent
To the attendant shadows! Tinge the air
Of the midsummer night that now begins,
At an owl's oaring flight from dusk to dusk
And downward caper of the giddy bat
Hawking against the lustre of bare skies,
With something of th' unfathomable bliss
He, who lies dying there, knew once of old
In the serene trance of a summer night
When with th' abundance of his young bride's hair
Loosed on his breast he lay and dared not sleep,
Listening for the scarce motion of your boughs,
Which sighed with bliss as she with blissful sleep,
And drinking desperately each honied wave
Of perfume wafted past the ghostly blind
Knew first th' implacable and bitter sense
Of Time that hastes and Death who need not haste.
Shed your last sweetness, limes!
             But now no more.
She, fruit of that night's love, she heeds you not,
Who bent, compassionate, to the dim floor
Takes up the sprig of lime and presses it
In pain against the stumbling of her heart,
Knowing, untold, he cannot need it now.

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Seventeen


For Anne
.


All the loud winds were in the garden wood,
All shadows joyfuller than lissom hounds
Doubled in chasing, all exultant clouds
That ever flung fierce mist and eddying fire
Across heavens deeper than blue polar seas
Fled over the sceptre-spikes of the chestnuts,
Over the speckle of the wych-elms' green.
She shouted; then stood still, hushed and abashed
To hear her voice so shrill in that gay roar,
And suddenly her eyelashes were dimmed,
Caught in tense tears of spiritual joy;
For there were daffodils which sprightly shook
Ten thousand ruffling heads throughout the wood,
And every flower of those delighting flowers
Laughed, nodding to her, till she clapped her hands
Crying 'O daffies, could you only speak!'

But there was more. A jay with skyblue shaft
Set in blunt wing, skimmed screaming on ahead.
She followed him. A murrey squirrel eyed
Her warily, cocked upon tail-plumed haunch,
Then, skipping the whirligig of last-year leaves,
Whisked himself out of sight and reappeared
Leering about the hole of a young beech;
And every time she thought to corner him
He scrambled round on little scratchy hands
To peek at her about the other side.
She lost him, bolting branch to branch, at last —
The impudent brat! But still high overhead
Flight on exuberant flight of opal scud,
Or of dissolving mist, florid as flame.

Scattered in ecstasy over the blue. And she
Followed, first walking, giving her bright locks
To the cold fervour of the springtime gale,
Whose rush bore the cloud shadow past the cloud
Over the irised wastes of emerald turf.
And still the huge wind volleyed. Save the gulls,
Goldenly in the sunny blast careering
Or on blue-shadowed underwing at plunge,
None shared with her who now could not but run
The splendour and tumult of th' onrushing spring.

And now she ran no more: the gale gave plumes.
One with the shadows whirled along the grass,
One with the onward smother of veering gulls,
One with the pursuit of cloud after cloud,
Swept she. Pure speed coursed in immortal limbs;
Nostrils drank as from wells of unknown air;
Ears received the smooth silence of racing floods;
Light as of glassy suns froze in her eyes;
Space was given her and she ruled all space.

Spring, author of twifold loveliness,
Who flittest in the mirth of the wild folk,
Profferest greeting in the faces of flowers,
Blowest in the firmamental glory,
Renewest in the heart of the sad human
All faiths, guard thou the innocent spirit
Into whose unknowing hands this noontide
Thou pourest treasure, yet scarce recognised,
That unashamed before man's glib wisdom,
Unabashed beneath the wrath of chance,
She accept in simplicity of homage
The hidden holiness, the created emblem
To be in her, until death shall take her,
The source and secret of eternal spring.

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The Stranger


Never am I so alone
As when I walk among the crowd —
Blurred masks of stern or grinning stone,
Unmeaning eyes and voices loud.

Gaze dares not encounter gaze, ...
Humbled, I turn my head aside;
When suddenly there is a face ...
Pale, subdued and grievous-eyed.

Ah, I know that visage meek,
Those trembling lips, the eyes that shine
But turn from that which they would seek
With an air piteous, divine!

There is not a line or scar,
Seal of a sorrow or disgrace,
But I know like sigils are
Burned in my heart and on my face.

Speak! O speak! Thou art the one!
But thou hast passed with sad head bowed;
And never am I so alone
As when I walk among the crowd.

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'O Nightingale My Heart'


O Nightingale my heart
How sad thou art!
How heavy is thy wing,
Desperately whirrëd that thy throat may fling
Song to the tingling silences remote!
Thine eye whose ruddy spark
Burned fiery of late,
How dead and dark!
Why so soon didst thou sing,
And with such turbulence of love and hate?

Learn that there is no singing yet can bring
The expected dawn more near;
And thou art spent already, though the night
Scarce has begun;
What voice, what eyes wilt thou have for the light
When the light shall appear,
And O what wings to bear thee t'ward the Sun?

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The Pilgrim


Put by the sun my joyful soul,
We are for darkness that is whole;

Put by the wine, now for long years
We must be thirsty with salt tears;

Put by the rose, bind thou instead
The fiercest thorns about thy head;

Put by the courteous tire, we need
But the poor pilgrim's blackest weed;

Put by — a'beit with tears — thy lute,
Sing but to God or else be mute.

Take leave of friends save such as dare
Thy love with Loneliness to share.

It is full tide. Put by regret.
Turn, turn away. Forget. Forget.

Put by the sun my lightless soul,
We are for darkness that is whole.

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J. D. C. Fellow


The Temple


Between the erect and solemn trees
I will go down upon my knees;
I shall not find this day
So meet a place to pray.

Haply the beauty of this place
May work in me an answering grace,
The stillness of the air
Be echoed in my prayer.

The worshipping trees arise and run,
With never a swerve, towards the sun;
So may my soul's desire
Turn to its central fire.

With single aim they seek the light,
And scarce a twig in all their height
Breaks out until the head
In glory is outspread.

How strong each pillared trunk; the bark
That covers them, how smooth; and hark,
The sweet and gentle voice
With which the leaves rejoice!

May a like strength and sweetness fill
Desire, and thought, and steadfast will,
When I remember these
Fair sacramental trees!

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Siegfried Sassoon


Sick Leave


When I'm asleep, dreaming and lulled and warm, —
They come, the homeless ones, the noiseless dead.
While the dim charging breakers of the storm
Bellow and drone and rumble overhead,
Out of the gloom they gather about my bed.
They whisper to my heart; their thoughts are mine.
'Why are you here with all your watches ended?
From Ypres to Frise we sought you in the Line.'
In bitter safety I awake, unfriended;
And while the dawn begins with slashing rain
I think of the Battalion in the mud.
'When are you going out to them again?
Are they not still your brothers through our blood?'

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Banishment


I am banished from the patient men who fight.
They smote my heart to pity, built my pride.
Shoulder to aching shoulder, side by side,
They trudged away from life's broad wealds of light.
Their wrongs were mine; and ever in my sight
They went arrayed in honour. But they died, —
Not one by one: and mutinous I cried
To those who sent them out into the night.

The darkness tells how vainly I have striven
To free them from the pit where they must dwell
In outcast gloom convulsed and jagged and riven
By grappling guns. Love drove me to rebel.
Love drives me back to grope with them through hell;
And in their tortured eyes I stand forgiven.

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Repression of War Experience


Now light the candles; one; two; there's a moth;
What silly beggars they are to blunder in
And scorch their wings with glory, liquid flame —
No, no, not that, — it's bad to think of war,
When thoughts you've gagged all day come back to scare you;
And it's been proved that soldiers don't go mad
Unless they lose control of ugly thoughts
That drive them out to jabber among the trees.

Now light your pipe; look, what a steady hand.
Draw a deep breath; stop thinking; count fifteen,
And you're as right as rain....
             Why won't it rain?...
I wish there'd be a thunderstorm to-night,
With bucketsful of water to sluice the dark,
And make the roses hang their dripping heads.

Books; what a jolly company they are,
Standing so quiet and patient on their shelves,
Dressed in dim brown, and black, and white, and green,
And every kind of colour. Which will you read?
Come on; O do read something; they're so wise.
I tell you all the wisdom of the world
Is waiting for you on those shelves; and yet
You sit and gnaw your nails, and let your pipe out,
And listen to the silence: on the ceiling
There's one big, dizzy moth that bumps and flutters;
And in the breathless air outside the house
The garden waits for something that delays.
There must be crowds of ghosts among the trees, —
Not people killed in battle, — they're in France, —
But horrible shapes in shrouds — old men who died
Slow, natural deaths, — old men with ugly souls,
Who wore their bodies out with nasty sins.

* * * * *

You're quiet and peaceful, summering safe at home;
You'd never think there was a bloody war on!...
O yes, you would ... why, you can hear the guns.
Hark! Thud, thud, thud, — quite soft ... they never cease —
Those whispering guns — O Christ, I want to go out
And screech at them to stop — I'm going crazy;
I'm going stark, staring mad because of the guns.

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Does it Matter?


Does it matter? — losing your legs?...
For people will always be kind,
And you need not show that you mind
When the others come in after hunting
To gobble their muffins and eggs.

Does it matter? — losing your sight?...
There's such splendid work for the blind;
And people will always be kind,
As you sit on the terrace remembering
And turning your face to the light.

Do they matter? — those dreams from the pit?...
You can drink and forget and be glad,
And people won't say that you're mad;
For they'll know that you've fought for your country,
And no one will worry a bit.

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Concert Party


(
Egyptian Base Camp
).


They are gathering round ...
Out of the twilight; over the grey-blue sand,
Shoals of low-jargoning men drift inward to the sound —
The jangle and throb of a piano ... tum-ti-tum ...
Drawn by a lamp, they come
Out of the glimmering lines of their tents, over the shuffling sand.

O sing us the songs, the songs of our own land,
You warbling ladies in white.
Dimness conceals the hunger in our faces,
This wall of faces risen out of the night,
These eyes that keep their memories of the places
So long beyond their sight.

Jaded and gay, the ladies sing; and the chap in brown
Tilts his grey hat; jaunty and lean and pale,
He rattles the keys ... Some actor-bloke from town ...
God send you home; and then A long, long trail;
I hear you calling me
; and Dixieland....
Sing slowly ... now the chorus ... one by one
We hear them, drink them; till the concert's done.
Silent, I watch the shadowy mass of soldiers stand.
Silent, they drift away, over the glimmering sand.

KANTARA,
April, 1918
.


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Songbooks of the War


In fifty years, when peace outshines
Remembrance of the battle lines,
Adventurous lads will sigh and cast
Proud looks upon the plundered past.
On summer morn or winter's night,
Their hearts will kindle for the fight,
Reading a snatch of soldier-song,
Savage and jaunty, fierce and strong;
And through the angry marching rhymes
Of blind regret and haggard mirth,
They'll envy us the dazzling times
When sacrifice absolved our earth.

Some ancient man with silver locks
Will lift his weary face to say:
'War was a fiend who stopped our clocks
Although we met him grim and gay.'
And then he'll speak of Haig's last drive,
Marvelling that any came alive
Out of the shambles that men built
And smashed, to cleanse the world of guilt.
But the boys, with grin and sidelong glance,
Will think, 'Poor grandad's day is done.'
And dream of those who fought in France
And lived in time to share the fun.

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The Portrait


I watch you, gazing at me from the wall,
And wonder how you'd match your dreams with mine,
If, mastering time's illusion, I could call
You back to share this quiet candle-shine.

For you were young, three hundred years ago;
And by your looks I guess that you were wise ...
Come, whisper soft, and Death will never know
You've slipped away from those calm, painted eyes.

Strange is your voice ... Poor ninny, dead so long,
And all your pride forgotten like your name.
'One April morn I heard a blackbird's song.
And joy was in my heart like leaves aflame.'


And so you died before your songs took wing;
While Andrew Marvell followed in your wake.
'Love thrilled me into music. I could sing
But for a moment, — but for beauty's sake.'


Who passes? There's a star-lit breeze that stirs
The glimmer of white lilies in the gloom.
Who speaks? Death has his silent messengers.
And there was more than silence in this room

While you were gazing at me from the wall
And wondering how you'd match your dreams with mine,
If, mastering time's illusion, you could call
Me back to share your vanished candle-shine.

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Thrushes


Tossed on the glittering air they soar and skim,
Whose voices make the emptiness of light
A windy palace. Quavering from the brim
Of dawn, and bold with song at edge of night,
They clutch their leafy pinnacles and sing
Scornful of man, and from his toils aloof
Whose heart's a haunted woodland whispering;
Whose thoughts return on tempest-baffled wing;
Who hears the cry of God in everything,
And storms the gate of nothingness for proof.

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Everyone Sang


Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on — on — and out of sight.

Everyone's voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away ... O, but Everyone
Was a bird; and the song was wordless; the singing will never be done.

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Edward Shanks


A Night Piece


Come out and walk. The last few drops of light
Drain silently out of the cloudy blue;
The trees are full of the dark-stooping night,
The fields are wet with dew.

All's quiet in the wood but, far away,
Down the hillside and out across the plain,
Moves, with long trail of white that marks its way,
The softly panting train.

Come through the clearing. Hardly now we see
The flowers, save dark or light against the grass,
Or glimmering silver on a scented tree
That trembles as we pass.

Hark now! So far, so far ... that distant song ...
Move not the rustling grasses with your feet.
The dusk is full of sounds, that all along
The muttering boughs repeat.

So far, so faint, we lift our heads in doubt.
Wind, or the blood that beats within our ears,
Has feigned a dubious and delusive note,
Such as a dreamer hears.

Again ... again! The faint sounds rise and fail.
So far the enchanted tree, the song so low...
A drowsy thrush? A waking nightingale?
Silence. We do not know.