Why have you stolen my delight
In all the golden shows of Spring
When every cherry-tree is white
And in the limes the thrushes sing,

O fickler than the April day,
O brighter than the golden broom,
O blither than the thrushes' lay,
O whiter than the cherry-bloom,

O sweeter than all things that blow ...
Why have you only left for me
The broom, the cherry's crown of snow,
And thrushes in the linden-tree?

Before my window, in days of winter hoar
Huddled a mournful wood:
Smooth pillars of beech, domed chestnut, sycamore,
In stony sleep they stood:
But you, unhappy elm, the angry west
Had chosen from the rest,
Flung broken on your brothers' branches bare,
And left you leaning there
So dead that when the breath of winter cast
Wild snow upon the blast,
The other living branches, downward bowed,
Shook free their crystal shroud
And shed upon your blackened trunk beneath
Their livery of death....

On windless nights between the beechen bars
I watched cold stars
Throb whitely in the sky, and dreamily
Wondered if any life lay locked in thee:
If still the hidden sap secretly moved
As water in the icy winterbourne
Floweth unheard:
And half I pitied you your trance forlorn:
You could not hear, I thought, the voice of any bird,
The shadowy cries of bats in dim twilight
Or cool voices of owls crying by night ...
Hunting by night under the hornéd moon:
Yet half I envied you your wintry swoon,
Till, on this morning mild, the sun, new-risen
Steals from his misty prison;
The frozen fallows glow, the black trees shaken
In a clear flood of sunlight vibrating awaken:
And lo, your ravaged bole, beyond belief
Slenderly fledged anew with tender leaf
As pale as those twin vanes that break at last
In a tiny fan above the black beech-mast
Where no blade springeth green
But pallid bells of the shy helleborine.
What is this ecstasy that overwhelms
The dreaming earth? See, the embrownéd elms
Crowding purple distances warm the depths of the wood:
A new-born wind tosses their tassels brown,
His white clouds dapple the down:
Into a green flame bursting the hedgerows stand.
Soon, with banners flying, Spring will walk the land....

There is no day for thee, my soul, like this,
No spring of lovely words. Nay, even the kiss
Of mortal love that maketh man divine
This light cannot outshine:
Nay, even poets, they whose frail hands catch
The shadow of vanishing beauty, may not match
This leafy ecstasy. Sweet words may cull
Such magical beauty as time may not destroy;
But we, alas, are not more beautiful:
We cannot flower in beauty as in joy.
We sing, our muséd words are sped, and then
Poets are only men
Who age, and toil, and sicken.... This maim'd tree
May stand in leaf when I have ceased to be.

When yon full moon's with her white fleet of stars,
And but one bird makes music in the grove;
When you and I are breathing side by side,
Where our two bodies make one shadow, love;

Not for her beauty will I praise the moon,
But that she lights thy purer face and throat;
The only praise I'll give the nightingale
Is that she draws from thee a richer note.

For, blinded with thy beauty, I am filled,
Like Saul of Tarsus, with a greater light;
When he had heard that warning voice in Heaven,
And lost his eyes to find a deeper sight.

Come, let us sit in that deep silence then,
Launched on love's rapids, with our passions proud
That makes all music hollow — though the lark
Raves in his windy heights above a cloud.

We poets pride ourselves on what
We feel, and not what we achieve;
The world may call our children fools,
Enough for us that we conceive.
A little wren that loves the grass
Can be as proud as any lark
That tumbles in a cloudless sky,
Up near the sun, till he becomes
The apple of that shining eye.

So, lady, I would never dare
To hear your music ev'ry day;
With those great bursts that send my nerves
In waves to pound my heart away;
And those small notes that run like mice
Bewitched by light; else on those keys —
My tombs of song — you should engrave:
'My music, stronger than his own,
Has made this poet my dumb slave.'

When our two souls have left this mortal clay
And, seeking mine, you think that mine is lost —
Look for me first in that Elysian glade
Where Lesbia is, for whom the birds sing most.

What happy hearts those feathered mortals have,
That sing so sweet when they're wet through in spring!
For in that month of May when leaves are young,
Birds dream of song, and in their sleep they sing.

And when the spring has gone and they are dumb,
Is it not fine to watch them at their play:
Is it not fine to see a bird that tries
To stand upon the end of every spray?

See how they tilt their pretty heads aside:
When women make that move they always please.
What cosy homes birds make in leafy walls
That Nature's love has ruined — and the trees.

Oft have I seen in fields the little birds
Go in between a bullock's legs to eat;
But what gives me most joy is when I see
Snow on my doorstep, printed by their feet.

Oh, sweet content, that turns the labourer's sweat
To tears of joy, and shines the roughest face;
How often have I sought you high and low,
And found you still in some lone quiet place;

Here, in my room, when full of happy dreams,
With no life heard beyond that merry sound
Of moths that on my lighted ceiling kiss
Their shadows as they dance and dance around;

Or in a garden, on a summer's night,
When I have seen the dark and solemn air
Blink with the blind bats' wings, and heaven's bright face
Twitch with the stars that shine in thousands there.

When I sailed out of Baltimore
With twice a thousand head of sheep,
They would not eat, they would not drink,
But bleated o'er the deep.

Inside the pens we crawled each day,
To sort the living from the dead;
And when we reached the Mersey's mouth
Had lost five hundred head.

Yet every night and day one sheep,
That had no fear of man or sea,
Stuck through the bars its pleading face,
And it was stroked by me.

And to the sheep-men standing near,
'You see,' I said, 'this one tame sheep:
It seems a child has lost her pet,
And cried herself to sleep.'

So every time we passed it by,
Sailing to England's slaughter-house,
Eight ragged sheep-men — tramps and thieves —
Would stroke that sheep's black nose.

We have no grass locked up in ice so fast
That cattle cut their faces and at last,
When it is reached, must lie them down and starve,
With bleeding mouths that freeze too hard to move.
We have not that delirious state of cold
That makes men warm and sing when in Death's hold.
We have no roaring floods whose angry shocks
Can kill the fishes dashed against their rocks.
We have no winds that cut down street by street,
As easy as our scythes can cut down wheat.
No mountains here to spew their burning hearts
Into the valleys, on our human parts.
No earthquakes here, that ring church bells afar,
A hundred miles from where those earthquakes are.
We have no cause to set our dreaming eyes,
Like Arabs, on fresh streams in Paradise.
We have no wilds to harbour men that tell
More murders than they can remember well.
No woman here shall wake from her night's rest,
To find a snake is sucking at her breast.
Though I have travelled many and many a mile,
And had a man to clean my boots and smile
With teeth that had less bone in them than gold —
Give me this England now for all my world.

It is the bell of death I hear,
Which tells me my own time is near,
When I must join those quiet souls
Where nothing lives but worms and moles;
And not come through the grass again,
Like worms and moles, for breath or rain;
Yet let none weep when my life's through,
For I myself have wept for few.

The only things that knew me well
Were children, dogs, and girls that fell;
I bought poor children cakes and sweets,
Dogs heard my voice and danced the streets;
And, gentle to a fallen lass,
I made her weep for what she was.
Good men and women know not me.
Nor love nor hate the mystery.

The far moon maketh lovers wise
In her pale beauty trembling down,
Lending curved cheeks, dark lips, dark eyes,
A strangeness not their own.
And, though they shut their lids to kiss,
In starless darkness peace to win,
Even on that secret world from this
Her twilight enters in.

Flee into some forgotten night and be
Of all dark long my moon-bright company:
Beyond the rumour even of Paradise come,
There, out of all remembrance, make our home:
Seek we some close hid shadow for our lair,
Hollowed by Noah's mouse beneath the chair
Wherein the Omnipotent, in slumber bound,
Nods till the piteous Trump of Judgment sound.
Perchance Leviathan of the deep sea
Would lease a lost mermaiden's grot to me,
There of your beauty we would joyance make —
A music wistful for the sea-nymph's sake:
Haply Elijah, o'er his spokes of fire,
Cresting steep Leo, or the heavenly Lyre,
Spied, tranced in azure of inanest space,
Some eyrie hostel, meet for human grace,
Where two might happy be — just you and I —
Lost in the uttermost of Eternity.
Think! in Time's smallest clock's minutest beat
Might there not rest be found for wandering feet?
Or, 'twixt the sleep and wake of Helen's dream,
Silence wherein to sing love's requiem?

No, no. Nor earth, nor air, nor fire, nor deep
Could lull poor mortal longingness asleep.
Somewhere there nothing is; and there lost Man
Shall win what changeless vague of peace he can.

Upon this leafy bush
With thorns and roses in it,
Flutters a thing of light,
A twittering linnet.
And all the throbbing world
Of dew and sun and air
By this small parcel of life
Is made more fair;
As if each bramble-spray
And mounded gold-wreathed furze,
Harebell and little thyme,
Were only hers;
As if this beauty and grace
Did to one bird belong,
And, at a flutter of wing,
Might vanish in song.

I think and think: yet still I fail —
Why must this lady wear a veil?
Why thus elect to mask her face
Beneath that dainty web of lace?
The tip of a small nose I see,
And two red lips, set curiously
Like twin-born berries on one stem,
And yet, she has netted even them.
Her eyes, 'tis plain, survey with ease
Whate'er to glance upon they please.
Yet, whether hazel, gray, or blue,
Or that even lovelier lilac hue,
I cannot guess: why — why deny
Such beauty to the passer-by?
Out of a bush a nightingale
May expound his song; from 'neath that veil
A happy mouth no doubt can make
English sound sweeter for its sake.
But then, why muffle in like this
What every blossomy wind would kiss?
Why in that little night disguise
A daybreak face, those starry eyes?

Far are those tranquil hills,
Dyed with fair evening's rose;
On urgent, secret errand bent,
A traveller goes.

Approach him strangers three,
Barefooted, cowled; their eyes
Scan the lone, hastening solitary
With dumb surmise.

One instant in close speech
With them he doth confer:
God-sped, he hasteneth on,
That anxious traveller....

I was that man — in a dream:
And each world's night in vain
I patient wait on sleep to unveil
Those vivid hills again.

Would that they three could know
How yet burns on in me
Love — from one lost in Paradise —
For their grave courtesy.

Old and alone, sit we,
Caged, riddle-rid men;
Lost to earth's 'Listen!' and 'See!'
Thought's 'Wherefore?' and 'When?'

Only far memories stray
Of a past once lovely, but now
Wasted and faded away,
Like green leaves from the bough.

Vast broods the silence of night,
The ruinous moon
Lifts on our faces her light,
Whence all dreaming is gone.

We speak not; trembles each head;
In their sockets our eyes are still;
Desire as cold as the dead;
Without wonder or will.

And One, with a lanthorn, draws near,
At clash with the moon in our eyes:
'Where art thou?' he asks: 'I am here,'
One by one we arise.

And none lifts a hand to withhold
A friend from the touch of that foe:
Heart cries unto heart, 'Thou art old!'
Yet reluctant, we go.

When I lie where shades of darkness
Shall no more assail mine eyes,
Nor the rain make lamentation
When the wind sighs;
How will fare the world whose wonder
Was the very proof of me?
Memory fades, must the remembered
Perishing be?

Oh, when this my dust surrenders
Hand, foot, lip, to dust again,
May those loved and loving faces
Please other men!
May the rusting harvest hedgerow
Still the Traveller's Joy entwine,
And as happy children gather
Posies once mine.

Look thy last on all things lovely,
Every hour. Let no night
Seal thy sense in deathly slumber
Till to delight
Thou have paid thy utmost blessing;
Since that all things thou wouldst praise
Beauty took from those who loved them
In other days.

At the top of the house the apples are laid in rows,
And the skylight lets the moonlight in, and those
Apples are deep-sea apples of green. There goes
A cloud on the moon in the autumn night.

A mouse in the wainscot scratches, and scratches, and then
There is no sound at the top of the house of men
Or mice; and the cloud is blown, and the moon again
Dapples the apples with deep-sea light.

They are lying in rows there, under the gloomy beams;
On the sagging floor; they gather the silver streams
Out of the moon, those moonlit apples of dreams,
And quiet is the steep stair under.

In the corridors under there is nothing but sleep.
And stiller than ever on orchard boughs they keep
Tryst with the moon, and deep is the silence, deep
On moon-washed apples of wonder.

You who have gone gathering
Cornflowers and meadowsweet,
Heard the hazels glancing down
On September eves,
Seen the homeward rooks on wing
Over fields of golden wheat,
And the silver cups that crown
Water-lily leaves;

You who know the tenderness
Of old men at eve-tide,
Coming from the hedgerows,
Coming from the plough,
And the wandering caress
Of winds upon the woodside,
When the crying yaffle goes
Underneath the bough;

You who mark the flowing
Of sap upon the May-time,
And the waters welling
From the watershed,
You who count the growing
Of harvest and hay-time,
Knowing these the telling
Of your daily bread;

You who cherish courtesy
With your fellows at your gate,
And about your hearthstone sit
Under love's decrees,
You who know that death will be
Speaking with you soon or late,
Kinsmen, what is mother-wit
But the light of these?

Knowing these, what is there more
For learning in your little years?
Are not these all gospels bright
Shining on your day?
How then shall your hearts be sore
With envy and her brood of fears,
How forget the words of light
From the mountain-way ...

Blessed are the merciful ...
Does not every threshold seek
Meadows and the flight of birds
For compassion still?
Blessed are the merciful ...
Are we pilgrims yet to speak
Out of Olivet the words
Of knowledge and good-will?

High up in the sky there, now, you know,
In this May twilight, our cottage is asleep,
Tenantless, and no creature there to go
Near it but Mrs. Fry's fat cows, and sheep
Dove-coloured, as is Cotswold. No one hears
Under that cherry-tree the night-jars yet,
The windows are uncurtained; on the stairs
Silence is but by tip-toe silence met.
All doors are fast there. It is a dwelling put by
From use for a little, or long, up there in the sky.

Empty; a walled-in silence, in this twilight of May —
Home for lovers, and friendly withdrawing, and sleep,
With none to love there, nor laugh, nor climb from the day
To the candles and linen ... Yet in the silence creep,
This minute, I know, little ghosts, little virtuous lives,
Breathing upon that still, insensible place,
Touching the latches, sorting the napkins and knives,
And such for the comfort of being, and bowls for the grace,
That roses will brim; they are creeping from that room to this,
One room, and two, till the four are visited ... they,
Little ghosts, little lives, are our thoughts in this twilight of May,
Signs that even the curious man would miss,
Of travelling lovers to Cotswold, signs of an hour,
Very soon, when up from the valley in June will ride
Lovers by Lynch to Oakridge up in the wide
Bow of the hill, to a garden of lavender flower ...
The doors are locked; no foot falls; the hearths are dumb —
But we are there — we are waiting ourselves who come.

When you deliberate the page
Of Alexander's pilgrimage,
Or say — 'It is three years, or ten,
Since Easter slew Connolly's men,'
Or prudently to judgment come
Of Antony or Absalom,
And think how duly are designed
Case and instruction for the mind,
Remember then that also we,
In a moon's course, are history.

The joyous morning ran and kissed the grass
And drew his fingers through her sleeping hair,
And cried, 'Before thy flowers are well awake
Rise, and the lingering darkness from thee shake.

'Before the daisy and the sorrel buy
Their brightness back from that close-folding night,
Come, and the shadows from thy bosom shake,
Awake from thy thick sleep, awake, awake!'

Then the grass of that mounded meadow stirred
Above the Roman bones that may not stir
Though joyous morning whispered, shouted, sang:
The grass stirred as that happy music rang.

O, what a wondrous rustling everywhere!
The steady shadows shook and thinned and died,
The shining grass flashed brightness back for brightness,
And sleep was gone, and there was heavenly lightness.

As if she had found wings, light as the wind,
The grass flew, bent with the wind, from east to west,
Chased by one wild grey cloud, and flashing all
Her dews for happiness to hear morning call....

But even as I stepped out the brightness dimmed,
I saw the fading edge of all delight.
The sober morning waked the drowsy herds,
And there was the old scolding of the birds.

When I had dreamed and dreamed what woman's beauty was,
And how that beauty seen from unseen surely flowed,
I turned and dreamed again, but sleeping saw no more:
My eyes shut and my mind with inward vision glowed.

'I did not think!' I cried, seeing that wavering shape
That steadied and then wavered, as a cherry bough in June
Lifts and falls in the wind — each fruit a fruit of light;
And then she stood as clear as an unclouded moon.

As clear and still she stood, moonlike remotely near;
I saw and heard her breathe, I years and years away.
Her light streamed through the years, I saw her clear and still,
Shape and spirit together mingling night with day.

Water falling, falling with the curve of time
Over green-hued rock, then plunging to its pool
Far, far below, a falling spear of light;
Water falling golden from the sun but moonlike cool:

Water has the curve of her shoulder and breast,
Water falls as straight as her body rose,
Water her brightness has from neck to still feet,
Water crystal-cold as her cold body flows.

But not water has the colour I saw when I dreamed,
Nor water such strength has. I joyed to behold
How the blood lit her body with lamps of fire
And made the flesh glow that like water gleamed cold,

A flame in her arms and in each finger flame,
And flame in her bosom, flame above, below,
The curve of climbing flame in her waist and her thighs;
From foot to head did flame into red flame flow.

I knew how beauty seen from unseen must rise,
How the body's joy for more than body's use was made.
I knew then how the body is the body of the mind,
And how the mind's own fire beneath the cool skin played.

O shape that once to have seen is to see evermore,
Falling stream that falls to the deeps of the mind,
Fire that once lit burns while aught burns in the world,
Foot to head a flame moving in the spirit's wind!

If these eyes could see what these eyes have not seen —
The inward vision clear — how should I look, for joy,
Knowing that beauty's self rose visible in the world
Over age that darkens, and griefs that destroy?