| Preface |
| Introduction |
| Part I—the editions |
| Part II—comparison of the editions |
| Part III—grouping the poems |
Part IV—“Art for art, art for truth.”
|
| Early Poems |
| To the Queen |
| Claribel—a Melody |
| Lilian |
| Isabel |
| Mariana |
| To —— (“Clear-headed friend, whose joyful scorn”) |
| Madeline |
| Song—The Owl |
| Second Song to the Same |
| Recollections of the Arabian Nights |
| Ode to Memory |
| Song (“A spirit haunts the year’s last hours”) |
| Adeline |
| A Character |
| The Poet |
| The Poet’s Mind |
| The Sea-Fairies |
| The Deserted House |
| The Dying Swan |
| A Dirge |
| Love and Death |
| The Ballad of Oriana |
| Circumstance |
| The Merman |
| The Mermaid |
| Sonnet to J. M. K. |
| The Lady of Shalott |
| Mariana in the South |
| Eleänore |
| The Miller’s Daughter |
| Fatima |
| Œnone |
| The Sisters |
| To—— (“I send you here a sort of allegory”) |
| The Palace of Art |
| Lady Clara Vere de Vere |
| The May Queen |
| New Year’s Eve |
| Conclusion |
| The Lotos-Eaters |
| Dream of Fair Women |
| Margaret |
| The Blackbird |
| The Death of the Old Year |
| To J. S. |
| “You ask me, why, tho’ ill at ease” |
| “Of old sat Freedom on the heights” |
| “Love thou thy land, with love far-brought” |
| The Goose |
| The Epic |
| Morte d’Arthur |
| The Gardener’s Daughter; or, The Pictures |
| Dora |
| Audley Court |
| Walking to the Mail |
| Edwin Morris; or, The Lake |
| St. Simeon Stylites |
| The Talking Oak |
| Love and Duty |
| The Golden Year |
| Ulysses |
| Locksley Hall |
| Godiva |
| The Two Voices |
| The Day-Dream:—Prologue |
| The Sleeping Palace |
| The Sleeping Beauty |
| The Arrival |
| The Revival |
| The Departure |
| L’Envoi |
| Epilogue |
| Amphion |
| St. Agnes |
| Sir Galahad |
| Edward Gray |
| Will Waterproof’s Lyrical Monologue |
| To ——, after reading a Life and Letters |
| To E.L., on his Travels in Greece |
| Lady Clare |
| The Lord of Burleigh |
| Sir Launcelot and Queen Guinevere: a Fragment |
| A Farewell |
| The Beggar Maid |
| The Vision of Sin |
| “Come not, when I am dead” |
| The Eagle |
| “Move eastward, happy earth, and leave” |
| “Break, break, break” |
| The Poet’s Song |
| Appendix—Suppressed Poems |
| Elegiacs |
| The “How” and the “Why” |
| Supposed Confessions |
| The Burial of Love |
| To —— (“Sainted Juliet! dearest name !”) |
| Song (“I’ the glooming light”) |
| Song (“The lintwhite and the throstlecock”) |
| Song (“Every day hath its night”) |
| Nothing will Die |
| All Things will Die |
| Hero to Leander |
| The Mystic |
| The Grasshopper |
| Love, Pride and Forgetfulness |
| Chorus (“The varied earth, the moving heaven”) |
| Lost Hope |
| The Tears of Heaven |
| Love and Sorrow |
| To a Lady Sleeping |
| Sonnet (“Could I outwear my present state of woe”) |
| Sonnet (“Though Night hath climbed her peak of highest noon”) |
| Sonnet (“Shall the hag Evil die with child of Good”) |
| Sonnet (“The pallid thunderstricken sigh for gain”) |
| Love |
| The Kraken |
| English War Song |
| National Song |
| Dualisms |
| We are Free |
| οἱ ῥέοντες.
|
| “Mine be the strength of spirit, full and free” |
| To — (“All good things have not kept aloof”) |
| Buonaparte |
| Sonnet (“Oh, Beauty, passing beauty! sweetest Sweet!”) |
| The Hesperides |
| Song (“The golden apple, the golden apple, the hallowed fruit”) |
| Rosalind |
| Song (“Who can say”) |
| Kate |
| Sonnet (“Blow ye the trumpet, gather from afar”) |
| Poland |
| To — (“As when with downcast eyes we muse and brood”) |
| O Darling Room |
| To Christopher North |
| The Skipping Rope |
| Timbuctoo |
| Bibliography of the Poems of 1842 |