POEMS OF PAUL VERLAINE

By Paul Verlaine

Translated by Gertrude Hall

Pictured by Henry McCarter

'portrait of Paul Verlaine'

CONTENTS

Fêtes Galantes

CLAIR DE LUNE.

SUR L'HERBE.

L' ALLÉE.

A LA PROMENADE.

LE FAUNE.

MANDOLINE.

L'AMOUR PAR TERRE

EN SOURDINE

COLLOQUE SENTIMENTAL

SINCE SHADE RELENTS

BEFORE YOUR LIGHT QUITE FAIL

THE SCENE BEHIND THE CARRIAGE WINDOW-PANES

Ariettes Oubliées

Il pleut doucement sur la ville.—ARTHUR RIMBAUD

Son joyeux, importun, d'un clavecin sonore.—PÉTRUS BOREL

Paysages Belges

BRUXELLES

Birds in the Night

GREEN

STREETS

THE FALSE FAIR DAYS

GIVE EAR UNTO THE GENTLE LAY

I'VE SEEN AGAIN THE ONE CHILD: VERILY

SLEEP, DARKSOME, DEEP

THE SKY-BLUE SMILES ABOVE THE ROOF

Jadis et Naguère

Jadis

PROLOGUE

LANGUEUR

Naguère

PROLOGUE

Parallèlement

IMPRESSION FAUSSE

Poèmes Saturniens

PROLOGUE

Melancholia

NEVERMORE

Paysages Tristes

CHANSON D'AUTOMNE

IL BACIO

ÉPILOGUE

ILLUSTRATIONS

"Portrait of Paul Verlaine"

"Clair de Lune"

"En Sourdine"

"Avant Que Tu T'en Ailles."

"Le Piano Que Baise Une Main Frêle"

"Mon Dieu M'a Dit."

Le Ciel et Les Toits.

"Crépuscule Du Soir Mystique."

Fêtes Galantes

'clair de Lune'

CLAIR DE LUNE.

     Your soul is as a moonlit landscape fair,
        Peopled with maskers delicate and dim,
     That play on lutes and dance and have an air
        Of being sad in their fantastic trim.

     The while they celebrate in minor strain
        Triumphant love, effective enterprise,
     They have an air of knowing all is vain,—
        And through the quiet moonlight their songs rise,

     The melancholy moonlight, sweet and lone,
        That makes to dream the birds upon the tree,
     And in their polished basins of white stone
        The fountains tall to sob with ecstasy.

SUR L'HERBE.

     "The abbé rambles."—"You, marquis,
        Have put your wig on all awry."—
     "This wine of Cyprus kindles me
        Less, my Camargo, than your eye!"

     "My passion"—"Do, mi, sol, la, si."—
        "Abbé, your villany lies bare."—
     "Mesdames, I climb up yonder tree
        And fetch a star down, I declare."

     "Let each kiss his own lady, then
        The others."—"Would that I were, too,
     A lap-dog!"—"Softly, gentlemen!"—
        "Do, mi."—"The moon!"—"Hey, how d'ye do?"

L' ALLÉE.

     Powdered and rouged as in the sheepcotes' day,
     Fragile 'mid her enormous ribbon bows,
     Along the shaded alley, where green grows
     The moss on the old seats, she wends her way
     With mincing graces and affected airs,
     Such as more oft a petted parrot wears.
     Her long gown with the train is blue; the fan
     She spreads between her jewelled fingers slim
     Is merry with a love-scene, of so dim
     Suggestion, her eyes smile the while they scan.
     Blonde; dainty nose; plump, cherry lips, divine
     With pride unconscious.—Subtler, certainly,
     Than is the mouche there set to underline
     The rather foolish brightness of the eye.

A LA PROMENADE.

     The milky sky, the hazy, slender trees,
        Seem smiling on the light costumes we wear,—
        Our gauzy floating veils that have an air
     Of wings, our satins fluttering in the breeze.

     And in the marble bowl the ripples gleam,
        And through the lindens of the avenue
        The sifted golden sun comes to us blue
     And dying, like the sunshine of a dream.

     Exquisite triflers and deceivers rare,
        Tender of heart, but little tied by vows,
        Deliciously we dally 'neath the boughs,
     And playfully the lovers plague the fair.

     Receiving, should they overstep a point,
        A buffet from a hand absurdly small,
        At which upon a gallant knee they fall
     To kiss the little finger's littlest joint.

     And as this is a shocking liberty,
        A frigid glance rewards the daring swain,—
        Not quite o'erbalancing with its disdain
     The red mouth's reassuring clemency.

LE FAUNE.

     An ancient terra-cotta Faun,
        A laughing note in 'mid the green,
     Grins at us from the central lawn,
        With secret and sarcastic mien.

     It is that he foresees, perchance,
        A bad end to the moments dear
     That with gay music and light dance
        Have led us, pensive pilgrims, here.

MANDOLINE.

     The courtly serenaders,
        The beauteous listeners,
     Sit idling 'neath the branches
        A balmy zephyr stirs.

     It's Tircis and Aminta,
        Clitandre,—ever there!—
     Damis, of melting sonnets
        To many a frosty fair.

     Their trailing flowery dresses,
        Their fine beflowered coats,
     Their elegance and lightness,
        And shadows blue,—all floats

     And mingles,—circling, wreathing,
        In moonlight opaline,
     While through the zephyr's harping
        Tinkles the mandoline.

L'AMOUR PAR TERRE

     The wind the other night blew down the Love
        That in the dimmest corner of the park
        So subtly used to smile, bending his arc,
     And sight of whom did us so deeply move

     One day! The other night's wind blew him down!
        The marble dust whirls in the morning breeze.
        Oh, sad to view, o'erblotted by the trees,
     There on the base, the name of great renown!

     Oh, sad to view the empty pedestal!
        And melancholy fancies come and go
        Across my dream, whereon a day of woe
     Foreshadowed is—I know what will befall!

     Oh, sad!—And you are saddened also, Sweet,
        Are not you, by this scene? although your eye
        Pursues the gold and purple butterfly
     That flutters o'er the wreck strewn at our feet.

'en Sourdine'

EN SOURDINE

     Tranquil in the twilight dense
        By the spreading branches made,
     Let us breathe the influence
        Of the silence and the shade.

     Let your heart melt into mine,
        And your soul reach out to me,
     'Mid the languors of the pine
        And the sighing arbute-tree.

     Close your eyes, your hands let be
        Folded on your slumbering heart,
     From whose hold all treachery
        Drive forever, and all art.

     Let us with the hour accord!
        Let us let the gentle wind,
     Rippling in the sunburnt sward,
        Bring us to a patient mind!

     And when Night across the air
        Shall her solemn shadow fling,
     Touching voice of our despair,
        Long the nightingale shall sing.

COLLOQUE SENTIMENTAL

     In the deserted park, silent and vast,
     Erewhile two shadowy glimmering figures passed.

     Their lips were colorless, and dead their eyes;
     Their words were scarce more audible than sighs.

     In the deserted park, silent and vast,
     Two spectres conjured up the buried past.

     "Our ancient ecstasy, do you recall?"
     "Why, pray, should I remember it at all?"

     "Does still your heart at mention of me glow?
     Do still you see my soul in slumber?" "No!"

     "Ah, blessed, blissful days when our lips met!
     You loved me so!" "Quite likely,—I forget."

     "How sweet was hope, the sky how blue and fair!"
     "The sky grew black, the hope became despair."

     Thus walked they 'mid the frozen weeds, these dead,
     And Night alone o'erheard the things they said.

  La Bonne Chanson

SINCE SHADE RELENTS

     Since shade relents, since 'tis indeed the day,
        Since hope I long had deemed forever flown,
     Wings back to me that call on her and pray,
        Since so much joy consents to be my own,—

     The dark designs all I relinquish here,
        And all the evil dreams. Ah, done am I
     Above all with the narrowed lips, the sneer,
        The heartless wit that laughed where one should sigh.

     Away, clenched fist and bosom's angry swell,
        That knave and fool at every turn abound.
     Away, hard unforgivingness! Farewell,
        Oblivion in a hated brewage found!

     For I mean, now a Being of the Morn
        Has shed across my night excelling rays
     Of love at once immortal and newborn,—
        By favor of her smile, her glance, her grace,

     I mean by you upheld, O gentle hand,
        Wherein mine trembles,—led, sweet eyes, by you,
     To walk straight, lie the path o'er mossy land
        Or barren waste that rocks and pebbles strew.

     Yes, calm I mean to walk through life, and straight,
        Patient of all, unanxious of the goal,
     Void of all envy, violence, or hate
        It shall be duty done with cheerful soul.

     And as I may, to lighten the long way,
        Go singing airs ingenuous and brave,
     She'll listen to me graciously, I say,—
        And, verily, no other heaven I crave.

'avant Que Tu T'en Ailles.'

BEFORE YOUR LIGHT QUITE FAIL

     Before your light quite fail,
     Already paling star,
               (The quail
     Sings in the thyme afar!)

     Turn on the poet's eyes
     That love makes overrun—
               (See rise
     The lark to meet the sun!)

     Your glance, that presently
     Must drown in the blue morn;
               (What glee
     Amid the rustling corn!)

     Then flash my message true
     Down yonder,—far away!—
               (The dew
     Lies sparkling on the hay.)

     Across what visions seek
     The Dear One slumbering still.
               (Quick, quick!
     The sun has reached the hill!)

  O'ER THE WOOD'S BROW

     O'er the wood's brow,
        Pale, the moon stares;
     In every bough
        Wandering airs
     Faintly suspire....

     O heart's-desire!

     Two willow-trees
        Waver and weep,
     One in the breeze,
        One in the deep
     Glass of the stream....

     Dream we our dream!

     An infinite
        Resignedness
     Rains where the white
        Mists opalesce
     In the moon-shower....

     Stay, perfect hour!

THE SCENE BEHIND THE CARRIAGE WINDOW-PANES

     The scene behind the carriage window-panes
     Goes flitting past in furious flight; whole plains
     With streams and harvest-fields and trees and blue
     Are swallowed by the whirlpool, whereinto
     The telegraph's slim pillars topple o'er,
     Whose wires look strangely like a music-score.

     A smell of smoke and steam, a horrid din
     As of a thousand clanking chains that pin
     A thousand giants that are whipped and howl,—
     And, suddenly, long hoots as of an owl.

     What is it all to me? Since in mine eyes
     The vision lingers that beatifies,
     Since still the soft voice murmurs in mine ear,
     And since the Name, so sweet, so high, so dear,
     Pure pivot of this madding whirl, prevails
     Above the brutal clangor of the rails?

  THE ROSY HEARTH, THE LAMPLIGHT'S NARROW BEAM

     The rosy hearth, the lamplight's narrow beam,
     The meditation that is rather dream,
     With looks that lose themselves in cherished looks;
     The hour of steaming tea and banished books;
     The sweetness of the evening at an end,
     The dear fatigue, and right to rest attained,
     And worshipped expectation of the night,—
     Oh, all these things, in unrelenting flight,
     My dream pursues through all the vain delays,
     Impatient of the weeks, mad at the days!

  IT SHALL BE, THEN, UPON A SUMMER'S DAY

     It shall be, then, upon a summer's day:
        The sun, my joy's accomplice, bright shall shine,
        And add, amid your silk and satin fine,
     To your dear radiance still another ray;

     The heavens, like a sumptuous canopy,
        Shall shake out their blue folds to droop and trail
        About our happy brows, that shall be pale
     With so much gladness, such expectancy;

     And when day closes, soft shall be the air
        That in your snowy veils, caressing, plays,
        And with soft-smiling eyes the stars shall gaze
     Benignantly upon the wedded pair.

  Romances sans Paroles

Ariettes Oubliées

Il pleut doucement sur la ville.—ARTHUR RIMBAUD

     It weeps in my heart
     As it rains on the town.
     What is this dull smart
     Possessing my heart?

     Soft sound of the rain
     On the ground and the roofs!
     To a heart in pain,
     O the song of the rain!

     It weeps without cause
     In my heart-sick heart.
     In her faith, what? no flaws?
     This grief has no cause.

     'Tis sure the worst woe
     To know not wherefore
     My heart suffers so
     Without joy or woe.

Son joyeux, importun, d'un clavecin sonore.—PÉTRUS BOREL

     The keyboard, over which two slim hands float,
     Shines vaguely in the twilight pink and gray,
     Whilst with a sound like wings, note after note
     Takes flight to form a pensive little lay
     That strays, discreet and charming, faint, remote,
     About the room where perfumes of Her stray.

     What is this sudden quiet cradling me
     To that dim ditty's dreamy rise and fall?
     What do you want with me, pale melody?
     What is it that you want, ghost musical
     That fade toward the window waveringly
     A little open on the garden small?

'le Piano Que Baise Une Main Frêle'

Oh, heavy, heavy my despair,
     Because, because of One so fair.

     My misery knows no allay,
     Although my heart has come away.

     Although my heart, although my soul,
     Have fled the fatal One's control.

     My misery knows no allay,
     Although my heart has come away.

     My heart, the too, too feeling one,
     Says to my soul, "Can it be done,

     "Can it be done, too feeling heart,
     That we from her shall live apart?"

     My soul says to my heart, "Know I
     What this strange pitfall should imply,

     "That we, though far from her, are near,
     Yea, present, though in exile here?"

     Le rossignol qui du haut d'une branche se regarde
     dedans, croit être tombé dans la rivière. Il est au sommet
     d'un chene, et toutefois il a peur de se noyer.
                                        CYRANO DE BERGERAC.

     The trees' reflection in the misty stream
        Dies off in livid steam;
     Whilst up among the actual boughs, forlorn,
        The tender wood-doves mourn.

     How wan the face, O traveller, this wan
        Gray landscape looked upon;
     And how forlornly in the high tree-tops
        Lamented thy drowned hopes!

Paysages Belges

BRUXELLES

     Hills and fences hurry by
     Blent in greenish-rosy flight,
     And the yellow carriage-light
     Blurs all to the half-shut eye.

     Slowly turns the gold to red
     O'er the humble darkening vales;
     Little trees that flatly spread,
     Where some feeble birdling wails.

     Scarcely sad, so mild and fair
     This enfolding Autumn seems;
     All my moody languor dreams,
     Cradled by the gentle air.

Birds in the Night

                      I
     You were not over-patient with me, dear;
        This want of patience one must rightly rate:
     You are so young! Youth ever was severe
        And variable and inconsiderate!

     You had not all the needful kindness, no;
        Nor should one be amazed, unhappily:
     You're very young, cold sister mine, and so
        'Tis natural you should unfeeling be!

     Behold me therefore ready to forgive;
        Not gay, of course! but doing what I can
     To bear up bravely,—deeply though I grieve
        To be, through you, the most unhappy man.

                 II
     But you will own that I was in the right
        When in my downcast moods I used to say
     That your sweet eyes, my hope, once, and delight!
        Were come to look like eyes that will betray.

     It was an evil lie, you used to swear,
        And your glance, which was lying, dear, would flame,—
     Poor fire, near out, one stirs to make it flare!—
        And in your soft voice you would say, "Je t'aime!"

     Alas! that one should clutch at happiness
        In sense's, season's, everything's despite!—
     But 'twas an hour of gleeful bitterness
        When I became convinced that I was right!

                   III
     And wherefore should I lay my heart-wounds bare?
        You love me not,—an end there, lady mine;
     And as I do not choose that one shall dare
        To pity,—I must suffer without sign.

     Yes, suffer! For I loved you well, did I,—
        But like a loyal soldier will I stand
     Till, hurt to death, he staggers off to die,
        Still filled with love for an ungrateful land.

     O you that were my Beauty and my Own,
        Although from you derive all my mischance,
     Are not you still my Home, then, you alone,
        As young and mad and beautiful as France?

                 IV
     Now I do not intend—what were the gain?—
        To dwell with streaming eyes upon the past;
     But yet my love which you may think lies slain,
        Perhaps is only wide awake at last.

     My love, perhaps,—which now is memory!—
        Although beneath your blows it cringe and cry
     And bleed to will, and must, as I foresee,
        Still suffer long and much before it die,—

     Judges you justly when it seems aware
        Of some not all banal compunction,
     And of your memory in its despair
        Reproaching you, "Ah, fi! it was ill done!"

                 V
     I see you still. I softly pushed the door—
        As one o'erwhelmed with weariness you lay;
     But O light body love should soon restore,
        You bounded up, tearful at once and gay.

     O what embraces, kisses sweet and wild!
        Myself, from brimming eyes I laughed to you
     Those moments, among all, O lovely child,
        Shall be my saddest, but my sweetest, too.

     I will remember your smile, your caress,
        Your eyes, so kind that day,—exquisite snare!—
     Yourself, in fine, whom else I might not bless,
     Only as they appeared, not as they were.

                 VI
     I see you still! Dressed in a summer dress,
        Yellow and white, bestrewn with curtain-flowers;
     But you had lost the glistening laughingness
        Of our delirious former loving hours.

     The eldest daughter and the little wife
        Spoke plainly in your bearing's least detail,—
     Already 'twas, alas! our altered life
        That stared me from behind your dotted veil.

     Forgiven be! And with no little pride
        I treasure up,—and you, no doubt, see why,—
     Remembrance of the lightning to one side
        That used to flash from your indignant eye!

                 VII
     Some moments, I'm the tempest-driven bark
        That runs dismasted mid the hissing spray,
     And seeing not Our Lady through the dark
        Makes ready to be drowned, and kneels to pray.

     Some moments, I'm the sinner at his end,
        That knows his doom if he unshriven go,
     And losing hope of any ghostly friend,
        Sees Hell already gape, and feels it glow.

     Oh, but! Some moments, I've the spirit stout
        Of early Christians in the lion's care,
     That smile to Jesus witnessing, without
        A nerve's revolt, the turning of a hair!

  Aquarelles

GREEN

     See, blossoms, branches, fruit, leaves I have brought,
        And then my heart that for you only sighs;
     With those white hands of yours, oh, tear it not,
        But let the poor gift prosper in your eyes.

     The dew upon my hair is still undried,—
        The morning wind strikes chilly where it fell.
     Suffer my weariness here at your side
        To dream the hour that shall it quite dispel.

     Allow my head, that rings and echoes still
        With your last kiss, to lie upon your breast,
     Till it recover from the stormy thrill,—
        And let me sleep a little, since you rest.

  SPLEEN

     The roses were so red, so red,
        The ivies altogether black.

     If you but merely turn your head,
        Beloved, all my despairs come back!

     The sky was over-sweet and blue,
        Too melting green the sea did show.

     I always fear,—if you but knew!—
        From your dear hand some killing blow.

     Weary am I of holly-tree
        And shining box and waving grass

     Upon the tame unending lea,—
        And all and all but you, alas!

STREETS

            Let's dance the jig!

     Above all else I loved her eyes,
     More clear than stars of cloudless skies,
     And arch and mischievous and wise.

            Let's dance the jig!

     So skilfully would she proceed
     To make a lover's bare heart bleed,
     That it was beautiful indeed!

            Let's dance the jig!

     But keenlier have I relished
     The kisses of her mouth so red
     Since to my heart she has been dead.

            Let's dance the jig!

     The circumstances great and small,—
     Words, moments... I recall, recall
     It is my treasure among all.

            Let's dance the jig!

  Sagesse

     WHAT SAYST THOU, TRAVELLER, OF ALL THOU SAW'ST AFAR?

     What sayst thou, traveller, of all thou saw'st afar?
        On every tree hangs boredom, ripening to its fall,
     Didst gather it, thou smoking yon thy sad cigar,
        Black, casting an incongruous shadow on the wall?

     Thine eyes are just as dead as ever they have been,
        Unchanged is thy grimace, thy dolefulness is one,
     Thou mind'st one of the wan moon through the rigging seen,
        The wrinkled sea beneath the golden morning sun,

     The ancient graveyard with new gravestones every day,—
        But, come, regale us with appropriate detail,
     Those disillusions weeping at the fountains, say,
        Those new disgusts, just like their brothers, littered stale,

     Those women! Say the glare, the identical dismay
        Of ugliness and evil, always, in all lands,
     And say Love, too,—and Politics, moreover, say,
        With ink-dishonored blood upon their shameless hands.

     And then, above all else, neglect not to recite
        Thy proper feats, thou dragging thy simplicity
     Wherever people love, wherever people fight,
        In such a sad and foolish kind, in verity!

     Has that dull innocence been punished as it should?
        What say'st thou? Man is hard,—but woman? And thy tears,
     Who has been drinking? And into what ear so good
        Dost pour thy woes for it to pour in other ears?

     Ah, others! ah, thyself! Gulled with such curious ease,
        That used to dream (Doth not the soul with laughter fill?)
     One knows not what poetic, delicate decease,—
        Thou sort of angel with the paralytic will!

     But now what are thy plans, thine aims? Art thou of might?
        Or has long shedding tears disqualified thy heart?
     The tree is scarcely hardy, judging it at sight,
        And by thy looks no topping conqueror thou art.

     So awkward, too! With the additional offence
        Of being now a sort of dazed idyllic bard
     That poses in a window, contemplating thence
        The silly noon-day sky with an impressed regard.

     So totally the same in this extreme decay!
        But in thy place a being with some sense, pardy,
     Would wish at least to lead the dance, since he must pay
        The fiddlers,—at some risk of flutt'ring passers-by!

     Canst not, by rummaging within thy consciousness,
        Find some bright vice to bare, as 't were a flashing sword?
     Some gay, audacious vice, which wield with dexterousness,
        And make to shine, and shoot red lightnings Heavenward!

     Hast one, or more? If more, the better! And plunge in,
        And bravely lay about thee, indiscriminate,
     And wear that face of indolence that masks the grin
        Of hate at once full-feasted and insatiate.

     Not well to be a dupe in this good universe,
        Where there is nothing to allure in happiness
     Save in it wriggle aught of shameful and perverse,—
        And not to be a dupe, one must be merciless!

     —Ah, human wisdom, ah, new things have claimed mine eyes,
        And of that past—of weary recollection!—
     Thy voice described, for still more sinister advice,
        All I remember is the evil I have done.

     In all the curious movements of my sad career,
        Of others and myself, the chequered road I trod,
     Of my accounted sorrows, good and evil cheer,
        I nothing have retained except the grace of God!

     If I am punished, 'tis most fit I should be so;
        Played to its end is mortal man's and woman's rôle,—
     But steadfastly I hope I too one day shall know
        The peace and pardon promised every Christian soul.

     Well not to be a dupe in this world of a day,
        But not to be one in the world that hath no end,
     That which it doth behoove the soul to be and stay
        Is merciful, not merciless,—deluded friend.

THE FALSE FAIR DAYS

     The false fair days have flamed the livelong day,
     And still they flicker in the brazen West.
     Cast down thine eyes, poor soul, shut out the unblest:
     A deadliest temptation. Come away.

     All day they flashed in flakes of fire, that lay
     The vintage low upon the hill's green breast,
     The harvest low,—and o'er that faithfullest,
     The blue sky ever beckoning, shed dismay.

     Oh, clasp thy hands, grow pale, and turn again!
     If all the future savoured of the past?
     If the old insanity were on its way?

     Those memories, must each anew be slain?
     One fierce assault, the best, no doubt, the last!
     Go pray against the gathering storm, go pray!

GIVE EAR UNTO THE GENTLE LAY

     Give ear unto the gentle lay
     That's only sad that it may please;
     It is discreet, and light it is:
     A whiff of wind o'er buds in May.

     The voice was known to you (and dear?),
     But it is muffled latterly
     As is a widow,—still, as she
     It doth its sorrow proudly bear,

     And through the sweeping mourning veil
     That in the gusts of Autumn blows,
     Unto the heart that wonders, shows
     Truth like a star now flash, now fail.

     It says,—the voice you knew again!—
     That kindness, goodness is our life,
     And that of envy, hatred, strife,
     When death is come, shall naught remain.

     It says how glorious to be
     Like children, without more delay,
     The tender gladness it doth say
     Of peace not bought with victory.

     Accept the voice,—ah, hear the whole
     Of its persistent, artless strain:
     Naught so can soothe a soul's own pain,
     As making glad another soul!

     It pines in bonds but for a day,
     The soul that without murmur bears....
     How unperplexed, how free it fares!
     Oh, listen to the gentle lay!

I'VE SEEN AGAIN THE ONE CHILD: VERILY

     I've seen again the One child: verily,
     I felt the last wound open in my breast,
     The last, whose perfect torture doth attest
     That on some happy day I too shall die!

     Good icy arrow, piercing thoroughly!
     Most timely came it from their dreams to wrest
     The sluggish scruples laid too long to rest,—
     And all my Christian blood hymned fervently.

     I still hear, still I see! O worshipped rule
     Of God! I know at last how comfortful
     To hear and see! I see, I hear alway!

     O innocence, O hope! Lowly and mild,
     How I shall love you, sweet hands of my child,
     Whose task shall be to close our eyes one day!

  "SON, THOU MUST LOVE ME! SEE—" MY SAVIOUR SAID

     "Son, thou must love me! See—" my Saviour said,
     "My heart that glows and bleeds, my wounded side,
     My hurt feet that the Magdalene, wet-eyed,
     Clasps kneeling, and my tortured arms outspread

     "To bear thy sins. Look on the cross, stained red!
     The nails, the sponge, that, all, thy soul shall guide
     To love on earth where flesh thrones in its pride,
     My Body and Blood alone, thy Wine and Bread.

     "Have I not loved thee even unto death,
     O brother mine, son in the Holy Ghost?
     Have I not suffered, as was writ I must,

     "And with thine agony sobbed out my breath?
     Hath not thy nightly sweat bedewed my brow,
     O lamentable friend that seek'st me now?"

'mon Dieu M'a Dit.'

  HOPE SHINES—AS IN A STABLE A WISP OF STRAW

     Hope shines—as in a stable a wisp of straw.
     Fear not the wasp drunk with his crazy flight!
     Through some chink always, see, the moted light!
     Propped on your hand, you dozed—But let me draw

     Cool water from the well for you, at least,
     Poor soul! There, drink! Then sleep. See, I remain,
     And I will sing a slumberous refrain,
     And you shall murmur like a child appeased.

     Noon strikes. Approach not, Madam, pray, or call....
     He sleeps. Strange how a woman's light footfall
     Re-echoes through the brains of grief-worn men!

     Noon strikes. I bade them sprinkle in the room.
     Sleep on! Hope shines—a pebble in the gloom.
     —When shall the Autumn rose re-blossom,—when?

SLEEP, DARKSOME, DEEP

     Sleep, darksome, deep,
        Doth on me fall:
     Vain hopes all, sleep,
        Sleep, yearnings all!

     Lo, I grow blind!
        Lo, right and wrong
     Fade to my mind....
        O sorry song!

     A cradle, I,
        Rocked in a grave:
     Speak low, pass by,
        Silence I crave!

Le Ciel et Les Toits.

THE SKY-BLUE SMILES ABOVE THE ROOF

     The sky-blue smiles above the roof
            Its tenderest;
     A green tree rears above the roof
            Its waving crest.

     The church-bell in the windless sky
            Peaceably rings,
     A skylark soaring in the sky
            Endlessly sings.

     My God, my God, all life is there,
            Simple and sweet;
     The soothing bee-hive murmur there
            Comes from the street!

     What have you done, O you that weep
            In the glad sun,—
     Say, with your youth, you man that weep,
            What have you done?

  IT IS YOU

     It is you, it is you, poor better thoughts!
     The needful hope, shame for the ancient blots,
     Heart's gentleness with mind's severity,
     And vigilance, and calm, and constancy,
     And all!—But slow as yet, though well awake;
     Though sturdy, shy; scarce able yet to break
     The spell of stifling night and heavy dreams.
     One comes after the other, and each seems
     Uncouther, and all fear the moonlight cold.
     "Thus, sheep when first they issue from the fold,
     Come,—one, then two, then three. The rest delay,
     With lowered heads, in stupid, wondering way,
     Waiting to do as does the one that leads.
     He stops, they stop in turn, and lay their heads
     Across his back, simply, not knowing why."*
     Your shepherd, O my fair flock, is not I,—
     It is a better, better far, who knows
     The reasons, He that so long kept you close,
     But timely with His own hand set you free.
     Him follow,—light His staff. And I shall be,
     Beneath his voice still raised to comfort you,
     I shall be, I, His faithful dog, and true.

                * Dante, Purgatorio.

  'TIS THE FEAST OF CORN

     'Tis the feast of corn, 'tis the feast of bread,
        On the dear scene returned to, witnessed again!
     So white is the light o'er the reapers shed
        Their shadows fall pink on the level grain.

     The stalked gold drops to the whistling flight
        Of the scythes, whose lightning dives deep, leaps clear;
     The plain, labor-strewn to the confines of sight,
        Changes face at each instant, gay and severe.

     All pants, all is effort and toil 'neath the sun,
        The stolid old sun, tranquil ripener of wheat,
     Who works o'er our haste imperturbably on
        To swell the green grape yon, turning it sweet.

     Work on, faithful sun, for the bread and the wine,
        Feed man with the milk of the earth, and bestow
     The frank glass wherein unconcern laughs divine,—
        Ye harvesters, vintagers, work on, aglow!

     For from the flour's fairest, and from the vine's best,
        Fruit of man's strength spread to earth's uttermost,
     God gathers and reaps, to His purposes blest,
        The Flesh and the Blood for the chalice and host!

Jadis et Naguère

Jadis

PROLOGUE

     Off, be off, now, graceless pack:
     Get you gone, lost children mine:
     Your release is earned in fine:
     The Chimaera lends her back.

     Huddling on her, go, God-sped,
     As a dream-horde crowds and cowers
     Mid the shadowy curtain-flowers
     Round a sick man's haunted bed.

     Hold! My hand, unfit before,
     Feeble still, but feverless,
     And which palpitates no more
     Save with a desire to bless,

     Blesses you, O little flies
     Of my black suns and white nights.
     Spread your rustling wings, arise,
     Little griefs, little delights,

     Hopes, despairs, dreams foul and fair,
     All!—renounced since yesterday
     By my heart that quests elsewhere....
     Ite, aegri somnia!

LANGUEUR

     I am the Empire in the last of its decline,
     That sees the tall, fair-haired Barbarians pass,—the while
     Composing indolent acrostics, in a style
     Of gold, with languid sunshine dancing in each line.

     The solitary soul is heart-sick with a vile
     Ennui. Down yon, they say, War's torches bloody shine.
     Alas, to be so faint of will, one must resign
     The chance of brave adventure in the splendid file,—

     Of death, perchance! Alas, so lagging in desire!
     Ah, all is drunk! Bathyllus, hast done laughing, pray?
     Ah, all is drunk,—all eaten! Nothing more to say!

     Alone, a vapid verse one tosses in the fire;
     Alone, a somewhat thievish slave neglecting one;
     Alone, a vague disgust of all beneath the sun!

Naguère

'crépuscule Du Soir Mystique.'

PROLOGUE

     Glimm'ring twilight things are these,
     Visions of the end of night.
     Truth, thou lightest them, I wis,
     Only with a distant light,

     Whitening through the hated shade
     In such grudging dim degrees,
     One must doubt if they be made
     By the moon among the trees,

     Or if these uncertain ghosts
     Shall take body bye and bye,
     And uniting with the hosts
     Tented by the azure sky,

     Framed by Nature's setting meet,—
     Offer up in one accord
     From the heart's ecstatic heat,
     Incense to the living Lord!

Parallèlement

IMPRESSION FAUSSE

     Dame mouse patters
     Black against the shadow grey;
          Dame mouse patters
          Grey against the black.

          Hear the bed-time bell!
     Sleep forthwith, good prisoners;
          Hear the bed-time bell!
          You must go to sleep.

          No disturbing dream!
     Think of nothing but your loves:
          No disturbing dream,
          Of the fair ones think!

          Moonlight clear and bright!
     Some one of the neighbors snores;
          Moonlight clear and bright—
          He is troublesome.

          Comes a pitchy cloud
     Creeping o'er the faded moon;
          Comes a pitchy cloud—
          See the grey dawn creep!

          Dame mouse patters
     Pink across an azure ray;
          Dame mouse patters....
          Sluggards, up! 'tis day!

Poèmes Saturniens

PROLOGUE

     The Sages of old time, well worth our own,
     Believed—and it has been disproved by none—
     That destinies in Heaven written are,
     And every soul depends upon a star.
     (Many have mocked, without remembering
     That laughter oft is a misguiding thing,
     This explanation of night's mystery.)
     Now all that born beneath Saturnus be,—
     Red planet, to the necromancer dear,—
     Inherit, ancient magic-books make clear,
     Good share of spleen, good share of wretchedness.
     Imagination, wakeful, vigorless,
     In them makes the resolves of reason vain.
     The blood within them, subtle as a bane,
     Burning as lava, scarce, flows ever fraught
     With sad ideals that ever come to naught.
     Such must Saturnians suffer, such must die,—
     If so that death destruction doth imply,—
     Their lives being ordered in this dismal sense
     By logic of a malign Influence.

Melancholia

NEVERMORE

     Remembrance, what wilt thou with me? The year
     Declined; in the still air the thrush piped clear,
     The languid sunshine did incurious peer
     Among the thinned leaves of the forest sere.

     We were alone, and pensively we strolled,
     With straying locks and fancies, when, behold
     Her turn to let her thrilling gaze enfold,
     And ask me in her voice of living gold,

     Her fresh young voice, "What was thy happiest day?"
     I smiled discreetly for all answer, and
     Devotedly I kissed her fair white hand.

     —Ah, me! The earliest flowers, how sweet are they!
     And in how exquisite a whisper slips
     The earliest "Yes" from well-beloved lips!

  APRÈS TROIS ANS

     When I had pushed the narrow garden-door,
     Once more I stood within the green retreat;
     Softly the morning sunshine lighted it,
     And every flow'r a humid spangle wore.

     Nothing is changed. I see it all once more:
     The vine-clad arbor with its rustic seat....
     The waterjet still plashes silver sweet,
     The ancient aspen rustles as of yore.

     The roses throb as in a bygone day,
     As they were wont, the tall proud lilies sway.
     Each bird that lights and twitters is a friend.

     I even found the Flora standing yet,
     Whose plaster crumbles at the alley's end,
     —Slim, 'mid the foolish scent of mignonette.

  MON RÊVE FAMILIER

     Oft do I dream this strange and penetrating dream:
     An unknown woman, whom I love, who loves me well,
     Who does not every time quite change, nor yet quite dwell
     The same,—and loves me well, and knows me as I am.

     For she knows me! My heart, clear as a crystal beam
     To her alone, ceases to be inscrutable
     To her alone, and she alone knows to dispel
     My grief, cooling my brow with her tears' gentle stream.

     Is she of favor dark or fair?—I do not know.
     Her name? All I remember is that it doth flow
     Softly, as do the names of them we loved and lost.

     Her eyes are like the statues',—mild and grave and wide;
     And for her voice she has as if it were the ghost
     Of other voices,—well-loved voices that have died.

  A UNE FEMME

     To you these lines for the consoling grace
     Of your great eyes wherein a soft dream shines,
     For your pure soul, all-kind!—to you these lines
     From the black deeps of mine unmatched distress.

     'Tis that the hideous dream that doth oppress
     My soul, alas! its sad prey ne'er resigns,
     But like a pack of wolves down mad inclines
     Goes gathering heat upon my reddened trace!

     I suffer, oh, I suffer cruelly!
     So that the first man's cry at Eden lost
     Was but an eclogue surely to my cry!

     And that the sorrows, Dear, that may have crossed
     Your life, are but as swallows light that fly
     —Dear!—in a golden warm September sky.

Paysages Tristes

CHANSON D'AUTOMNE

     Leaf-strewing gales
     Utter low wails
          Like violins,—
     Till on my soul
     Their creeping dole
          Stealthily wins....

     Days long gone by!
     In such hour, I,
          Choking and pale,
     Call you to mind,—
     Then like the wind
          Weep I and wail.

     And, as by wind
     Harsh and unkind,
          Driven by grief,
     Go I, here, there,
     Recking not where,
          Like the dead leaf.

  LE ROSSIGNOL

     Like to a swarm of birds, with jarring cries
     Descend on me my swarming memories;
     Light mid the yellow leaves, that shake and sigh,
     Of the bowed alder—that is even I!—
     Brooding its shadow in the violet
     Unprofitable river of Regret.
     They settle screaming—Then the evil sound,
     By the moist wind's impatient hushing drowned,
     Dies by degrees, till nothing more is heard
     Save the lone singing of a single bird,
     Save the clear voice—O singer, sweetly done!—
     Warbling the praises of the Absent One....
     And in the silence of a summer night
     Sultry and splendid, by a late moon's light
     That sad and sallow peers above the hill,
     The humid hushing wind that ranges still
     Rocks to a whispered sleepsong languidly
     The bird lamenting and the shivering tree.

  Caprices

IL BACIO

     Kiss! Hollyhock in Love's luxuriant close!
        Brisk music played on pearly little keys,
        In tempo with the witching melodies
     Love in the ardent heart repeating goes.

     Sonorous, graceful Kiss, hail! Kiss divine!
        Unequalled boon, unutterable bliss!
        Man, bent o'er thine enthralling chalice, Kiss,
     Grows drunken with a rapture only thine!

     Thou comfortest as music does, and wine,
        And grief dies smothered in thy purple fold.
        Let one greater than I, Kiss, and more bold,
     Rear thee a classic, monumental line.

     Humble Parisian bard, this infantile
        Bouquet of rhymes I tender half in fear....
        Be gracious, and in guerdon, on the dear
     Red lips of One I know, alight and smile!

ÉPILOGUE

                         I
     The sun, less hot, looks from a sky more clear;
     The roses in their sleepy loveliness
     Nod to the cradling wind. The atmosphere
     Enfolds us with a sister's tenderness.

     For once hath Nature left the splendid throne
     Of her indifference, and through the mild
     Sun-gilded air of Autumn, clement grown,
     Descends to man, her proud, revolted child.

     She takes, to wipe the tears upon our face,
     Her azure mantle sown with many a star;
     And her eternal soul, her deathless grace,
     Strengthen and calm the weak heart that we are.

     The waving of the boughs, the lengthened line
     Of the horizon, full of dreamy hues
     And scattered songs, all,—sing it, sail, or shine!—
     To-day consoles, delivers!—Let us muse.

                    II
     So, then this book is closed. Dear Fancies mine,
     That streaked my grey sky with your wings of light,
     And passing fanned my burning brow, benign,—
     Return, return to your blue Infinite!

     Thou, ringing Rhyme, thou, Verse that smooth didst glide,
     Ye, throbbing Rhythms, ye, musical Refrains,
     And Memories, and Dreams, and ye beside
     Fair Figures called to life with anxious pains,

     We needs must part. Until the happier day
     When Art, our Lord, his thralls shall re-unite,
     Companions sweet, Farewell and Wellaway,
     Fly home, ye may, to your blue Infinite!

     And true it is, we spared not breath or force,
     And our good pleasure, like foaming steed
     Blind with the madness of his earliest course,
     Of rest within the quiet shade hath need.

     —For always have we held thee, Poesy,
     To be our Goddess, mighty and august,
     Our only passion,—Mother calling thee,
     And holding Inspiration in mistrust.

                      III
     Ah, Inspiration, splendid, dominant,
     Egeria with the lightsome eyes profound,
     Sudden Erato, Genius quick to grant,
     Old picture Angel of the gilt background,

     Muse,—ay, whose voice is powerful indeed,
     Since in the first come brain it makes to grow
     Thick as some dusty yellow roadside weed,
     A gardenful of poems none did sow,—

     Dove, Holy Ghost, Delirium, Sacred Fire,
     Transporting Passion,—seasonable queen!—
     Gabriel and lute, Latona's son and lyre,—
     Ah, Inspiration, summoned at sixteen!

     What we have need of, we, the Poets True,
     That not believe in Gods, and yet revere,
     That have no halo, hold no golden clue,
     For whom no Beatrix leaves her radiant sphere,

     We, that do chisel words like chalices,
     And moving verses shape with unmoved mind,
     Whom wandering in groups by evening seas,
     In musical converse ye scarce shall find,—

     What we need is, in midnight hours dim-lit,
     Sleep daunted, knowledge earned,—more knowledge still!
     Is Faust's brow, of the wood-cuts, sternly knit,
     Is stubborn Perseverance, and is Will!

     Is Will eternal, holy, absolute,
     That grasps—as doth a noble bird of prey
     The steaming flanks of the foredoomed brute,—
     Its project, and with it,—skyward, away!

     What we need, we, is fixedness intense,
     Unequalled effort, strife that shall not cease,
     Is night, the bitter night of labor, whence
     Arises, sun-like, slow, the Master-piece!

     Let our Inspired, hearts by an eye-shot tined,
     Sway with the birch-tree to all winds that blow,
     Poor things! Art knows not the divided mind—
     Speak, Milo's Venus, is she stone or no?

     We therefore, carve we with the chisel Thought
     The pure block of the Beautiful, and gain
     From out the marble cold where it was not,
     Some starry-chitoned statue without stain,

     That one far day, Posterity, new Morn,
     Enkindling with a golden-rosy flame
     Our Work, new Memnon, shall to ears unborn
     Make quiver in the singing air our name!

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