Produced by David Widger

THE PARISIANS

By Edward Bulwer-Lytton

BOOK VI.

CHAPTER I.

A few weeks after the date of the preceding chapter, a gay party of men were assembled at supper in one of the private salons of the Maison Doree. The supper was given by Frederic Lemercier, and the guests were, though in various ways, more or less distinguished. Rank and fashion were not unworthily represented by Alain de Rochebriant and Enguerrand de Vandemar, by whose supremacy as "lion" Frederic still felt rather humbled, though Alain had contrived to bring them familiarly together. Art, Literature, and the Bourse had also their representatives in Henri Bernard, a rising young portrait-painter, whom the Emperor honoured with his patronage, the Vicomte de Braze, and M. Savarin. Science was not altogether forgotten, but contributed its agreeable delegate in the person of the eminent physician to whom we have been before introduced, —Dr. Bacourt. Doctors in Paris are not so serious as they mostly are in London; and Bacourt, a pleasant philosopher of the school of Aristippus, was no unfrequent nor ungenial guest at any banquet in which the Graces relaxed their zones. Martial glory was also represented at that social gathering by a warrior, bronzed and decorated, lately arrived from Algiers, on which arid soil he had achieved many laurels and the rank of Colonel. Finance contributed Duplessis. Well it might; for Duplessis had just assisted the host to a splendid coup at the Bourse.

"Ah, cher Monsieur Savarin," says Enguerrand de Vandemar, whose patrician blood is so pure from revolutionary taint that he is always instinctively polite, "what a masterpiece in its way is that little paper of yours in the 'Sens Commun,' upon the connection between the national character and the national diet! so genuinely witty!—for wit is but truth made amusing."

"You flatter me," replied Savarin, modestly; "but I own I do think there is a smattering of philosophy in that trifle. Perhaps, however, the character of a people depends more on its drinks than its food. The wines of Italy, heady, irritable, ruinous to the digestion, contribute to the character which belongs to active brains and disordered livers. The Italians conceive great plans, but they cannot digest them. The English common-people drink beer, and the beerish character is stolid, rude, but stubborn and enduring. The English middle-class imbibe port and sherry; and with these strong potations their ideas become obfuscated. Their character has no liveliness; amusement is not one of their wants; they sit at home after dinner and doze away the fumes of their beverage in the dulness of domesticity. If the English aristocracy are more vivacious and cosmopolitan, it is thanks to the wines of France, which it is the mode with them to prefer; but still, like all plagiarists, they are imitators, not inventors; they borrow our wines and copy our manners. The Germans—"

"Insolent barbarians!" growled the French Colonel, twirling his mustache; "if the Emperor were not in his dotage, their Sadowa would ere this have cost them their Rhine."

"The Germans," resumed Savarin, unheeding the interruption, "drink acrid wines, varied with beer, to which last their commonalty owes a quasi resemblance in stupidity and endurance to the English masses. Acrid wines rot the teeth Germans are afflicted with toothache from infancy. All people subject to toothache are sentimental. Goethe was a martyr to toothache. 'Werther' was written in one of those paroxysms which predispose genius to suicide. But the German character is not all toothache; beer and tobacco step in to the relief of Rhenish acridities, blend philosophy with sentiment, and give that patience in detail which distinguishes their professors and their generals. Besides, the German wines in themselves have other qualities than that of acridity. Taken with sourkrout and stewed prunes, they produce fumes of self-conceit. A German has little of French vanity; he has German self-esteem. He extends the esteem of self to those around him; his home, his village, his city, his country,—all belong to him. It is a duty he owes to himself to defend them. Give him his pipe and his sabre, and, Monsieur le Colonel, believe me, you will never take the Rhine from him."

"P-r-r," cried the Colonel; "but we have had the Rhine."

"We did not keep it. And I should not say I had a francpiece if I borrowed it from your purse and had to give it back the next day."

Here there arose a very general hubbub of voices, all raised against M. Savarin. Enguerrand, like a man of good ton, hastened to change the conversation.

"Let us leave these poor wretches to their sour wines and toothaches. We drinkers of the champagne, all our own, have only pity for the rest of the human race. This new journal 'Le Sens Commun' has a strange title, Monsieur Savarin."

"Yes; 'Le Sens Commun' is not common in Paris, where we all have too much genius for a thing so vulgar."

"Pray," said the young painter, "tell me what you mean by the title 'Le
Sens Commun.' It is mysterious."

"True," said Savarin; "it may mean the Sensus communis of the Latins, or the Good Sense of the English. The Latin phrase signifies the sense of the common interest; the English phrase, the sense which persons of understanding have in common. I suppose the inventor of our title meant the latter signification."

"And who was the inventor?" asked Bacourt.

"That is a secret which I do not know myself," answered Savarin.

"I guess," said Enguerrand, "that it must be the same person who writes the political leaders. They are most remarkable; for they are so unlike the articles in other journals, whether those journals be the best or the worst. For my own part, I trouble my head very little about politics, and shrug my shoulders at essays which reduce the government of flesh and blood into mathematical problems. But these articles seem to be written by a man of the world, and as a man of the world myself, I read them."

"But," said the Vicomte de Breze, who piqued himself on the polish of his style, "they are certainly not the composition of any eminent writer. No eloquence, no sentiment; though I ought not to speak disparagingly of a fellow-contributor."

"All that may be very true;" said Savarin; "but M. Enguerrand is right. The papers are evidently the work of a man of the world, and it is for that reason that they have startled the public, and established the success of 'Le Sens Commun.' But wait a week or two longer, Messieurs, and then tell me what you think of a new roman by a new writer, which we shall announce in our impression to-morrow. I shall be disappointed, indeed, if that does not charm you. No lack of eloquence and sentiment there."

"I am rather tired of eloquence and sentiment," said Enguerrand. "Your editor, Gustave Rameau, sickens me of them with his 'Starlit Meditations in the Streets of Paris,' morbid imitations of Heine's enigmatical 'Evening Songs.' Your journal would be perfect if you could suppress the editor."

"Suppress Gustave Rameau!" cried Bernard, the painter; "I adore his poems, full of heart for poor suffering humanity."

"Suffering humanity so far as it is packed up in himself," said the physician, dryly,—"and a great deal of the suffering is bile. But a propos of your new journal, Savarin, there is a paragraph in it to-day which excites my curiosity. It says that the Vicomte de Mauleon has arrived in Paris, after many years of foreign travel; and then, referring modestly enough to the reputation for talent which he had acquired in early youth, proceeds to indulge in a prophecy of the future political career of a man who, if he have a grain of sens common, must think that the less said about him the better. I remember him well; a terrible mauvais sujet, but superbly handsome. There was a shocking story about the jewels of a foreign duchess, which obliged him to leave Paris."

"But," said Savarin, "the paragraph you refer to hints that that story is a groundless calumny, and that the true reason for De Mauleon's voluntary self-exile was a very common one among young Parisians,—he had lavished away his fortune. He returns, when, either by heritage or his own exertions, he has secured elsewhere a competence."

"Nevertheless I cannot think that society will receive him," said Bacourt. "When he left Paris, there was one joyous sigh of relief among all men who wished to avoid duels, and keep their wives out of temptation. Society may welcome back a lost sheep, but not a reinvigorated wolf."

"I beg your pardon, mon cher," said Enguerrand; "society has already opened its fold to this poor ill-treated wolf. Two days ago Louvier summoned to his house the surviving relations or connections of De Mauleon—among whom are the Marquis de Rochebriant, the Counts de Passy, De Beauvilliers, De Chavigny, my father, and of course his two sons—and submitted to us the proofs which completely clear the Vicomte de Mauleon of even a suspicion of fraud or dishonour in the affair of the jewels. The proofs include the written attestation of the Duke himself, and letters from that nobleman after De Mauleon's disappearance from Paris, expressive of great esteem, and indeed, of great admiration, for the Vicomte's sense of honour and generosity of character. The result of this family council was that we all went in a body to call on De Mauleon; and he dined with my father that same day. You know enough of the Comte de Vandemar, and, I may add, of my mother, to be sure that they are both, in their several ways, too regardful of social conventions to lend their countenance even to a relation without well weighing the pros and cons. And as for Raoul, Bayard himself could not be a greater stickler on the point of honour."

This declaration was followed by a silence that had the character of stupor.

At last Duplessis said, "But what has Louvier to do in this galere? Louvier is no relation of that well-born vaurien; why should he summon your family council?"

"Louvier excused his interference on the ground of early and intimate friendship with De Mauleon, who, he said, came to consult him on arriving at Paris, and who felt too proud or too timid to address relations with whom he had long dropped all intercourse. An intermediary was required, and Louvier volunteered to take that part on himself; nothing more natural nor more simple. By the way, Alain, you dine with Louvier to-morrow, do you not?—a dinner in honour of our rehabilitated kinsman. I and Raoul go."

"Yes, I shall be charmed to meet again a man who, whatever might be his errors in youth, on which," added Alain, slightly colouring, "it certainly does not become me to be severe, must have suffered the most poignant anguish a man of honour can undergo,—namely, honour suspected; and who now, whether by years or sorrow, is so changed that I cannot recognize a likeness to the character I have just heard given to him as mauvais sujet and vaurien."

"Bravo!" cried Enguerrand; "all honour to courage!—and at Paris it requires great courage to defend the absent."

"Nay," answered Alain, in a low voice. "The gentilhomme who will not defend another gentilhomme traduced, would, as a soldier, betray a citadel and desert a flag."

"You say M. de Mauleon is changed," said De Breze; "yes, he must be growing old. No trace left of his good looks?"

"Pardon me," said Enguerrand; "he is bien conserve, and has still a very handsome head and an imposing presence. But one cannot help doubting whether he deserved the formidable reputation he acquired in youth; his manner is so singularly mild and gentle, his conversation so winningly modest, so void of pretence, and his mode of life is as simple as that of a Spanish hidalgo."

"He does not, then, affect the role of Monte Cristo," said Duplessis, "and buy himself into notice like that hero of romance?"

"Certainly not: he says very frankly that he has but a very small income, but more than enough for his wants,—richer than in his youth, for he has learned content. We may dismiss the hint in 'Le Sens Commun' about his future political career,—at least he evinces no such ambition."

"How could he as a Legitimist?" said Alain, bitterly. "What department would elect him?"

"But is he a Legitimist?" asked De Breze.

"I take it for granted that he must be that," answered Alain, haughtily, "for he is a De Mauleon."

"His father was as good a De Mauleon as himself, I presume," rejoined De Breze, dryly; "and he enjoyed a place at the Court of Louis Philippe, which a Legitimist could scarcely accept. Victor did not, I fancy, trouble his head about politics at all, at the time I remember him; but to judge by his chief associates, and the notice he received from the Princes of the House of Orleans, I should guess that he had no predilections in favour of Henri V."

"I should regret to think so," said Alain, yet more haughtily, "since the De Mauleons acknowledge the head of their house in the representative of the Rochebriants."

"At all events," said Duplessis, "M. de Mauleon appears to be a philosopher of rare stamp. A Parisian who has known riches and is contented to be poor is a phenomenon I should like to study."

"You have that chance to-morrow evening, Monsieur Duplessis," said
Enguerrand.

"What! at M. Louvier's dinner? Nay, I have no other acquaintance with
M. Louvier than that of the Bourse, and the acquaintance is not cordial."

"I did not mean at M. Louvier's dinner, but at the Duchesse de Tarascon's ball. You, as one of her special favourites, will doubtless honour her reunion."

"Yes; I have promised my daughter to go to the ball. But the Duchesse is
Imperialist. M. de Mauleon seems to be either a Legitimist, according to
Monsieur le Marquis, or an Orleanist, according to our friend De Breze."

"What of that? Can there be a more loyal Bourbonite than De Rochebriant?—and he goes to the ball. It is given out of the season, in celebration of a family marriage. And the Duchesse de Tarascon is connected with Alain, and therefore with De Mauleon, though but distantly."

"Ah! excuse my ignorance of genealogy."

"As if the genealogy of noble names were not the history of France," muttered Alain, indignantly.

CHAPTER II.

Yes, the "Sens Commun" was a success: it had made a sensation at starting; the sensation was on the increase. It is difficult for an Englishman to comprehend the full influence of a successful journal at Paris; the station—political, literary, social—which it confers on the contributors who effect the success. M. Lebeau had shown much more sagacity in selecting Gustave Rameau for the nominal editor than Savarin supposed or my reader might detect. In the first place, Gustave himself, with all his defects of information and solidity of intellect, was not without real genius,—and a sort of genius that when kept in restraint, and its field confined to sentiment or sarcasm, was in unison with the temper of the day; in the second place, it was only through Gustave that Lebeau could have got at Savarin, and the names which that brilliant writer had secured at the outset would have sufficed to draw attention to the earliest numbers of the "Sens Commun," despite a title which did not seem alluring. But these names alone could not have sufficed to circulate the new journal to the extent it had already reached. This was due to the curiosity excited by leading articles of a style new to the Parisian public, and of which the authorship defied conjecture. They were signed Pierre Firmin,—supposed to be a nom de plume, as, that name was utterly unknown in the world of letters. They affected the tone of an impartial observer; they neither espoused nor attacked any particular party; they laid down no abstract doctrines of government. But somehow or other, in language terse yet familiar, sometimes careless yet never vulgar, they expressed a prevailing sentiment of uneasy discontent, a foreboding of some destined change in things established, without defining the nature of such change, without saying whether it would be for good or for evil. In his criticisms upon individuals, the writer was guarded and moderate—the keenest-eyed censor of the press could not have found a pretext for interference with expression of opinions so polite. Of the Emperor these articles spoke little, but that little was not disrespectful; yet, day after day, the articles contributed to sap the Empire. All malcontents of every shade comprehended, as by a secret of freemasonry, that in this journal they had an ally. Against religion not a word was uttered, yet the enemies of religion bought that journal; still, the friends of religion bought it too, for those articles treated with irony the philosophers on paper who thought that their contradictory crotchets could fuse themselves into any single Utopia, or that any social edifice, hurriedly run up by the crazy few, could become a permanent habitation for the turbulent many, without the clamps of a creed.

The tone of these articles always corresponded with the title of the journal,—"Common-sense." It was to common-sense that it appealed,— appealed in the utterance of a man who disdained the subtle theories, the vehement declamation, the credulous beliefs, or the inflated bombast, which constitute so large a portion of the Parisian press. The articles rather resembled certain organs of the English press, which profess to be blinded by no enthusiasm for anybody or anything, which find their sale in that sympathy with ill-nature to which Huet ascribes the popularity of Tacitus, and, always quietly undermining institutions with a covert sneer, never pretend to a spirit of imagination so at variance with common-sense as a conjecture how the institutions should be rebuilt or replaced.

Well, somehow or other the journal, as I was saying, hit the taste of the Parisian public. It intimated, with the easy grace of an unpremeditated agreeable talker, that French society in all its classes was rotten; and each class was willing to believe that all the others were rotten, and agreed that unless the others were reformed, there was something very unsound in itself.

The ball at the Duchesse de Tarascon's was a brilliant event. The summer was far advanced; many of the Parisian holiday-makers had returned to the capital, but the season had not commenced, and a ball at that time of year was a very unwonted event. But there was a special occasion for this fete,—a marriage between a niece of the Duchesse and the son of a great official in high favour at the Imperial Court.

The dinner at Louvier's broke up early, and the music for the second waltz was sounding when Enguerrand, Alain, and the Vicomte de Mauleon ascended the stairs. Raoul did not accompany them; he went very rarely to any balls,—never to one given by an Imperialist, however nearly related to him the Imperialist might be. But in the sweet indulgence of his good-nature, he had no blame for those who did go,—not for Enguerrand, still less, of course, for Alain.

Something too might well here be said as to his feeling towards Victor de Mauleon. He had joined in the family acquittal of that kinsman as to the grave charge of the jewels; the proofs of innocence thereon seemed to him unequivocal and decisive, therefore he had called on the Vicomte and acquiesced in all formal civilities shown to him. But such acts of justice to a fellow-gentilhomme and a kinsman duly performed, he desired to see as little as possible of the Vicomte de Mauleon. He reasoned thus: "Of every charge which society made against this man he is guiltless; but of all the claims to admiration which society accorded to him before it erroneously condemned, there are none which make me covet his friendship, or suffice to dispel doubts as to what he may be when society once more receives him. And the man is so captivating that I should dread his influence over myself did I see much of him."

Raoul kept his reasonings to himself, for he had that sort of charity which indisposes an amiable man to be severe on bygone offences. In the eyes of Enguerrand and Alain, and such young votaries of the mode as they could influence, Victor de Mauleon assumed almost heroic proportions. In the affair which had inflicted on him a calumny so odious, it was clear that he had acted with chivalrous delicacy of honour. And the turbulence and recklessness of his earlier years, redeemed as they were, in the traditions of his contemporaries, by courage and generosity, were not offences to which young Frenchmen are inclined to be harsh. All question as to the mode in which his life might have been passed during his long absence from the capital was merged in the respect due to the only facts known, and these were clearly proved in his pieces justificatives: First, that he had served under another name in the ranks of the army in Algiers; had distinguished himself there for signal valour, and received, with promotion, the decoration of the cross. His real name was known only to his colonel, and on quitting the service, the colonel placed in his hands a letter of warm eulogy on his conduct, and identifying him as Victor de Mauleon. Secondly, that in California he had saved a wealthy family from midnight murder, fighting single-handed against and overmastering three ruffians, and declining all other reward from those he had preserved than a written attestation of their gratitude. In all countries, valour ranks high in the list of virtues; in no country does it so absolve from vices as it does in France.

But as yet Victor de Mauleon's vindication was only known by a few, and those belonging to the gayer circles of life. How he might be judged by the sober middle class, which constitutes the most important section of public opinion to a candidate for political trusts and distinctions, was another question.

The Duchesse stood at the door to receive her visitors. Duplessis was seated near the entrance, by the side of a distinguished member of the Imperial Government, with whom he was carrying on a whispered conversation. The eye of the financier, however, turned towards the doorway as Alain and Enguerrand entered, and passing over their familiar faces, fixed itself attentively on that of a mach older man whom Enguerrand was presenting to the Duchesse, and in whom Duplessis rightly divined the Vicomte de Mauleon. Certainly if no one could have recognized M. Lebeau in the stately personage who had visited Louvier, still less could one who had heard of the wild feats of the roi des viveurs in his youth reconcile belief in such tales with the quiet modesty of mien which distinguished the cavalier now replying, with bended head and subdued accents, to the courteous welcome of the brilliant hostess. But for such difference in attributes between the past and the present De Mauleon, Duplessis had been prepared by the conversation at the Maison Doree. And now, as the Vicomte, yielding his place by the Duchesse to some new-comer, glided on, and, leaning against a column, contemplated the gay scene before him with that expression of countenance, half sarcastic, half mournful, with which men regard, after long estrangement, the scenes of departed joys, Duplessis felt that no change in that man had impaired the force of character which had made him the hero of reckless coevals. Though wearing no beard, not even a mustache, there was something emphatically masculine in the contour of the close-shaven cheek and resolute jaw; in a forehead broad at the temples, and protuberant in those organs over the eyebrows which are said to be significant of quick perception and ready action; in the lips, when in repose compressed, perhaps somewhat stern in their expression, but pliant and mobile when speaking, and wonderfully fascinating when they smiled. Altogether, about this Victor de Mauleon there was a nameless distinction, apart from that of conventional elegance. You would have said, "That is a man of some marked individuality, an eminence of some kind in himself." You would not be surprised to hear that he was a party-leader, a skilled diplomatist, a daring soldier, an adventurous traveller; but you would not guess him to be a student, an author, an artist.

While Duplessis thus observed the Vicomte de Mauleon, all the while seeming to lend an attentive ear to the whispered voice of the Minister by his side, Alain passed on into the ball-room. He was fresh enough to feel the exhilaration of the dance. Enguerrand (who had survived that excitement, and who habitually deserted any assembly at an early hour for the cigar and whist of his club) had made his way to De Mauleon, and there stationed himself. The lion of one generation has always a mixed feeling of curiosity and respect for the lion of a generation before him, and the young Vandemar had conceived a strong and almost an affectionate interest in this discrowned king of that realm in fashion which, once lost, is never to be regained; for it is only Youth that can hold its sceptre and command its subjects.

"In this crowd, Vicomte," said Enguerrand, "there must be many old acquaintances of yours?"

"Perhaps so, but as yet I have only seen new faces."

As he thus spoke, a middle-aged man, decorated with the grand cross of the Legion and half-a-dozen foreign orders, lending his arm to a lady of the same age radiant in diamonds, passed by towards the ball-room, and in some sudden swerve of his person, occasioned by a pause of his companion to adjust her train, he accidentally brushed against De Mauleon, whom he had not before noticed. Turning round to apologize for his awkwardness, he encountered the full gaze of the Vicomte, started, changed countenance, and hurried on his companion.

"Do you not recognize his Excellency?" said Enguerrand, smiling. "His cannot be a new face to you."

"Is it the Baron de Lacy?" asked De Mauleon.

"The Baron de Lacy, now Comte d'Epinay, ambassador at the Court of ——-, and, if report speak true, likely soon to exchange that post for the porte feuille of Minister."

"He has got on in life since I saw him last, the little Baron. He was then my devoted imitator, and I was not proud of the imitation."

"He has got on by always clinging to the skirts of some one stronger than himself,—to yours, I dare say, when, being a parvenu despite his usurped title of baron, he aspired to the entree into clubs and salons. The entree thus obtained, the rest followed easily; he became a millionaire through a wife's dot, and an ambassador through the wife's lover, who is a power in the State."

"But he must have substance in himself. Empty bags can not be made to stand upright. Ah! unless I mistake, I see some one I knew better. Yon pale, thin man, also with the grand cross—surely that is Alfred Hennequin. Is he too a decorated Imperialist? I left him a socialistic Republican."

"But, I presume, even then an eloquent avocat. He got into the Chamber, spoke well, defended the coup-d'etat. He has just been made Prefet of the great department of the a popular appointment. He bears a high character. Pray renew your acquaintance with him; he is coming this way."

"Will so grave a dignitary renew acquaintance with me? I doubt it."

But as De Mauleon said this, he moved from the column, and advanced towards the Prefet. Enguerrand followed him, and saw the Vicomte extend his hand to his old acquaintance.

The Prefet stared, and said, with frigid courtesy, "Pardon me,—some mistake."

"Allow me, Monsieur Hennequin," said Enguerrand, interposing, and wishing good-naturedly to save De Mauleon the awkwardness of introducing himself,—"allow me to reintroduce you to my kinsman, whom the lapse of years may well excuse you for forgetting, the Vicomte de Mauleon."

Still the Prefet did not accept the hand. He bowed with formal ceremony, said, "I was not aware that Monsieur le Vicomte had returned to Paris," and moving to the doorway, made his salutation to the hostess and disappeared.

"The insolent!" muttered Enguerrand.

"Hush!" said De Mauleon, quietly, "I can fight no more duels,—especially with a Prefet. But I own I am weak enough to feel hurt at such a reception from Hennequin, for he owed me some obligations,—small, perhaps, but still they were such as might have made me select him, rather than Louvier, as the vindicator of my name, had I known him to be so high placed. But a man who has raised himself into an authority may well be excused for forgetting a friend whose character needs defence. I forgive him."

There was something pathetic in the Vicomte's tone which touched Enguerrand's warm if light heart. But De Mauleon did not allow him time to answer. He went on quickly through an opening in the gay crowd, which immediately closed behind him, and Enguerrand saw him no more that evening.

Duplessis ere this had quitted his seat by the Minister, drawn thence by a young and very pretty girl resigned to his charge by a cavalier with whom she had been dancing. She was the only daughter of Duplessis, and he valued her even more than the millions he had made at the Bourse. "The Princess," she said, "has been swept off in the train of some German Royalty; so, petit pere, I must impose myself on thee."

The Princess, a Russian of high rank, was the chaperon that evening of
Mademoiselle Valerie Duplessis.

"And I suppose I must take thee back into the ballroom," said the financier, smiling proudly, "and find thee partners."

"I don't want your aid for that, Monsieur; except this quadrille, my list is pretty well filled up."

"And I hope the partners will be pleasant. Let me know who they are," he whispered, as they threaded their way into the ball-room.

The girl glanced at her tablet.

"Well, the first on the list is milord somebody, with an unpronounceable
English name."

"Beau cavalier?"

"No; ugly, old too; thirty at least."

Duplessis felt relieved. He did not wish his daughter to fall in love with an Englishman.

"And the next?"

"The next?" she said hesitatingly, and he observed that a soft blush accompanied the hesitation.

"Yes, the next. Not English too?"

"Oh, no; the Marquis de Rochebriant."

"Ah! who presented him to thee?"

"Thy friend, petit pere, M. de Braze."

Duplessis again glanced at his daughter's face; it was bent over her bouquet.

"Is he ugly also?"

"Ugly!" exclaimed the girl, indignantly; "why, he is—" she checked herself and turned away her head.

Duplessis became thoughtful. He was glad that he had accompanied his child into the ball-room; he would stay there, and keep watch on her and Rochebriant also.

Up to that moment he had felt a dislike to Rochebriant. That young noble's too obvious pride of race had nettled him, not the less that the financier himself was vain of his ancestry. Perhaps he still disliked Alain, but the dislike was now accompanied with a certain, not hostile, interest; and if he became connected with the race, the pride in it might grow contagious.

They had not been long in the ball-room before Alain came up to claim his promised partner. In saluting Duplessis, his manner was the same as usual, not more cordial, not less ceremoniously distant. A man so able as the financier cannot be without quick knowledge of the human heart.

"If disposed to fall in love with Valerie," thought Duplessis, "he would have taken more pains to please her father. Well, thank heaven, there are better matches to be found for her than a noble without fortune and a Legitimist without career."

In fact, Alain felt no more for Valerie than for any other pretty girl in the room. In talking with the Vicomte de Braze in the intervals of the dance, he had made some passing remark on her beauty. De Braze had said, "Yes, she is charming; I will present you," and hastened to do so before Rochebriant even learned her name. So introduced, he could but invite her to give him her first disengaged dance, and when that was fixed, he had retired, without entering into conversation.

Now, as they took their places in the quadrille, he felt that effort of speech had become a duty, if not a pleasure; and of course, he began with the first commonplace which presented itself to his mind.

"Do you not think it a very pleasant ball, Mademoiselle?"

"Yes," dropped, in almost inaudible reply, from Valerie's rosy lips.

"And not over-crowded, as most balls are?"

Valerie's lips again moved, but this time quite inaudibly. The obligations of the figure now caused a pause. Alain racked his brains and began,

"They tell me the last season was more than usually gay; of that I cannot judge, for it was well-nigh over when I came to Paris for the first time."

Valerie looked up with a more animated expression than her childlike face had yet shown, and said, this time distinctly, "This is my first ball, Monsieur le Marquis."

"One has only to look at Mademoiselle to divine that fact," replied
Alain, gallantly.

Again the conversation was interrupted by the dance; but the ice between the two was now broken; and when the quadrille was concluded, and Rochebriant led the fair Valerie back to her father's side, she felt as if she had been listening to the music of the spheres, and that the music had now suddenly stopped. Alain, alas for her! was under no such pleasing illusion. Her talk had seemed to him artless indeed, but very insipid, compared with the brilliant conversation of the wedded Parisiennes with whom he more habitually danced; and it was with rather a sensation of relief that he made his parting bow, and receded into the crowd of bystanders.

Meanwhile De Mauleon had quitted the assemblage, walking slowly through the deserted streets towards his apartment. The civilities he had met at Louvier's dinner-party, and the marked distinction paid to him by kinsmen of rank and position so unequivocal as Alain and Enguerrand, had softened his mood and cheered his spirits. He had begun to question himself whether a fair opening to his political ambition was really forbidden to him under the existent order of things, whether it necessitated the employment of such dangerous tools as those to which anger and despair had reconciled his intellect. But the pointed way in which he had been shunned or slighted by the two men who belonged to political life—two men who in youth had looked up to himself, and whose dazzling career of honours was identified with the Imperial system—reanimated his fiercer passions and his more perilous designs. The frigid accost of Hennequin more especially galled him; it wounded not only his pride but his heart; it had the venom of ingratitude, and it is the peculiar privilege of ingratitude to wound hearts that have learned to harden themselves to the hate or contempt of men to whom no services have been rendered. In some private affair concerning his property, De Mauleon had had occasion to consult Hennequin, then a rising young avocat. Out of that consultation a friendship had sprung up, despite the differing habits and social grades of the two men. One day, calling on Hennequin, he found him in a state of great nervous excitement. The avocat had received a public insult in the salon of a noble, to whom De Mauleon had introduced him, from a man who pretended to the hand of a young lady to whom Hennequin was attached, and indeed almost affianced. The man was a notorious spadassin,—a duellist little less renowned for skill in all weapons than De Mauleon himself. The affair had been such that Hennequin's friends assured him he had no choice but to challenge this bravo. Hennequin, brave enough at the bar, was no hero before sword-point or pistol. He was utterly ignorant of the use of either weapon; his death in the encounter with an antagonist so formidable seemed to him certain, and life was so precious,—an honourable and distinguished career opening before him, marriage with the woman he loved. Still he had the Frenchman's point of honour. He had been told that he must fight; well, then, he must. He asked De Mauleon to be one of his seconds, and in asking him, sank in his chair, covered his face with his hands, and burst into tears.

"Wait till to-morrow," said De Mauleon; "take no step till then.
Meanwhile, you are in my hands, and I answer for your honour."

On leaving Hennequin, Victor sought the spadassin at the club of which they were both members, and contrived, without reference to Hennequin, to pick a quarrel with him. A challenge ensued; a duel with swords took place the next morning. De Mauleon disarmed and wounded his antagonist, not gravely, but sufficiently to terminate the encounter. He assisted to convey the wounded man to his apartment, and planted himself by his bedside, as if he were a friend.

"Why on earth did you fasten a quarrel on me?" asked the spadassin; "and why, having done so, did you spare my life; for your sword was at my heart when you shifted its point, and pierced my shoulder?"

"I will tell you, and in so doing, beg you to accept my friendship hereafter, on one condition. In the course of the day, write or dictate a few civil words of apology to M. Hennequin. Ma foi! every one will praise you for a generosity so becoming in a man who has given such proofs of courage and skill to an avocat who has never handled a sword nor fired a pistol."

That same day De Mauleon remitted to Hennequin an apology for heated words freely retracted, which satisfied all his friends. For the service thus rendered by De Mauleon, Hennequin declared himself everlastingly indebted. In fact, he entirely owed to that friend his life, his marriage, his honour, his career.

"And now," thought De Mauleon, "now, when he could so easily requite me, —now he will not even take my hand. Is human nature itself at war with me?"

CHAPTER III.

Nothing could be simpler than the apartment of the Vicomte de Mauleon, in the second story of a quiet old-fashioned street. It had been furnished at small cost out of his savings. Yet, on the whole, it evinced the good taste of a man who had once been among the exquisites of the polite world. You felt that you were in the apartment of a gentleman, and a gentleman of somewhat severe tastes, and of sober matured years. He was sitting the next morning in the room which he used as a private study. Along the walls were arranged dwarf bookcases, as yet occupied by few books, most of them books of reference, others cheap editions of the French classics in prose—no poets, no romance-writers, with a few Latin authors also in prose,—Cicero, Sallust, Tacitus. He was engaged at his desk writing,—a book with its leaves open before him, "Paul Louis Courier," that model of political irony and masculine style of composition. There was a ring at his door-bell. The Vicomte kept no servant. He rose and answered the summons. He recoiled a few paces on recognizing his visitor in M. Hennequin.

The Prefet this time did not withdraw his hand; he extended it, but it was with a certain awkwardness and timidity. "I thought it my duty to call on you, Vicomte, thus early, having already seen M. Enguerrand de Vandemar. He has shown me the copies of the pieces which were inspected by your distinguished kinsmen, and which completely clear you of the charge that—grant me your pardon when I say—seemed to me still to remain unanswered when I had the honour to meet you last night."

"It appears to me, Monsieur Hennequin, that you, as an avocat so eminent, might have convinced yourself very readily of that fact."

"Monsieur le Vicomte, I was in Switzerland with my wife at the time of the unfortunate affair in which you were involved."

"But when you returned to Paris, you might perhaps have deigned to make inquiries so affecting the honour of one you had called a friend, and for whom you had professed"—De Mauleon paused; he disdained to add—"an eternal gratitude."

Hennequin coloured slightly, but replied with self-possession.

"I certainly did inquire. I did hear that the charge against you with regard to the abstraction of the jewels was withdrawn, that you were therefore acquitted by law; but I heard also that society did not acquit you, and that, finding this, you had quitted France. Pardon me again, no one would listen to me when I attempted to speak on your behalf but now that so many years have elapsed, that the story is imperfectly remembered, that relations so high-placed receive you so cordially,—now I rejoice to think that you will have no difficulty in regaining a social position never really lost, but for a time resigned."

"I am duly sensible of the friendly joy you express. I was reading the other day in a lively author some pleasant remarks on the effects of medisance or calumny upon our impressionable Parisian public. 'If,' says the writer, 'I found myself accused of having put the two towers of Notre Dame into my waistcoat-pocket I should not dream of defending myself; I should take to flight. And,' adds the writer, 'if my best friend were under the same accusation, I should be so afraid of being considered his accomplice that I should put my best friend outside the door.' Perhaps, Monsieur Hennequin, I was seized with the first alarm. Why should I blame you if seized with the second? Happily, this good city of Paris has its reactions. And you can now offer me your hand. Paris has by this time discovered that the two towers of Notre Dame are not in my pocket."

There was a pause. De Mauleon had resettled himself at his desk, bending over his papers, and his manner seemed to imply that he considered the conversation at an end.

But a pang of shame, of remorse, of tender remembrance, shot across the heart of the decorous, worldly, self-seeking man, who owed all that he now was to the ci-devant vaurien before him. Again he stretched forth his hand, and this time grasped De Mauleon's warmly. "Forgive me," he said, feelingly and hoarsely; "forgive me, I was to blame. By character, and perhaps by the necessities of my career, I am over-timid to public opinion, public scandal. Forgive me. Say if in anything now I can requite, though but slightly, the service I owe you."

De Mauleon looked steadily at the Prefet, and said slowly, "Would you serve me in turn? Are you sincere?"

The Prefet hesitated a moment, then answered firmly, "Yes."

"Well, then, what I ask of you is a frank opinion,—not as lawyer, not as Prefet, but as a man who knows the present state of French society. Give that opinion without respect to my feelings one way or other. Let it emanate solely from your practised judgment."

"Be it so," said Hennequin, wondering what was to come. De Mauleon resumed, "As you may remember, during my former career I had no political ambition. I did not meddle with politics. In the troubled times that immediately succeeded the fall of Louis Philippe I was but an epicurean looker-on. Grant that, so far as admission to the salons is concerned, I shall encounter no difficulty in regaining position; but as regards the Chamber, public life, a political career, can I have my fair opening under the Empire? You pause. Answer as you have promised, frankly."

"The difficulties in the way of a political career would be very great."

"Insuperable?"

"I fear so. Of course, in my capacity of Prefet, I have no small influence in my department in support of a Government candidate. But I do not think that the Imperial Government could, at this time especially, in which it must be very cautious in selecting its candidates, be induced to recommend you. The affair of the jewels would be raked up; your vindication disputed, denied; the fact that for so many years you have acquiesced in that charge without taking steps to refute it; your antecedents, even apart from that charge; your present want of property (M. Enguerrand tells me your income is but moderate); the absence of all previous repute in public life. No; relinquish the idea of political contest,—it would expose you to inevitable mortifications, to a failure that would even jeopardize the admission to the salons which you are now gaining. You could not be a Government candidate."

"Granted. I may have no desire to be one; but an opposition candidate, one of the Liberal party?"

"As an Imperialist," said Hennequin, smiling gravely, "and holding the office I do, it would not become me to encourage a candidate against the Emperor's Government. But speaking with the frankness you solicit, I should say that your chances there are infinitely worse. The Opposition are in a pitiful minority,—the most eminent of the Liberals can scarcely gain seats for themselves; great local popularity or property, high established repute for established patriotism, or proved talents of oratory and statesmanship, are essential qualifications for a seat in the Opposition; and even these do not suffice for a third of the persons who possess them. Be again what you were before,—the hero of salons remote from the turbulent vulgarity of politics."

"I am answered. Thank you once more. The service I rendered you once is requited now."

"No, indeed,—no; but will you dine with me quietly today, and allow me to present to you my wife and two children, born since we parted? I say to-day, for to-morrow I return to my Prefecture."

"I am infinitely obliged by your invitation, but to-day I dine with the Comte de Beauvilliers to meet some of the Corps Diplomatique. I must make good my place in the salons, since you so clearly show me that I have no chance of one in the Legislature—unless—"

"Unless what?"

"Unless there happen one of those revolutions in which the scum comes uppermost."

"No fear of that. The subterranean barracks and railway have ended forever the rise of the scum, the reign of the canaille and its barricades."

"Adieu, my dear Hennequin. My respectful hommages a Madame."

After that day the writing of Pierre Firmin in "Le Sens Commun," though still keeping within the pale of the law, became more decidedly hostile to the Imperial system, still without committing their author to any definite programme of the sort of government that should succeed it.

CHAPTER IV.

The weeks glided on. Isaura's manuscript bad passed into print; it came out in the French fashion of feuilletons,—a small detachment at a time. A previous flourish of trumpets by Savarin and the clique at his command insured it attention, if not from the general public, at least from critical and literary coteries. Before the fourth instalment appeared it had outgrown the patronage of the coteries; it seized hold of the public. It was not in the last school in fashion; incidents were not crowded and violent,—they were few and simple, rather appertaining to an elder school, in which poetry of sentiment and grace of diction prevailed. That very resemblance to old favourites gave it the attraction of novelty. In a word, it excited a pleased admiration, and great curiosity was felt as to the authorship. When it oozed out that it was by the young lady whose future success in the musical world had been so sanguinely predicted by all who had heard her sing, the interest wonderfully increased. Petitions to be introduced to her acquaintance were showered upon Savarin. Before she scarcely realized her dawning fame, she was drawn from her quiet home and retired habits; she was fetee and courted in the literary circle of which Savarin was a chief. That circle touched, on one side, Bohemia; on the other, that realm of politer fashion which, in every intellectual metropolis, but especially in Paris, seeks to gain borrowed light from luminaries in art and letters. But the very admiration she obtained somewhat depressed, somewhat troubled her; after all, it did not differ from that which was at her command as a singer.

On the one hand, she shrank instinctively from the caresses of female authors and the familiar greetings of male authors, who frankly lived in philosophical disdain of the conventions respected by sober, decorous mortals. On the other hand, in the civilities of those who, while they courted a rising celebrity, still held their habitual existence apart from the artistic world, there was a certain air of condescension, of patronage, towards the young stranger with no other protector but Signora Venosta, the ci-devant public singer, and who had made her debut in a journal edited by M. Gustave Rameau, which, however disguised by exaggerated terms of praise, wounded her pride of woman in flattering her vanity as author. Among this latter set were wealthy, high-born men, who addressed her as woman—as woman beautiful and young—with words of gallantry that implied love, but certainly no thought of marriage,—many of the most ardent were indeed married already. But once launched into the thick of Parisian hospitalities, it was difficult to draw back. The Venosta wept at the thought of missing some lively soiree, and Savarin laughed at her shrinking fastidiousness as that of a child's ignorance of the world. But still she had her mornings to herself; and in those mornings, devoted to the continuance of her work (for the commencement was in print before a third was completed), she forgot the commonplace world that received her in the evenings. Insensibly to herself the tone of this work had changed as it proceeded. It had begun seriously indeed, but in the seriousness there was a certain latent joy. It might be the joy of having found vent of utterance; it might be rather a joy still more latent, inspired by the remembrance of Graham's words and looks, and by the thought that she had renounced all idea of the professional career which he had evidently disapproved. Life then seemed to her a bright possession. We have seen that she had begun her roman without planning how it should end. She had, however, then meant it to end, somehow or other, happily. Now the lustre had gone from life; the tone of the work was saddened; it foreboded a tragic close. But for the general reader it became, with every chapter, still more interesting; the poor child had a singularly musical gift of style,—a music which lent itself naturally to pathos. Every very young writer knows how his work, if one of feeling, will colour itself from the views of some truth in his innermost self; and in proportion as it does so, how his absorption in the work increases, till it becomes part and parcel of his own mind and heart. The presence of a hidden sorrow may change the fate of the beings he has created, and guide to the grave those whom, in a happier vein, he would have united at the altar. It is not till a later stage of experience and art that the writer escapes from the influence of his individual personality, and lives in existences that take no colourings from his own. Genius usually must pass through the subjective process before it gains the objective. Even a Shakspeare represents himself in the Sonnets before no trace of himself is visible in a Falstaff or a Lear.

No news of the Englishman,—not a word. Isaura could not but feel that in his words, his looks, that day in her own garden, and those yet happier days at Enghien, there had been more than friendship; there had been love,—love enough to justify her own pride in whispering to herself, "And I love too." But then that last parting! how changed he was! how cold! She conjectured that jealousy of Rameau might, in some degree, account for the coldness when he first entered the room, but surely not when he left; surely not when she had overpassed the reserve of her sex, and implied by signs rarely misconstrued by those who love that he had no cause for jealousy of another. Yet he had gone,—parted with her pointedly as a friend, a mere friend. How foolish she had been to think this rich ambitious foreigner could ever have meant to be more! In the occupation of her work she thought to banish his image; but in that work the image was never absent; there were passages in which she pleadingly addressed it, and then would cease abruptly, stifled by passionate tears. Still she fancied that the work would reunite them; that in its pages he would hear her voice and comprehend her heart. And thus all praise of the work became very, very dear to her.

At last, after many weeks, Savarin heard from Graham. The letter was dated Aix-la-Chapelle, at which the Englishman said he might yet be some time detained. In the letter Graham spoke chiefly of the new journal: in polite compliment of Savarin's own effusions; in mixed praise and condemnation of the political and social articles signed Pierre Firmin,— praise of their intellectual power, condemnation of their moral cynicism.

"The writer," he said, "reminds me of a passage in which Montesquieu compares the heathen philosophers to those plants which the earth produces in places that have never seen the heavens. The soil of his experience does not grow a single belief; and as no community can exist without a belief of some kind, so a politician without belief can but help to destroy; he cannot reconstruct. Such writers corrupt a society; they do not reform a system."

He closed his letter with a reference to Isaura:

"Do, in your reply, my dear Savarin, tell me something about your friends Signora Venosta and the Signorina, whose work, so far as yet published, I have read with admiring astonishment at the power of a female writer so young to rival the veteran practitioners of fiction in the creation of interest in imaginary characters, and in sentiments which, if they appear somewhat over-romantic and exaggerated, still touch very fine chords in human nature not awakened in our trite every-day existence. I presume that the beauty of the roman has been duly appreciated by a public so refined as the Parisian, and that the name of the author is generally known. No doubt she is now much the rage of the literary circles, and her career as a writer may be considered fixed. Pray present my congratulations to the Signorina when you see her."

Savarin had been in receipt of this letter some days before he called on Isaura, and carelessly showed it to her. She took it to the window to read, in order to conceal the trembling of her hands. In a few minutes she returned it silently.

"Those Englishmen," said Savarin, "have not the heart of compliment. I am by no means flattered by what he says of my trifles, and I dare say you are still less pleased with this chilly praise of your charming tale; but the man means to be civil."

"Certainly," said Isaura, smiling faintly.

"Only think of Rameau!" resumed Savarin. "On the strength of his salary in the 'Sens Commun,' and on the chateaux en Espagne which he constructs thereon, he has already furnished an apartment in the Chaussee d'Antin, and talks of setting up a coupe in order to maintain the dignity of letters when he goes to dine with the duchesses who are some day or other to invite him. Yet I admire his self-confidence, though I laugh at it. A man gets on by a spring in his own mechanism, and he should always keep it wound up. Rameau will make a figure. I used to pity him; I begin to respect. Nothing succeeds like success. But I see I am spoiling your morning. Au revoir, mon enfant."

Left alone, Isaura brooded in a sort of mournful wonderment over the words referring to herself in Graham's letter. Read though but once, she knew them by heart. What! did he consider those characters she had represented as wholly imaginary? In one—the most prominent, the most attractive—could he detect no likeness to himself? What! did he consider so "over-romantic and exaggerated" sentiments which couched appeals from her heart to his? Alas! in matters of sentiment it is the misfortune of us men that even the most refined of us often grate upon some sentiment in a woman, though she may not be romantic,—not romantic at all, as people go,—some sentiment which she thought must be so obvious if we cared a straw about her, and which, though we prize her above the Indies, is by our dim, horn-eyed, masculine vision undiscernible. It may be something in itself the airiest of trifles: the anniversary of a day in which the first kiss was interchanged, nay, of a violet gathered, a misunderstanding cleared up; and of that anniversary we remember no more than we do of our bells and coral. But she—she remembers it; it is no bells and coral to her. Of course, much is to be said in excuse of man, brute though he be. Consider the multiplicity of his occupations, the practical nature of his cares. But granting the validity of all such excuse, there is in man an original obtuseness of fibre as regards sentiment in comparison with the delicacy of woman's. It comes, perhaps, from the same hardness of constitution which forbids us the luxury of ready tears. Thus it is very difficult for the wisest man to understand thoroughly a woman. Goethe says somewhere that the highest genius in man must have much of the woman in it. If this be true, the highest genius alone in man can comprehend and explain the nature of woman, because it is not remote from him, but an integral part of his masculine self. I am not sure, however, that it necessitates the highest genius, but rather a special idiosyncrasy in genius which the highest may or may not have. I think Sophocles a higher genius than Euripides; but Euripides has that idiosyncrasy, and Sophocles not. I doubt whether women would accept Goethe as their interpreter with the same readiness with which they would accept Schiller. Shakspeare, no doubt, excels all poets in the comprehension of women, in his sympathy with them in the woman-part of his nature which Goethe ascribes to the highest genius; but, putting aside that "monster," I do not remember any English poet whom we should consider conspicuously eminent in that lore, unless it be the prose poet, nowadays generally underrated and little read, who wrote the letters of Clarissa Harlowe. I say all this in vindication of Graham Vane, if, though a very clever man in his way, and by no means uninstructed in human nature, he had utterly failed in comprehending the mysteries which to this poor woman-child seemed to need no key for one who really loved her. But we have said somewhere before in this book that music speaks in a language which cannot explain itself except in music. So speaks, in the human heart, much which is akin to music. Fiction (that is, poetry, whether in form of rhyme or prose) speaks thus pretty often. A reader must be more commonplace than, I trust, my gentle readers are, if he suppose that when Isaura symbolized the real hero of her thoughts in the fabled hero of her romance, she depicted him as one of whom the world could say, "That is Graham Vane." I doubt if even a male poet would so vulgarize any woman whom he thoroughly reverenced and loved. She is too sacred to him to be thus unveiled to the public stare; as the sweetest of all ancient love-poets says well—

"Qui sapit in tacito gaudeat ille sinu."

But a girl, a girl in her first untold timid love, to let the world know, "that is the man I love and would die for!"—if such a girl be, she has no touch of the true woman-genius, and certainly she and Isaura have nothing in common. Well, then, in Isaura's invented hero, though she saw the archetypal form of Graham Vane,—saw him as in her young, vague, romantic dreams idealized, beautified, transfigured,—he would have been the vainest of men if he had seen therein the reflection of himself. On the contrary he said, in the spirit of that jealousy to which he was too prone, "Alas! this, then, is some ideal, already seen perhaps, compared to which how commonplace am I!" and thus persuading himself, no wonder that the sentiments surrounding this unrecognized archetype appeared to him over-romantic. His taste acknowledged the beauty of form which clothed them; his heart envied the ideal that inspired them. But they seemed so remote from him; they put the dreamland of the writer farther and farther from his workday real life.

In this frame of mind, then, he had written to Savarin, and the answer he received hardened it still more. Savarin had replied, as was his laudable wont in correspondence, the very day he received Graham's letter, and therefore before he had even seen Isaura. In his reply, he spoke much of the success her work had obtained; of the invitations showered upon her, and the sensation she caused in the salons; of her future career, with hope that she might even rival Madame de Grantmesnil some day, when her ideas became emboldened by maturer experience, and a closer study of that model of eloquent style,—saying that the young editor was evidently becoming enamoured of his fair contributor; and that Madame Savarin had ventured the prediction that the Signorina's roman would end in the death of the heroine, and the marriage of the writer.