Delhi is still seamed with the scars of her spoilers, and still jewelled with remnants of the gems they fought for. If you take them in order, you will go first, not into the city, but eleven miles south, to the tower Kutb Minar. Through the dust of the road, rising out of the springing wheat, among the mud-and-mat huts before which squat the brown-limbed peasants, you see the country a litter of broken walls, tumbling towers, rent domes. There are fragments of seven cities built by seven kings before the present Delhi was. Eleven miles of them bring you to the tower and mosque of Kutb.

Kutb-ed-Din was a slave who raised himself to Viceroy of Delhi when the Mussulmans took it, then to Emperor of Hindustan and founder of a dynasty. Whether he or his son or the last of the Hindu kings built the tower, antiquaries are undecided and others careless. It is enough that here is one landmark in Delhi’s history, one splendid monument reared for a symbol of triumph by a victor whom now nobody can certainly identify. It is a colossal, five-storied tower, two hundred and forty feet high, of nearly fifty feet diameter at the base, and tapering to nine feet at the top. Tiny balconies with balustrades mark the junctions of the stories: the three lower are red stone, the two upper—dwarfed just under the sky—faced with white marble. All the red part is fluted into alternate semicircles and right angles, netted all over with tracery, and belted with inscriptions under the balconies. But the details strike you little: the vertical lines of the fluting only give the impression that this is one huge pillar with a red shaft and a white capital—a pillar that might form part of the most tremendous temple in the world, yet stands quite seemly alone by reason of its surpassing bigness.

Pant to the top. It will do you good, though the view is nothing. The country is an infinite green-and-brown chess-board of young corn and fallow, dead-flat on every side, ugly with the complacent plainness of all very rich country. Beyond the sheeny ribbon of the Jumna, north, south, east, west, into the blurred horizon, you can see only land and land and land—a million acres with nothing on them to see—except the wealth of India and the secret of the greatness of Delhi.

Then look down past your toes and you will see the evidence of some of Delhi’s falls. From the ground you will have noticed ruins about you; but there the Kutb Minar dwarfs everything. Now you see that you stand above a field of broken arches, solitary pillars, stumps of towers, and in the middle of what must once have been a town of mosques and tombs. Before it was that, it was a town of Hindu temples and palaces. In the court of the ruined mosque stands a solid wrought-iron pillar—little enough to look at, but curious, because it is at least fifteen hundred years old, and there is nothing else quite like it in the world. It bears a Sanskrit inscription to the effect that this is “the Arm of Fame of Raja Dhava, who conquered his neighbours and won the undivided sovereignty of the earth.”

Poor Raja Dhava! The temples of generations that had already forgotten him are swept utterly away; the mosque of their conquerors stands now only as a few shattered red arches and pillars with defaced flowers wilting on them. Beyond that is the base of what was once to be a tower more than twice as high as the Kutb Minar, but was never even finished. The very tower you stand on has been buffeted by earthquake, and great part of it is mere restoration. And Delhi, which in the year One stood here, has drifted away almost out of sight from the summit and left these forlorn fragments to decay without even the consolation of neighbourhood.