CONTENTS.
| PART I. | |
| The instrument. | |
| page | |
| Origin of the violin | 1 |
| The oldest violins | 1 |
| Development and perfecting of the violin | 2 |
| Prominent makers of the present day | 3 |
| Attempts at improving the violin | 4 |
| Search for the discovery of the old Italian makers’ secrets | 6 |
| Distinguishing features of the old Italian violins | 7 |
| Imitations of the old Italian violins | 10 |
| Constituent parts of the violin | 10 |
| Function of the soundpost and bass bar | 12 |
| Position of the bridge | 12 |
| Amount of pressure on the upper table | 13 |
| Dimensions of the violin | 13 |
| The wood | 13 |
| The varnish | 14 |
| The strings | 14 |
| Strings pure in fifths | 15 |
| The string gauge | 15 |
| Preservation of the strings | 16 |
| The bow | 16 |
| Different parts of the bow | 17 |
| Resin | 18 |
| Violin cases | 18 |
| Price of violins | 19 |
| Price of violin cases | 19 |
| Price of bows | 19 |
| Preservation of the instrument | 19 |
| Cleaning the hair of the bow | 20 |
| Names of the strings, and tuning | 20 |
| Compass of the violin | 21 |
PART II. |
|
| The technique of violin playing. | |
| Position of the player | 22 |
| Holding the violin | 22 |
| Position of left hand and arm | 23 |
| Holding the bow | 25 |
| Position of right hand and arm | 25 |
| Examining the manner of holding | 25 |
| Bowing | 25 |
| Principal signs used for the left hand and for bowing | 27 |
| Employment of up and down bows | 28 |
| The first exercises | 29 |
| Placing the fingers | 30 |
| Exercise in intervals | 33 |
| Chords in arpeggio | 35 |
| Stretching the 4ᵗʰ finger | 36 |
| Various styles of bowing and their signs | 37 |
| Arpeggi | 41 |
| The close shake (vibrato) | 42 |
| The open shake | 42 |
| The mordent | 44 |
| The double shake | 44 |
| Scale playing | 45 |
| Fingering of scales | 46 |
| Chromatic scales | 47 |
| The positions | 48 |
| Changing the position | 49 |
| Movement of the fingers in changing positions | 49 |
| Diagram showing the positions | 50 |
| Double stops | 53 |
| Chords in three parts | 58 |
| Chords in four parts | 62 |
| Harmonics | 64 |
| Pizzicato | 69 |
PART III. |
|
| The performance. | |
| Artistic rendering | 72 |
| Taste | 72 |
| Individuality | 73 |
| Phrasing | 73 |
APPENDIX. |
|
| Pictorial representation of the bowing | 80 |
| The mute | 81 |
| The Vibrator | 82 |
| Alphabetical list of celebrated violinists of | |
| the 17ᵗʰ, 18ᵗʰ and 19ᵗʰ centuries | 84 |
| Violinists of the 20ᵗʰ century | 106 |
TRANSLATOR’S APPENDIX. |
|
| The Viola | 107 |
| Guide through Violin literature | 109 |
| Guide through Viola literature | 179 |