L
La ci darem la mano, 258, 309.
Lablache, 254.
Laborde, Jean B. (cited), 108 (footnote).
Lacombe, Paul, 342.
Lady Nevile’s Book, 18.
L’Augier, 43, 100.
LeBègue, 36.
Leblanc, 410.
Lafont, 431.
LaFranco, 374.
Lahoussaye, Pierre, 408.
Lalo, Edouard, 451, 461f.
Lamartine, 318.
Lanzetti, 591.
‛[The] Last Rose of Summer,’ 285, 291.
Laub, Ferdinand, 418, 553.
Laurenti, 390.
Leaping figures (in harpsichord music), 47.
Leclair, Jean Marie, 406, 407.
Legato style, 30;
(pianoforte touch), 161;
(violin-playing), 374, 381.
Legends (Liszt), 311f.
Legrenzi, Giovanni, 386, 478.
Leighton, William, 394.
Lenau, 318.
Lentor, John, 394.
Lenz, W. von (cited), 290, 291.
Léonard, 447.
‘Lessons,’ 22, footnote.
Liadoff, Anatole, 334, 555.
Lichnowsky, Prince, 510, 513.
Lichtenstein, Ulrich von, 370.
‘Lily Dale,’ 291.
Linke, Joseph, 521 footnote.
Linley, Thomas, 404.
Lipinski, C. J., 446.
Liszt, 48, 134, 207, 276, 286, 298ff, 321, 342, 357, 367;
(cited on Chopin), 253, 258;
(cited on Field), 278;
(on Thalberg), 296;
(influence on Raff), 322;
(influence on Russian composers), 329;
(influence), 337, 354;
(influence in France), 341.
Études, 301f, 313f.
Reminiscences de Don Juan, 309ff.
Realistic pieces, 311ff.
Années de pélerinage, 312.
Pianoforte concerto, 314.
Pianoforte sonatas, 314ff.
Hungarian Rhapsodies, 317.
Literary suggestions, 318.
Lobkowitz, Prince, 517.
Locatelli, Pietro, 95, 401, 405, 435, 436, 487f.
Lock, Matthew, 394.
Loeffler, Charles Martin, 604.
Lolli, Antonio, 409, 435, 436.
Lombardini, Maddelena, 404.
London, 24;
(Salomon concerts), 410, 443.
London Philharmonic Society, 416.
Longo, Alessandro, 44.
Lotti, Antonio, 108.
Louis XIV, 7, 52.
Loures, 26.
Löwe, Johann Jakob, 473.
Lübeck, 2.
Lucchesi, G. M., 404.
Lully, Jean-Baptiste, 7, 393.
Lute music, 9, 469;
(transcriptions), 468.
Lutenists, 26, 33.
Lutheran Church, 12.
Lydian mode, 526.
M
MacDowell, Edward, 340.
Mace, Thomas, 395, 470.
Mackenzie, A. C., 339.
Madrigali da camera, 474.
Madrigals, 9, 10, 473, 486.
Malfatti, Theresa, 517.
Malibran, Maria, 448.
Malibran-Garcia, 254.
Mandolin, 47.
Manfreli, Filippo, 404.
Manieren, 35, footnote.
Mannheim school, 419f.
Mannheim orchestra, 487.
Mannheim symphonies, 490.
Manuals (in organ and harpsichord), 47.
Marchand, 60.
Marie Casimire, Queen of Poland, 42.
Marini, Biagio, 379, 476.
Marini, C. A., 478.
Marmontel, A. (cited), 178, 344.
Marschner, Heinrich (trio), 577.
Marseillaise (The), 285.
Martini, Padre, 96f, 104, 106, 119.
Maschera, Florentino, 378, 470.
Mass, 9.
Massart, Joseph, 447.
Mattheson, 7.
Maximilian, Emperor of Mexico, 312.
Maximilian Franz, Prince, 600.
Mayseder, Joseph, 419, 444.
Mazurkas, 252f.
Mazzaferrata, 391, 478.
Mazzolini, 390, 478.
Medici, Ferdinand de’, 44.
Melody (treatment of, in pianoforte music), 296.
Mendelssohn-Bartholdy, Felix, 212ff, 440, 451;
(compared to Schumann), 223;
(transcription), 306, 307;
(influence), 326, 328;
(string quartets), 539ff;
(trios), 577;
(cello music), 595.
Songs without Words, 213, 217,
Variations sérieuses, 215.
Violin concerto, 458.
Mereaux, Amadée, 62.
Merula, Tarquino, 384, 476.
Merulo, Claudio, 10.
Meyerbeer, 191;
(transcriptions), 296.
Miniature forms, 211f, 321;
(Schubert), 204;
(Schumann), 222;
(Brahms), 239.
Minnesinger, 370.
Minstrels, 371.
Minuet, 26;
(in pianoforte sonata), 166;
(in string quartet), 493, 495, 504, 511.
Modes. See Ecclesiastical modes, Greek modes.
Modulation, 13, 114. See also Key contrast.
Moffat, Georg, 36f.
Moffat, Gottlieb, 36, 37.
Molinari, Marquis, 108.
Molique, Bernhard, 450.
Molliner Collection, 18.
Monochord, 2.
Mont’Albano, Bartolomeo, 384, 476.
Montaigne, 375.
Monteverdi, Claudio, 6, 378.
Moór, Emanuel, 466, 598.
Mordents, 32.
More, Sir Thomas, 375.
Morino, 470.
Morley, Thomas, 22.
Moscheles, Ignaz, 64, 132, 176, 182, 285.
Moszkowski, Maurice, 321, 323f.
Motet, 9.
Motive, 70.
Mouquet, J., 604.
Moussorgsky, 330, 331.
Mozart, 8, 89, 98, 100f, 112, 116, 123, 128, 131f, 134f, 141ff, 207, 367, 424ff, 426ff, 496, 591f;
(compared to Beethoven), 133;
(concerto form), 150ff;
(influence on Chopin), 254f;
(‘Don Giovanni’ transcription), 308f;
(influence on Haydn), 495;
(string quartet), 498ff;
(miscel. chamber music), 560;
(trio), 574f;
(compositions for wind instruments with piano), 598f.
Pianoforte sonatas, 144ff.
Piano sonata in C minor (K. 457), 145.
Piano sonata in A minor, 145f.
Piano sonata in A minor (K. 310), 146.
Piano sonata in F major (K. 332), 146.
Piano sonata in A major (K. 331) 147f.
Piano sonata in F major (K. 332), 147.
Piano sonata in A major (K. 331), 148.
Piano sonata in C minor (K. 457), 148f.
Piano sonata in F major (K. 533), 149.
Piano fantasia in C minor, 149f.
Pianoforte concerto in A major (K. 488), 151f, 154.
Piano concerto in D-major: ‘Coronation’ (K. 537), 154.
Violin concertos, 425.
Violin sonatas, 427.
Divertimenti (1772), 499.
Six string quartets (1772, K. 155-160), 500ff.
Six string quartets (Vienna, 1773, K. 168-173), 502f.
Six string quartets (1782-1785) (G major, K. 387; D minor, K. 421;
E-flat major, K. 428; B-flat major, K. 458; A major, K. 464; C major, K. 465), 504ff.
String quartets (1789-90; K. 575, 589, 590), 506.
String quintets (K. 515, 516, 593, 614), 507f.
Mozart, Leopold, 374, 413, 416f.
Mühlfeld, Professor, 579, 603.
Musikalisches Kunstmagazin, 494.
N
Nardini, Pietro, 403, 428, 430.
Nationalism, 320, 325, 329;
(Brahms), 248;
(Chopin), 252f;
(Liszt), 317;
(Grieg), 326f;
(Spanish), 339;
(Tschaikowsky), 464.
Neri, Massimiliano, 385, 477.
Neubauer, Johann, 473.
Nevin, Ethelbert, 340.
Newmarch, Rosa (cited), 465.
Nibelungen Lied, 369.
Niemann, Walter (cited), 333, 334.
Niemetschek, Franz Xaver (quoted), 143.
Nocturne, (Field), 179;
(Chopin), 281.
Nocturne form, 180.
Nonet (Spohr), 603.
Notker, 369.
Notre Dame, Paris, 369.
Notturni (quartet), 489.
Novàk, Vatislav (pianoforte quintet), 589.
O
Oboe (in chamber music), 598, 601, 604.
Octet (with wind instruments), 600, 601.
Ofried, 369.
Opera, 6, 14, 40.
Operatic fantasias, 286, 291, 300, 308, 575.
Orchestra, 6, 7;
(early combinations), 370f, 373, 376.
Orchestral masterpieces (transcriptions of), 306.
Orchestral style (in pianoforte music), 162f, 193;
(organ-playing), 16;
(in early chamber music), 486;
(in string quartet), 556f, 558, 561.
Ordres, 22 (footnote), 54.
Organ, 1f, 4, 8.
Organ music, 9, 16, 21;
(influence of, on harpsichord), 30.
Organ style, 30f, 63, 347, 422, 424.
Organist-composers (16th and 17th cent.), 14ff.
Organists, 17.
Oriental ‘color,’ 362, 365.
Ornamentation (in harpsichord music), 59;
(Chopin), 278f.
Ottoboni, Cardinal, 42.
Overtones, 219, 243, 356, 357, 363. See also Harmonics.
Overture, French, 79.
Overtures, transcriptions of, 310.
P
Pachelbel, 16.
Paderewski, Ignace, 338.
Paganini, 243, 299, 318, 430, 433, 435, 437ff, 443, 446;
(influence), 448.
Pagin, A. N., 408.
Palestrina, 10, 13.
Paradies, Domenico, 97, 116.
Paris, 430.
Paris Conservatoire, 408, 433, 434.
Paris School (violin music), 430, 435.
Parthenia, 18, 22.
Partien, 22 (footnote).
Partita. See Bach, J. S.
Parody (in pianoforte music), 366.
Pasquini, Bernardo, 6, 37, 43, 90.
Passacaglia, 83.
Passages, 32;
(Weber), 186f;
(Chopin), 276.
See also Arpeggios, Scales.
Passepieds, 26.
Pasta, 254.
Paul, Archduke of Russia, 493.
Paumann, Conrad, 372.
Pauses, 140.
Pavane, 22, 23, 469, 473.
Pawirschwantz, 468.
Pedal, 156.
Pedalling, 161f, 181, 356;
(Schumann), 219.
Pepys’ Diary, 393.
Pergolesi, Giovanni, 1O1f, 107.
Peri, 474.
Petrarch, 318.
Petrucci’s lute collection, 469.
Petzolds, Johann, 473.
Philip, Isadore, 343.
Pianists. See Virtuosi (piano).
Pianoforte, 132;
(use of, by Mozart), 144;
(development of), 155ff;
(exploitation of resources), 310;
(modern development of resources), 363;
(in chamber music combinations), 573ff.
See also Virtuoso music.
Pianoforte actions, 156, 157.
Pianoforte concerto, (Mozart), 150ff, 154;
(Beethoven), 173;
(Schumann), 237;
(Chopin), 263;
(Liszt), 314;
(Tschaikowsky), 332;
(Grieg), 327f;
(Brahms), 247f;
(Rachmaninoff), 334.
Pianoforte études, (Czerny), 44, 64, 182;
(Clementi), 121;
(Chopin), 258;
(Liszt), 301, 313f;
(Scriabin), 335.
Pianoforte music, (orchestral style in), 193;
(influence of song in), 194, 254.
Pianoforte playing, (C. P. E. Bach), 127f;
(Mozart), 142;
(Beethoven), 160f;
(Hummel), 176;
(Field), 179;
(Schubert), 194;
(Chopin), 255;
(Thalberg), 291;
(Liszt), 299f, 301.
Pianoforte quartet, 582, 583.
Pianoforte quintet, 582f, 586ff.
Pianoforte sonata, (Kuhnau), 28;
(development), 89ff;
(general character of movements), 98f;
(dramatic conception of), 122;
(Haydn and Mozart), 136ff;
(Beethoven), 154ff, 159ff;
(interdependence of movements), 167f, 262f;
(Weber), 187ff;
(Schubert), 195ff;
(after Beethoven), 207;
(Romantic), 208f;
(Schumann), 235;
(Brahms), 240;
(Chopin), 257ff;
(Liszt), 314ff;
(Grieg), 327;
(Rachmaninoff), 334;
(Scriabin), 337;
(d’Indy), 351;
(with violin ad libitum), 426.
Pianoforte style, 33, 268, 277.
Pianoforte technique, 68, 132, 268;
(Clementi), 157;
(Beethoven), 162f;
(after Beethoven), 175;
(Weber), 184, 187;
(Schumann), 219;
(Brahms), 247;
(Thalberg), 293;
(Liszt), 301ff;
(Scriabin), 335;
(Alkan), 343;
(Franck), 346;
(d’Indy), 352;
(Debussy), 358f.
Picture music, 214.
Pierné, Gabriel, 353, 604.
Piquot (quoted), 488f.
Pisendel, Johann Georg, 413.
Piva, 469.
Pixis, F. W., 418.
Pizzicato, 378, 387, 448, 588;
(combined with bowed notes), 438;
(Mozart), 505;
(Debussy), 564;
(in string quartet, Schönberg), 571f.
Plain-song, 10, 20.
Playford, John, 395.
Polka de la reine, 322f.
Polonaises, 252f;
(Chopin), 282.
Polyphonic style, 9 (footnote), 11, 16, 22, 74, 383, 386, 392, 471;
(organ), 31;
(Chopin), 269, 271;
(Corelli), 397;
(in violin solo sonata), 422.
Polyphony (vocal), 9.
Popularization (of Bach, Beethoven, Chopin), 300.
Porpora, Nicolo, 51.
Portraiture, musical, 55f, 226.
Positions in violin playing, (change of), 384;
(seventh), 431.
Pot-pourri, 310.
Præludium, 469. See also Prelude.
Prætorius, Michael, 375;
(cited), 468, 472.
Preamble, 79, 469.
Prelude, 12, 17, 21, 29, 41;
(Bach), 80;
(Chopin), 264;
(Heller), 321;
(Rachmaninoff), 334;
(Debussy), 361ff.
Program music, 27f, 312.
Proportz, 470.
Puccini, Giacomo, 366.
Pugnani, Gaëtano, 402, 404, 410.
Punto, 600.
Purcell, Henry, 21, 392, 479.
Pythagoras, 2.