173. hinderen.
211. thy thy.
P. 239. Collated with a MS. of Charles Kirkpatrick Sharpe’s, and with another copy of the same pieces, “North Country Ballads,” in Miscellanea Curiosa, Abbotsford Library.
Sharpe, p. 21.
12. all.
13. away.
14. Because.
21. Out it.
22. moonlighty.
31,2. Hald.
34. That shall be wedded.
51. He has.
52. it wanting.
53. Says, Marry.
61,2, 71,2, 101,2, 151,2. Hold.
64. be married.
73. dare not avow to marrying.
74. she were.
82. could not.
83. are away.
91. bells was.
92. all men bound.
101,2, 151,2. away from.
103. I loss.
123. Scallater.
131. Says, Get.
134. sure I am: as ye.
141. fall.
142. you could not.
143. taken.
144. kis[s]ed your hand.
153. For there’s.
154. that’s be wedded to me.
161. in it came Belbardlane.
163. Says, come away home.
172. And get to me.
174. came.
182. and hey the light.
Written in long lines, without division into stanzas.
Scott. Norrie throughout.
22. moonlight.
163. home wanting.
P. 245. A. This version is No 9 of “The Old Lady’s Collection,” and was copied by Skene without much variation. The following original readings may be noted.
23. Or she.
31. serundad.
34. fra each other.
64. to me has.
74. Him sell beside her.
81. came by Black.
84. not be.
101,2. Be content twice only.
112, 122. lady wanting.
121. land.
122. for his.
123. An wanting.
124. took them.
131. he wanting.
133. pound.
141. Y’er.
249. E. In Sharpe’s small MS. volume, “Songs,” p. 42.
12. Cam to.
21. It’s when.
24. her to.
53. hasted.
73. cries for sighs.
74. was laid behind.
81. He says to her, etc., Oh, be.
Readings from A 1, 2, are added, in a later hand, in the margin of 1, 3.
From a copy formerly in the possession of Charles Kirkpatrick Sharpe, now belonging to Mr Macmath. The paper on which it is written has the water-mark 1822. This version closely resembles C and K.
Title: Old Song, Rob Roy. Tune, Jonny Fa, the Gipsy Laddy.
After 14. Tune, Had away frae me, Donald.
Here may be added, as an appendix, a fragment of a ballad on the “Abduction of Nelly Symon.” “The chorus is in Gaelic and the song is sung to one of the finest native airs.” From The Aberdeen Herald and Weekly Free Press, February 3, 1883.
P. 255.
From “The Old Lady’s Collection,” No 39.
172. Forest: doubtful.
P. 266. h. ‘Elisa Bailly,’ “The Old Lady’s Collection,” No 37.
162. Carey written so as to look like Carly.
P. 271. A is extant among Sharpe’s relics, written on paper having 1819 in the water-mark, in two hands: stanzas 1-6, 8, 91, in one, 7 (inserted in the margin) and the rest in another. Sharpe has made a few slight changes in the text, besides regulating the spelling. The ballad is now given as it stands in the original copy.
12, 23. where.
23. a: not unlike 2, but really a.
92. she sape.
93. soir: i not dotted.
103. be the thene.
275.
Macmath MS., p. 93. Taken down at Crossmichael, Kirkcudbrightshire, 24th August, 1892, from the recitation of Miss Jane Webster, who had learned it more than fifty years before, at Airds of Kells, from the singing of Rosanna McGinnies.
P. 284. B as it stands in “The Old Lady’s Collection,” No 26.
Refrain. Given only at the end.
154, 162. roum.
202. gay ladys.
244. that that.
288. E is also in the small MS. volume of C. K. Sharpe’s, “Songs,” p. 17. The reading in 34 is “toss,” “top” being a mis-copy.
289. Findlay MSS, I, 135; ‘Airlie,’ from Miss Butchart, Arbroath.