SHERARD VINES
(NEW COLLEGE)
D. E. A. WALLACE
(SOMERVILLE)
BILLING AND SONS, LTD., PRINTERS. GUILDFORD, ENGLAND
Oxford Poetry, 1910-1913.
Out of Print.
Oxford Poetry, 1914-1916. Uniform with the 1910-1913 volume, 5s. net.
Oxford Poetry, 1914.
[Out of Print.
Oxford Poetry, 1915. Edited by G. D. H. C. and T. W. E. Uniform with the above, Roxburgh parchment, 2s. 6d. net; sewed, 1s. 6d. net.
[Third Impression.
Oxford Poetry, 1916. Edited by T. W. E., W. R. C., and A. L. H. Uniform with the above, Roxburgh parchment, 2s. 6d. net; sewed, 1s. 6d. net.
Oxford Poetry, 1917. Edited by T. W. E., W. R. C., and D. L. S. Uniform with the above. Roxburgh parchment, 2s. 6d. net; sewed, 1s. 6d. net.
[Second Impression.
DOROTHY L. SAYERS.
(Author of ‘Op. I.’)
Catholic Tales. Impl. 16mo, art wrapper, 3s. net.
These poems are startling. Inspired equally by the New Testament, the Fathers, and G. K. Chesterton, and written with intense conviction, their superficial blasphemy is likely to deceive even the elect.
L. and R.
Wine and Gall. Art wrapper, 1s. 6d. net.
The authors, whoever they may be, combine rare technical mastery with a refreshing but sane originality. They show that traditional form is quite adequate to express modern idea.
A. G. SHIRREFF, I.C.S.
(Author of ‘The Dilettante,’ and ‘The Tale of Florentius.’)
Tales of the Sarai. Crown 8vo, sewed, 2s. 6d. net.
‘Very delightful ... for humour we want nothing better. We have not derived more pleasure for some time from any book of verse.’—The Times.
EDITH SITWELL.
Wheels: An Anthology of Verse. Edited by Edith Sitwell. Impl. 16mo, boards with design, 3s. 6d. net.
‘They have not as a body very much in common.’—The Times.
‘The names of the poets are unfamiliar to us.’—Everyman.
‘Conceived in morbid eccentricity and executed in factitious gloom.... The fœtidness of the whole clings to the nostrils.’—The Pall Mall Gazette.
‘The poets ... present such identity of mood and even imagery that it might seem that the mood and its emotion had been agreed upon.’—The Oxford Chronicle.
‘The names speak for themselves.’—The Observer.
‘A readable volume of thoughtful poems by sensible people.... There is not a dull page, and scarcely one which does not, incidentally, picture some charming rural scene, as it ponders on the mysteries, joys, and pains of life.’—The Commonwealth.
‘Much achievement and more promise, and we have no doubt whatever that, fifty years hence, the publication of “Wheels” will be remembered as a notable event in the inner history of English literature.’—The Morning Post.
Wheels, 1917: A Second Cycle. Uniform with the above, 3s. 6d. net.
‘“Wheels” is, in its way, as notable a phenomenon as “The Yellow Book.”’—The Globe.
Wheels, 1918: A Third Cycle. Uniform with the above, 4s. 6d. net.
[Now Ready.