Woodcuts.
Etchings.
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| I. The Assumption of the Magdalene. After Giulio Romano. The Original Fresco, which is in our National Gallery, was cut from the wall of the Church of the Trinità de’ Monti, at Rome | Title |
| II. A Venetian Votive Picture in commemoration of a Pestilence (probably the pestilence of 1512, in which Giorgione perished). St. Mark, enthroned as the Patron Saint of Venice, holds his Gospel; on the right St. Sebastian and St. Roch, Protectors against the Plague; on the left, St. Cosmo and St. Damian, Patron Saints of the Healing Art. Sketch after Titian. The Original Picture, remarkable for beauty of expression, and splendour and harmony of colour, in the Church of S. Maria della Salute, at Venice | 22 |
| III. Angels of the Planets. Raphael. From the fine set of Engravings by L. Gruner, after the Frescoes in the Cappella Chigiana at Rome | 80 |
| IV. 1. St. Luke painting the Virgin. After the Picture in the Academy of St. Luke attributed to Raphael. 2. St. Mark attended by St. Gregory. After Correggio | 156 |
| V. The Madonna della Cintola. The Virgin, as she ascends to heaven, presents her girdle to St. Thomas; who kneels by the tomb, which is full of roses. On the other side, the Archangel Michael, in reference to the Legend. From a Picture by Francesco Granacci in the Florence Gallery | 248 |
| VI. The Last Supper. 1. After Giotto. 2. After Leonardo da Vinci. 3. After Raphael. (For this etching I am indebted to Mr. George Scharf.) | 261 |
| VII. The Four Latin Fathers. From a Picture by Antonio Vivarini, in the Academy at Venice | 280 |
| VIII. The Five Greek Fathers. Drawing from an Ancient Greek Picture in the Vatican | 324 |
| IX. Martha conducts her Sister Mary Magdalene to the Presence of our Lord. From the Engraving by Marc’ Antonio, after Raphael | 381 |