Henry Fothergill Chorley: Modern German Music, 2 vols. (London, 1854).

Arthur Elson: Modern Composers of Europe (Boston, 1905).

Louis C. Elson: The History of German Song, 1888.

Henry T. Finck: Songs and Song Writers (New York, 1900).

James G. Huneker: Mezzotints in Modern Music (New York, 1899).

Ernest Newman: Musical Studies (London, 1905).

Felix Weingartner: Symphony Writers since Beethoven, Eng. transl. (London, 1907).

Hugo Botstiber: Geschichte der Overtüre (Leipzig, 1913).

Hans von Bülow: Briefe und ausgewählte Schriften, ed. by Marie von Bülow, 8 vols. (1895-1898).

P. J. Duringer: Albert Lortzing, sein Leben und Wirken (Leipzig, 1851).

Ferdinand Hiller: Aus dem Tonleben unserer Zeit, 2 vols. (Leipzig, 1868-1871).

Ferdinand Hiller: Musikalisches und Persönliches (Leipzig, 1876).

Joseph Joachim: Briefe von und an Joseph Joachim; ed. by J. J. and A. Moser (1911).

Otto Kronseder: Franz Lachner (In Altbayrische Monatsschrift, IV, 2-3, 1903).

Otto Neitzel: Camille Saint-Saëns (Berlin, 1899).

Walter Niemann: Die Musik seit Richard Wagner (1913).

Arnold Niggli: Adolf Jensen (1900).

Arnold Niggli: Theodor Kirchner (1888).

Moritz von Schwind: Die Lachner-Rollen (1904).

E. Segnitz: Karl Reinecke (1900).

Karl Thrane: Friedrich Kuhlau (1886).

Bernhard Vogel: Robert Volkmann (1902).

Hans Volkmann: Robert Volkmann (1875).

Joseph von Wasielewsky: Karl Reinecke (1892).

A. Jullien: Musiciens d'aujourd'hui, 2 vols. (Paris, 1891-92).

E. Baumann: L'Œuvre de Saint-Saëns (1905).

Antoine Francois Marmontel: Symphonistes et virtuoses (1881).

Antoine Francois Marmontel: Art classique et moderne du piano (Paris, 1876).

Jules Massenet: Mes souvenirs, 1842-1912 (Paris, 1912).

Romain Rolland: Musiciens d'aujourd'hui (1908).

Camille Saint-Saëns: Portraits et souvenirs (Paris, 1900).

Octave Sére: Musiciens français d'aujourd'hui (Paris, 1911).

E. Schneider: Massenet (1908).

E. de Solenière: Massenet (1897).

R. Gandolfi: La musica di G. Raff (1904).

John Bennett: Russian Melodies (London, 1822).

César Cui: Historical Sketch of Music in Russia (reprinted in the Century Library of Music), (New York, 1900).

Arthur Elson: Modern Composers of Europe (Boston, 1905).

Edward Evans: Tschaikowsky (1906).

James Huneker: Mezzotints in Modern Music (New York, 1899).

M. Montague-Nathan: A History of Russian Music (1914).

Rosa Newmarch: The Russian Opera (New York, 1914).

Rosa Newmarch: Tschaikowsky (London, 1900-1908).

Edward Stillmann-Kelley: Tschaikowsky as a Symphonist (New York, 1906).

Modest Tchaikovsky: Peter Ilyitch Tchaikovsky (2 vols., Eng. transl. by Rosa Newmarch), (London, 1906).

N. D. Bernstein: Anton Rubinstein (Leipzig, 1911).

M. Glinka: Gesammelte Briefe; transl. by Findeisen (1908).

Nikolai Kaschkin: Erinnerungen an P. I. Tschaikowsky (Leipzig, 1896).

Ivan Knorr: Tschaikowsky (Berlin, 1908).

N. Rimsky-Korsakoff: Musikalische Aufsätze und Skizzen, German transl. (1869-1907).

Anton Rubinstein: Erinnerung aus fünfzig Jahren, 1839-1889 (German transl. by Kretzschmar, 1893).

Eugen Zabel: Anton Rubinstein (Leipzig, 1892).

M. D. Calvocoressi: Glinka (1910).

J. P. O. Commettant: Musique et musiciens (Paris, 1862).

César Cui: La Musique en Russe (1882).

Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).

Alfred Habets: Borodine et Liszt (1894).

Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).

Albert Soubies: Histoire de la musique en Russe (Paris, 1898).

N. Kashkin: Istory russkoi musyki [History of Russian Music], (Moscow, 1898).

A. Ilinsky: Biografii kompositorov (Moscow, 1904).

N. Maklakoff: O russkoi narodnoi musyki [On Russian National Music], (Moscow, 1898).

N. A. Rimsky-Korsakoff: Letopis moei musykalnoi zhizni [The Memoirs of my Musical Life], (St. Petersburg, 1909).

N. A. Rimsky-Korsakoff: Musykalnie statii [Musical Articles], (St. Petersburg, 1911).

V. Stassov: Alexandre Porf. Borodine (St. Petersburg, 1887).

Nikolai Findeisen: Yeshegodnik imperial teatrov, vol. 2, pp. 87-129 (1896-7).

Arthur Elson: Modern Composers of Europe (Boston, 1905).

L. Gilman: Phases of Modern Music (New York, 1904).

James Huneker: Mezzotints in Modern Music (New York, 1899).

A. E. H. Krebhiel: The Pianoforte and its Music (New York, 1911).

Daniel Gregory Mason: From Grieg to Brahms (1903).

Dagmar Gade: Niels W. Gade (Notes and Letters), (Basle, 1894).

Walter Niemann: Die Musik Skandinaviens (Leipzig, 1906).

Walter Niemann: Die moderne Klaviermusik in Skandinavien. Die Musik, vol. 14, No. 5, p. 195.

Walter Niemann (with Schjelderup): Grieg (1908).

Hugo Riemann: Neuskandinavische Musik, eine orientierende Übersicht (Signale, vol. 61, pp. 124-127, 186-190, Leipzig, 1903).

M. Cristal: La musique en Suède, en Islande, en Norvège, et dans le Danemark (Revue internat. de musique, Paris, 1898, pp. 683-694).

William Ritter: Smetana (Les Maîtres de la musique, Paris, 1907).

Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).

Albert Soubies: Histoire de la musique en Danemark et Suède (1901).

Albert Soubies: Histoire de la musique en Norvège (1903).

Paul Viardot: Rapport officiel sur la musique en Scandinavie (1908).

Tobias Norlind: Svensk musikhistoria (1901).

H. T. Finck: Modern Russian School of Composers (Musician, v. 9, no. 3, pp. 87-9, Boston, 1904).

H. E. Krebhiel: Musical Literature. The Russian School and Its Leaders. A Bibliography (New York, 1899).

H. E. Krebhiel: Russian Music. Folk Songs of Russia (New York, 1899).

Peter Kropotkin: Russian Literature (1908).

M. Montague-Nathan: History of Russian Music (1914).

Rosa Newmarch: The Russian Opera (New York, 1914).

Alfred Habets: Borodine and Liszt. Transl. by Rosa Newmarch (London).

M. D. Calvocoressi: Moussorgsky (1908).

Comtesse Merci-Argenteau: César Cui (1888).

N. A. Rimsky-Korsakoff: Chants nationaux Russes (St. Petersburg, 1876).

Albert Soubies: Histoire de la musique en Russe (1897).

Nicolai Rimsky-Korsakoff: Musykalnie statii [Musical Articles], 1869-1907.

Modern Russian Instrumental Music (Musical Standard, v. 18, no. 465-469, v. 19, no. 470-472).

M. Montague-Nathan: History of Russian Music (1914).

Rosa Newmarch: The Russian Opera (New York, 1914).

Program Books of the Boston Symphony Orchestra, Chicago Symphony Orchestra, and the Symphony Society of New York.

Walter Niemann: Die Musik seit Richard Wagner, 1913.

Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).

A. Ilinsky: Biographii Kompositirov (Moscow, 1904).

G. Bantock: One Hundred Folk-Songs of All Nations.

Arthur Elson: Modern Composers of Europe (Boston, 1905).

W. H. Hadow: Studies in Modern Music (London, 1895).

Philip Hale: Modern Composers and their Works (Boston, 1900).

J. Kaldy: History of Hungarian Music (London, 1902).

William Ritter: Smetana (1907).

Program Books of the Boston Symphony Orchestra, Chicago Symphony Orchestra, and the Symphony Society of New York.

Richard Batka: Geschichte der Musik in Böhmen (Prague, 1906).

Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).

Albert Soubies: Histoire de la musique en Bohème (Paris, 1898).

Albert Soubies: Histoire de la musique en Hongrie (Paris, 1898).

G. B. Marchesi: La musica boema (Riv. d'Italie, Roma, 1910, anno 13, v. 2, p. 5-25).

H. F. Chorley: Modern German Music (London, 1854).

J. A. Fuller-Maitland: Masters of German Music (London, 1894).

Ernest Newman: Richard Strauss (London, 1908).

Oskar Bie: Die moderne Musik und Richard Strauss (1906).

Franz Brunner: Anton Bruckner (1911).

Franz Gräflinger: Anton Bruckner, Bausteine zu seiner Lebensgeschichte (1911).

Walter Niemann: Die Musik seit Richard Wagner (1913).

Hugo Riemann: Max Reger (in Musiklexikon, ed. of 1909).

Louis Rudolph: Die deutsche Musik der Gegenwart (1909).

Louis Rudolph: Anton Bruckner (1905).

Arthur Seidl: Richard Strauss, eine Charakterstudie (1895).

Max Steinitzer: Straussiana (1910).

Max Steinitzer: Richard Strauss (1911).

Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).

Paul de Stoecklin: Max Reger (Le Courrier musical, April, 1906).

H. T. Finck: Songs and Song Writers (New York, 1900).

W. H. Hadow: Studies in Modern Music (London, 1895).

Edgar Istel: German Opera since Richard Wagner (in the Musical Quarterly, April, 1915).

Ernest Newman: Richard Strauss (London, 1908).

Ernest Newman: Hugo Wolf (London, 1907).

Felix von Weingartner: Symphony Writers since Beethoven, Eng. trans. (London, 1907).

Michael Haberlandt: Hugo Wolf, Erinnerungen und Gedanken (1903).

Walter Niemann: Die Musik seit Richard Wagner (1913).

Leopold Schmidt: Zur Geschichte der Märchenoper (1896).

Leopold Schmidt: Die moderne Musik (1905).

Eugen Schmitz: Hugo Wolf (1906).

Eugen Schmitz: Richard Strauss als Musikdramatiker (1907).

Hugo Wolf: Musikalische Kritiken, ed. by R. Batka and Heinrich Werner (1911).

Hugo Wolf: Briefe an Emil Kauffmann (1903), Hugo Faisst (1904), Oskar Grohe (1905), Paul Müller (Peters Jahrbuch, 1904).

Maurice Kufferath: La Salomé de Richard Strauss (1908).

Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).

Egon Wellesz: Schoenberg et la jeune école Viennoise (S. I. M., March, 1912).

A. Hervey: Masters of French Music (London, 1894).

Edward Burlingame Hill: Vincent d'Indy: an Estimate (Musical Quarterly, April, 1915).

Walter Niemann: Die Musik seit Richard Wagner (1913).

Hans M. Schletterer: Studien zur Geschichte der Französischen Musik (1884).

Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).

A. Jullien: Musiciens d'aujourd'hui, 2 vols. (1891-92).

Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).

Octave Sére: Musiciens français d'aujourd'hui (Paris, 1911).

Georges Servières: Emanuel Chabrier (1911).

M. D. Calvocoressi: Claude Debussy (Musical Times, v. 49, no. 780, pp. 81-2, London, 1908).

Lawrence Gilman: The Music of Claude Debussy (The Musician, v. 12, no. 10, pp. 480-1), (Boston, 1907).

A. de Guichard: Clash between Two Parties in Modern French School of Music (Musical America, v. 17, July 27, p. 21, New York, 1912).

Philip Hale: History, criticism and story of L'Enfant prodigue (v. 29, pp. 368-371, v. 30, Boston, 1909-10).

E. B. Hill: Rise of Modern French Music (Étude, vol. 32, no. 4, pp. 253-4, no. 5, pp. 489-90).

Walter Niemann: Die Musik seit Richard Wagner (1913).

Daniel Chennevière: Claude Debussy et son œuvre (Paris, 1913).

Romain Rolland: Musiciens d'aujourd'hui (Paris, 1908).

Octave Sére: Musiciens français d'aujourd'hui (Paris, 1911).

Carlo Edwards: Music in Italy of To-day (Musical America, Oct., 1914, p. 13-4).

Arthur Elson: Modern Composers of Europe (Boston, 1905).

R. Luecchesi: Music in Italy. Impressions after Thirty-two Years' Absence (Musical Courier, IV, 47, no. 13, pp. 30-31).

Camille Faust: Histoire de la musique européenne, 1850-1914 (Paris, 1914).

Maurice Touchard: La musique espagnole contemporaine (Nouvelle Revue, March, 1914).

Giuseppe Albinati: Piccolo Dizionario di Opere Teatrali, Oratori, Cantate, etc.

J. R. St. Bennett: The Life of Sterndale Bennett (London, 1907).

Cecil Forsyth: Music and Nationalism (London, 1911).

F. J. Crowest: Dictionary of British Musicians (London, 1895).

Ernest Newman: Elgar (London, 1906).

J. A. F. Maitland: English Music in the Nineteenth Century (New York, 1902).

Arthur Elson: Modern Composers of Europe (Boston, 1905).

J. B. Brown and St. Stratton: British Musical Biography (London, 1897).

Walter Niemann: Die Musik seit Richard Wagner (1913).

Albert Soubies: Histoire de la musique dans les îles britanniques, 2 parts (1904-5).