[This piece was suggested by a picture in the possession of Mrs Lawrence of Wavertree Hall. It represents the “Hero’s Child” of Campbell’s Poem, seated beside a solitary tomb of rock, marked with a cross, in a wild and desert place. A tempest seems gathering in the angry skies above her, but the attitude of the drooping figure expresses the utter carelessness of desolation, and the countenance speaks of entire abstraction from all external objects. A bow and quiver lie beside her, amongst the weeds and wild-flowers of the desert.]

“I fled the home of grief
At Connocht Moran’s tomb to fall,
I found the helmet of my chief,
His bow still hanging on our wall;
And took it down, and vow’d to rove
This desert place a huntress bold;
Nor would I change my buried love
For any heart of living mould.”
Campbell.
The sleep of storms is dark upon the skies,
The weight of omens heavy in the cloud:—
Bid the lorn huntress of the desert rise,
And gird the form whose beauty grief hath bow’d,
And leave the tomb, as tombs are left—alone,
To the star’s vigil, and the wind’s wild moan.
Tell her of revelries in bower and hall,
Where gems are glittering, and bright wine is pour’d;
Where to glad measures chiming footsteps fall,
And soul seems gushing from the harp’s full chord;
And richer flowers amid fair tresses wave,
Than the sad Love-lies-bleeding of the grave.
Oh! little know’st thou of th’ o’ermastering spell
Wherewith love binds the spirit, strong in pain,
To the spot hallow’d by a wild farewell,
A parting agony,—intense, yet vain,
A look—and darkness when its gleam hath flown,
A voice—and silence when its words are gone!
She hears thee not: her full, deep, fervent heart
Is set in her dark eyes;—and they are bound
Unto that cross, that shrine, that world apart,
Where faithful blood hath sanctified the ground;
And love with death striven long by tear and prayer,
And anguish frozen into still despair.
Yet on her spirit hath arisen at last
A light, a joy, of its own wanderings born;
Around her path a vision’s glow is cast,
Back, back her lost one comes in hues of morn![397]
For her the gulf is fill’d—the dark night fled,
Whose mystery parts the living and the dead.
And she can pour forth in such converse high
All her soul’s tide of love, the deep, the strong.
Oh! lonelier far, perchance, thy destiny,
And more forlorn, amidst the world’s gay throng,
Than hers—the queen of that majestic gloom,
The tempest, and the desert, and the tomb!

[397] “A son of light, a lovely form, He comes, and makes her glad.”—Campbell.

THE PRAYER FOR LIFE.

O sunshine and fair earth!
Sweet is your kindly mirth;
Angel of death! yet, yet awhile delay!
Too sad it is to part,
Thus in my spring of heart,
With all the light and laughter of the day.
For me the falling leaf
Touches no chord of grief,
No dark void in the rose’s bosom lies:
Not one triumphal tone,
One hue of hope, is gone
From song or bloom beneath the summer skies.
Death, Death! ere yet decay,
Call me not hence away!
Over the golden hours no shade is thrown:
The poesy that dwells
Deep in green woods and dells
Still to my spirit speaks of joy alone.
Yet not for this, O Death!
Not for the vernal breath
Of winds that shake forth music from the trees:
Not for the splendour given
To night’s dark, regal heaven,
Spoiler! I ask thee not reprieve for these.
But for the happy love
Whose light, where’er I rove,
Kindles all nature to a sudden smile,
Shedding on branch and flower
A rainbow-tinted shower
Of richer life—spare, spare me yet awhile.
Too soon, too fast thou’rt come!
Too beautiful is home—
A home of gentle voices and kind eyes!
And I the loved of all,
On whom fond blessings fall
From every lip. Oh! wilt thou rend such ties?
Sweet sisters! weave a chain
My spirit to detain:
Hold me to earth with strong affection back;
Bind me with mighty love
Unto the stream, the grove,
Our daily paths—our life’s familiar track.
Stay with me! gird me round!
Your voices bear a sound
Of hope—a light comes with you and departs;
Hush my soul’s boding swell,
That murmurs of farewell.
How can I leave this ring of kindest hearts?
Death! grave!—and are there those
That woo your dark repose
Midst the rich beauty of the glowing earth?
Surely about them lies
No world of loving eyes.
Leave me, oh! leave me unto home and hearth!

THE WELCOME TO DEATH.

Thou art welcome, O thou warning voice!
My soul hath pined for thee;
Thou art welcome as sweet sounds from shore
To wanderer on the sea.
I hear thee in the rustling woods,
In the sighing vernal airs;
Thou call’st me from the lonely earth
With a deeper tone than theirs.
The lonely earth! Since kindred steps
From its green paths are fled,
A dimness and a hush have lain
O’er all its beauty spread.
The silence of th’ unanswering soul
Is on me and around;
My heart hath echoes but for thee,
Thou still, small, warning sound!
Voice after voice hath died away,
Once in my dwelling heard;
Sweet household name by name hath changed
To grief’s forbidden word!
From dreams of night on each I call,
Each of the far removed;
And waken to my own wild cry—
“Where are ye, my beloved?”
Ye left me! and earth’s flowers were dim
With records of the past;
And stars pour’d down another light
Than o’er my youth they cast.
Birds will not sing as once they sung,
When ye were at my side,
And mournful tones are in the wind
Which I heard not till ye died!
Thou art welcome, O thou summoner!
Why should the last remain?
What eye can reach my heart of hearts,
Bearing in light again?
E’en could this be, too much of fear
O’er love would now be thrown.—
Away! away! from time, from change,
Once more to meet my own!

THE VICTOR.

“De tout ce qui t’aimoit n’est-il plus rien qui t’aime?”
Lamartine.
Mighty ones, Love and Death!
Ye are the strong in this world of ours;
Ye meet at the banquets, ye dwell midst the flowers,
—Which hath the conqueror’s wreath?
Thou art the victor, Love!
Thou art the fearless, the crown’d, the free,
The strength of the battle is given to thee—
The spirit from above!
Thou hast look’d on Death, and smiled!
Thou hast borne up the reed-like and fragile form
Through the waves of the fight, through the rush of the storm,
On field, and flood, and wild!
No!—Thou art the victor, Death!
Thou comest, and where is that which spoke,
From the depths of the eye, when the spirit woke?
—Gone with the fleeting breath!
Thou comest—and what is left
Of all that loved us, to say if aught
Yet loves—yet answers the burning thought
Of the spirit lone and reft?
Silence is where thou art!
Silently there must kindred meet,
No smile to cheer, and no voice to greet,
No bounding of heart to heart!
Boast not thy victory, Death!
It is but as the cloud’s o’er the sunbeam’s power,
It is but as the winter’s o’er leaf and flower,
That slumber the snow beneath.
It is but as a tyrant’s reign
O’er the voice and the lip which he bids be still;
But the fiery thought and the lofty will
Are not for him to chain!
They shall soar his might above!
And thus with the root whence affection springs,
Though buried, it is not of mortal things—
Thou art the victor, Love!

LINES WRITTEN FOR THE ALBUM AT ROSANNA.[398]

Oh! lightly tread through these deep chestnut-bowers,
Where a sweet spirit once in beauty moved!
And touch with reverent hand these leaves and flowers—
Fair things, which well a gentle heart hath loved!
A gentle heart, of love and grief th’ abode,
Whence the bright stream of song in tear-drops flow’d.
And bid its memory sanctify the scene!
And let th’ ideal presence of the dead
Float round, and touch the woods with softer green,
And o’er the streams a charm, like moonlight, shed,
Through the soul’s depths in holy silence felt—
A spell to raise, to chasten, and to melt!

[398] A beautiful place in the county of Wicklow, formerly the abode of the authoress of “Psyche.”

THE VOICE OF THE WAVES.

WRITTEN NEAR THE SCENE OF A RECENT SHIPWRECK.

“How perfect was the calm! It seem’d no sleep,
No mood which season takes away or brings;
I could have fancied that the mighty deep
Was even the gentlest of all gentle things.
...
But welcome fortitude and patient cheer,
And frequent sights of what is to be borne.”
Wordsworth.
Answer, ye chiming waves
That now in sunshine sweep!
Speak to me from thy hidden caves,
Voice of the solemn deep!
Hath man’s lone spirit here
With storms in battle striven?
Where all is now so calmly clear,
Hath anguish cried to heaven?
—Then the sea’s voice arose
Like an earthquake’s under-tone:
“Mortal! the strife of human woes
Where hath not nature known?
“Here to the quivering mast
Despair hath wildly clung;
The shriek upon the wind hath pass’d,
The midnight sky hath rung.
“And the youthful and the brave,
With their beauty and renown,
To the hollow chambers of the wave
In darkness have gone down.
“They are vanish’d from their place—
Let their homes and hearths make moan!
But the rolling waters keep no trace
Of pang or conflict gone.”
—Alas! thou haughty deep!
The strong, the sounding far!
My heart before thee dies,—I weep
To think on what we are!
To think that so we pass—
High hope, and thought, and mind—
Even as the breath-stain from the glass,
Leaving no sign behind!
Saw’st thou naught else, thou main?
Thou and the midnight sky?
Naught save the struggle, brief and vain,
The parting agony!
—And the sea’s voice replied:
“Here nobler things have been!
Power, with the valiant when they died,
To sanctify the scene:
“Courage, in fragile form,
Faith, trusting to the last,
Prayer, breathing heavenwards thro’ the storm:
But all alike have pass’d.”
Sound on, thou haughty sea!
These have not pass’d in vain;
My soul awakes, my hope springs free
On victor wings again.
Thou, from thine empire driven,
May’st vanish with thy powers;
But, by the hearts that here have striven,
A loftier doom is ours!

THE HAUNTED HOUSE.

“I seem like one who treads alone
Some banquet hall deserted,
Whose lights are fled, whose garlands dead,
And all but me departed.”   Moore.
See’st thou yon gray, gleaming hall,
Where the deep elm-shadows fall?
Voices that have left the earth
Long ago,
Still are murmuring round its hearth,
Soft and low:
Ever there;—yet one alone
Hath the gift to hear their tone.
Guests come thither, and depart,
Free of step, and light of heart;
Children, with sweet visions bless’d,
In the haunted chambers rest;
One alone unslumbering lies
When the night hath seal’d all eyes,
One quick heart and watchful ear,
Listening for those whispers clear.
See’st thou where the woodbine-flowers
O’er yon low porch hang in showers?
Startling faces of the dead,
Pale, yet sweet,
One lone woman’s entering tread
There still meet!
Some with young, smooth foreheads fair,
Faintly shining through bright hair;
Some with reverend locks of snow—
All, all buried long ago!
All, from under deep sea-waves,
Or the flowers of foreign graves,
Or the old and banner’d aisle,
Where their high tombs gleam the while;
Rising, wandering, floating by,
Suddenly and silently,
Through their earthly home and place,
But amidst another race.
Wherefore, unto one alone,
Are those sounds and visions known?
Wherefore hath that spell of power
Dark and dread,
On her soul, a baleful dower,
Thus been shed?
Oh! in those deep-seeing eyes,
No strange gift of mystery lies!
She is lone where once she moved
Fair, and happy, and beloved!
Sunny smiles were glancing round her,
Tendrils of kind hearts had bound her.
Now those silver chords are broken,
Those bright looks have left no token—
Not one trace on all the earth,
Save her memory of their mirth.
She is lone and lingering now,
Dreams have gather’d o’er her brow,
Midst gay songs and children’s play,
She is dwelling far away,
Seeing what none else may see—
Haunted still her place must be!

[“Mrs Hemans resided in the immediate vicinity of this old house (in the village of Wavertree) for nearly three years’: it (Wavertree Hall) suggested her beautiful poem, ‘Books and Flowers;’ and one of her most exquisite lyrics, ‘The Haunted House,’ describes its local scenery, and gives ‘a brief abstract’ of the sufferings and feelings of one of its inhabitants.”—Recollections of Mrs Hemans, by Mrs Lawrence.

The same subject has been treated by the late lamented Thomas Hood in a poem under a similar title.—Vide Poems, vol. i. p. 48. It is worth referring to, if for nothing else than observing how it has been dealt with by two ingenious and original minds. Mrs Hemans’s lyric was first published.]

THE SHEPHERD-POET OF THE ALPS.

“God gave him reverence of laws,
Yet stirring blood in freedom’s cause—
A spirit to his rocks akin,
The eye of the hawk, and the fire therein!” Coleridge.
Singing of the free blue sky,
And the wild-flower glens that lie
Far amidst the ancient hills,
Which the fountain-music fills;
Singing of the snow-peaks bright,
And the royal eagle’s flight,
And the courage and the grace
Foster’d by the chamois-chase;
In his fetters, day by day,
So the Shepherd-poet lay.
Wherefore, from a dungeon-cell
Did those notes of freedom swell,
Breathing sadness not their own
Forth with every Alpine tone?
Wherefore!—can a tyrant’s ear
Brook the mountain-winds to hear,
When each blast goes pealing by
With a song of liberty?
Darkly hung th’ oppressor’s hand
O’er the Shepherd-poet’s land;
Sounding there the waters gush’d,
While the lip of man was hush’d;
There the falcon pierced the cloud,
While the fiery heart was bow’d.
But this might not long endure,
Where the mountain-homes were pure;
And a valiant voice arose,
Thrilling all the silent snows;
His—now singing far and lone,
Where the young breeze ne’er was known;
Singing of the glad blue sky,
Wildly—and how mournfully!
Are none but the Wind and the Lammer-Geyer
To be free where the hills unto heaven aspire?
Is the soul of song from the deep glens past,
Now that their poet is chain’d at last?—
Think of the mountains, and deem not so!
Soon shall each blast like a clarion blow!
Yes! though forbidden be every word
Wherewith that spirit the Alps hath stirr’d,
Yet even as a buried stream through earth
Rolls on to another and brighter birth,
So shall the voice that hath seem’d to die
Burst forth with the anthem of liberty!
And another power is moving
In a bosom fondly loving:
Oh! a sister’s heart is deep,
And her spirit strong to keep
Each light link of early hours,
All sweet scents of childhood’s flowers!
Thus each lay by Erni sung,
Rocks and crystal caves among,
Or beneath the linden-leaves,
Or the cabin’s vine-hung eaves,
Rapid though as bird-notes gushing,
Transient as a wan cheek’s flushing,
Each in young Teresa’s breast
Left its fiery words impress’d;
Treasured there lay every line,
As a rich book on a hidden shrine.
Fair was that lone girl, and meek,
With a pale, transparent cheek,
And a deep-fringed violet eye
Seeking in sweet shade to lie,
Or, if raised to glance above,
Dim with its own dews of love;
And a pure Madonna brow,
And a silvery voice and low,
Like the echo of a flute,
Even the last, ere all be mute.
But a loftier soul was seen
In the orphan sister’s mien,
From that hour when chains defiled
Him, the high Alps’ noble child.
Tones in her quivering voice awoke,
As if a harp of battle spoke;
Light, that seem’d born of an eagle’s nest,
Flash’d from her soft eyes unrepress’d;
And her form, like a spreading water-flower,
When its frail cup swells with a sudden shower,
Seem’d all dilated with love and pride,
And grief for that brother, her young heart’s guide.
Well might they love!—those two had grown
Orphans together and alone:
The silence of the Alpine sky
Had hush’d their hearts to piety;
The turf, o’er their dead mother laid,
Had been their altar when they pray’d;
There, more in tenderness than woe,
The stars had seen their young tears flow;
The clouds, in spirit-like descent,
Their deep thoughts by one touch had blent,
And the wild storms link’d them to each other—
How dear can peril make a brother!
Now is their hearth a forsaken spot,
The vine waves unpruned o’er their mountain cot:
Away, in that holy affection’s might,
The maiden is gone, like a breeze of the night.
She is gone forth alone, but her lighted face,
Filling with soul every secret place,
Hath a dower from heaven, and a gift of sway,
To arouse brave hearts in its hidden way,
Like the sudden flinging forth on high
Of a banner, that startleth silently!
She hath wander’d through many a hamlet-vale,
Telling its children her brother’s tale;
And the strains by his spirit pour’d away
Freely as fountains might shower their spray,
From her fervent lip a new life have caught,
And a power to kindle yet bolder thought;
While sometimes a melody, all her own,
Like a gush of tears in its plaintive tone,
May be heard midst the lonely rocks to flow,
Clear through the water-chimes—clear, yet low
“Thou’rt not where wild-flowers wave
O’er crag and sparry cave;
Thou’rt not where pines are sounding,
Or joyous torrents bounding—
Alas, my brother!
“Thou’rt not where green, on high,
The brighter pastures lie;
Ev’n those, thine own wild places,
Bear of our chain dark traces:
Alas, my brother!
“Far hath the sunbeam spread,
Nor found thy lonely bed;
Long hath the fresh wind sought thee,
Nor one sweet whisper brought thee—
Alas, my brother!
“Thou, that for joy wert born,
Free as the wings of morn!
Will aught thy young life cherish,
Where the Alpine rose would perish?—
Alas, my brother!
“Canst thou be singing still,
As once on every hill?
Is not thy soul forsaken,
And the bright gift from thee taken?—
Alas, alas, my brother!”
And was the bright gift from the captive fled?
Like the fire on his hearth, was his spirit dead?
Not so!—but as rooted in stillness deep,
The pure stream-lily its place will keep,
Though its tearful urns to the blast may quiver,
While the red waves rush down the foaming river;
So freedom’s faith in his bosom lay,
Trembling, yet not to be borne away!
He thought of the Alps and their breezy air,
And felt that his country no chains might bear;
He thought of the hunter’s haughty life,
And knew there must yet be noble strife.
But, oh! when he thought of that orphan maid,
His high heart melted—he wept and pray’d!
For he saw her not as she moved e’en then,
A wakener of heroes in every glen,
With a glance inspired which no grief could tame,
Bearing on hope like a torch’s flame;
While the strengthening voice of mighty wrongs
Gave echoes back to her thrilling songs.
But his dreams were fill’d by a haunting tone,
Sad as a sleeping infant’s moan;
And his soul was pierced by a mournful eye,
Which look’d on it—oh! how beseechingly!
And there floated past him a fragile form,
With a willowy droop, as beneath the storm;
Till wakening in anguish, his faint heart strove
In vain with its burden of helpless love!
Thus woke the dreamer one weary night—
There flash’d through his dungeon a swift strong light;
He sprang up—he climb’d to the grating-bars.
—It was not the rising of moon or stars,
But a signal-flame from a peak of snow,
Rock’d through the dark skies to and fro!
There shot forth another—another still—
A hundred answers of hill to hill!
Tossing like pines in the tempest’s way,
Joyously, wildly, the bright spires play,
And each is hail’d with a pealing shout,
For the high Alps waving their banners out!
Erni! young Erni! the land hath risen!—
Alas! to be lone in thy narrow prison!
Those free streamers glancing, and thou not there!
—Is the moment of rapture, or fierce despair?
—Hark! there’s a tumult that shakes his cell,
At the gates of the mountain citadel!
Hark! a clear voice through the rude sounds ringing!
Doth he know the strain, and the wild, sweet singing?
“There may not long be fetters,
Where the cloud is earth’s array,
And the bright floods leap from cave and steep,
Like a hunter on the prey!
“There may not long be fetters,
Where the white Alps have their towers;
Unto Eagle-homes, if the arrow comes,
The chain is not for ours!”
It is she! She is come like a dayspring beam,
She that so mournfully shadow’d his dream!
With her shining eyes and her buoyant form,
She is come! her tears on his cheek are warm;
And oh! the thrill in that weeping voice!
“My brother! my brother! come forth, rejoice!”
Poet! the land of thy love is free,—
Sister! thy brother is won by thee!

TO THE MOUNTAIN WINDS.

——“How divine
The liberty, for frail, for mortal man,
To roam at large among unpeopled glens,
And mountainous retirements, only trod
By devious footsteps!—Regions consecrate
To oldest time! And reckless of the storm
That keeps the raven quiet in his nest,
Be as a presence or a motion—One
Among the many there.”   Wordsworth.
Mountain winds! oh, whither do ye call me?
Vainly, vainly would my steps pursue!
Chains of care to lower earth enthrall me,
Wherefore thus my weary spirit woo?
Oh! the strife of this divided being!
Is there peace where ye are born on high?
Could we soar to your proud eyries fleeing,
In our hearts would haunting memories die?
Those wild places are not as a dwelling
Whence the footsteps of the loved are gone!
Never from those rocky halls came swelling
Voice of kindness in familiar tone!
Surely music of oblivion sweepeth
In the pathway of your wanderings free;
And the torrent, wildly as it leapeth,
Sings of no lost home amidst its glee.
There the rushing of the falcon’s pinion
Is not from some hidden pang to fly;
All things breathe of power and stern dominion—
Not of hearts that in vain yearnings die.
Mountain winds! oh! is it, is it only
Where man’s trace hath been that so we pine!
Bear me up, to grow in thought less lonely,
Even at nature’s deepest, loneliest shrine!
Wild, and mighty, and mysterious singers!
At whose tone my heart within me burns;
Bear me where the last red sunbeam lingers,
Where the waters have their secret urns!
There to commune with a loftier spirit
Than the troubling shadows of regret;
There the wings of freedom to inherit,
Where the enduring and the wing’d are met.
Hush, proud voices! gentle be your falling!
Woman’s lot thus chainless may not be;
Hush! the heart your trumpet-sounds are calling,
Darkly still may grow—but never free!

THE PROCESSION.

“‘The peace which passeth all understanding,’ disclosed itself in her looks and movements. It lay on her countenance like a steady unshadowed moonlight.”—Coleridge.

There were trampling sounds of many feet,
And music rush’d through the crowded street:
Proud music, such as tells the sky
Of a chief return’d from victory.
There were banners to the winds unroll’d,
With haughty words on each blazon’d fold;
High battle-names, which had rung of yore
When lances clash’d on the Syrian shore.
Borne from their dwellings, green and lone,
There were flowers of the woods on the pathway strown;
And wheels that crush’d as they swept along;—
Oh! what doth the violet amidst the throng?
I saw where a bright procession pass’d
The gates of a minster old and vast;
And a king to his crowning-place was led,
Through a sculptured line of the warrior-dead.
I saw, far gleaming, the long array
Of trophies, on those high tombs that lay,
And the colour’d light, that wrapp’d them all,
Rich, deep, and sad, as a royal pall.
But a lowlier grave soon won mine eye
Away from th’ ancestral pageantry—
A grave by the lordly minster’s gate,
Unhonour’d, and yet not desolate.
It was a dewy greensward bed,
Meet for the rest of a peasant head;
But Love—oh, lovelier than all beside!—
That lone place guarded and glorified.
For a gentle form stood watching there,
Young—but how sorrowfully fair!
Keeping the flowers of the holy spot,
That reckless feet might profane them not.
Clear, pale and clear, was the tender cheek,
And her eye, though tearful, serenely meek;
And I deem’d, by its lifted gaze of love,
That her sad heart’s treasure was all above.
For alone she seem’d midst the throng to be,
Like a bird of the waves far away at sea;
Alone, in a mourner’s vest array’d,
And with folded hands, e’en as if she pray’d.
It faded before me, that mask of pride,
The haughty swell of the music died;
Banner, and armour, and tossing plume,
All melted away in the twilight’s gloom.
But that orphan form, with its willowy grace,
And the speaking prayer in that pale, calm face,
Still, still o’er my thoughts in the night-hour glide—
—Oh! Love is lovelier than all beside!

THE BROKEN LUTE.