It was the time when children bound to meet
Their father’s homeward step from field or hill,
And when the herd’s returning bells are sweet
In the Swiss valleys, and the lakes grow still,
And the last note of that wild horn swells by
Which haunts the exile’s heart with melody.
And lovely smiled full many an Alpine home,
Touch’d with the crimson of the dying hour,
Which lit its low roof by the torrent’s foam,
And pierced its lattice through the vine-hung bower;
But one, the loveliest o’er the land that rose,
Then first look’d mournful in its green repose.
For Werner sat beneath the linden tree
That sent its lulling whispers through his door,
Even as man sits, whose heart alone would be
With some deep care, and thus can find no more
Th’ accustom’d joy in all which evening brings,
Gathering a household with her quiet wings.
His wife stood hush’d before him—sad, yet mild
In her beseeching mien!—he mark’d it not.
The silvery laughter of his bright-hair’d child
Rang from the greensward round the shelter’d spot,
But seem’d unheard; until at last the boy
Raised from his heap’d up flowers a glance of joy,
And met his father’s face. But then a change
Pass’d swiftly o’er the brow of infant glee,
And a quick sense of something dimly strange
Brought him from play to stand beside the knee
So often climb’d, and lift his loving eyes
That shone through clouds of sorrowful surprise.
Then the proud bosom of the strong man shook;
But tenderly his babe’s fair mother laid
Her hand on his, and with a pleading look,
Through tears half-quivering, o’er him bent and said,
“What grief, dear friend, hath made thy heart its prey—
That thou shouldst turn thee from our love away?
“It is too sad to see thee thus, my friend!
Mark’st thou the wonder on thy boy’s fair brow,
Missing the smile from thine? Oh, cheer thee! bend
To his soft arms: unseal thy thoughts e’en now!
Thou dost not kindly to withhold the share
Of tried affection in thy secret care.”
He look’d up into that sweet earnest face,
But sternly, mournfully: not yet the band
Was loosen’d from his soul; its inmost place
Not yet unveil’d by love’s o’ermastering hand.
“Speak low!” he cried, and pointed where on high
The white Alps glitter’d through the solemn sky:
“We must speak low amidst our ancient hills
And their free torrents; for the days are come
When tyranny lies couch’d by forest rills,
And meets the shepherd in his mountain-home.
Go, pour the wine of our own grapes in fear—
Keep silence by the hearth! its foes are near.
“The envy of th’ oppressor’s eye hath been
Upon my heritage. I sit to-night
Under my household tree, if not serene,
Yet with the faces best beloved in sight:
To-morrow eve may find me chain’d, and thee—
How can I bear the boy’s young smiles to see?”
The bright blood left that youthful mother’s cheek;
Back on the linden stem she lean’d her form;
And her lip trembled as it strove to speak,
Like a frail harp-string shaken by the storm.
’Twas but a moment, and the faintness pass’d,
And the free Alpine spirit woke at last.
And she, that ever through her home had moved
With the meek thoughtfulness and quiet smile
Of woman, calmly loving and beloved,
And timid in her happiness the while,
Stood brightly forth, and steadfastly, that hour—
Her clear glance kindling into sudden power.
Ay, pale she stood, but with an eye of light,
And took her fair child to her holy breast,
And lifted her soft voice, that gather’d might
As it found language:—“Are we thus oppress’d?
Then must we rise upon our mountain-sod,
And man must arm, and woman call on God!
“I know what thou wouldst do;—and be it done!
Thy soul is darken’d with its fears for me.
Trust me to heaven, my husband! This, thy son,
The babe whom I have borne thee, must be free!
And the sweet memory of our pleasant hearth
May well give strength—if aught be strong on earth.
“Thou hast been brooding o’er the silent dread
Of my desponding tears; now lift once more,
My hunter of the hills! thy stately head,
And let thine eagle glance my joy restore!
I can bear all, but seeing thee subdued—
Take to thee back thine own undaunted mood.
“Go forth beside the waters, and along
The chamois paths, and through the forests go;
And tell, in burning words, thy tale of wrong
To the brave hearts that midst the hamlets glow.
God shall be with thee, my beloved! Away!
Bless but thy child, and leave me—I can pray!”
He sprang up, like a warrior youth awaking
To clarion sounds upon the ringing air;
He caught her to his heart, while proud tears breaking
From his dark eyes fell o’er her braided hair;
And “Worthy art thou,” was his joyous cry,
“That man for thee should gird himself to die!
“My bride, my wife, the mother of my child!
Now shall thy name be armour to my heart:
And this our land, by chains no more defiled,
Be taught of thee to choose the better part!
I go—thy spirit on my words shall dwell;
Thy gentle voice shall stir the Alps. Farewell!”
And thus they parted, by the quiet lake,
In the clear starlight: he the strength to rouse
Of the free hills; she, thoughtful for his sake,
To rock her child beneath the whispering boughs,
Singing its blue half-curtain’d eyes to sleep
With a low hymn, amidst the stillness deep.

PROPERZIA ROSSI.

[Properzia Rossi, a celebrated female sculptor of Bologna, possessed also of talents for poetry and music, died in consequence of an unrequited attachment. A painting, by Ducis, represents her showing her last work, a basso-relievo of Ariadne, to a Roman knight, the object of her affection, who regards it with indifference.]

“Tell me no more, no more
Of my soul’s lofty gifts! Are they not vain
To quench its haunting thirst for happiness?
Have I not loved, and striven, and fail’d to bind
One true heart unto me, whereon my own
Might find a resting-place, a home for all
Its burden of affections? I depart,
Unknown, though Fame goes with me; I must leave
The earth unknown. Yet it may be that death
Shall give my name a power to win such tears
As would have made life precious.”

I.

One dream of passion and of beauty more!
And in its bright fulfilment let me pour
My soul away! Let earth retain a trace
Of that which lit my being, though its race
Might have been loftier far. Yet one more dream!
From my deep spirit one victorious gleam
Ere I depart! For thee alone, for thee!
May this last work, this farewell triumph be—
Thou, loved so vainly! I would leave enshrined
Something immortal of my heart and mind,
That yet may speak to thee when I am gone,
Shaking thine inmost bosom with a tone
Of lost affection,—something that may prove
What she hath been, whose melancholy love
On thee was lavish’d; silent pang and tear,
And fervent song that gush’d when none were near,
And dream by night, and weary thought by day,
Stealing the brightness from her life away—
While thou——Awake! not yet within me die!
Under the burden and the agony
Of this vain tenderness—my spirit, wake!
Even for thy sorrowful affection’s sake,
Live! in thy work breathe out!—that he may yet,
Feeling sad mastery there, perchance regret
Thine unrequited gift.

II.

It comes! the power
Within me born flows back—my fruitless dower
That could not win me love. Yet once again
I greet it proudly, with its rushing train
Of glorious images: they throng—they press—
A sudden joy lights up my loneliness—
I shall not perish all!
The bright work grows
Beneath my hand, unfolding, as a rose,
Leaf after leaf, to beauty—line by line,
Through the pale marble’s veins. It grows!—and now
I fix my thought, heart, soul, to burn, to shine:
I give my own life’s history to thy brow,
Forsaken Ariadne!—thou shalt wear
My form, my lineaments; but oh! more fair,
Touch’d into lovelier being by the glow
Which in me dwells, as by the summer light
All things are glorified. From thee my woe
Shall yet look beautiful to meet his sight,
When I am pass’d away. Thou art the mould,
Wherein I pour the fervent thoughts, th’ untold,
The self-consuming! Speak to him of me,
Thou, the deserted by the lonely sea,
With the soft sadness of thine earnest eye—
Speak to him, lorn one! deeply, mournfully,
Of all my love and grief! Oh! could I throw
Into thy frame a voice—a sweet, and low,
And thrilling voice of song! when he came nigh,
To send the passion of its melody
Through his pierced bosom—on its tones to bear
My life’s deep feeling, as the southern air
Wafts the faint myrtle’s breath—to rise, to swell,
To sink away in accents of farewell,
Winning but one, one gush of tears, whose flow
Surely my parted spirit yet might know,
If love be strong as death!

III.

Now fair thou art,
Thou form, whose life is of my burning heart!
Yet all the vision that within me wrought,
I cannot make thee. Oh! I might have given
Birth to creations of far nobler thought;
I might have kindled, with the fire of heaven,
Things not of such as die! But I have been
Too much alone! A heart whereon to lean,
With all these deep affections that o’erflow
My aching soul, and find no shore below;
An eye to be my star; a voice to bring
Hope o’er my path like sounds that breathe of spring?
These are denied me—dreamt of still in vain.
Therefore my brief aspirings from the chain
Are ever but as some wild fitful song,
Rising triumphantly, to die ere long
In dirge-like echoes.

IV.

Yet the world will see
Little of this, my parting work! in thee.
Thou shalt have fame! Oh, mockery! give the reed
From storms a shelter—give the drooping vine
Something round which its tendrils may entwine—
Give the parch’d flower a rain-drop, and the meed
Of love’s kind words to woman! Worthless fame!
That in his bosom wins not for my name
Th’ abiding place it ask’d! Yet how my heart,
In its own fairy world of song and art,
Once beat for praise! Are those high longings o’er?
That which I have been can I be no more?
Never! oh, never more! though still thy sky
Be blue as then, my glorious Italy!
And though the music, whose rich breathings fill
Thine air with soul, be wandering past me still;
And though the mantle of thy sunlight streams
Unchanged on forms, instinct with poet-dreams.
Never! oh, never more! Where’er I move,
The shadow of this broken-hearted love
Is on me and around! Too well they know
Whose life is all within, too soon and well,
When there the blight hath settled! But I go
Under the silent wings of peace to dwell;
From the slow wasting, from the lonely pain,
The inward burning of those words—“in vain,”
Sear’d on the heart—I go. ’Twill soon be past!
Sunshine and song, and bright Italian heaven,
And thou, oh! thou, on whom my spirit cast
Unvalued wealth—who know’st not what was given
In that devotedness—the sad, and deep,
And unrepaid—farewell! If I could weep
Once, only once, beloved one! on thy breast,
Pouring my heart forth ere I sink to rest!
But that were happiness!—and unto me
Earth’s gift is fame. Yet I was form’d to be
So richly bless’d! With thee to watch the sky,
Speaking not, feeling but that thou wert nigh;
With thee to listen, while the tones of song
Swept even as part of our sweet air along—
To listen silently; with thee to gaze
On forms, the deified of olden days—
This had been joy enough; and hour by hour,
From its glad well-springs drinking life and power,
How had my spirit soar’d, and made its fame
A glory for thy brow! Dreams, dreams!—The fire
Burns faint within me. Yet I leave my name—
As a deep thrill may linger on the lyre
When its full chords are hush’d—awhile to live,
And one day haply in thy heart revive
Sad thoughts of me. I leave it, with a sound,
A spell o’er memory, mournfully profound;
I leave it, on my country’s air to dwell—
Say proudly yet—“’Twas hers who loved me well!”

GERTRUDE; OR, FIDELITY TILL DEATH.

[The Baron Von der Wart, accused—though it is believed unjustly—as an accomplice in the assassination of the Emperor Albert, was bound alive on the wheel, and attended by his wife Gertrude, throughout his last agonising hours, with the most heroic devotedness. Her own sufferings, with those of her unfortunate husband, are most affectingly described in a letter which she afterwards addressed to a female friend, and which was published some years ago, at Haarlem, in a book entitled Gertrude Von der Wart; or, Fidelity unto Death.]

“Dark lowers our fate,
And terrible the storm that gathers o’er us;
But nothing, till that latest agony
Which severs thee from nature, shall unloose
This fix’d and sacred hold. In thy dark prison-house,
In the terrific face of armed law,
Yea, on the scaffold, if it needs must be,
I never will forsake thee.” Joanna Baillie.
Her hands were clasp’d, her dark eyes raised,
The breeze threw back her hair;
Up to the fearful wheel she gazed—
All that she loved was there.
The night was round her clear and cold,
The holy heaven above,
Its pale stars watching to behold
The might of earthly love.
“And bid me not depart,” she cried;
“My Rudolph, say not so!
This is no time to quit thy side—
Peace! peace! I cannot go.
Hath the world aught for me to fear,
When death is on thy brow?
The world! what means it? Mine is here
I will not leave thee now.
“I have been with thee in thine hour
Of glory and of bliss;
Doubt not its memory’s living power
To strengthen me through this!
And thou, mine honour’d love and true,
Bear on, bear nobly on!
We have the blessed heaven in view,
Whose rest shall soon be won.”
And were not these high words to flow
From woman’s breaking heart?
Through all that night of bitterest woe
She bore her lofty part;
But oh! with such a glazing eye,
With such a curdling cheek—
Love, Love! of mortal agony
Thou, only thou, shouldst speak!
The wind rose high—but with it rose
Her voice, that he might hear:—
Perchance that dark hour brought repose
To happy bosoms near;
While she sat striving with despair
Beside his tortured form,
And pouring her deep soul in prayer
Forth on the rushing storm.
She wiped the death-damps from his brow
With her pale hands and soft,
Whose touch upon the lute-chords low
Had still’d his heart so oft.
She spread her mantle o’er his breast,
She bathed his lips with dew,
And on his cheek such kisses press’d
As hope and joy ne’er knew.
Oh! lovely are ye, Love and Faith,
Enduring to the last!
She had her meed—one smile in death—
And his worn spirit pass’d!
While even as o’er a martyr’s grave
She knelt on that sad spot,
And, weeping, bless’d the God who gave
Strength to forsake it not.

IMELDA.

“Sometimes
The young forgot the lessons they had learnt,
And loved when they should hate—like thee,
Imelda!”[346]
Italy; a Poem.

“Passa la bella Donna, e par che dorma.”—Tasso.

We have the myrtle’s breath around us here,
Amidst the fallen pillars: this hath been
Some Naiad’s fane of old. How brightly clear,
Flinging a vein of silver o’er the scene,
Up through the shadowy grass the fountain wells,
And music with it, gushing from beneath
The ivied altar! That sweet murmur tells
The rich wild-flowers no tale of woe or death;
Yet once the wave was darken’d, and a stain
Lay deep, and heavy drops—but not of rain—
On the dim violets by its marble bed,
And the pale-shining water-lily’s head.
Sad is that legend’s truth.—A fair girl met
One whom she loved, by this lone temple’s spring.
Just as the sun behind the pine-grove set,
And eve’s low voice in whispers woke, to bring
All wanderers home. They stood, that gentle pair,
With the blue heaven of Italy above,
And citron-odours dying on the air,
And light leaves trembling round, and early love
Deep in each breast. What reck’d their souls of strife
Between their fathers? Unto them young life
Spread out the treasures of its vernal years;
And if they wept, they wept far other tears
Than the cold world brings forth. They stood, that hour,
Speaking of hope; while tree, and fount, and flower,
And star, just gleaming through the cypress boughs,
Seem’d holy things, as records of their vows.
But change came o’er the scene. A hurrying tread
Broke on the whispery shades. Imelda knew
The footstep of her brother’s wrath, and fled
Up where the cedars make yon avenue
Dim with green twilight: pausing there, she caught—
Was it the clash of swords? A swift dark thought
Struck down her lip’s rich crimson as it pass’d,
And from her eye the sunny sparkle took
One moment with its fearfulness, and shook
Her slight frame fiercely, as a stormy blast
Might rock the rose. Once more, and yet once more,
She still’d her heart to listen—all was o’er;
Sweet summer winds alone were heard to sigh,
Bearing the nightingale’s deep spirit by.
That night Imelda’s voice was in the song—
Lovely it floated through the festive throng
Peopling her father’s halls. That fatal night
Her eye look’d starry in its dazzling light,
And her cheek glow’d with beauty’s flushing dyes,
Like a rich cloud of eve in southern skies—
A burning, ruby cloud. There were, whose gaze
Follow’d her form beneath the clear lamp’s blaze,
And marvell’d at its radiance. But a few
Beheld the brightness of that feverish hue
With something of dim fear; and in that glance
Found strange and sudden tokens of unrest,
Startling to meet amidst the mazy dance,
Where Thought, if present, an unbidden guest,
Comes not unmask’d. Howe’er this were, the time
Sped as it speeds with joy, and grief, and crime
Alike: and when the banquet’s hall was left
Unto its garlands of their bloom bereft;
When trembling stars look’d silvery in their wane,
And heavy flowers yet slumber’d, once again
There stole a footstep, fleet, and light, and lone,
Through the dim cedar shade—the step of one
That started at a leaf, of one that fled,
Of one that panted with some secret dread.
What did Imelda there? She sought the scene
Where love so late with youth and hope had been.
Bodings were on her soul; a shuddering thrill
Ran through each vein, when first the Naiad’s rill
Met her with melody—sweet sounds and low:
We hear them yet, they live along its flow—
Her voice is music lost! The fountain-side
She gain’d—the wave flash’d forth—’twas darkly dyed
Even as from warrior-hearts; and on its edge,
Amidst the fern, and flowers, and moss-tufts deep,
There lay, as lull’d by stream and rustling sedge,
A youth, a graceful youth. “Oh! dost thou sleep?
Azzo!” she cried, “my Azzo! is this rest?”
But then her low tones falter’d:—“On thy breast
Is the stain—yes, ’tis blood! And that cold cheek—
That moveless lip!—thou dost not slumber?—speak,
Speak, Azzo, my beloved! No sound—no breath—
What hath come thus between our spirits? Death!
Death?—I but dream—I dream!” And there she stood,
A faint fair trembler, gazing first on blood,
With her fair arm around yon cypress thrown,
Her form sustain’d by that dark stem alone,
And fading fast, like spell-struck maid of old,
Into white waves dissolving, clear and cold;
When from the grass her dimm’d eye caught a gleam—
’Twas where a sword lay shiver’d by the stream—
Her brother’s sword!—she knew it; and she knew
’Twas with a venom’d point that weapon slew!
Woe for young love! But love is strong. There came
Strength upon woman’s fragile heart and frame;
There came swift courage! On the dewy ground
She knelt, with all her dark hair floating round
Like a long silken stole; she knelt, and press’d
Her lips of glowing life to Azzo’s breast,
Drawing the poison forth. A strange, sad sight!
Pale death, and fearless love, and solemn night!
—So the moon saw them last.
The morn came singing
Through the green forests of the Apennines,
With all her joyous birds their free flight winging,
And steps and voices out amongst the vines.
What found that dayspring here? Two fair forms laid
Like sculptured sleepers; from the myrtle shade
Casting a gleam of beauty o’er the wave,
Still, mournful, sweet. Were such things for the grave?
Could it be so indeed? That radiant girl,
Deck’d as for bridal hours!—long braids of pearl
Amidst her shadowy locks were faintly shining,
As tears might shine, with melancholy light;
And there was gold her slender waist entwining;
And her pale graceful arms—how sadly bright;
And fiery gems upon her breast were lying,
And round her marble brow red roses dying.
But she died first!—the violet’s hue had spread
O’er her sweet eyelids with repose oppress’d;
She had bow’d heavily her gentle head,
And on the youth’s hush’d bosom sunk to rest.
So slept they well!—the poison’s work was done;
Love with true heart had striven—but Death had won.

[346] The tale of Imelda is related in Sismondi’s Histoire des Républiques Italiennes, vol. iii. p. 443.

EDITH.

A TALE OF THE WOODS.[347]

“Du Heilige! rufe dein Kind zuruck
Ich habe genossen das irdische Gluck,
Ich habe gelebt und geliebet.”   Wallenstein.
The woods—oh! solemn are the boundless woods
Of the great western world when day declines,
And louder sounds the roll of distant floods,
More deep the rustling of the ancient pines.
When dimness gathers on the stilly air,
And mystery seems o’er every leaf to brood,
Awful it is for human heart to bear
The might and burden of the solitude!
Yet, in that hour, midst those green wastes, there sate
One young and fair; and oh! how desolate!
But undismay’d—while sank the crimson light,
And the high cedars darken’d with the night.
Alone she sate; though many lay around,
They, pale and silent on the bloody ground,
Were sever’d from her need and from her woe,
Far as death severs life. O’er that wild spot
Combat had raged, and brought the valiant low,
And left them, with the history of their lot,
Unto the forest oaks—a fearful scene
For her whose home of other days had been
Midst the fair halls of England! But the love
Which fill’d her soul was strong to cast out fear;
And by its might upborne all else above,
She shrank not—mark’d not that the dead were near.
Of him alone she thought, whose languid head
Faintly upon her wedded bosom fell;
Memory of aught but him on earth was fled,
While heavily she felt his life-blood well
Fast o’er her garments forth, and vainly bound
With her torn robe and hair the streaming wound—
Yet hoped, still hoped! Oh! from such hope how long
Affection woos the whispers that deceive,
Even when the pressure of dismay grows strong!
And we, that weep, watch, tremble, ne’er believe
The blow indeed can fall. So bow’d she there
Over the dying, while unconscious prayer
Fill’d all her soul. Now pour’d the moonlight down,
Veining the pine-stems through the foliage brown,
And fire-flies, kindling up the leafy place,
Cast fitful radiance o’er the warrior’s face.
Whereby she caught its changes. To her eye,
The eye that faded look’d through gathering haze,
Whence love, o’ermastering mortal agony,
Lifted a long, deep, melancholy gaze,
When voice was not; that fond, sad meaning pass’d—
She knew the fulness of her woe at last!
One shriek the forests heard—and mute she lay
And cold, yet clasping still the precious clay
To her scarce-heaving breast. O Love and Death!
Ye have sad meetings on this changeful earth.
Many and sad!—but airs of heavenly breath
Shall melt the links which bind you, for your birth
Is far apart.
Now light, of richer hue
Than the moon sheds, came flushing mist and dew;
The pines grew red with morning; fresh winds play’d;
Bright-colour’d birds with splendour cross’d the shade,
Flitting on flower-like wings; glad murmurs broke
From reed, and spray, and leaf—the living strings
Of earth’s Æolian lyre, whose music woke
Into young life and joy all happy things.
And she, too, woke from that long dreamless trance,
The widow’d Edith: fearfully her glance
Fell, as in doubt, on faces dark and strange,
And dusky forms. A sudden sense of change
Flash’d o’er her spirit, even ere memory swept
The tide of anguish back with thoughts that slept;
Yet half instinctively she rose, and spread
Her arms, as ’twere for something lost or fled,
Then faintly sank again. The forest-bough,
With all its whispers, waved not o’er her now.
Where was she? Midst the people of the wild,
By the red hunter’s fire: an aged chief,
Whose home look’d sad—for therein play’d no child—
Had borne her, in the stillness of her grief,
To that lone cabin of the woods; and there,
Won by a form so desolately fair,
Or touch’d with thoughts from some past sorrow sprung,
O’er her low couch an Indian matron hung;
While in grave silence, yet with earnest eye,
The ancient warrior of the waste stood by,
Bending in watchfulness his proud gray head,
And leaning on his bow.
And life return’d—
Life, but with all its memories of the dead,
To Edith’s heart; and well the sufferer learn’d
Her task of meek endurance—well she wore
The chasten’d grief that humbly can adore
Midst blinding tears. But unto that old pair,
Even as a breath of spring’s awakening air,
Her presence was; or as a sweet wild tune
Bringing back tender thoughts, which all too soon
Depart with childhood. Sadly they had seen
A daughter to the land of spirits go;
And ever from that time her fading mien,
And voice, like winds of summer, soft and low,
Had haunted their dim years: but Edith’s face
Now look’d in holy sweetness from her place,
And they again seem’d parents. Oh! the joy,
The rich deep blessedness—though earth’s alloy,
Fear, that still bodes, be there—of pouring forth
The heart’s whole power of love, its wealth and worth
Of strong affection, in one healthful flow,
On something all its own! that kindly glow,
Which to shut inward is consuming pain,
Gives the glad soul its flowering time again,
When, like the sunshine, freed. And gentle cares
Th’ adopted Edith meekly gave for theirs
Who loved her thus. Her spirit dwelt the while
With the departed, and her patient smile
Spoke of farewells to earth; yet still she pray’d,
E’en o’er her soldier’s lowly grave, for aid
One purpose to fulfil, to leave one trace
Brightly recording that her dwelling-place
Had been among the wilds; for well she knew
The secret whisper of her bosom true,
Which warn’d her hence.
And now, by many a word
Link’d unto moments when the heart was stirr’d—
By the sweet mournfulness of many a hymn,
Sung when the woods at eve grew hush’d and dim—
By the persuasion of her fervent eye,
All eloquent with childlike piety—
By the still beauty of her life she strove
To win for heaven, and heaven-born truth, the love
Pour’d out on her so freely. Nor in vain
Was that soft-breathing influence to enchain
The soul in gentle bonds; by slow degrees
Light follow’d on, as when a summer breeze
Parts the deep masses of the forest shade,
And lets the sunbeam through. Her voice was made
Even such a breeze; and she, a lowly guide,
By faith and sorrow raised and purified,
So to the Cross her Indian fosterers led,
Until their prayers were one. When morning spread
O’er the blue lake, and when the sunset’s glow
Touch’d into golden bronze the cypress bough,
And when the quiet of the Sabbath-time
Sank on her heart, though no melodious chime
Waken’d the wilderness, their prayers were one.
Now might she pass in hope—her work was done:
And she was passing from the woods away—
The broken flower of England might not stay
Amidst those alien shades. Her eye was bright
Even yet with something of a starry light,
But her form wasted, and her fair young cheek
Wore oft and patiently a fatal streak,
A rose whose root was death. The parting sigh
Of autumn through the forests had gone by,
And the rich maple o’er her wanderings lone
Its crimson leaves in many a shower had strown,
Flushing the air; and winter’s blast had been
Amidst the pines; and now a softer green
Fringed their dark boughs: for spring again had come,
The sunny spring! but Edith to her home
Was journeying fast. Alas! we think it sad
To part with life when all the earth looks glad
In her young lovely things—when voices break
Into sweet sounds, and leaves and blossoms wake:
Is it not brighter, then, in that far clime
Where graves are not, nor blights of changeful time,
If here such glory dwell with passing blooms,
Such golden sunshine rest around the tombs?
So thought the dying one. ’Twas early day,
And sounds and odours, with the breezes’ play
Whispering of spring-time, through the cabin door,
Unto her couch life’s farewell sweetness bore.
Then with a look where all her hope awoke,
“My father!”—to the gray-hair’d chief she spoke—
“Know’st thou that I depart?” “I know, I know,”
He answer’d mournfully, “that thou must go
To thy beloved, my daughter!” “Sorrow not
For me, kind mother!” with meek smiles once more
She murmur’d in low tones: “one happy lot
Awaits us, friends! upon the better shore;
For we have pray’d together in one trust,
And lifted our frail spirits from the dust
To God, who gave them. Lay me by mine own,
Under the cedar shade: where he is gone,
Thither I go. There will my sisters be,
And the dead parents, lisping at whose knee
My childhood’s prayer was learn’d—the Saviour’s prayer
Which now ye know—and I shall meet you there.
Father and gentle mother! ye have bound
The bruisèd reed, and mercy shall be found
By Mercy’s children.” From the matron’s eye
Dropp’d tears, her sole and passionate reply.
But Edith felt them not; for now a sleep
Solemnly beautiful—a stillness deep,
Fell on her settled face. Then, sad and slow,
And mantling up his stately head in woe,
“Thou’rt passing hence,” he sang, that warrior old,
In sounds like those by plaintive waters roll’d.
“Thou’rt passing from the lake’s green side,
And the hunter’s hearth away:
For the time of flowers, for the summer’s pride,
Daughter! thou canst not stay.
“Thou’rt journeying to thy spirit’s home,
Where the skies are ever clear:
The corn-month’s golden hours will come,
But they shall not find thee here.
“And we shall miss thy voice, my bird!
Under our whispering pine;
Music shall midst the leaves be heard,
But not a song like thine.
“A breeze that roves o’er stream and hill,
Telling of winter gone,
Hath such sweet falls—yet caught we still
A farewell in its tone.
“But thou, my bright one! thou shalt be
Where farewell sounds are o’er;
Thou, in the eyes thou lovest, shalt see
No fear of parting more.
“The mossy grave thy tears have wet,
And the wind’s wild moanings by,
Thou with thy kindred shalt forget,
Midst flowers—not such as die.
“The shadow from thy brow shall melt
The sorrow from thy strain,
But where thine earthly smile hath dwelt
Our hearts shall thirst in vain.
“Dim will our cabin be, and lone,
When thou, its light, art fled;
Yet hath thy step the pathway shown
Unto the happy dead.
“And we will follow thee, our guide!
And join that shining band;
Thou’rt passing from the lake’s green side—
Go to the better land!”
The song had ceased, the list’ners caught no breath:
That lovely sleep had melted into death.