[327] A beautiful spring in the woods near St Asaph, formerly covered in with a chapel, now in ruins. It was dedicated to the Virgin, and, according to Pennant, much the resort of pilgrims.
[Those who only know the neighbourhood of St Asaph from travelling along its highways, can be little aware how much delightful scenery is attainable within walks of two or three miles’ distance from Mrs Hemans’s residence. The placid beauty of the Clwyd, and the wilder graces of the sister stream, the Elwy, particularly in the vicinity of “Our Lady’s Well,” and the interesting rocks and caves at Cefn, are little known to general tourists; though, by the lovers of her poetry, it will be remembered how sweetly she has apostrophised the
and how tenderly, amid far different scenes, her thoughts reverted to the
[328] Bruce’s mingled feelings on arriving at the source of the Nile, are thus portrayed by him:—“I was, at that very moment, in possession of what had for many years been the principal object of my ambition and wishes; indifference, which, from the usual infirmity of human nature, follows, at least for a time, complete enjoyment, had taken place of it. The marsh and the fountains of the Nile, upon comparison with the rise of many of our rivers, became now a trifling object in my sight. I remembered that magnificent scene in my own native country, where the Tweed, Clyde, and Annan, rise in one hill. I began, in my sorrow, to treat the inquiry about the source of the Nile as a violent effort of a distempered fancy.”
[329] Young Casabianca, a boy about thirteen years old, son to the Admiral of the Orient, remained at his post (in the Battle of the Nile) after the ship had taken fire, and all the guns had been abandoned; and perished in the explosion of the vessel, when the flames had reached the powder.
[330] This dial was, I believe, formed by Linnæus, and marked the hours by the opening and closing, at regular intervals, of the flowers arranged in it.
[331] This little poem derives an additional interest from being affectingly associated with a name no less distinguished than that of the late Mr Dugald Stewart. The admiration he always expressed for Mrs Hemans’s poetry, was mingled with regret that she so generally made choice of melancholy subjects; and on one occasion, he sent her, through a mutual friend, a message suggestive of his wish that she would employ her fine talents in giving more consolatory views of the ways of Providence, thus infusing comfort and cheer into the bosoms of her readers, in a spirit of Christian philosophy, which, he thought, would be more consonant with the pious mind and loving heart displayed in every line she wrote, than dwelling on what was painful and depressing, however beautifully and touchingly such subjects might be treated of. This message was faithfully transmitted, and almost by return of post, Mrs Hemans (who was then residing in Wales) sent to the kind friend to whom it had been forwarded, the poem of “Our Daily Paths,” requesting it might be given to Mr Stewart, with an assurance of her gratitude for the interest he took in her writings, and alleging as the reason of the mournful strain which pervaded them, “that a cloud hung over her life which she could not always rise above.”
The letter reached Mr Stewart just as he was stepping into the carriage, to leave his country residence (Kinneil House, the property of the Duke of Hamilton) for Edinburgh—the last time, alas! his presence was ever to gladden that happy home, as his valuable life was closed very shortly afterwards. The poem was read to him by his daughter, on his way to Edinburgh, and he expressed himself in the highest degree charmed and gratified with the result of his suggestions; and some of the lines which pleased him more particularly were often repeated to him during the few remaining weeks of his life.
[“‘The Cross in the Wilderness,’ by Mrs Hemans, is in every way worthy of her delightful genius; and nothing but want of room prevents us from quoting it entire. Mrs Hemans is, indeed, the star that shines most brightly in the hemisphere; and in every thing she writes, there is, along with a fine spirit of poetry, a still finer spirit of moral and religious truth. Of all the female poets of the day, Mrs Hemans is, in the best sense of the word, the most truly feminine—no false glitter about her—no ostentatious display—no gaudy and jingling ornaments—but, as an English matron ought to be, simple, sedate, cheerful, elegant, and religious.”—Professor Wilson in Blackwood’s Magazine. Dec. 1826.
[332] A custom still retained at rural funerals in some parts of England and Wales.