(Viviani, many years later, writes to a friend in England)
I was his last disciple, as you say
I went to him, at seventeen years of age,
And offered him my hands and eyes to use,
When, voicing the true mind and heart of Rome,
Father Castelli, his most faithful friend,
Wrote, for my master, that compassionate plea;
The noblest eye that Nature ever made
Is darkened; one so exquisitely dowered,
So delicate in power that it beheld
More than all other eyes in ages gone
And opened the eyes of all that are to come.
But, out of England, even then, there shone
The first ethereal promise of light
That crowns my master dead. Well I recall
That day of days. There was no faintest breath
Among his garden cypress-trees. They dreamed
Dark, on a sky too beautiful for tears,
And the first star was trembling overhead,
When, quietly as a messenger from heaven,
Moving unseen, through his own purer realm,
Amongst the shadows of our mortal world,
A young man, with a strange light on his face
Knocked at the door of Galileo's house.
His name was Milton.
By the hand of God,
He, the one living soul on earth with power
To read the starry soul of this blind man,
Was led through Italy to his prison door.
He looked on Galileo, touched his hand …
O, dark, dark, dark, amid the blaze of noon,
Irrecoverably dark ….
In after days,
He wrote it; but it pulsed within him then;
And Galileo rising to his feet
And turning on him those unseeing eyes
That had searched heaven and seen so many worlds,
Said to him, "You have found me."
Often he told me in those last sad months
Of how your grave young island poet brought
Peace to him, with the knowledge that, far off,
In other lands, the truth he had proclaimed
Was gathering power.
Soon after, death unlocked
His prison, and the city that he loved,
Florence, his town of flowers, whose gates in life
He was forbid to pass, received him dead.
You write to me from England, that his name
Is now among the mightiest in the world,
And in his name I thank you.
I am old;
And I was very young when, long ago,
I stood beside his poor dishonoured grave
Where hate denied him even an epitaph;
And I have seen, slowly and silently,
His purer fame arising, like a moon
In marble on the twilight of those aisles
At Santa Croce, where the dread decree
Was read against him.
Now, against two wrongs,
Let me defend two victims: first, the Church
Whom many have vilified for my master's doom;
And second, Galileo, whom they reproach
Because they think that in his blind old age
He might with one great eagle's glance have cowed
His judges, played the hero, raised his hands
Above his head, and posturing like a mummer
Cried (as one empty rumour now declares)
After his recantation—yet, it moves!
Out of this wild confusion, fourfold wrongs
Are heaped on both sides.—I would fain bring peace,
The peace of truth to both before I die;
And, as I hope, rest at my master's feet.
It was not Rome that tried to murder truth;
But the blind hate and vanity of man.
Had Galileo but concealed the smile
With which, like Socrates, he answered fools,
They would not, in the name of Christ, have mixed
This hemlock in his chalice.
O pitiful
Pitiful human hearts that must deny
Their own unfolding heavens, for one light word
Twisted by whispering malice.
Did he mean
Simplicio, in his dialogues, for the Pope?
Doubtful enough—the name was borrowed straight
From older dialogues.
If he gave one thought
Of Urban's to Simplicio—you know well
How composite are all characters in books,
How authors find their colours here and there,
And paint both saints and villains from themselves.
No matter. This was Urban. Make it clear.
Simplicio means a simpleton. The saints
Are aroused by ridicule to most human wrath.
Urban was once his friend. This hint of ours
Kills all of that. And so we mortals close
The doors of Love and Knowledge on the world.
And so, for many an age, the name of Christ
Has been misused by man to mask man's hate.
How should the Church escape, then? I who loved
My master, know he had no truer friend
Than many of those true servants of the Church,
Fathers and priests who, in their lowlier sphere,
Moved nearer than her cardinals to the Christ.
These were the very Rome, and held her keys.
Those who charge Rome with hatred of the light
Would charge the sun with darkness, and accuse
This dome of sky for all the blood-red wrongs
That men commit beneath it. Art and song
That found her once in Europe their sole shrine
And sanctuary absolve her from that stain.
But there's this other charge against my friend,
And master, Galileo. It is brought
By friends, made sharper by their pity and grief,
The charge that he refused his martyrdom
And so denied his own high faith.
Whose faith,—
His friends', his Protestant followers', or his own?
Faced by the torture, that sublime old man
Was still a faithful Catholic, and his thought
Plunged deeper than his Protestant followers knew.
His aim was not to strike a blow at Rome
But to confound his enemies. He believed
As humbly as Castelli or Celeste
That there is nothing absolute but that Power
With which his Church confronted him. To this
He bowed his head, acknowledging that his light
Was darkness; but affirming, all the more,
That Ptolemy's light was even darker yet.
Read your own Protestant Milton, who derived
His mighty argument from my master's lips:
"Whether the sun predominant in heaven
Rise on the earth, or earth rise on the sun;
Leave them to God above; Him serve and fear."
Just as in boyhood, when my master watched
The swinging lamp in the cathedral there
At Pisa; and, by one finger on his pulse,
Found that, although the great bronze miracle swung
Through ever-shortening spaces, yet it moved
More slowly, and so still swung in equal times;
He straight devised another boon to man,
Those pulse-clocks which by many a fevered bed
Our doctors use; dreamed of that timepiece, too,
Whose punctual swinging pendulum on earth
Measures the starry periods, and to-day
Talks peacefully to children by the fire
Like an old grandad full of ancient tales,
Remembering endless ages, and foretelling
Eternities to come; but, all the while
There, in the dim cathedral, he knew well,
That dreaming youngster, with his tawny mane
Of red-gold hair, and deep ethereal eyes,
What odorous clouds of incense round him rose;
Was conscious in the dimness, of great throngs
Kneeling around him; shared in his own heart
The music and the silence and the cry,
O, salutaris hostia!—so now,
There was no mortal conflict in his mind
Between his dream-clocks and things absolute,
And one far voice, most absolute of all,
Feeble with suffering, calling night and day
"Return, return;" the voice of his Celeste.
All these things co-existed, and the less
Were comprehended, like the swinging lamp,
Within that great cathedral of his soul.
Often he bade me, in that desolate house
Il Giojello, of old a jewel of light,
Read to him one sad letter, till he knew
The most of it by heart, and while he walked
His garden, leaning on my arm, at times
I think he quite forgot that I was there;
For he would quietly murmur it to himself,
As if she had sent it, half an hour ago:
"Now, with this little winter's gift of fruit
I send you, father, from our southward wall,
Our convent's rarest flower, a Christmas rose.
At this cold season, it should please you much,
Seeing how rare it is; but, with the rose,
You must accept its thorns, which bring to mind
Our Lord's own bitter Passion. Its green leaves
Image the hope that through His Passion we,
After this winter of our mortal life,
May find the beauty of an eternal spring
In heaven."
Praise me the martyr, out of whose agonies
Some great new hope is born, but not the fool
Who starves his heart to prove what eyes can see
And intellect confirm throughout the world.
Why must he follow the idiot schoolboy code,
Torture his soul to reinforce the sight
Of those that closed their eyes and would not see.
To your own men of science, fifty turns
Of the thumbscrew would not prove that earth revolved.
Call it Italian subtlety if you will,
I say his intricate cause could not be won
By blind heroics. Much that his enemies challenged
Was not yet wholly proven, though his mind
Had leapt to a certainty. He must leave the rest
To those that should come after, swift and young,—
Those runners with the torch for whom he longed
As his deliverers. Had he chosen death
Before his hour, his proofs had been obscured
For many a year. His respite gave him time
To push new pawns out, in the blindfold play
Of those last months, and checkmate, not the Church
But those that hid behind her. He believed
His truth was all harmonious with her own.
How could he choose between them? Must he die
To affirm a discord that himself denied?
On many a point, he was less sure than we:
But surer far of much that we forget
The movements that he saw he could but judge
By some fixed point in space. He chose the sun.
Could this be absolute? Could he then be sure
That this great sun did not with all its worlds
Move round a deeper centre? What became
Of your Copernicus then? Could he be sure
Of any unchanging centre, whence to judge
This myriad-marching universe, but one—
The absolute throne of God.
Affirming this
Eternal Rock, his own uncertainties
Became more certain, and although his lips
Breathed not a syllable of it, though he stood
Silent as earth that also seemed so still,
The very silence thundered, yet it moves!
He held to what he knew, secured his work
Through feeble hands like mine, in other lands,
Not least in England, as I think you know.
For, partly through your poet, as I believe,
When his great music rolled upon your skies,
New thoughts were kindled in the general mind.
'Twas at Arcetri that your Milton gained
The first great glimpse of his celestial realm.
Picture him,—still a prisoner of our light,
Closing his glorious eyes—that in the dark,
He might behold this wheeling universe,—
The planets gilding their ethereal horns
With sun-fire. Many a pure immortal phrase
In his own work, as I have pondered it,
Lived first upon the lips of him whose eyes
Were darkened first,—in whom, too, Milton found
That Samson Agonistes, not himself,
As many have thought, but my dear master dead.
These are a part of England's memories now,
The music blown upon her sea-bright air
When, in the year of Galileo's death,
Newton, the mightiest of the sons of light,
Was born to lift the splendour of this torch
And carry it, as I heard that Tycho said
Long since to Kepler, "carry it out of sight,
Into the great new age I must not know,
Into the great new realm I must not tread."
If I saw farther, 'twas because I stood
On giant shoulders," wrote the king of thought,
Too proud of his great line to slight the toils
Of his forebears. He turned to their dim past,
Their fading victories and their fond defeats,
And knelt as at an altar, drawing all
Their strengths into his own; and so went forth
With all their glory shining in his face,
To win new victories for the age to come.
So, where Copernicus had destroyed the dream
We called our world; where Galileo watched
Those ancient firmaments melt, a thin blue smoke
Into a vaster night; where Kepler heard
Only stray fragments, isolated chords
Of that tremendous music which should bind
All things anew in one, Newton arose
And carried on their fire.
Around him reeled
Through lingering fumes of hate and clouds of doubt,
Lit by the afterglow of the Civil War,
The dissolute throngs of that Walpurgis night
Where all the cynical spirits that deny
Danced with the vicious lusts that drown the soul
In flesh too gross for Circe or her swine.
But, in his heart, he heard one instant voice.
"On with the torch once more, make all things new,
Build the new heaven and earth, and save the world."
Ah, but the infinite patience, the long months
Lavished on tasks that, to the common eye,
Were insignificant, never to be crowned
With great results, or even with earth's rewards.
Could Rembrandt but have painted him, in those hours
Making his first analysis of light
Alone, there, in his darkened Cambridge room
At Trinity! Could he have painted, too,
The secret glow, the mystery, and the power,
The sense of all the thoughts and unseen spires
That soared to heaven around him!
He stood there,
Obscure, unknown, the shadow of a man
In darkness, like a grey dishevelled ghost,
—Bare-throated, down at heel, his last night's supper
Littering his desk, untouched; his glimmering face,
Under his tangled hair, intent and still,—
Preparing our new universe.
He caught
The sunbeam striking through that bullet-hole
In his closed shutter—a round white spot of light
Upon a small dark screen.
He interposed
A prism of glass. He saw the sunbeam break
And spread upon the screen its rainbow band
Of disentangled colours, all in scale
Like notes in music; first, the violet ray,
Then indigo, trembling softly into blue;
Then green and yellow, quivering side by side;
Then orange, mellowing richly into red.
Then, in the screen, he made a small, round hole
Like to the first; and through it passed once more
Each separate coloured ray. He let it strike
Another prism of glass, and saw each hue
Bent at a different angle from its path,
The red the least, the violet ray the most;
But all in scale and order, all precise
As notes in music. Last, he took a lens,
And, passing through it all those coloured rays,
Drew them together again, remerging all
On that dark screen, in one white spot of light.
So, watching, testing, proving, he resolved
The seeming random glories of our day
Into a constant harmony, and found
How in the whiteness of the sunlight sleep
Compounded, all the colours of the world.
He saw how raindrops in the clouds of heaven
Breaking the light, revealed that sevenfold arch
Of colours, ranged as on his own dark screen,
Though now they spanned the mountains and wild seas.
Then, where that old-world order had gone down
Beneath a darker deluge, he beheld
Gleams of the great new order and recalled
—Fraught with new meaning and a deeper hope—
That covenant which God made with all mankind
Throughout all generations: I will set
My bow in the cloud, that henceforth ye may know
How deeper than the wreckage of your dreams
Abides My law, in beauty and in power.
Yet for that exquisite balance of the mind,
He, too, must pay the price. He stood alone
Bewildered, at the sudden assault of fools
On this, his first discovery.
"I have lost
The most substantial blessing of my quiet
To follow a vain shadow.
I would fain
Attempt no more. So few can understand,
Or read one thought. So many are ready at once
To swoop and sting. Indeed I would withdraw
For ever from philosophy." So he wrote
In grief, the mightiest mind of that new age.
Let those who'd stone the Roman Curia
For all the griefs that Galileo knew
Remember the dark hours that well-nigh quenched
The splendour of that spirit. He could not sleep.
Yet, with that patience of the God in man
That still must seek the Splendour whence it came,
Through midnight hours of mockery and defeat,
In loneliness and hopelessness and tears,
He laboured on. He had no power to see
How, after many years, when he was dead,
Out of this new discovery men should make
An instrument to explore the farthest stars
And, delicately dividing their white rays,
Divine what metals in their beauty burned,
Extort red secrets from the heart of Mars,
Or measure the molten iron in the sun.
He bent himself to nearer, lowlier, tasks;
And seeing, first, that those deflected rays,
Though it were only by the faintest bloom
Of colour, imperceptible to our eyes,
Must dim the vision of Galileo's glass,
He made his own new weapon of the sky,—
That first reflecting telescope which should hold
In its deep mirror, as in a breathless pool
The undistorted image of a star.
In that deep night where Galileo groped
Like a blind giant in dreams to find what power
Held moons and planets to their constant road
Through vastness, ordered like a moving fleet;
What law so married them that they could not clash
Or sunder, but still kept their rhythmic pace
As if those ancient tales indeed were true
And some great angel helmed each gliding sphere;
Many had sought an answer. Many had caught
Gleams of the truth; and yet, as when a torch
Is waved above a multitude at night,
And shows wild streams of faces, all confused,
But not the single law that knits them all
Into an ordered nation, so our skies
For all those fragmentary glimpses, whirled
In chaos, till one eagle-spirit soared,
Found the one law that bound them all in one,
And through that awful unity upraised
The soul to That which made and guides them all.
Did Newton, dreaming in his orchard there
Beside the dreaming Witham, see the moon
Burn like a huge gold apple in the boughs
And wonder why should moons not fall like fruit?
Or did he see as those old tales declare
(Those fairy-tales that gather form and fire
Till, in one jewel, they pack the whole bright world)
A ripe fruit fall from some immortal tree
Of knowledge, while he wondered at what height
Would this earth-magnet lose its darkling power?
Would not the fruit fall earthward, though it grew
High o'er the hills as yonder brightening cloud?
Would not the selfsame power that plucked the fruit
Draw the white moon, then, sailing in the blue?
Then, in one flash, as light and song are born,
And the soul wakes, he saw it—this dark earth
Holding the moon that else would fly through space
To her sure orbit, as a stone is held
In a whirled sling; and, by the selfsame power,
Her sister planets guiding all their moons;
While, exquisitely balanced and controlled
In one vast system, moons and planets wheeled
Around one sovran majesty, the sun.
Light and more light! The spark from heaven was there,
The flash of that reintegrating fire
Flung from heaven's altars, where all light is born,
To feed the imagination of mankind
With vision, and reveal all worlds in one.
But let no dreamer dream that his great work
Sprang, armed, like Pallas from the Thunderer's brain.
With infinite patience he must test and prove
His vision now, in those clear courts of Truth
Whose absolute laws (bemocked by shallower minds
As less than dreams, less than the faithless faith
That fears the Truth, lest Truth should slay the dream)
Are man's one guide to his transcendent heaven;
For there's no wandering splendour in the soul,
But in the highest heaven of all is one
With absolute reality. None can climb
Back to that Fount of Beauty but through pain.
Long, long he toiled, comparing first the curves
Traced by the cannon-ball as it soared and fell
With that great curving road across the sky
Traced by the sailing moon.
Was earth a loadstone
Holding them to their paths by that dark force
Whose mystery men have cloaked beneath a name?
Yet, when he came to test and prove, he found
That all the great deflections of the moon,
Her shining cadences from the path direct,
Were utterly inharmonious with the law
Of that dark force, at such a distance acting,
Measured from earth's own centre….
For three long years, Newton withheld his hope
Until that day when light was brought from France,
New light, new hope, in one small glistening fact,
Clear-cut as any diamond; and to him
Loaded with all significance, like the point
Of light that shows where constellations burn.
Picard in France—all glory to her name
Who is herself a light among all lands—
Had measured earth's diameter once more
With exquisite precision.
To the throng,
Those few corrected ciphers, his results,
Were less than nothing; yet they changed the world.
For Newton seized them and, with trembling hands,
Began to work his problem out anew.
Then, then, as on the page those figures turned
To hieroglyphs of heaven, and he beheld
The moving moon, with awful cadences
Falling into the path his law ordained,
Even to the foot and second, his hand shook
And dropped the pencil.
"Work it out for me,"
He cried to those around him; for the weight
Of that celestial music overwhelmed him;
And, on his page, those burning hieroglyphs
Were Thrones and Principalities and Powers…
For far beyond, immeasurably far
Beyond our sun, he saw that river of suns
We call the Milky Way, that glittering host
Powdering the night, each grain of solar blaze
Divided from its neighbour by a gulf
Too wide for thought to measure; each a sun
Huger than ours, with its own fleet of worlds,
Visible and invisible. Those bright throngs
That seemed dispersed like a defeated host
Through blindly wandering skies, now, at the word
Of one great dreamer, height o'er height revealed
Hints of a vaster order, and moved on
In boundless intricacies of harmony
Around one centre, deeper than all suns,
The burning throne of God.
He could not sleep. That intellect, whose wings
Dared the cold ultimate heights of Space and Time
Sank, like a wounded eagle, with dazed eyes
Back, headlong through the clouds to throb on earth.
What shaft had pierced him? That which also pierced
His great forebears—the hate of little men.
They flocked around him, and they flung their dust
Into the sensitive eyes and laughed to see
How dust could blind them.
If one prickling grain
Could so put out his vision and so torment
That delicate brain, what weakness! How the mind
That seemed to dwarf us, dwindles! Is he mad?
So buzzed the fools, whose ponderous mental wheels
Nor dust, nor grit, nor stones, nor rocks could irk
Even for an instant.
Newton could not sleep,
But all that careful malice could design
Was blindly fostered by well-meaning folly,
And great sane folk like Mr. Samuel Pepys
Canvassed his weakness and slept sound all night.
For little Samuel with his rosy face
Came chirping into a coffee-house one day
Like a plump robin, "Sir, the unhappy state
Of Mr. Isaac Newton grieves me much.
Last week I had a letter from him, filled
With strange complainings, very curious hints,
Such as, I grieve to say, are common signs
—I have observed it often—of worse to come.
He said that he could neither eat nor sleep
Because of all the embroilments he was in,
Hinting at nameless enemies. Then he begged
My pardon, very strangely. I believe
Physicians would confirm me in my fears.
'Tis very sad…. Only last night, I found
Among my papers certain lines composed
By—whom d'you think?—My lord of Halifax
(Or so dear Mrs. Porterhouse assured me)
Expressing, sir, the uttermost satisfaction
In Mr. Newton's talent. Sir, he wrote
Answering the charge that science would put out
The light of beauty, these very handsome lines:
'When Newton walked by Witham stream
There fell no chilling shade
To blight the drifting naiad's dream
Or make her garland fade.
The mist of sun was not less bright
That crowned Urania's hair.
He robbed it of its colder light,
But left the rainbow there.'
They are very neat and handsome, you'll agree.
Solid in sense as Dryden at his best,
And smooth as Waller, but with something more,—
That touch of grace, that airier elegance
Which only rank can give.
'Tis very sad
That one so nobly praised should—well, no matter!—
I am told, sir, that these troubles all began
At Cambridge, when his manuscripts were burned.
He had been working, in his curious way,
All through the night; and, in the morning greyness
Went down to chapel, leaving on his desk
A lighted candle. You can imagine it,—
A sadly sloven altar to his Muse,
Littered with papers, cups, and greasy plates
Of untouched food. I am told that he would eat
His Monday's breakfast, sir, on Tuesday morning,
Such was his absent way!
When he returned,
He found that Diamond (his little dog
Named Diamond, for a black patch near his tail)
Had overturned the candle. All his work
Was burned to ashes.
It struck him to the quick,
Though, when his terrier fawned about his feet,
He showed no anger. He was heard to say,
'O Diamond, Diamond, little do you know…'
But, from that hour, ah well, we'll say no more."
Halley was there that day, and spoke up sharply,
"Sir, there are hints and hints! Do you mean more?"
—"I do, sir," chirruped Samuel, mightily pleased
To find all eyes, for once, on his fat face.
"I fear his intellects are disordered, sir."
—"Good! That's an answer! I can deal with that.
But tell me first," quoth Halley, "why he wrote
That letter, a week ago, to Mr. Pepys."
—"Why, sir," piped Samuel, innocent of the trap,
"I had an argument in this coffee-house
Last week, with certain gentlemen, on the laws
Of chance, and what fair hopes a man might have
Of throwing six at dice. I happened to say
That Mr. Isaac Newton was my friend,
And promised I would sound him."
"Sir," said Halley,
"You'll pardon me, but I forgot to tell you
I heard, a minute since, outside these doors,
A very modish woman of the town,
Or else a most delicious lady of fashion,
A melting creature with a bold black eye,
A bosom like twin doves; and, sir, a mouth
Like a Turk's dream of Paradise. She cooed,
'Is Mr. Pepys within?' I greatly fear
That they denied you to her!"
Off ran Pepys!
"A hint's a hint," laughed Halley, "and so to bed.
But, as for Isaac Newton, let me say,
Whatever his embroilments were, he solved
With just one hour of thought, not long ago
The problem set by Leibnitz as a challenge
To all of Europe. He published his result
Anonymously, but Leibnitz, when he saw it,
Cried out, at once, old enemy as he was,
'That's Newton, none but Newton! From this claw
I know the old lion, in his midnight lair.'"
(Sir Isaac Newton writes to Mrs. Vincent at Woolthorpe.)
Your letter, on my eightieth birthday, wakes
Memories, like violets, in this London gloom.
You have never failed, for more than three-score years
To send these annual greetings from the haunts
Where you and I were boy and girl together.
A day must come-it cannot now be far—
When I shall have no power to thank you for them,
So let me tell you now that, all my life,
They have come to me with healing in their wings
Like birds from home, birds from the happy woods
Above the Witham, where you walked with me
When you and I were young.
Do you remember
Old Barley—how he tried to teach us drawing?
He found some promise, I believe, in you,
But quite despaired of me.
I treasure all
Those little sketches that you sent to me
Each Christmas, carrying each some glimpse of home.
There's one I love that shows the narrow lane
Behind the schoolhouse, where I had that bout
Of schoolboy fisticuffs. I have never known
More pleasure, I believe, than when I beat
That black-haired bully and won, for my reward,
Those April smiles from you.
I see you still
Standing among the fox-gloves in the hedge;
And just behind you, in the field, I know
There was a patch of aromatic flowers,—
Rest-harrow, was it? Yes; their tangled roots
Pluck at the harrow; halt the sharp harrow of thought,
Even in old age. I never breathe their scent
But I am back in boyhood, dreaming there
Over some book, among the diligent bees,
Until you join me, and we dream together.
They called me lazy, then. Oddly enough
It was that fight that stirred my mind to beat
My bully at his books, and head the school;
Blind rivalry, at first. By such fond tricks
The invisible Power that shapes us—not ourselves—
Punishes, teaches, leads us gently on
Like children, all our lives, until we grasp
A sudden meaning and are born, through death
Into full knowledge that our Guide was Love.
Another picture shows those woods of ours,
Around whose warm dark edges in the spring
Primroses, knots of living sunlight, woke;
And, always, you, their radiant shepherdess
From Elfland, lead them rambling back for me,
The dew still clinging to their golden fleece,
Through these grey memory-mists.
Another shows
My old sun-dial. You say that it is known
As "Isaac's dial" still. I took great pains
To set it rightly. If it has not shifted
'Twill mark the time long after I am gone;
Not like those curious water-clocks I made.
Do you remember? They worked well at first;
But the least particles in the water clogged
The holes through which it dripped; and so, one day,
We two came home so late that we were sent
Supperless to our beds; and suffered much
From the world's harshness, as we thought it then.
Would God that we might taste that harshness now.
I cannot send you what you've sent to me;
And so I wish you'll never thank me more
For those poor gifts I have sent from year to year.
I send another, and hope that you can use it
To buy yourself those comforts which you need
This Christmas-time.
How strange it is to wake
And find that half a century has gone by,
With all our endless youth.
They talk to me
Of my discoveries, prate of undying fame
Too late to help me. Anything I achieved
Was done through work and patience; and the men
Who sought quick roads to glory for themselves
Were capable of neither. So I won
Their hatred, and it often hampered me,
Because it vexed my mind.
This world of ours
Would give me all, now I have ceased to want it;
For I sit here, alone, a sad old man,
Sipping his orange-water, nodding to sleep,
Not caring any more for aught they say,
Not caring any more for praise or blame;
But dreaming-things we dreamed of, long ago,
In childhood.
You and I had laughed away
That boy and girl affair. We were too poor
For anything but laughter.
I am old;
And you, twice wedded and twice widowed, still
Retain, through all your nearer joys and griefs,
The old affection. Vaguely our blind old hands
Grope for each other in this growing dark
And deepening loneliness,—to say "good-bye."
Would that my words could tell you all my heart;
But even my words grow old.
Perhaps these lines,
Written not long ago, may tell you more.
I have no skill in verse, despite the praise
Your kindness gave me, once; but since I wrote
Thinking of you, among the woods of home,
My heart was in them. Let them turn to yours:
_Give me, for friends, my own true folk
Who kept the very word they spoke;
Whose quiet prayers, from day to day,
Have brought the heavens about my way.
Not those whose intellectual pride
Would quench the only lights that guide;
Confuse the lines 'twixt good and ill
Then throne their own capricious will;
Not those whose eyes in mockery scan
The simpler hopes and dreams of man;
Not those keen wits, so quick to hurt,
So swift to trip you in the dirt.
Not those who'd pluck your mystery out,
Yet never saw your last redoubt;
Whose cleverness would kill the song
Dead at your heart, then prove you wrong.
Give me those eyes I used to know
Where thoughts like angels come and go;
—Not glittering eyes, nor dimmed by books,
But eyes through which the deep soul looks.
Give me the quiet hands and face
That never strove for fame and place;
The soul whose love, so many a day
Has brought the heavens about my way._
Was it a dream, that low dim-lighted room
With that dark periwigged phantom of Dean Swift
Writing, beside a fire, to one he loved,—
Beautiful Catherine Barton, once the light
Of Newton's house, and his half-sister's child?
Yes, Catherine Barton, I am brave enough
To face this pale, unhappy, wistful ghost
Of our departed friendship.
It was I
Savage and mad, a snarling kennel of sins,
"Your Holiness," as you called me, with that smile
Which even your ghost would quietly turn on me—
Who raised it up. It has no terrors, dear.
And I shall never lay it while I live.
You write to me. You think I have the power
To shield the fame of Newton from a lie.
Poor little ghost! You think I hold the keys
Not only of Parnassus, then, but hell.
There is a tale abroad that Newton owed
His public office to Lord Halifax,
Your secret lover. Coarseness, as you know,
Is my peculiar privilege. I'll be plain,
And let them wince who are whispering in the dark.
They are hinting that he gained his public post
Through you, his flesh and blood; and that he knew
You were his patron's mistress!
Yes, I know
The coffee-house that hatched it—to be scotched,
Nay, killed, before one snuff-box could say "snap,"
Had not one cold malevolent face been there
Listening,—that crystal-minded lover of truth,
That lucid enemy of all lies,—Voltaire.
I am told he is doing much to spread the light
Of Newton's great discoveries, there, in France.
There's little fear that France, whose clear keen eyes
Have missed no morning in the realm of thought,
Would fail to see it; and smaller need to lift
A brand from hell to illume the light from heaven.
You fear he'll print his lie. No doubt of that.
I can foresee the phrase, as Halley saw
The advent of his comet,—jolie niece,
Assez amiable, … then he'll give your name
As Madame Conduit, adding just that spice
Of infidelity that the dates admit
To none but these truth-lovers. It will be best
Not to enlighten him, or he'll change his tale
And make an answer difficult. Let him print
This truth as he conceives it, and you'll need
No more defence.
All history then shall damn his death-cold lie
And show you for the laughing child you were
When Newton won his office.
For yourself
You say you have no fear. Your only thought
Is that they'll soil his fame. Ah yes, they'll try,
But they'll not hurt it. For all time to come
It stands there, firm as marble and as pure.
They can do nothing that the sun and rain
Will not erase at last. Not even Voltaire
Can hurt that noble memory. Think of him
As of a viper writhing at the base
Of some great statue. Let the venomous tongue
Flicker against that marble as it may
It cannot wound it.
I am far more grieved
For you, who sit there wondering now, too late,
If it were some suspicion, some dark hint
Newton had heard that robbed him of his sleep,
And almost broke his mind up. I recall
How the town buzzed that Newton had gone mad.
You copy me that sad letter which he wrote
To Locke, wherein he begs him to forgive
The hard words he had spoken, thinking Locke
Had tried to embroil him, as he says, with women;
A piteous, humble letter.
Had he heard
Some hint of scandal that he could not breathe
To you, because he honoured you too well?
I cannot tell. His mind was greatly troubled
With other things. At least, you need not fear
That Newton thought it true. He walked aloof,
Treading a deeper stranger world than ours.
Have you not told me how he would forget
Even to eat and drink, when he was wrapt
In those miraculous new discoveries
And, under this wild maze of shadow and sun
Beheld—though not the Master Player's hand—
The keys from which His organ music rolls,
Those visible symphonies of wild cloud and light
Which clothe the invisible world for mortal eyes.
I have heard that Leibnitz whispered to the court
That Newton was an "atheist." Leibnitz knew
His audience. He could stoop to it.
Fools have said
That knowledge drives out wonder from the world;
They'll say it still, though all the dust's ablaze
With miracles at their feet; while Newton's laws
Foretell that knowledge one day shall be song,
And those whom Truth has taken to her heart
Find that it beats in music.
Even this age
Has glimmerings of it. Newton never saw
His own full victory; but at least he knew
That all the world was linked in one again;
And, if men found new worlds in years to come,
These too must join the universal song.
That's why true poets love him; and you'll find
Their love will cancel all that hate can do.
They are the sentinels of the House of Fame;
And that quick challenging couplet from the pen
Of Alexander Pope is answer enough
To all those whisperers round the outer doors.
There's Addison, too. The very spirit and thought
Of Newton moved to music when he wrote
The Spacious Firmament. Some keen-eyed age to come
Will say, though Newton seldom wrote a verse,
That music was his own and speaks his faith.
And, last, for those who doubt his faith in God
And man's immortal destiny, there remains
The granite monument of his own great work,
That dark cathedral of man's intellect,
The vast "Principia," pointing to the skies,
Wherein our intellectual king proclaimed
The task of science,—through this wilderness
Of Time and Space and false appearances,
To make the path straight from effect to cause,
Until we come to that First Cause of all,
The Power, above, beyond the blind machine,
The Primal Power, the originating Power,
Which cannot be mechanical. He affirmed it
With absolute certainty. Whence arises all
This order, this unbroken chain of law,
This human will, this death-defying love?
Whence, but from some divine transcendent Power,
Not less, but infinitely more than these,
Because it is their Fountain and their Guide.
Fools in their hearts have said, "Whence comes this Power,
Why throw the riddle back this one stage more?"
And Newton, from a height above all worlds
Answered and answers still:
"This universe
Exists, and by that one impossible fact
Declares itself a miracle; postulates
An infinite Power within itself, a Whole
Greater than any part, a Unity
Sustaining all, binding all worlds in one.
This is the mystery, palpable here and now.
'Tis not the lack of links within the chain
From cause to cause, but that the chain exists.
That's the unfathomable mystery,
The one unquestioned miracle that we know,
Implying every attribute of God,
The ultimate, absolute, omnipresent Power,
In its own being, deep and high as heaven.
But men still trace the greater to the less,
Account for soul with flesh and dreams with dust,
Forgetting in their manifold world the One,
In whom for every splendour shining here
Abides an equal power behind the veil.
Was the eye contrived by blindly moving atoms,
Or the still-listening ear fulfilled with music
By forces without knowledge of sweet sounds?
Are nerves and brain so sensitively fashioned
That they convey these pictures of the world
Into the very substance of our life,
While That from which we came, the Power that made us,
Is drowned in blank unconsciousness of all?
Does it not from the things we know appear
That there exists a Being, incorporeal,
Living, intelligent, who in infinite space,
As in His infinite sensory, perceives
Things in themselves, by His immediate presence
Everywhere? Of which things, we see no more
Than images only, flashed through nerves and brain
To our small sensories?
What is all science then
But pure religion, seeking everywhere
The true commandments, and through many forms
The eternal power that binds all worlds in one?
It is man's age-long struggle to draw near
His Maker, learn His thoughts, discern His law,—
A boundless task, in whose infinitude,
As in the unfolding light and law of love.
Abides our hope, and our eternal joy.
I know not how my work may seem to others—"
So wrote our mightiest mind—"But to myself
I seem a child that wandering all day long
Upon the sea-shore, gathers here a shell,
And there a pebble, coloured by the wave,
While the great ocean of truth, from sky to sky
Stretches before him, boundless, unexplored."
He has explored it now, and needs of me
Neither defence nor tribute. His own work
Remains his monument He rose at last so near
The Power divine that none can nearer go;
None in this age! To carry on his fire
We must await a mightier age to come.
Was it a dream?—that crowded concert-room
In Bath; that sea of ruffles and laced coats;
And William Herschel, in his powdered wig,
Waiting upon the platform, to conduct
His choir and Linley's orchestra? He stood
Tapping his music-rest, lost in his own thoughts
And (did I hear or dream them?) all were mine:
My periwig's askew, my ruffle stained
With grease from my new telescope!
Ach, to-morrow
How Caroline will be vexed, although she grows
Almost as bad as I, who cannot leave
My work-shop for one evening.
I must give
One last recital at St. Margaret's,
And then—farewell to music.
Who can lead
Two lives at once?
Yet—it has taught me much,
Thrown curious lights upon our world, to pass
From one life to another. Much that I took
For substance turns to shadow. I shall see
No throngs like this again; wring no more praise
Out of their hearts; forego that instant joy
—Let those who have not known it count it vain—
When human souls at once respond to yours.
Here, on the brink of fortune and of fame,
As men account these things, the moment comes
When I must choose between them and the stars;
And I have chosen.
Handel, good old friend,
We part to-night. Hereafter, I must watch
That other wand, to which the worlds keep time.
What has decided me? That marvelous night
When—ah, how difficult it will be to guide,
With all these wonders whirling through my brain!—
After a Pump-room concert I came home
Hot-foot, out of the fluttering sea of fans,
Coquelicot-ribboned belles and periwigged beaux,
To my Newtonian telescope.
The design
Was his; but more than half the joy my own,
Because it was the work of my own hand,
A new one, with an eye six inches wide,
Better than even the best that Newton made.
Then, as I turned it on the Gemini,
And the deep stillness of those constant lights,
Castor and Pollux, lucid pilot-stars,
Began to calm the fever of my blood,
I saw, O, first of all mankind I saw
The disk of my new planet gliding there
Beyond our tumults, in that realm of peace.
What will they christen it? Ach—not Herschel, no!
Nor Georgium Sidus, as I once proposed;
Although he scarce could lose it, as he lost
That world in 'seventy-six.
Indeed, so far
From trying to tax it, he has granted me
How much?—two hundred golden pounds a year,
In the great name of science,—half the cost
Of one state-coach, with all those worlds to win!
Well—well—we must be grateful. This mad king
Has done far more than all the worldly-wise,
Who'll charge even this to madness.
I believe
One day he'll have me pardoned for that…crime,
When I escaped—deserted, some would say—
From those drill-sergeants in my native land;
Deserted drill for music, as I now
Desert my music for the orchestral spheres.
No. This new planet is only new to man.
His majesty has done much. Yet, as my friend
Declared last night, "Never did monarch buy
Honour so cheaply"; and—he has not bought it.
I think that it should bear some ancient name,
And wear it like a crown; some deep, dark name,
Like Uranus, known to remoter gods.
How strange it seems—this buzzing concert-room!
There's Doctor Burney bowing and, behind him,
His fox-eyed daughter Fanny.
Is it a dream,
These crowding midgets, dense as clustering bees
In some great bee-skep?
Now, as I lift my wand,
A silence grips them, and the strings begin,
Throbbing. The faint lights flicker in gusts of sound.
Before me, glimmering like a crescent moon,
The dim half circle of the choir awaits
Its own appointed time.
Beside me now,
Watching my wand, plump and immaculate
From buckled shoes to that white bunch of lace
Under his chin, the midget tenor rises,
Music in hand, a linnet and a king.
The bullfinch bass, that other emperor,
Leans back indifferently, and clears his throat
As if to say, "This prelude leads to Me!"
While, on their own proud thrones, on either hand,
The sumptuously bosomed midget queens,
Contralto and soprano, jealously eye
Each other's plumage.
Round me the music throbs
With an immortal passion. I grow aware
Of an appalling mystery…. We, this throng
Of midgets, playing, listening, tense and still,
Are sailing on a midget ball of dust
We call our planet; will have sailed through space
Ten thousand leagues before this music ends.
What does it mean? Oh, God, what can it mean?—
This weird hushed ant-hill with a thousand eyes;
These midget periwigs; all those little blurs,
Tier over tier, of faces, masks of flesh,
Corruptible, hiding each its hopes and dreams,
Its tragi-comic dreams.
And all this throng
Will be forgotten, mixed with dust, crushed out,
Before this book of music is outworn
Or that tall organ crumbles. Violins
Outlast their players. Other hands may touch
That harpsichord; but ere this planet makes
Another threescore journeys round its sun,
These breathing listeners will have vanished. Whither?
I watch my moving hands, and they grow strange!
What is it moves this body? What am I?
How came I here, a ghost, to hear that voice
Of infinite compassion, far away,
Above the throbbing strings, hark! Comfort ye…
If music lead us to a cry like this,
I think I shall not lose it in the skies.
I do but follow its own secret law
As long ago I sought to understand
Its golden mathematics; taught myself
The way to lay one stone upon another,
Before I dared to dream that I might build
My Holy City of Song. I gave myself
To all its branches. How they stared at me,
Those men of "sensibility," when I said
That algebra, conic sections, fluxions, all
Pertained to music. Let them stare again.
Old Kepler knew, by instinct, what I now
Desire to learn. I have resolved to leave
No tract of heaven unvisited.
To-night
—The music carries me back to it again!—
I see beyond this island universe,
Beyond our sun, and all those other suns
That throng the Milky Way, far, far beyond,
A thousand little wisps, faint nebulae,
Luminous fans and milky streaks of fire;
Some like soft brushes of electric mist
Streaming from one bright point; others that spread
And branch, like growing systems; others discrete,
Keen, ripe, with stars in clusters; others drawn back
By central forces into one dense death,
Thence to be kindled into fire, reborn,
And scattered abroad once more in a delicate spray
Faint as the mist by one bright dewdrop breathed
At dawn, and yet a universe like our own;
Each wisp a universe, a vast galaxy
Wide as our night of stars.
The Milky Way
In which our sun is drowned, to these would seem
Less than to us their faintest drift of haze;
Yet we, who are borne on one dark grain of dust
Around one indistinguishable spark
Of star-mist, lost in one lost feather of light,
Can by the strength of our own thought, ascend
Through universe after universe; trace their growth
Through boundless time, their glory, their decay;
And, on the invisible road of law, more firm
Than granite, range through all their length and breadth,
Their height and depth, past, present and to come.
So, those who follow the great Work-master's law
From small things up to great, may one day learn
The structure of the heavens, discern the whole
Within the part, as men through Love see God.
Oh, holy night, deep night of stars, whose peace
Descends upon the troubled mind like dew,
Healing it with the sense of that pure reign
Of constant law, enduring through all change;
Shall I not, one day, after faithful years,
Find that thy heavens are built on music, too,
And hear, once more, above thy throbbing worlds
This voice of all compassion, Comfort ye,—
Yes—comfort ye, my people, saith your God?
True type of all, from his own father's hand
He caught the fire; and, though he carried it far
Into new regions; and, from southern fields
Of yellow lupin, added host on host
To those bright armies which his father knew,
Surely the crowning hour of all his life
Was when, his task accomplished, he returned
A lonely pilgrim to the twilit shrine
Of first beginnings and his father's youth.
There, in the Octagon Chapel, with bared head
Grey, honoured for his father and himself,
He touched the glimmering keyboard, touched the books
Those dear lost hands had touched so long ago.
"Strange that these poor inanimate things outlast
The life that used them.
Yes. I should like to try
This good old friend of his. You'll leave me here
An hour or so?"
His hands explored the stops;
And, while the music breathed what else were mute,
His mind through many thoughts and memories ranged.
Picture on picture passed before him there
In living colours, painted on the gloom:
Not what the world acclaimed, the great work crowned,
But all that went before, the years of toil;
The years of infinite patience, hope, despair.
He saw the little house where all began,
His father's first resolve to explore the sky,
His first defeat, when telescopes were found
Too costly for a music-master's purse;
And then that dogged and all-conquering will
Declaring, "Be it so. I'll make my own,
A better than even the best that Newton made."
He saw his first rude telescope—a tube
Of pasteboard, with a lens at either end;
And then,—that arduous growth to size and power
With each new instrument, as his knowledge grew;
And, to reward each growth, a deeper heaven.
He saw the good Aunt Caroline's dismay
When her trim drawing-room, as by wizardry, turned
Into a workshop, where her brother's hands
Cut, ground and burnished, hour on aching hour,
Month after month, new mirrors of the sky.
Yet, while from dawn to dark her brother moved
Around some new-cut mirror, burnishing it,
Knowing that if he once removed his hands
The surface would be dimmed and must forego
Its heaven for ever, her quiet hands would raise
Food to his lips; or, with that musical voice
Which once—for she, too, offered her sacrifice—
Had promised her fame, she whiled away the hours
Reading how, long ago, Aladdin raised
The djinns, by burnishing that old battered lamp;
Or, from Cervantes, how one crazy soul
Tilting at windmills, challenged a purblind world.
He saw her seized at last by that same fire,
Burning to help, a sleepless Vestal, dowered
With lightning-quickness, rushing from desk to clock,
Or measuring distances at dead of night
Between the lamp-micrometer and his eyes.
He saw her in mid-winter, hurrying out,
A slim shawled figure through the drifted snow,
To help him; saw her fall with a stifled cry,
Gashing herself upon that buried hook,
And struggling up, out of the blood-stained drift,
To greet him with a smile.
"For any soldier,
This wound," the surgeon muttered, "would have meant
Six weeks in hospital."
Not six days for her!
"I am glad these nights were cloudy, and we lost
So little," was all she said.
Sir John pulled out
Another stop. A little ironical march
Of flutes began to goose-step through the gloom.
He saw that first "success"! Ay, call it so!
The royal command,—the court desires to see
The planet Saturn and his marvellous rings
On Friday night. The skies, on Friday night,
Were black with clouds. "Canute me no Canutes,"
Muttered their new magician, and unpacked
His telescope. "You shall see what you can see."
He levelled it through a window; and they saw
"Wonderful! Marvellous! Glorious! Eh, what, what!"
A planet of paper, with a paper ring,
Lit by a lamp, in a hollow of Windsor Park,
Among the ferns, where Herne the Hunter walks,
And Falstaff found that fairies live on cheese.
Thus all were satisfied; while, above the clouds—
The thunder of the pedals reaffirmed—
The Titan planet, every minute, rolled
Three hundred leagues upon his awful way.
Then, through that night, the _vox humana_spoke
With deeper longing than Lucretius knew
When, in his great third book, the somber chant
Kindled and soared on those exultant wings,
Praising the master's hand from which he, too,
—Father, discoverer, hero—caught the fire.
It spoke of those vast labours, incomplete,
But, through their incompletion, infinite
In beauty, and in hope; the task bequeathed
From dying hand to hand.
Close to his grave
Like a memento mori stood the hulk
Of that great weapon rusted and outworn,
Which once broke down the barriers of the sky.
"Perrupit claustra"; yes, and bridged their gulfs;
For, far beyond our solar scheme, it showed
The law that bound our planets binding still
Those coupled suns which year by year he watched
Around each other circling.
Had our own
Some distant comrade, lost among the stars?
Should we not, one day, just as Kepler drew
His planetary music and its laws
From all those faithful records Tycho made,
Discern at last what vaster music rules
The vaster drift of stars from deep to deep;
Around what awful Poles, those wisps of light
Those fifteen hundred universes move?
One signal, even now, across the dark,
Declared their worlds confederate with our own;
For, carrying many secrets, which we now
Slowly decipher, one swift messenger comes
Across the abyss…
The light that, flashing through the immeasurable,
From universe to universe proclaims
The single reign of law that binds them all.
We shall break up those rays and, in their lines
And colours, read the history of their stars.
Year after year, the slow sure records grow.
Awaiting their interpreter. They shall see it,
Our sons, in that far day, the swift, the strong,
The triumphing young-eyed runners with the torch.
No deep-set boundary-mark in Space or Time
Shall halt or daunt them. Who that once has seen
How truth leads on to truth, shall ever dare
To set a bound to knowledge?
"Would that he knew"
—So thought the visitant at that shadowy shrine—
"Even as the maker of a song can hear
With the soul's ear, far off, the unstricken chords
To which, by its own inner law, it climbs,
Would that my father knew how younger hands
Completed his own planetary tune;
How from the planet that his own eyes found
The mind of man would plunge into the dark,
And, blindfold, find without the help of eyes
A mightier planet, in the depths beyond."
Then, while the reeds, with quiet melodious pace
Followed the dream, as in a picture passed,
Adams, the boy at Cambridge, making his vow
By that still lamp, alone in that deep night,
Beneath the crumbling battlements of St. John's,
To know why Uranus, uttermost planet known,
Moved in a rhythm delicately astray
From all the golden harmonies ordained
By those known measures of its sister-worlds.
Was there an unknown planet, far beyond,
Sailing through unimaginable deeps
And drawing it from its path?
Then challenging chords
Echoed the prophecy that Sir John had made,
Guided by his own faith in Newton's law:
We have not found it, but we feel it trembling
Along the lines of our analysis now
As once Columbus, from the shores of Spain,
Felt the new continent.
Then, in swift fugues, began
A race between two nations for the prize
Of that new world.
Le Verrier in France,
Adams in England, each of them unaware
Of his own rival, at the selfsame hour
Resolved to find it.
Not by the telescope now!
Skies might be swept for aeons ere one spark
Among those myriads were both found and seen
To move, at that vast distance round our sun.
They worked by faith in law alone. They knew
The wanderings of great Uranus, and they knew
The law of Newton.
By the midnight lamp,
Pencil in hand, shut in a four-walled room,
Each by pure thought must work his problem out,—
Given that law, to find the mass and place
Of that which drew their planet from his course.
There were no throngs to applaud them. Each alone,
Without the heat of conflict laboured on,
Consuming brain and nerve; for throngs applaud
Only the flash and tinsel of their day,
Never the quiet runners with the torch.
Night after night they laboured. Line on line
Of intricate figures, moving all in law,
They marshalled. Their long columns formed and marched
From battle to battle, and no sound was heard
Of victory or defeat. They marched through snows
Bleak as the drifts that broke Napoleon's pride
And through a vaster desert. They drilled their hosts
With that divine precision of the mind
To which one second's error in a year
Were anarchy, that precision which is felt
Throbbing through music.
Month on month they toiled,
With worlds for ciphers. One rich autumn night
Brooding over his figures there alone
In Cambridge, Adams found them moving all
To one solution. To the unseeing eye
His long neat pages had no more to tell
Than any merchant's ledger, yet they shone
With epic splendour, and like trumpets pealed;
Three hundred million leagues beyond the path
Of our remotest planet, drowned in night
Another and a mightier planet rolls;
In volume, fifty times more vast than earth,
And of so huge an orbit that its year
Wellnigh outlasts our nations. Though it moves
A thousand leagues an hour, it has not ranged
Thrice through its seasons since Columbus sailed,
Or more than once since Galileo died.
He took his proofs to Greenwich. "Sweep the skies
Within this limited region now," he said.
"You'll find your moving planet. I'm not more
Than one degree in error."
He left his proofs;
But Airy, king of Greenwich, looked askance
At unofficial genius in the young,
And pigeon-holed that music of the spheres.
Nine months he waited till Le Verrier, too,
Pointed to that same region of the sky.
Then Airy, opening his big sleepy lids,
Bade Challis use his telescope,—too late,
To make that honour all his country's own;
For all Le Verrier's proofs were now with Galle
Who, being German, had his star-charts ready
And, in that region, found one needlepoint
Had moved. A monster planet!
Honour to France!
Honour to England, too, the cry began,
Who found it also, though she drowsed at Greenwich.
So—as the French said, with some sting in it—
"We gave the name of Neptune to our prize
Because our neighbour England rules the sea."
"Honour to all," say we; for, in these wars,
Whoever wins a battle wins for all.
But, most of all, honour to him who found
The law that was a lantern to their feet,—
Newton, the first whose thought could soar beyond
The bounds of human vision and declare,
"Thus saith the law of Nature and of God
Concerning things invisible."
This new world
What was it but one harmony the more
In that great music which himself had heard,—
The chant of those reintegrated spheres
Moving around their sun, while all things moved
Around one deeper Light, revealed by law,
Beyond all vision, past all understanding.
Yet darkly shadowed forth for dreaming men
On earth in music…
Music, all comes back
To music in the end.
Then, in the gloom
Of the Octagon Chapel, the dreamer lifted up
His face, as if to all those great forebears.
The quivering organ rolled upon the dusk
His dream of that new symphony,—the sun
Chanting to all his planets on their way
While, stop to stop replying, height o'er height,
His planets answered, voices of a dream:
Light, on the far faint planets that attend me!
Light! But for me-the fury and the fire.
My white-hot maelstroms, the red storms that rend me
Can yield them still the harvest they desire,
I kiss with light their sunward-lifted faces.
With dew-drenched flowers I crown their dusky brows.
They praise me, lightly, from their pleasant places.
Their birds belaud me, lightly, from their boughs.
And men, on lute and lyre, have breathed their pleasure.
They have watched Apollo's golden chariot roll;
Hymned his bright wheels, but never mine that measure
A million leagues of flame from Pole to Pole.
Like harbour-lights the stars grow wide before me,
I draw my worlds ten thousand leagues a day.
Their far blue seas like April eyes adore me.
They follow, dreaming, on my soundless way.
How should they know, who wheel around my burning,
What torments bore them, or what power am I,
I, that with all those worlds around me turning,
Sail, every hour, from sky to unplumbed sky?
My planets, these live embers of my passion,
These children of my hurricanes of flame,
Flung thro' the night, for midnight to refashion,
Praise, and forget, the splendour whence they came.
_Was it a dream that, in those bright dominions,
Are other worlds that sing, with lives like mine,
Lives that with beating hearts and broken pinions
Aspire and fall, half-mortal, half-divine?
A grain of dust among those glittering legions—
Am I, I only, touched with joy and tears?
0, silver sisters, from your azure regions,
Breathe, once again, your music of the spheres:—_
A nearer sun, a rose of light arises,
To clothe my glens with richer clouds of flowers,
To paint my clouds with ever new surprises
And wreathe with mist my rosier domes and towers;
Where now, to praise their gods, a throng assembles
Whose hopes and dreams no sphere but mine has known.
On other worlds the same warm sunlight trembles;
But life, love, worship, these are mine alone.
And now, as dewdrops in the dawn-light glisten,
Remote and cold—see—Earth and Venus roll.
We signalled them—in music! Did they listen?
Could they not hear those whispers of the soul?
May not their flesh have sealed that fount of glory,
That pure ninth sense which told us of mankind?
Can some deep sleep bereave them of our story
As darkness hides all colours from the blind?
I that am sailing deeper skies and dimmer,
Twelve million leagues beyond the path of Mars,
Salute the sun, that cloudy pearl, whose glimmer
Renews my spring and steers me through the stars.
Think not that I by distances am darkened.
My months are years; yet light is in mine eyes.
Mine eyes are not as yours. Mine ears have hearkened
To sounds from earth. Five moons enchant my skies.
And deeper yet, like molten opal shining
My belt of rainbow glory softly streams.
And seven white moons around me intertwining
Hide my vast beauty in a mist of dreams.
Huge is my orbit; and your flickering planet
A mote that flecks your sun, that faint white star;
Yet, in my magic pools, I still can scan it;
For I have ways to look on worlds afar.
And deeper yet—twelve million leagues of twilight
Divide mine empire even from Saturn's ken.
Is there a world whose light is not as my light,
A midget world of light-imprisoned men?
Shut from this inner vision that hath found me,
They hunt bright shadows, painted to betray;
And know not that, because their night hath drowned me,
My giants walk with gods in boundless day.
Plunge through immensity anew and find me.
Though scarce I see your sun,—that dying spark—
Across a myriad leagues it still can bind me
To my sure path, and steer me through the dark.
I sail through vastness, and its rhythms hold me,
Though threescore earths could in my volume sleep!
Whose are the might and music that enfold me?
Whose is the law that guides me thro' the Deep?
I hear their song. They wheel around my burning!
I know their orbits; but what path have I?
I that with all those worlds around me turning
Sail, every hour, ten thousand leagues of sky?
My planets, these live embers of my passion,
And I, too, filled with music and with flame.
Flung thro' the night, for midnight to refashion,
Praise and forget the Splendour whence we came.