| PAGE | |
| Shell Cameo-Cutting | 11 |
| Shell Cameos in the Museums | 19 |
| Appearance of the Conch-shell | 19 |
| Adaptability of the Art | 22 |
| Cost of Pieces of Shell | 25 |
| Carved Pumice-stone | 26 |
| Mounting Pieces of Shell | 26 |
| Drawing the Design | 29 |
| The Tools | 30 |
| The Use of the Holdfast | 32 |
| Process of Working | 34 |
| Working by Night | 41 |
| Polishing | 41 |
| Sharpening the Tools | 42 |
| Cost of Appliances | 43 |
| Decline in the Fashion of Wearing Cameos | 44 |
| Cameo-Cutting Highly Recommended | 47 |
| Derivation of the Word “Cameo” | 51 |
| A Teacher at Work | 55 |
| Lessons by Correspondence | 57 |
| Is there a Market? | 58 |
| Designs | 60 |