- The first “imprint,” as found on Fust and Schœffer’s Psalter, 1457, 528-A (insert)
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- Colophon and imprint by Peter Schœffer, 1476, 528-B (insert)
- The first imprint-device, and three adaptations, 529
- Aldus’s anchor and dolphin device, and adaptations by modern printers, 530
- The most popular imprint-device as early used by printers, and modern interpretations, 531
- Arms supposedly granted the Typothetæ, German master printers, 532
- The imprint-device of England’s first printer, its probable derivation, and two notable devices evolved from it, 533
- Two designs with ancient motifs, 534
- The pun, as found in two ancient printers’ marks, 535
- Devices used by notable printers of the sixteenth and seventeenth centuries, 536
- A printer’s device and imprint that monopolizes two-thirds of the title-page, 536-A
- Colophon-imprint by D. B. Updike, 537
- The Lion of St. Mark adapted to a book on Venetian life, 538
- The Lion of St. Mark and its use by the Oswald Press, 539-A, 539-B
- Robert Estienne’s mark and Bruce Rogers’s adaptation, 540
- An appropriate mark for a printer, 541
- Use of oval shape in the designing of printers’ marks, 542
- Modern imprints suggested by ancient forms, 543
- Printers’ marks based upon architectural motifs, 544
- An imprint that has to do with mythology, 545
- The monogram is an attractive form for printers’ devices, 546
- Representative of the large variety of devices in use by printers, 547
- Decorative imprints constructed with typefounders’ ornaments and suitable type-faces, 548
- Type imprints and the various effects possible with them, 549
- Quaint book-ending as used by Elbert Hubbard, 550
- Reproductions of more than a hundred greetings, in various forms, received by the editors of “The American Printer.”