By FRANCIS MILES FINCH.
[Suggested by the fact that the women of Columbus, Miss., on their decoration day strewed flowers, with impartial hands, upon the graves of northern and southern soldiers.—Editor.]
By PHOEBE CARY.
By MARY ASHLEY TOWNSEND.
By BRET HARTE.
[There is nothing in the history of the Civil War worthier of celebration in verse, or more to be honored in the remembrance, than the organization and work of the United States Sanitary Commission. When the conditions created by the stress of the war became apparent, the compassion of kindly men and women in the North was deeply stirred by the thought that there was suffering among the soldiers which the government could not relieve, and that there were wants which could not be supplied by military agencies. The generous desire to minister to these wants and to relieve this suffering was quickly organized into action with that business-like sagacity which distinguishes the American character. The Sanitary Commission was formed as the agent and almoner of the popular generosity. It was supported entirely by voluntary contributions. It was as thoroughly organized as the army commissariat itself, and wherever there was a comfort needed, or a wounded or sick man to be cared for, its supply wagons, its appliances, and its trained nurses were found. The affectionate gratitude of the troops toward the beneficent association is reflected in this poem.—Editor.]
“HOW ARE YOU, SANITARY?”
By MAURICE BELL.
By S. TEACKLE WALLIS.
[There is nothing in this sentimental song that enables one to read the riddle of its remarkable popularity during the Civil War. It has no poetic merit; its rhythm is commonplace, and the tune to which it was sung was of the flimsiest musical structure, without even a trick of melody to commend it. Yet the song was more frequently sung, on both sides, than any other, the Southern soldiers inserting “gray” for “blue” in the sixth line of the first stanza, with cheerful recklessness of the effect upon the rhyme. The thing was heard in every camp every day and many times every day. Men chanted it on the march, and women sang it to piano accompaniment in all houses. A song which so strongly appealed to two great armies and to an entire people is worthy of a place in all collections of war poetry, even though criticism is baffled in the attempt to discover the reason of its popularity.—Editor.]
WHEN THIS CRUEL WAR IS OVER.
By EDMUND CLARENCE STEDMAN.
By ROSSITER W. RAYMOND.
By BENJAMIN F. TAYLOR.
By FRANCIS A. DURIVAGE.
By N. G. SHEPHERD.