PERCHANCE the day was fair as this—
The eastern world is full of glow,
With warmer sun, and bluer sky,
And richer bloom than we can show—
At Joppa quaint, beside the sea,
When Simon Peter went to pray.
I wonder if he did not pause
Awhile to gaze on God’s great book,
To read on earth, and sea, and sky,
The smile divine, the tender look;
For when the hour of vision’s given,
The two worlds touch—our earth and heaven.
God teaches with a tenderness
That we who follow him should learn,
Hides not His glory when ’twill bless
Eyes that look up, and souls that yearn.
He sent the vision fair to see,
And spoke to Peter on that day.
Sleeping, the voice fell on his ears,
I hear bold Peter say “Divine,
’Twill live and sound forever-more
In this poor wayward heart of mine—
‘What God has cleansed,’ so broad, so free,
My narrow creed flees shamed away.”
Who would not be with Peter now?
Blue heaven above, and earth below,
So near to God, so far away
From sin, and wretchedness, and woe.
Before his eyes—gone, every doubt—
The glory of the skies spread out.
But hark! men knock upon the door,
And voices call, and not in vain,
For Peter comes down to the earth,
And takes his life-work up again,
Down from the fullness to the need,
From God to man, a change indeed.
We fain would on the housetop be,
We fain would hold communion sweet,
But looking up, we never heed
The work unfinished at our feet.
God, give to us, we humbly ask,
Strength for the vision and the task.

The World is Growing Old

I AM so weary, Master dear,
So very weary of the road
That I have travelled, year by year,
Bearing along life’s heavy load,
It is so long, it is so steep,
This highway leading to the skies,
And shadows now begin to creep,
And sleep lies heavy on my eyes.
I am so weary, Master dear,
So very weary of the road,
I pray I may be very near
That snow-white City built of God,
Where pain and heart-ache have not strayed,
Where nought is known but peace and rest,
Where thy dear hands have ready made
A place for e’en the humblest guest.
But lo, He speaketh at my side
So close I feel His shelt’ring touch,
“Thou art my guest, can harm betide
One called of me, and known as such?
Dear child, the journey is not long,
Thy heart need not to fear or shrink
An opening door, an angel’s song—
Oh, heaven is nearer than you think!

At Dawn

She

A WOMAN who knows how to droop
Her eyes before the world’s bold gaze,
And teach, by silence, just how near
That world dare venture to her ways.
A woman who knows how to lift
Her eyes to mine without dismay—
For innocence is might—
And say that wrong is wrong alway,
That right and truth are best alway,
Eyes heaven-lit and clear, to-night
I’ll take, if for my own I may,
The creed you hold—the right!

The Two Marys

THEY journey sadly, slowly on,
The day has scarce begun,
Above the hills the rose of dawn
Is heralding the sun,
While down in still Gethsemane
The shadows have not moved,
They go, by loss oppressed, to see
The grave of One they loved.
O, hours that were so full and sweet!
So free from doubts and fears!
When kneeling lowly at His feet
She washed them with her tears!
With head low bowed upon her breast
The other Mary goes,
“He sleeps,” she says, “and takes His rest
Untroubled by our woes.”
And spices rare their hands do hold
For Him, the loved and lost,
And Magdalene, by love made bold,
Doth maybe bring the most.
It is not needed, see the stone
No longer keeps its place,
And on it sits a radiant one
A light upon his face.
“He is not here, come near and look
With thine own doubting eyes,
Where once He lay—the earth is shook
And Jesus did arise.”
And now they turn to go away,
Slow stepping, hand in hand,
’Twas something wondrous he did say,
If they could understand.
The sun is flooding vale and hill,
Blue shines the sky above,
“All Hail!” O voice that wakes a thrill
Familiar, full of love.
From darkest night to brightest day,
From deep despair to bliss,
They to the Master run straightway
And kneel, His feet to kiss.
O, Love! that made Him come to save,
To hang on Calvary,
O mighty Love! that from the grave
Did lift and set Him free!
Sing, Mary Magdalene, sing forth—
With voice so sweet and strong,
Sing, till it thrills through all the earth—
The Resurrection Song!

The Mother’s Lecture

THERE’S nothing, did you say, Reuben?
There’s nothing, nothing at all,
There’s nothing to thank the Lord for
This disappointing fall.
For the frost it cut your corn down,
Right when ’twas looking best,
And then took half the garden,—
The drouth took all the rest.
The wheat was light as light could be,
Not half a proper crop,
Then the fire burned your fences,
And burned till it had to stop.
The cows were poor because the grass
Withered all up in the heat,
And cows are things that won’t keep fat
Unless they have plenty to eat.
The fire that burned your fences down,
And laid your haystacks flat,
Left the old house above your head,
You might thank the Lord for that.
You’ve lost from field, and barn, and fold,
You’ve that word “loss” very pat,
But you’ve lost nothing from the home,—
You might thank the Lord for that.
And here is your mother at your side,
Braiding a beautiful mat,
I’m old, my boy, but with you yet—
You might thank the Lord for that.
Your wife is a good and patient soul,
Not given to worry or spat,
Nice to see, and pleasant to hear,
You might thank the Lord for that.
Here in the cradle at my side
Is something worth looking at,
She came this disappointing year,
You might thank the Lord for that.
Your boy is calling out, “Daddy!”
As hard as ever he can,
There’s lots of folks would thank the Lord
For just such a bonnie man.
Ashamed of yourself, eh, Reuben?
Well, I rather thought you’d be—
What! going to keep Thanksgiving
In a manner good to see?
To kill the biggest gobbler
That’s strutting round the farm?
To give poor folks provisions,
And clothes to keep them warm?
You’re going to help and comfort
Each sad old wight you find?
You’re feeling so rich and thankful,
And heaven has been so kind?
Ah, now my own boy, Reuben,
I’m so glad we’ve had this chat,
You’re growing so like your father—
You might thank the Lord for that.

Spring

O, the frozen valley and frozen hill make a coffin wide and deep,
And the dead river lies, all its laughter stilled within it, fast asleep.
The trees that have played with the merry thing, and freighted its breast with leaves,
Give never a murmur or sigh of woe—they are dead—no dead thing grieves.
No carol of love from a song-bird’s throat; the world lies naked and still,
For all things tender, and all things sweet, have been touched by the gruesome chill.
Not a flower,—a blue forget-me-not, a wild rose or jessamine soft,
To lay its bloom on the dead river’s lips, that have kissed them all so oft,
SPRING, with the warmth in her footsteps light, and the breeze and the fragrant breath,
Is coming to press her radiant face to that which is cold in death.
SPRING, with a mantle made of the gold held close in a sunbeam’s heart,
Thrown over her shoulders, bonnie and bare—see the sap in the great trees start,
Where the hem of this flowing garment trails, see the glow, the color bright,
A-stirring and spreading of something fair—the dawn is chasing the night!
SPRING, with all love and all dear delights pulsing in every vein,
The old earth knows her, and thrills to her touch, as she claims her own again.
SPRING, with the hyacinths filling her cap, and the violet seeds in her hair,
With the crocus hiding its satin head in her bosom warm and fair;
SPRING, with its daffodils at her feet, and pansies a-bloom in her eyes,
SPRING, with enough of the God in herself to make the dead to arise!
For see, as she bends o’er the coffin deep—the frozen valley and hill—
The dead river stirs, Ah, that ling’ring kiss is making its heart to thrill!
And then as she closer, and closer leans, it slips from its snowy shroud,
Frightened a moment, then rushing away, calling and laughing aloud!
The hill where she rested is all a-bloom—the wood is green as of old,
And ’wakened birds are striving to send their songs to the Gates of Gold.

Reminiscences

THERE came a dash of snow last night,
An’ ’fore I went to bed,
I somehow got to thinkin’ ’bout
That old place, Kettletread.
I’m silly ’bout that spot of earth,
Though why, I can’t surmise,
For it has got me in more scrapes
And made me tell more lies,
When me, an’ you,
An’ Taylor’s boys,
Were always in the spill,
A stealin’ off
From work to go
A-coastin’ down that hill.
Do you rec’lect how we used to stand
An’ holler out like sin,
“Now one must pass that walnut stump

Afore the rest chips in?”
An’ if one tumbled in the snow, we only stopped to laugh,
An’ all the help we ever gave was aggravatin’ chaff.
Zip! Zip! the frost and snow
A pickin’ at our face,
The wind just howlin’ ’cause it knowed
’Twas beat fair in the race!
Good gracious! Jim, if I could stand, a-lookin’ down that hill,
A-watchin’ you boys tumblin’ off an’ laughin’ at the spill;
An’ then grab up my Noah’s Ark, so clumsy and so wide,
An’ pull the rope, an’ hold her back, there let her go kerslide—
An’ see that glazy piece of ice
A-spannin’ that old crick,
An’ know I couldn’t stop this side
If ’twas to save my neck—
Now don’t you get excited, Jim, ’cause I’m a-talkin’ so,
That would be awful foolish—Gosh! just hear that north wind blow.

Ammiel’s Gift

THE City, girded by the mountain strong,
Still held the gold of sunset on its breast,
When Ammiel, whose steps had journeyed long,
Stood at the gate with weariness opprest.
One came and stood beside him, called him son,
Asked him the reason of his heavy air,
And why it was that, now the day was done,
He entered not into the city fair?
Answered he, “Master, I did come to find
A man called Jesus; it is said He steals
The darkness from the eyeballs of the blind,
The fever from the veins—Ay, even heals
That wasting thing called sickness of the heart.
His voice they say doth make the lame to leap,
The evil, tearing spirits to depart.”
From Nain there comes a tale
Doth make me weep,

Of one a widow walking by the bier
Of her dead son, and walking there alone,
And murmuring, so that all who chose might hear,
“A widow and he was my only one!”
This Jesus, meeting her did not pass by,
But stopped beside the mourner for a space,
A wondrous light they say shone in His eye,
A wondrous tenderness upon His face;
And He did speak unto the dead, “Young man,
I say arise”—these tears of mine will start—
The youth arose, straight to his mother ran,
Who wept for joy and clasped him to her heart.
Within me, Master,
Such a longing grew
To look on Him, perchance to speak His name,
I started while the world was wet with dew,
A gift for Him—Ah, I have been to blame,
For when a beggar held a lean hand out for aid,
I laid in it, being moved, a goodly share
Of this same gift, and then a little maid
Lisped she was hungry, in her eyes a prayer,
I gave her all the fruit I plucked for Him,
His oil I gave to one who moaned with pain,
His jar of wine to one whose sight waxed dim—
O, Master, I have journeyed here in vain!
Within the city Jesus walks the street,
Or bides with friends, or in the temple stands,
But shamed am I the Nazarene to meet,
Seeing I bring to Him but empty hands.
The sun had long since sunk behind the hills—
The purple glory and the gleams of light
Had faded from the sky, the dusk that stills
A busy world was deep’ning into night.
“Son, look on me,” the sweetness of the tone
Made Ammiel’s heart begin to thrill and glow,
“Full well,” he said, “I know there is but One
With simple words like these could move me so.”
“Son, look on me,” and lifting up his eyes
He looked on Jesu’s face, and knew ’twas He,
Knelt down and kissed His feet, and would not rise
Because of love and deep humility.
Up in the deep blue of the skies above
Were kindled all the watchfires of the night
The voice of Jesus, deep and filled with love,
Said, “Come, bide with me till the morning’s light.
At dawn my beggar asked not alms in vain,
Since dawn, have I been debtor unto thee,
All day thy gifts within my heart have lain,
Fruit, oil, and wine, come through my poor to me.”

Robin

Margot

NOW Margot, dinna flout me,
O, dinna be unkind!
Mayhap to do without me,
A hardship you would find.
Ye haud yer head too high, lass,
Ye haud yer head too high,
What if I wad pass by, lass,
Instead o’ lingerin’ nigh?
Ye canna quite forget, dear,
The sunny days o’ yore,
They haud our twa lives yet, dear,—
The days that are no more.
When in the warld sae wide, dear,
One lesson we could spell—
When it was a’ our pride, dear,
To love each other well.
’Tis best that I should leave ye,
Cold are your eyes o’ blue,
’Twould be a sin to grieve ye,
A love sae warm an’ true.
Sae put yer hand within mine,
Forget—we can but try,
Here’s ane kiss for auld lang syne,
And here’s ane for good-bye.
What is it that you say, dear,
You will not let me go?
Then ye maun bid me stay, dear,
This much to me ye owe.
Twa foolish things were we, dear,
To dream that we could part,
The blind might almost see, dear,
Your image in my heart.
So haud me close and fast, dear,
With arms so soft an’ white,
A fig for quarrels past, dear,
You are my ain to-night.

Dreamland

WITH an angel-flower laden,
Every day a little maiden,
Sails away from off my bosom
On a radiant sea of bliss.
I can see her drifting, drifting—
Hear the snowy wings uplifting,
As he woos her into dreamland,
With a kiss.
Blissful hour, my pretty sleeper,
Whispering with thy angel keeper,
List’ning to the words he brings thee
From a fairer world than this;
Ah! thy heart he is beguiling,
I can tell it by thy smiling,
As he woos thee into dreamland
With a kiss.
Could there come to weary mortals
Such a glimpse through golden portals,
Would we not drift on forever,
Toward that far-off land of peace;
Would we not leave joys and sorrows,
Glad to-days, and sad to-morrows,
For the sound of white wings lifting,
For an angel’s tender kiss.

Only a Picture

SOMETHING to show me—well, my lass,
Make haste, I have no time to idle,
These bright spring hours they seem to pass
Like colts that fly from bit and bridle.
A picture—well, if that is all,
I can’t—my child don’t look so sorry,
I’ll come and see, although I call
The whole thing only waste and worry.
But have your nonsense while you may,
Your brushes, paints, and long-haired master,
They’re pretty whims for you who see
Such beauty in a canvas plaster.
What’s in a picture? there’s but one
Could win for me an hour’s gazing;
It comes sometimes when day is done,
And dusk falls on the cattle grazing.
Know it? Ay, know each blade and stalk,
Each sunny knoll, each shady cover,
Why, every flower beside yon walk
Has had in me a faithful lover!
Know it? See yonder worn old step,
The open door, the bench beside it,
The rose-tree trained where it should creep—
I almost see the hand that tied it.
The sunny windows seem to throw
On me a tender look of greeting,
And in my heart awakes the glow
Of other days so glad and fleeting.
The dear old faces, one by one,
Come out from shadows swiftly thronging,
Dear picture of my boyhood’s home,
My eyes are dim with love and longing!

Her Boy

THERE’S a looking-glass, a hammer,
Some toys all broken up,
There’s pebbles, and glass, and sawdust,
And papa’s shaving cup;
A little cart with the wheels off,
A horse that’s lost an eye,
A kitten tied to a chair-leg
That’s looking scared and shy.
“Ah me!” the busy mother sighs,
I’m tired off my feet,
I really wish he were grown up
So I could keep things neat!
He catches her reproving eye
And is inclined for play,
So dons his bonnet wrong, and cries
“Bye, baby’s goin’ away!”
Perhaps she thinks of coming years,
When in no childish play
Her boy shall bid her a good-bye,
Her baby go away,
To walk without her tender care
To shelter every move,
To stand without his hand in hers—
Away from home and love.
“I loves you bestest in the world!”
He lisps with pretty wiles,
“Thank God he’s but a baby yet!”
The mother says, and smiles.

The Indian Girl

NOW to the missionary’s home there came one autumn day,
A girl, borne in the arms of one so haggard, worn, and gray.
“White man,” he said, “the fever burns my little sunbeam up,
Naught ask I for myself, not bread nor water from a cup,
But give to her some healing thing, I leave her in your care,
Deal kindly with her, one harsh touch will bring revenge—beware!”
Her eager throbbing heart drank in each precious promise given,
An Indian girl, a child of God, heir to a throne in heaven?
The joyful tears crept to her eyes, and down her dusky cheeks,
And all aglow with love and joy, in her soft tongue she speaks,
“Now I will tell my father, now I will tell him all
That I have heard of Jesus, who hears us when we call,
He does not know of Heaven, how happy we will be,
When, by and by, the Brother kind will bring him home to me.
“When he sits down beside me he looks so stern and lone,
For I, his child, am dying, his last and only one.”
At twilight of another day he came—erect and tall,
As though he would not bow his head though heavy blows might fall,
But soft the glance and tender, he threw upon his child,
“My little Sunbeam in the dark!” he said, in accents mild.
“Come closer, Oh my father,” the Indian maiden cried,
“Come closer while I tell you of One who loved and died
That we might live together, and never grieve in vain,
Of One who suffered cruel blows to rescue us from pain.”
Her fevered hands crept into his; his heart grew sick with fear,
The hour of parting and of grief was surely drawing near,
This child who shared his cup and couch—his “Sunbeam in the night”
Would go, and never come again to gladden his dim sight.
“No gold have I,” the old chief said, “but name the Friend so good,
That I may prove an Indian brave forgets not gratitude.”
There, in the silence of the night he heard the story old,
Of Christ’s dear love for sinful man, the sweetest ever told;
And when the sun came creeping up all glorious to the eye,
His haughty soul had learned to say, “It is not much to die.”
It is but evening to a land whose shores are always green,
Where never night comes darkly down, where tears are never seen,
Where heartbreak may not even touch, where sorrow may not come,
But where the weary rest and say, “Tis good to be at home!”

Some Joys We May Not Keep

“Something is lost to me,” she said, “that nevermore
Will be my very own,
Something has swiftly slipped through my heart’s door,
And to the winds has flown.
“Loss was the kindest thing that fate could send—
Some joys we may not keep—
And yet, because this is the very end,
I needs,” she said, “must weep.
“Feeling my heart so empty and so chill—
There is no glow to-night,
No wakening of the old-time tender thrill,
No pulsing of delight.
“And I must put the memories away,
The toys love left behind,
The sweets we shared upon a summer day;
The kiss, the faith so blind.
“I was so rich, so proud, awhile ago,
And now, I am so poor,
O, empty heart, there’s nothing now to do
But just to close the door!”

In Sunflower Time

IN the farmhouse kitchen were Nan and John,
With only the sunflowers looking on.
Now, a farm-house kitchen is scarce the place
For a knight or lady of courtly grace.
But this was a common, everyday pair
That held the old kitchen, this morning fair.
A persistent and saucy thorn-tree limb
Had sacrified a part of the brim
Of the youth’s straw hat, so his face was brown,
Save his well-shaped forehead, which wore a frown,
And his boots were splashed with the mud and clay
Of the marsh land pastures, over the way,
Where the alders tall, and the spicewood grew,
And the frogs croaked noisily all night through.
’Neath the muslin curtains, snowy and thin,
The big homely sunflowers nodded in.
Nan was worth the watching, her gingham gown
Had, it may be, old-fashioned grown,
Of sleeves, it had none, from the elbow down,
While in length—well, you see, the maid had grown.
A labor of love was her homely task
To share it, no mortal need hope or ask,
For Nan she was washing each trace of dirt
From fluted bodice, and ruffled skirt.
There are few that will, and fewer that can,
Bend over a tub like our pretty Nan,
As she took each piece from its frothy lair,
The soap bubbles flying high in the air,
And rubbed in a cruel, yet tender way,
Till her curls were wet with the steam and spray,
Then wrung with her two hands, slender and strong,
Examined with care, and shook slowly and long,
Then flung in clear water to lie in state—
Each dainty piece met with the same hard fate.
“There!” and she gave a look of conscious pride
At the rinsing-bucket, so deep and wide,
Then wiping the suds from each rounded arm,
She turned to the youth with a smile so warm;
“I have kept you waiting, excuse me please—
The soap suds just ruin such goods as these.”
“And you are so fond of finery, Nan,
Nice dresses, and furbelows,” he began.
“Ah, maybe I am, of a truth,” she said,
And each sunflower nodded its golden head.
“Well, Ned Brown’s getting rich,” John’s words came slow,
“And, he’s loved you a long while as you know;
My house and my acres, I held them fast,
Was so stubborn over them to the last,
For when my father was carried forth,
And the men were asking, ‘what was he worth?’
I knew that they said, with a nod and a smile,
As they whispered together all the while,
Tis a fine old homestead, but mortgaged so,
What a foolish thing for a man to do!’
And I said, my father is dead and gone,
But he’s left behind him a strong-armed son,
And my heart was hot with a purpose set,
To pay off that mortgage, to clear off that debt.
I’ve worked, heaven knows it, like any slave,
I’ve learned well the lesson of pinch and save,
I’ve kept a good horse, but dressed like a clown—
I haven’t a dollar to call my own.
O, I’m beaten—well beaten! yesterday
Everything went to Ned Brown from me;
My meadows, my acres of tassled corn,
The big orchard planted when I was born.
What I would have saved had I had the choice,
Was my chestnut mare, for she knows your voice.
So I’m only a beggar, Nan, you see—
Don’t fancy I’m begging for sympathy,
You see for yourself that I don’t care much—
Thank God, health’s a thing the law can’t touch!
Why! the happiest man I ever knew
Was born a beggar—and died one too.”
And so wisely nodding each yellow head
The sunflowers they listened to what was said,
As Nan in her careful and easy way,
In the old farmhouse kitchen that summer day,
Set a great and a mighty problem forth—
“Tell me the truth, John, how much am I worth?”
The question has stood since the world began
With Adam, a lone and a lonesome man.
Now the sunbeams kissing her golden hair,
Her cheeks, and her round arms dimpled and bare,
Seemed stamping a value of mighty wealth
On youth and love, and the bloom of health.
John looked, and looked, till his eyes grew dim,
Then tilted the hat with the worthless brim,
To hide what he would not have her see,
“You’re—you’re just worth the whole world, Nan,” said he.
“Then you are no beggar”—O sweet, bold Nan!
“You’re the whole world richer than any man.”
Now, a girl queen wearing a crown of gold
Did something like this, so the tale is told;
But no royal prince that the world has seen
Ever felt quite so proud as John, I ween,
As he clasped both her hands with new-born hope—
Hands all crinkley with water and soap.
Only the sunflowers, now looking on,
So—he kissed the maiden, O foolish John!
As he hastened out through the garden gate,
Ned Brown was just coming to learn his fate.
He was riding a handsome chestnut mare
But, somehow, our John didn’t seem to care.
Ned thought of the acres he’d won from John,
“Poor beggar,” he said, and rode slowly on;
John thought of all he had won from Ned,
“O you poor, poor beggar,” was what he said.
Why? Under the heavens smiling and blue,
Only John and the yellow sunflowers knew.

As it Began to Dawn