Once upon a time there was, on this side of the Hartz Mountains, a secret place, where, touching a hidden spring, you found yourself in a trice between immense walls of rock, whence a mysterious person, dressed in red from top to toe, took you into a great cavern, the first of a series of vast caves filled with hogsheads and tuns of wine and beer, and lighted up in such a manner that the brilliant stalactites with which it was hung sparkled and flashed like the most precious gems in a jeweller's dream. The awe inspired by this scene hardly left you a moment to observe that the nose of your guide was even redder than his body, when you were ushered through another secret door into the domain of a grand old castle, the battlements of which, covered with moss, overlooked a pastoral valley and its white flocks, and seemed to rule the landscape, notwithstanding the presence of many other castles, as if it were the house of a monarch. And so it was. Here dwelt King Ruli, the patron of minnesingers and jolly cavaliers—that stalwart king whose brow, and beard, and port were the very signs of genial majesty. Pleasure ruled the board where he sat; and when the juice of the Weinberg warmed up in the blood of the lords and minstrels in Weinbergland, the ten noble companions of King Ruli swept the mystic chords of the harp, and with voices free sang in echoing strain their merry roundelay:
To sounds of cheerful thoughts like these each royal night wore on, while the castled lords of hill and valley feasted at the king's table, and made merry over jest and story, to the clinking of many glasses and in the pleasant uproar of many voices. Seated in his chair at the head of the table, he drank from a great flagon of crystal, or smoked from a pipe as long as his body, the bowl of which required a page-in-waiting to support it, lest, in a drowsy moment, it should drop from the mouth of the king. Below him were ranged the ten minnesingers, who smoked from one immense bowl of tobacco, having long stems that led to all their mouths, whence issued a volume of smoke, which, as it rose around the great burning bowl, was like the fume of a conflagration; and thus betimes the merry minnesingers sang:
No king could resist such flattery as this, and it was with truth that his minstrels pictured him standing, and, in a tone of majestic joviality, wishing the health of the whole company:
Late in the night the sound of song and story made for the gentle monarch a lullaby, and his head rested on his bosom in slumber, as he laid down his flagon. Had his chief minstrel then tickled his great ear, it would not have waked him up; and so, seeing that the king had filled himself with slumber as with the drugs of Morpheus, his lieges sang:
But as night after night of song and wine went by, the king grew older and older in his cups. Little he saw or cared that new revellers, new minstrels, new lords, had one by one taken the places of old ones, and that the speech of the new-comers was loud and hoarse, and their song ribald and discordant. Those who remained with him of his old friends and retainers had gradually imbibed the character of the latest revellers, and their potations were deeper and their jests broader than ever. Once in a while the king groaned and complained that his beer was too bitter; but they so flattered his jokes, and praised his beard, and spoke of his noble brow, and his royal blood, and his glorious voice, that he sang and roared as of old, and swallowed his beer without further complaint. On such an occasion as this it required the cynical courage of the minstrel Knipfenbausenstein to sing, as he did, from the end of the hall, which he had just entered after a long absence:
The minstrel doubtless had in mind the ten companions of the king, who, being no longer able to keep up with the stalwart Ruli in the vigor of his potations, had cried out as with one voice against their sovereign, declaring that his beer was bitter beyond endurance, and his pleasures a gilded despotism. For this offence the king, swearing roundly that they were traitor knights, who knew not how to be moderate drinkers or loyal feasters, consigned them to his darkest wine caverns, where they were doomed to dwell in empty hogsheads for many a year.
Now, after a life of good living, the rare old king sat in his great velvet-cushioned chair, warming his legs, which were rather swollen, and his feet, which were encased in large slippers, before a fire sufficient to cook an ox. Glided to his side his eldest child, the queenly Hermengilde, and said softly: “Alas! sire, and hast thou not heard that my first-born has killed young Siegbert of Bierhalle, in a drunken brawl, and wilt thou persist in these foolish feasts?”
“Tut, tut, silly girl! This feasting hurts not thy fasting. 'Twere better to kill his man in drink than sober; and, tut, tut! we must not grieve for ever, child. Wine is for the drinking, and life for the living. Heaven send thee luck!” With this the jovial king took a draught from his flagon.
Ere he had smoked his pipe, the fair Joanna, second princess of the blood, whose wont it was to fill the king's pipe with affectionate care, said to him musingly: “Methinks it is the night when our brother Max fell over into the chasm and was killed. Ill befits that its peace be marred by roysterers whom, say they, he had most to blame for his death.”
“What! and have ye turned dames [pg 139] of the cloister, that ye seek to make crows' nests of my beard and gray hairs? Umph! my lady counsellors; and ye would have no more wine drank because rocks are steep! Did not sober Hans fall into the well, and ere thou wast born? Ay, but a brave lad was Max, and a merry one. A glass to his memory!”
The king was unaware, as he thus spoke, of the near presence of a reverend and noble matron, whose face bore marks of care and grief. It was the queen Roxalana. A child of tender years ran from her side to climb her grandsire's knee, but, seeing that the royal flagon stood in the way, exclaimed: “O grandfather! that horrid drink!” The king, with a majestic motion, waved the child away, and she returned in tears to the side of the mute queen.
“So, my lady, queen of woebegones and nurse of whimperings, thou art here to tease thy lord and trouble his gout. 'Tis well. Train the brats of the land to do imps' work to their fathers, and make your daughters have long faces; but have a care, goodwife, lest an old man's patience be too weak for this old maid's gossip. Pray, what new worm is in thy brain, that thou tellest we must not drink the cup of our fathers?”
Not long after this scene, a loud clash of arms was heard in the court, and the debauched minnesinger, Wittekind, staggered into the hall, his face stained with blood as with wine. The king's guests had just drunk their tenth glass, when a crowd of rioters, armed to the teeth, rushed in upon them, and, breaking glasses right and left, proclaimed the downfall of King Ruli. With a bitter and heavy heart, the king recognized among the crowds who now drank to his perdition many of his old revellers; and, seizing a favorable moment, fled totteringly into the wine mountain. There, to his great surprise, he found that all the tuns and hogsheads of wine and beer which had been stored away were quite empty. Once more he joined his ten companions locked up in the wine caves, lamenting bitterly that the wine of his life had gone to lees, and much tormented by the man in red, whose nose was like fire.
One pleasant afternoon, in the autumn just passed, I lay stretched out lazily on a mow of new-mown hay, in a large, old-fashioned country barn.
It was still redolent with that odor peculiar to hay newly cut, having been placed in the barn but a few hours before.
In the work of cutting, raking, and storing, patent machines of every description had assisted; and, lying there cosily enjoying the effect, I had plenty of leisure to think upon the cause.
With my mind full of reflections on the wonderful improvements of the age, and vague thoughts of labor-saving machines, it was not long until I was off in a sound slumber, to which a hearty dinner had by no means indisposed me. I was soon in the theatre of dreams, and the first actor whose voice I heard was an old scythe. Apparently, the peg on which he hung was rotten, and, giving way, let the old fellow fall with a shock that seemed to stir up what little life yet remained in him; for I soon heard, in a queer, cracked voice, the following complaint:
“Well, here I am at last! Hung up on the wall years ago, like an old coat that's put aside for a rainy day, my master couldn't even see to it that I had a safe peg; but, hanging me on that old rotten thing, I've got a fall that my poor bones won't be the better of for a month to come.”
With that, one of the patent mowers, showing his polished teeth, gruffly asked: “What are you growling about? What's that you're saying about the master?”
“It ill suits you,” said the scythe, “to put on airs, though you are rubbed and polished, and, drawn by a dashing team, ride about on wheels. Upstarts always assume great importance, and the latest converts are the most zealous partisans; when you have served the master as long and as faithfully as I have, you may have some right to maintain his cause.”
“Why,” said the mower, “you're quite a preacher, to be sure; pray tell us what cause you have for grievance? Is it, forsooth, because your peg gave way you are so highly incensed? Even if you did get a fall, I think you ought to be grateful that you are housed high and dry, and not left out in the rain to rust.”
“My fall is a small matter indeed,” said the scythe, “compared with my other wrongs. When I see you, with your gay paint and glittering teeth, eating up the food that I enjoyed for years; when I see fair meadows of clover, and valleys filled with golden grain, all given over to your rapacious maw, and I, I who once received all this as my just right, allowed but the little scraps that grow around a stump—when I see all this, my temper is tried to the utmost at the injustice that is done me.”
“Yes,” chimed in an old and well-nigh toothless rake, “you may well complain of the scanty share that is doled out to you; I [pg 141] too, hang here neglected, and, when I am taken down, get equally tough morsels for my poor teeth.”
Whereupon several hoes, filled with deadly hate against their enemies of the plough family, now took courage, as they heard the boldly uttered words of their companions, and, speaking up with one voice, said: “We likewise have reason to complain of our master. There was a time when we were thought fit for any labor; we turned up the earth to support the potato-vines; we loosed the earth around the corn; and that splendid vegetable, the cabbage, was tended by our trusty blades; now we are deemed fit for scarce anything but to clean out manure, to scrape offal from the yard, and, in fact, do all the dirty work of the place.” It seemed as if the spirit of rebellion was abroad; for at this, the flail that hung idly on a spike followed with a long speech.
“You have all,” said the flail, “good reasons for being indignant with the master of this farm; my friend, the scythe, may justly complain of the rich harvests given over to his rival, the patent mower; our old companion, the rake—an exceptional rake, by the way—may consistently inveigh against the master for giving him in his old age naught but the hardest morsels of food; and our worthy associates, the hoes, may well be indignant, and look with contempt and scorn on the foul legacy bequeathed to them—a legacy which hoes of their stamp should disdain to embrace. But he has treated none of you so cruelly as he has treated me; forced into a disagreeable union with what he calls my handle, battered almost to pieces in battering out his grain, I yet respected him for the care he took of me in the months when I was useless to him. But now he has new-fangled machines to do his work, and, uncared for and unnoticed, dust covers me so completely that I can scarce open eyes or mouth. Base ingratitude has been my portion, and I certainly may be excused if I feel displeased, ay, enraged. I may be pardoned if I seek not simply redress, but revenge.” As the flail ended, a deep murmur of assent filled the whole place; and the patent mower, who had kept strict silence since his last question to the scythe, now spoke up.
“My worthy friends,” said he, “I am indeed very sorry to be, with my companions, the innocent cause of all your troubles. I have listened to your complaints, and cannot deny that they are, in the main, just. But you should know that the master seeks only his own comfort, and, whatever care he takes of us, it is only to relieve himself from labor. As I reflect upon your present position, I see myself similarly situated; for the time will come when I and my associates will have to stand aside for newer and more vigorous servants of toil.
“The master, too, will one day find himself in the same condition. He also will become old, and will look around on younger and heartier hands doing his work; and, as he grows still older, he must suffer many a slight, for the world wants nothing it cannot use.
“Now that the period of your usefulness has gone by, strive to become reconciled to your fate; murmur no more, accept your lot with resignation, be satisfied with the work you have done, and patiently wait for the end.”
Curious to hear how the malcontents would take this bit of philosophy, [pg 142] I leaned over to catch the first word; but, leaning too far, I slid off the mow, and falling, not on the floor, fortunately, but on some bundles of straw, was rudely awakened to find that I had been asleep some hours; for evening had come on, and it was now so dark in the barn that I could see nothing of the bold disputants of my dream.
Hastening to the house, I amused the family by the recital of this contest of the old against the new; and, profiting by my dream, I have since resolved to accept the mower's advice, and be always reconciled to time's changes.
The Life of the Blessed Peter Favre, S.J., First Companion of S. Ignatius. (Vol. VIII. of F. Coleridge's Quarterly Series.) London: Burns & Oates. (New York: Sold by The Catholic Publication Society.)
The history of the Society of Jesus is rich in abundant materials of untiring interest. The Blessed Peter Favre's apostolic career was short, having been but of seven years' duration, yet crowded with astonishing results. The particular fact most strikingly brought into view in this Life is the one which of all others is the most shameful for the Reformation—viz., that it had no intellectual or moral origin or character, but sprang merely from the sins and vices which had so frightfully corrupted a vast number of all classes of Christians in the miserable XVIth century. F. Favre saw this clearly, and often said that if Luther himself could have been brought to sincere contrition and repentance for his sins, his errors in doctrine would have disappeared without any argumentation. Accordingly, he set himself to preach like a missionary, to exhort and win persons to a reformation of life, and to labor with wonderful success to convert sinners to God, as the shortest and surest way to check the progress of heresy.
The present volume is, like all those which have preceded it, carefully and neatly prepared as a book of choice reading for persons of cultivated spiritual and literary tastes.
The Pride of Lexington: A Tale of the American Revolution. By William Seton, author of Romance of the Charter Oak, The Pioneers, etc., etc. New York: P. O'Shea. 1874.
Mr. Seton is a nephew of the celebrated foundress of the American branch of the institute of the Daughters of Charity, and a brother of the Rt. Rev. Monsignor Seton. He served with honor as an officer of one of our New York regiments during the late war, and since that time has especially devoted himself to the study of early New England history, which he has illustrated by his historical novels. Our first impression respecting the merits of a previous novel by Mr. Seton, in which he took great pains to depict the manners and customs of the early Puritan inhabitants of Connecticut and Massachusetts (the Romance of the Charter Oak), was not very favorable. We have since been disposed to think that we did not duly appreciate the skill and talent of the author, and have found other persons, well qualified to judge of such matters, who have considered the Charter Oak as a remarkably successful effort of its kind. Both that novel and the present one are characterized by a marked realism, like that of a certain Dutch and Flemish school of painting. Probably they do present a more correct and faithful picture of those old times than that given by writers who have more idealism and romance in their delineation, like James F. Cooper. We confess to a taste, [pg 143] nevertheless, for these more romantic authors. And, speaking in cool criticism, we think a novelist, in following the highest principles and ends of his art, ought to idealize more than Mr. Seton is disposed to do. He has a broad sense of the humorous and ridiculous in commonplace characters and actions. The absurdities and trivialities of common life are too faithfully represented in his pages, and there is frequently a degree of coarseness in the description of vulgar persons which is disagreeable. Yankee children, however, devour Mr. Seton's stories with avidity, which is a good proof of their naturalness. And, putting aside the peculiarity which we have noticed, the story lately published, The Pride of Lexington, is, even more than the first one, a composition of real originality and power, establishing fully the author's ability as a historical novelist. The battles of Lexington and Bunker Hill are well described; the heroes, and especially the heroine, of the story, with the plot of private incidents and events that make the filling up of the historical scenes, are interesting; there is much genuine comic humor in the by-play, especially in the episode of Billy Smith and the black coon, called “the parson,” and we are quite sure that the genuine, unsophisticated children of the by-gone generation of New England forefathers, if they get hold of The Pride of Lexington, will pay the author the tribute of an oft-repeated and delighted perusal.
Conferences on the Spiritual Life.By the Rev. Father de Ravignan, S.J. Translated from the French by Mrs. Abel Ram. London: R. Washbourne. 1873. (New York: Sold by The Catholic Publication Society.)
F. de Ravignan was undoubtedly an orator. The impression which he made upon his hearers is enough to justify us in making this assertion. The orator must be heard; when his words are written, their fire is gone, and they no longer burn. In the case of F. de Ravignan especially, there must have been much in the magnetism of the man, in his earnestness, in his deep religious feeling, in the firm conviction and strong love, shown in the manner in which he spoke; for in his printed conferences and sermons we do not find great eloquence or beauty of diction or depth of thought. There are none of those bursts of passion, of those profound thoughts and comprehensive views, in which a whole subject is condensed into a single phrase, as strong as it is striking, which we so often meet with in the conferences of Lacordaire. Nor yet is there that stately flow of language, at once simple and majestic, that evenness of style and unbroken sequence of thought, which characterize the discourses of F. Felix. And yet neither Lacordaire nor Felix excited greater enthusiasm or made a profounder impression in the pulpit of Notre Dame than De Ravignan.
If he had not the depth and comprehensiveness of thought of the one, or the sonorous diction and lofty manner of the other, he must have been, in some respects at least, a greater orator than either. The conferences contained in the volume now before us were preached to the “Enfants de Marie,” in the Convent of the Sacred Heart, in Paris, during the years 1855, 1856, and 1857. They were not written out by F. de Ravignan, but were compiled by one of his hearers from notes taken at the time of their delivery, and are, we think, equally as good as the conferences preached in Notre Dame from 1837 to 1846, which were published in four volumes shortly after his death. They are simply familiar discourses to ladies in the world on the most important subjects connected with their duties as Christians; in which we find all the best qualities that distinguished F. Ravignan as a preacher—sincere piety and much earnestness, united with delicacy and refinement both of thought and language. He does not inveigh against the vices of society, but rather seeks to describe the beauties of the Christian life; to show its dignity and responsibilities, its perfect harmony with the highest aspirations of the soul and the soundest dictates of reason.
The name of F. de Ravignan will of itself be sufficient to obtain a wide circulation for this English version of his conferences.
Ecclesiastical Antiquities of London.By Alex. Wood, M.A. Oxon. London: Burns & Oates. 1874. (New York: Sold by The Catholic Publication Society.)
This book is quite a storehouse of curious and valuable information—just the kind of matter that would be overlooked by the civil historian, and which the reverent [pg 144] chronicler (alas! an almost extinct species, now) alone would be apt to take cognizance of.
It doubtless surprised many intelligent readers to find what interesting facts even a cursory investigation would bring to light, while reading what our “Looker-Back” saw while in London. This work is a treat of a similar character. It is constructed on the plan of an itinerary, and divided into nine “walks,” in which the most notable localities are looked at from an archæological point of view, re-peopled by the actors on the stage at the respective dates, and reanimated by the deeds then being performed.
Notes of the Wandering Jew; or, The Jesuits and their Opponents. Edited by John Fairplay, Esq. Dublin: McGlashan & Gill. 1873. (New York: Sold by The Catholic Publication Society.)
We are doubtless indebted to the famous romance of Eugene Sue for these notes of the Wandering Jew, in which this extraordinary personage, after his ceaseless journeyings for more than eighteen hundred years, finally turns up as an author, and, surprising as it may seem, a defender of the Jesuits.
The first part of the little volume is devoted to S. Ignatius. The Wandering Jew had seen him on two occasions—first in Spain, in his hot youth, with his light, graceful form clad in a page's rich attire, with the plumed cap and velvet mantle, the hawk upon his wrist, the hounds following at his heels, whilst his foot seemed hardly to touch the ground as he walked; and again, at Rome, he saw him in his old age, arrayed in the flowing gown of the priest, with the calm of deliberate wisdom on his high forehead, advancing with a sweet and awful majesty to the altar.
“I loved and revered him then,” says the Jew, “albeit a stranger to his communion; and I cannot recall the memory of that marked and expressive countenance, whether in the gallant boy or the venerable and saintly old man, without feeling some interest in the fate of that illustrious order which he alone created, and which still bears the impress of his character and genius.”
The remaining chapters are devoted to The Spiritual Exercises, “The Constitutions of the Order,” “The Missions and Schools of the Jesuits,” and, finally, to answering some of the charges which Protestants and infidels have brought against the Society. There is a very good chapter on the Provincial Letters, in which Pascal, with a wit and power of sarcasm surpassed only by the artful unfairness with which he treats the subject, has sought to make the whole order responsible for the extravagant opinions of some few Spanish and Flemish Jesuits.
The author, who is evidently not a Catholic, has written with great fairness and good sense, and we most willingly recommend his book to our readers.
The Red Flag, and Other Poems. By the Hon. Roden Noel. London: Strahan & Co. 1872.
We have been asked to notice this book. But how are Catholics to regard it with favor, when, before they have read far in the poem of “The Red Flag,” they come upon a passage containing an insult too gross and slanderous, we should have thought, for even Exeter Hall? We forbear to quote the words. Suffice it to say that the author, ignoring the martyred archbishop and priests, represents the church as gloating over the execution of the communists in Paris.
Affectation, verboseness, and sensuous description characterize these poems as works of art; while the metre of “The Red Flag” is in the worst taste, and the lyrics are spoilt by all sorts of quirks and the clumsiest divisions of stanzas.
The Catholic Publication Society has in press, and will soon publish, The Life of St. John of the Cross, 1 vol. 12mo, and The Farm of Muiceron and Madame Agnes, in 1 vol. 8vo.