Driven then from observing an image kept continually free from aberration, through advancing ellipsoidal changes, it became necessary to study the gradual increase of deformation, produced by the greater and greater departures from a spherical surface, as the parabola was approached. It was found that a sufficient guide is still provided in these tests, by modifying them properly. The longitudinal aberration of a mirror of small angular opening is easily calculated—being equal to the square of half the aperture, divided by eight times the principal focal length. That is, if a 15 12 inch mirror of 150 inches focal length were spherical, and were used to converge parallel rays, those from its edge would reach a focus 5100 of an inch nearer the mirror than those from its central parts. If now the converse experiment be tried, and a mirror of the same size and focal length which can converge parallel rays, falling on all its parts, to one focus, be examined at the centre of curvature, it gives there an amount of longitudinal aberration 10100 of an inch, equal to twice the preceding. This latter, then, is the condition at the centre of curvature, to which such mirror must be brought in order to converge parallel rays with exactness. In addition, strict watch must be kept upon the zones intermediate between the centre and edge, both by measurement with diaphragms of their aberration, and better yet, by observation of the regularity of the curve of that apparent solid, Fig. 16, seen by the second test.
This modification of the first test is literally a method of parabolizing by measure, and is capable of great precision when the eye learns to estimate where the exact focus of a zone is. The little irregularities found round the edges of the holes through the tin screen, Fig. 8, are in this respect of material assistance. They show, too, the increased optical or penetrating power that is gained by increase of aperture. Minute peculiarities, not visible under very high powers with a 10 inch diaphragm, become immediately perceptible even with less magnifying when the whole aperture is used, provided the mirror is spherical.
In the use of the second test precautions have to be taken, as may be inferred from page 15, to set the opaque screen exactly in the proper position. The best method for ascertaining its location is, having received the image into the eye, placed purposely too near the mirror, to cause the screen to move across the cone of rays from the right towards the left side. A jet black shadow begins to advance at the same time, and in the same direction across the mirror. If the eye is then moved from the mirror sufficiently, this black shadow can be made to originate by the same motion of the screen as before, from the left or opposite side of the mirror. Midway between these extremes there is a point where the advance is from neither side. This is the true position for the screen when it is desired to see the imperfections of the surface in highly exaggerated relief, as in Fig. 20, which represents the appearance of Fig. 12.2
The interpretation of the lights and shadows upon the face of a mirror in this test is always easy, and the observer is not likely to mistake an elevation for a depression, if he bears in mind the fact that the surface under examination must always be regarded as illuminated by an oblique light coming from a source on the side opposite to that from which the screen advances, coming for instance from the left hand side, in the above description.
In practice, the diaphragms commonly used for a 15 12 inch mirror have been as small as the light from the unsilvered surface would allow. A six inch aperture at the centre, a ring an inch wide round the edge, and a two inch zone midway between the two.
In the beginning of this section the difficulties into which I fell with Lord Rosse’s machine were stated. These caused it at the time to be abandoned. A machine based on the same idea as Mr. Lassell’s beautiful apparatus was next constructed. It varied, however, in this, that the hypocycloidal curve was described partly by the rotation of the mirror, and partly by the motions of the polisher—the axes of the spindles carrying the two being capable either of coincidence or lateral separation to a moderate extent. A great deal of time and labor was expended in grinding and polishing numerous mirrors with it, but still the difficulty that had been so annoying in the former machine persisted. Frequently, in fact generally, from six to eight zones of unequal focal length were visible, although on some occasions when the mirror was hyperbolic, the number was reduced to two. At first it was supposed that the fault lay with the polishing, the pitch accumulating irregularly from being of improper softness, for it was found to be particularly prone to heap up at the centre. But after I had introduced a method of fine grinding with elutriated hone powder, which enabled the glass to reject light before the pitch polishing, it became evident that the zones were connected with the mode of motion of the mechanism. Many changes were made in the speed of its various elements, and a contrivance to control the irregular motion of the polisher introduced, but a really fine and uniform parabolic surface was never obtained, the very best showing when finished zones of different focal lengths. Although it cannot be said that I have tried this machine thoroughly, for Mr. Lassell has produced specula of exquisite defining power with it, and must have avoided these imperfections to a great extent, yet the evident necessity of complicating the movement3 considerably, to avoid the polishing in rings, led me to adopt an entirely different construction, which was used until quite recently. Although it has now been replaced by another machine, which is still better in principle, and gives fine results much more quickly, yet as it produced one parabolic surface that bore a power of more than 1000, and as it serves to introduce the process of grinding, it is worthy of description. The action of machines for grinding and polishing has been thoroughly examined in my workshop, no less than seven different ones having been made at various times.
The machine, which is a simplification of Lord Rosse’s, was intended to give spiral strokes. It differed from the original, however, in demanding a changeable stroke, and in the absence of the lateral motion. In another most essential feature it varied from both that and Mr. Lassell’s, the mirror was always uppermost while polishing, and being uncounterpoised escaped to as great an extent as possible from the effects of irregular pressure. To any one who has studied the deformations of a reflecting surface, and knows how troublesome it is to support a mirror properly, the advantage is apparent.
The construction is as follows: A stout vertical shaft, a, Fig. 21, carries at its top a circular table b, upon which the polisher c is screwed. Below a band-wheel d is fixed. Above the table, at a distance of four inches, a horizontal bar e is arranged, so as to move back and forward in the direction of its length, and to carry with it by means of a screw l, the mirror m, and its iron back or chuck n. The bar is moved by a connecting rod f, attached to it at one end, and at the other to a pin g moving a slot. This slot is in a crank h, carried by a vertical shaft i, near the former one a. The band-wheel k is connected with the foot power, Fig. 22. The machine, except those parts liable to wear by friction, is made of wood. The ends o o′ of the horizontal bar e, are defended by brass tubes working in mahogany, and have even now but little shake, though many hundred thousands of reciprocations have been made.
The foot power consists of an endless band with wooden treads a a′, passing at one end of the apparatus over iron wheels b b′, which carry the band-wheel c upon their axle. At the other end it goes over the rollers d d′. Two pairs of intermediate wheels e e′, serve to sustain the weight of the man or animal working in it. The treads are so arranged that they interlock, and form a platform, which will not yield downwards. Owing to its inclination when a weight is put on the platform a′, it immediately moves from b toward d and the band-wheel turns. By a moderate exertion, equivalent to walking up a slight incline at a slow rate, a power more than sufficient to polish a 15 12 inch mirror is obtained. This machine, in which very little force is lost in overcoming friction, is frequently employed for dairy use, and is moved commonly in the State of New York by a sheep. I have generally myself walked in the one used by me, and have travelled some days, during five hours, more than ten miles.
In order to give an idea of the method of using a grinding and polishing machine, the following extract from the workshop note-book is introduced:—
“A disk of plate glass 15 12 inches in diameter, and 1 14 inch thick was procured. It had been polished flat on both sides, so that its internal constitution might be seen.4 It was fastened upon the table b of the machine, by four blocks of wood as at c, Fig. 21. Underneath the glass were three thick folds of blanket, 15 inches in diameter, to prevent scratching of the lower face, and avoid risk of fracture. A convex disk of lead weighing 40 pounds having been cast, was laid upon the upper surface of the glass, and then the screw l was depressed so as to catch in a perforated iron plate n, at the back of the lead m, and press downward strongly.
“Emery as coarse as the head of a pin having been introduced, through a hole in the lead, motion was commenced and continued for half an hour, an occasional supply of emery being given. The machine made 150 eight-inch cross strokes, and the mirror 50 revolutions per minute. The grinder m was occasionally restrained from turning by the hand. At the end of the time the detritus was washed away, and an examination with the gauge made. A spot 11 inches in diameter, and 160 of an inch deep, was found to have been ground out. The same process was continued at intervals for ten hours, measurements with the gauge being frequently made. The concave was then sufficiently deep. The leaden grinder was kept of the right convexity by beating it on the back when necessary. A finer variety of coarse emery, and after that flour emery were next put on, each for an hour. These left the surface moderately smooth, and nearly of the right focal length. The leaden grinder was then dismissed, and the iron one, Fig. 6, put in its stead. The mirror was removed from its place, and ground upon a large piece of flat glass for ten minutes, to produce a circular outline to the concavity. It was cemented with soft pitch to the concave iron disk, the counterpart of Fig. 6, and again recentred on the blanketed table b. Emeries of 3 and 20 seconds, and 1, 3, 10, 30, 60 minutes’ elutriation were worked on it, an hour each. The rate of cross motion was reduced to 25 per minute to avoid heating, the mirror still revolving once for every three cross strokes. The screw pressure of l was stopped. This produced a surface exquisitely fine, semi-transparent, and appearing as if covered with a thin film of dried milk. It could reflect the light from objects outside the window until an incidence of 45 degrees was reached, and at night was found to be bright enough for a preliminary examination at the centre of curvature.
“The polisher was constructed in the usual way (page 12), and being smeared with rouge was fastened to the table b, where the mirror had been. The latter warmed in water to 120° F., was then put face downwards upon the former, and the screw l so lowered as to cause no pressure. The machine was allowed to make 20 four-inch cross strokes per minute, and the polisher to revolve once for every three strokes. The mirror being unconstrainedly supported on the polisher, was irregularly rotated by hand, or rather prevented from rotating with the polisher. The tendency of this method is to produce an almost spherical surface. To change it to a paraboloid, it was only necessary when the glass was polished all over to increase the length of the stroke to 8 inches, and continue working fifteen minutes at a time, examining in the intervals by the tests at the centre of curvature. The production of a polish all over occupied about two hours, but the correction of figure took more time, on account of the frequent examinations, and the absolute necessity of allowing the mirror to come back to a state of equilibrium from which it had been disturbed when worked on the machine.” I have seen a mirror which was parabolic when just off the machine, by cooling over night become spherical. And these heat changes are often succeeded by other slower molecular movements, which continue to modify a surface for many days after.
This correction, where time and not length of stroke is the governing agent, has once or twice been accomplished in fifteen minutes, but sometimes has cost several hours. If the figure should have become a hyperboloid of revolution, that is, have its edge zones too long in comparison with the centre, it is only necessary to shorten the stroke to bring it back to the sphere, or even to overpass that and produce a surface in which at the centre of curvature the edge zones have too short a focal length (Fig. 12).
Very much less trouble from zones of unequal focal length was experienced after this machine and system of working were adopted. This was owing probably partly to the element of irregularity in the rotation of the mirror, and partly to the fact that the surface is kept spherical until polished, and is then rapidly changed to the paraboloid. Where the adjustments of an apparatus are made so as to attempt to keep a surface parabolic for some hours, there is a strong tendency for zones to appear, and of a width bearing a fixed relation to the stroke.
The method of producing reflecting surfaces next to be spoken of, is however that which has finally been adopted as the best of all, being capable of forming mirrors which are as perfect as can be, and yet only requiring a short time. It is the correction of a surface by local retouches. In the account published by M. Foucault, it appears that he is in France the inventor of this improvement.
The mode of practising the retouches is as follows: Several disks of wood, as a, Fig. 23, varying from 8 inches to 12 an inch in diameter, are to be provided, and covered with pitch or rosin of the usual hardness, in squares as at c, on one side.5 On the other a low cylindrical handle b, is to be fixed. The mirror a, Fig. 24, having been fined with the succession of emeries before described, is laid face upward on several folds of blanket, arranged upon a circular table, screwed to an isolated post in the centre of the apartment, which permits the operator to move completely round it. An ordinary barrel has generally supplied the place of the post, the head c, Fig. 24, serving for the circular table, and the rim b preventing the mirror sliding off. The other end is fastened to the floor by four cleets d d´.
The large polisher is first moved over the surface in straight strokes upon every chord, and a moderate pressure is exerted. As soon as the mirror is at all brightened, perhaps in five minutes, the operation is to be suspended, and an examination at the centre of curvature made. By carefully turning round, the best diameter for support is to be found, and marked with a rat-tail file on the edge, and then the curve of the mirror ascertained. If it is nearly spherical, as will be the case if the grinding has been conducted with care and irregular heating avoided, it is to be replaced on the blanketed support, and the previous action kept up until a fine polish, free from dots like stippling, is attained. This stage should occupy three or four hours. Another examination should reveal the same appearances as the preceding. It is next necessary to lengthen the radius of curvature of the edge zones, or what is much better shorten that of the centre, so as to convert the section curve into a parabola. This is accomplished by straight strokes across every diameter of the face, at first with a 4 inch, then with a 6 inch, and finally with the 8 inch polisher. Examinations must, however, be made every five or ten minutes, to determine how much lateral departure from a direct diametrical stroke is necessary, to render the curve uniform out to the edge. Care must be taken always to warm the polisher, either in front of a fire or over a spirit lamp, before using it.
Perhaps the most striking feature in this operation is that the mirror presents continually a curve of revolution, and is not diversified with undulations like a ruffle. By walking steadily round the support, on the top of which the mirror is placed, there seems to be no tendency for such irregularities to arise.
If the correction for spherical aberration should have proceeded too far, and the mirror become hyperbolic, the sphere can be recovered by working a succession of polishers of increasing size on the zone a, Fig. 16, intermediate between the centre and edge, causing their centres to pass along every chord that can be described tangent to the zone.
A most perfect and rapid control can thus be exercised over a surface, and an uniform result very quickly attained. It becomes a pleasant and interesting occupation to produce a mirror. But two effects have presented themselves in this operation, which unfortunately bar the way to the very best results. In the first place the edge parts of such mirrors, for more than half an inch all around, bend backwards and become of too great focal length, and the rays from these parts cannot be united with the rest forming the image. In the second place, the surface, when critically examined by the second test, is found to have a delicate wavy or fleecy appearance, not seen in machine polishing.6 Although the variations from the true curve implied by these latter greatly exaggerated imperfections are exceedingly small, and do not prevent a thermometer bulb in the sunshine appearing like a disk surrounded by rings of interference, yet they must divert some undulations from their proper direction, or else they would not be visible. All kinds of strokes have been tried, straight, sweeping circular, hypocycloidal, &c. without effecting their removal. M. Foucault, who used a paper polisher, also encountered them. Eventually they were imputed to the unequal pressure of the hand, and in consequence a machine to overcome the two above mentioned faults of manual correction was constructed.
The mirror a, is carried by an iron chuck or table b, covered with a triple fold of blanket, and is prevented from slipping off by four cleets c c′. The vertical shaft d passes through a worm-wheel e, the endless screw of which f, is driven by a band g, from the primary shaft h. At i is the band-wheel for connection to the foot-power. At one end of the primary shaft is firmly fixed the cogwheel k, which drives the crank-shaft l. Attached to the horizontal part of l, is the crank-pin m. The two bolts n n′ move in a slot, so that the crank-pin may be set at any distance from 0 to 2 inches, out of line with l. Above, the crank-pin carries one end of the bar o, the other end passing through an elliptical hole in the oak-block p. Down the middle of the bar runs a long slot, through which the screw-pin q passes, and which permits q to be brought over any zone from the centre to the edge of the mirror a. It is retained by the bolts r r′, which are tapped into s. The local polisher is seen at t. The curve which the centre of the local polisher describes upon the face of the mirror, varies with the adjustments. Fig. 26 is a reduction from one traced by the machine, the overlapping being seen on the left side. The mirror is not tightly confined by the cleets c c′, for that would certainly injure the figure, but performs a slow motion of rotation, so that in no two successive strokes are the same parts of the edge pressed against them.
The local polishers are made of lead, alloyed with a small proportion of antimony, and are 8, 6, and 4 inches in diameter, respectively. The largest and smallest are most used, the former on account of its size polishing most quickly, but the latter giving the truest surface. The rosin that covers them is just indentable by the thumb nail, and is arranged in a novel manner. The leaden basis, as seen at t, Fig. 25, is perforated in many places with holes, which permit evaporation, serve for the introduction of water where needed, and allow the rosin to spread freely. Grooves are made from one aperture to another, and the rosin thus divided into irregular portions. The effects of the production of heat are in this way avoided.
The mirror may be ground and fined on this machine, in the same manner as on that described at page 21, or it may be ground with a small tool 8 inches in diameter, as recently suggested by M. Foucault, the results in the latter case being just as good a surface of revolution as in the former. It is best polished with the 8 inch, and a moderate pressure may be given by the screw q, if the pitch is not too soft. This, however, tends to leave an excavated place at the centre of the mirror, the size depending on the stroke of the crank m, which should be about 2 inches. The pin q ought to be half way from the centre to the edge of the mirror, but must be occasionally moved right or left an inch along the slot. When the surface is approaching a perfect polish, the warmed 4 inch polisher must be put in the place of the 8 inch. The pin q must be set exactly half-way between the centre and edge of the mirror, and the crank must have a stroke of two inches radius. The polisher then just goes up to the centre of the glass surface with one edge, and to the periphery with the other, while the outer excursion of the inner edge and inner excursion of the outer edge meet, and neutralize one another at a midway point. Wherever the edge of a polisher changes direction many times in succession, on a surface, a zone is sure to form, unless avoided in this manner. All the foregoing description is for a 15 12 inch mirror.
By this system of local polishing the difficulties of heat, distribution of polishing powders, irregular contact of the rosin, &c. that render the attainment of a fine figure so uncertain usually, entirely disappear. A spherical surface is produced as above described, and afterwards by moving q towards the edge, and at the same time increasing the stroke, it is converted into a paraboloid. The fleecy appearance spoken of on a former page is not perceived, and the surface is good almost up to the extreme edge.
The telescope is furnished with several eye-pieces of various construction, giving magnifying powers from 75 to 1200, or if it were desired even higher. For the medium powers 300 and 600 Ramsden, or rather positive eye-pieces have been adopted. They differ, however, from the usual form in being achromatic, that is, each plano-convex is composed of a flint and crown, arranged according to formulas calculated by Littrow. In this way a large flat field and absence of color are secured, and the fine images yielded by the mirror are not injured. For the higher powers, single achromatic lenses are used, and for the highest of all a Ross microscope.
With these means it has been found that the parabolic surfaces yielded by the processes before described, will define test objects excellently. Of close double stars they will separate such as γ2 Andromedæ, and show the colors of the components. In the case of unequal stars which seem to be more severe tests, they can show the close companion of Sirius—discovered by Mr. Alvan Clark’s magnificent refractor—the sixth component of θ1 Orionis, and a multitude of other difficult objects.
As an example of light collecting power, Debillisima between ε and 5 Lyræ is found to be quintuple, as first noticed by Mr. Lassell. In the 18 12 inch specula of Herschel, it was only recorded as double, and, according to Admiral Smyth, Lord Rosse did not notice the fourth and fifth components. Jupiter’s moons show with beautiful disks, and their difference in diameter is very marked. As for the body of that planet, it is literally covered with belts up to the poles. The bright and dark spots on Venus, and the fading illumination of her inner edge, and its irregularities are perceived even when the air is far from tranquil. Stars are often seen as disks, and without any wings or tails, unless indeed the mirror should be wrongly placed, so that the best diameter for support is not in the perpendicular plane, passing through the axis of the tube.
It has been found that no advantage other than the decrease of atmospheric influence on the image, results from cutting down the aperture of these mirrors by diaphragms, while the disadvantage of reducing the separating power, is perceived at the same time. Faint objects can be better seen with the whole surface than with a reduced aperture, and this though apparently a property common to all reflectors and object glasses is not so in reality. A defective edge will often cause the whole field to be filled with a pale milky light, which will extinguish the fainter stars. Good definition is just as important for faint as for close objects.
The properties of these mirrors have been best shown by the excellence of the photographs taken with them. Although these are not as sharp as the image seen in the telescope, yet it must not be supposed that an imperfect mirror will give just as good pictures. A photograph which is magnified to 3 feet, represents a power of 380. As the original negative taken at the focus of the mirror is not quite 1 12 inch in diameter when the moon is at its mean distance, it has to be enlarged about 25 times, and has therefore to be very sharp to bear it.
The light collecting power of an unsilvered mirror is quite surprising. With a 15 12 inch, the companion of α Lyræ can be perceived, though it is only of the eleventh magnitude. The moon and other bright objects are seen with a purity highly pleasing to the eye, some parts being even more visible than after silvering.
In order to finish this description, one part more of the optical apparatus requires to be noticed—the plane mirrors. In the Newtonian reflector the image is rejected out at the side of the tube by a flat surface placed at 45° with the optical axis of the large concave.7 If this secondary mirror is either convex or concave, it modifies the image injuriously, causing a star to look like a cross, and this though the curvature be so slight as hardly to be perceptible by ordinary means. For a long time I used a piece 3 × 5 inches, which was cut from the centre of a large looking-glass accidentally broken, but eventually found that by grinding three pieces of 6 inches in diameter against one another, and polishing them on very hard pitch, a nearer approach to a true plane could be made. They were tested by being put in the telescope, and observing whether the focus was lengthened or shortened, and also by trial on a star. When sufficiently good to bear these tests, a piece of the right size was cut out with a diamond, from the central parts.
The telescope is mounted as an altitude and azimuth instrument, but in a manner that causes it to differ from the usual instrument of that kind. The essential feature is, that the eye-piece or place of the sensitive plate is stationary at all altitudes, the observer always looking straight forward, and never having to stoop or assume inconvenient and constrained positions.
The stationary eye-piece mounting was first used by Miss Caroline Herschel, who had a 27 inch Newtonian arranged on that plan. Fig. 27. (Smyth’s Celestial Cycle.)
Subsequently it was applied to a large telescope by Mr. Nasmyth, the eminent engineer, but no details of his construction have reached me. He used it for making drawings of the moon, which are said to be excellently executed.
When it became necessary to determine how my telescope should be mounted, I was strongly urged to make it an equatorial. But after reflecting on the fact that it was intended for photography, and that absolute freedom from tremor was essential, a condition not attained in the equatorial when driven by a clock, and in addition that in the case of the moon rotation upon a polar axis does not suffice to counteract the motion in declination, I was led to adopt the other form.
A great many modifications of the original idea have been made. For instance, instead of counterpoising the end of the tube containing the mirror by extending the tube to a distance beyond the altitude or horizontal axis, I introduced a system of counterpoise levers which allows the telescope to work in a space little more than its own focal length across. This construction permits both ends of the tube to be supported, the lower one on a wire rope, and gives the greatest freedom from tremor, the parts coming quickly to rest after a movement. In the use of the telescope for photography, as we shall see, the system of bringing the mass of the instrument to complete rest before exposing the sensitive plate, and only driving that plate itself by a clock, is always adopted.
The obvious disadvantage connected with the alt-azimuth mounting—the difficulty of finding some objects—has not been a source of embarrassment. In fact the instability of the optical axis in reflecting instruments, if the mirror is unconstrainedly supported, as it should be, renders them unsuitable for determinations of position. A little patience will enable an observer to find all necessary tests, or curious objects.
The mounting is divided into: a. The Tube; and b. The supporting frame.
The telescope tube is a sixteen sided prism of walnut wood, 18 inches in diameter, and 12 feet long. The staves are 38 of an inch thick, and are hooped together with four bands of brass, capable of being tightened by screws. Inside the tube are placed two rings of iron, half an inch thick, reducing the internal diameter to about 16 inches. At opposite sides of the upper end of the tube are screwed the perforated trunnions a, Fig. 28 (of which only one is shown), upon which it swings. Surrounding the other end is a wire rope b b′ b″, the ends of which go over the pulleys c (c′ not shown) on friction rollers, and terminate in disks of lead d d′. These counterpoises are fastened on the ends of levers e e′, which turn below on a fixed axle f.
By this arrangement as the tube assumes a horizontal position and becomes, so to speak, heavier, the counterpoises do the same, while when the tube becomes perpendicular, and most of its weight falls upon the trunnions, the counterpoises are carried mostly by their axle. A continual condition of equilibrium is thus reached, the tube being easily raised or depressed to any altitude desired. It is necessary, however, to constrain the wire rope b b′ b″, to move in the arc of the circle described by the end of the tube and ends of the levers and hence the twelve rollers or guide pulleys g g′ g″. Over some of the same pulleys a thin wire rope h h′ runs, but while its ends are fastened to the lower part of the tube at b, the central parts go twice around a roller connected with the winch i, near the eye-piece, thus enabling the observer to move the telescope in altitude, without taking the eye from the eye-piece.
The iron wire rope required to be carefully made, so as to avoid rigidity. It contains 2 13 miles of wire, 1100 of an inch in diameter, and has 300 strands. Each single wire will support 7 pounds. It is, however, more flexible than a hempen rope of the same size, owing to its loose twisting.
At the lower end of the tube, at the distance of a foot, and crossing it at right angles, held by three bars of iron i i′ i″, Fig. 29, is a circular table of oak e, which carries an India-rubber air sac d, and upon this the mirror f is placed. The edge support of the mirror is furnished by a semicircular band of tin-plate a, lined inside with cotton, and fastened at the ends by links of chain b, (b′ not seen) to two screws c c′; g and h are the wire ropes, marked b and h in Fig. 28.
Instead of the blanket support which Herschel found so advantageous, M. Foucault has suggested this use of an air sac. In his instrument there is a tube going up to the observer, by which he may adjust its degree of inflation. It requires that there should be three bearings c c′ c″, in front of the mirror, against which it may press when the sac behind is inflated, otherwise the optical axis is altogether too instable, and objects cannot be found. The arrangement certainly gives beautiful definition, bringing stars to a disk when the glass just floats, without touching its front bearings. The first sac that I made was composed of two circular sheets of India-rubber cloth, joined around the edges. But this could not be used while photographing, because the image was kept in a state of continuous oscillation if there was a breeze, and even under more favorable circumstances took a long time to come to rest. It was not advisable to blow the mirror hard up against its three front bearings, in order to avoid the instability, for then every point in of an object became triple. To the eye the oscillations were not offensive, because the swaying image was sharp.
Subsequently, however, an air chair cushion was procured, and as the surface was flat instead of convex the difficulty became so much less, that the blanket support was definitely abandoned. It is necessary that the mirror should have free play in the direction of the length of the tube when this kind of support is used, and that is the reason why the tin edge hoop must terminate in links of chain.
The interval, eight or ten inches, which separates the face of the mirror from the tube, is occupied by a curtain of black velvet, confined below by a drawing cord and tacked above to the tube. This permits access to the mirror to put a glass cover on it, and when shut down stops the current of air rushing up. When the instrument is not being used this curtain is left open, because the mirror and tube are in that case kept more uniform in temperature with the surrounding air.
In spite of such contrivances there is still sometimes a strong residual current in the tube. I have tried to overcome it by covering the mouth of the tube with a sheet of flat glass, but have been obliged to abandon that because the images were injured. At one time, too, when it was supposed that the current was partly from the observer’s body, heated streams of air going out around the tube, the aperture in the dome was closed by a conical bag of muslin, which fitted the mouth of the telescope tightly. The only advantages resulting were mere bodily comfort and a capability of perceiving fainter objects than before, because the sky-light was shut off.
The frame which carries the preceding parts is of wood, and rests on a vertical axis a, Fig. 30, turning below in a gun-metal cup b, supported by a marble block resting on the solid rock. The upper end of the axis is sustained by two collars, one c c′ above, and the other below an intermediate triangular box e e′ from the sides of which three long beams f f f 12 × 3 inches diverge, gradually declining till they meet the solid rock at the limits of the excavation in which the observatory is placed. These beams are fastened together by cross-pieces g g g, Fig. 31, and go through the floor in spaces h h h, so contrived that the floor does not touch them. At the ends they are cased with a thick leaden sheathing, to deaden vibration and prevent the access of moisture.
This tripod support in connection with the sustaining of the telescope by the wire rope, gives that steadiness which is so essential in photography. Only a slight amount of force, about two pounds, is required to move the instrument in azimuth, though it weighs almost a thousand pounds.
The plan of the frame centrally carried by the axis a is as follows: From the corners of a parallelogram i i (2 × 13 feet) of wooden beams, eight inches thick and three inches broad, perpendiculars n n′, Fig. 28, rise. At the top they are connected by lighter pieces to form a parallelogram, similar to that below, and just large enough to contain the tube of the telescope. At right angles to the parallelogram below, and close upon it, a braced bar o o′, Fig. 28, crosses. From its extremities four slanting braces as at p p′, Fig. 28, go to the corners of the upper parallelogram, and combine to give it lateral support. At the top of one close pair of the perpendiculars n′, Fig. 28, are bronze frames carrying friction rollers upon which the trunnions move, while similarly upon the other pair n are two pulleys, also on friction rollers, for the wire rope coming from the counterpoises.
Movement in altitude is very easily accomplished, and with the left hand upon the winch i, under high powers, both altitude and azimuth motions are controlled, and the right hand left free. The whole apparatus works so well, that in ordinary observation the want of a clock movement has not been felt. Of course for photography that is essential.
The apparatus for following celestial bodies is divided into two parts; a. The Sliding Plate-holder; and b. The Clepsydra. In addition a short description of the Sun-Camera, c, is necessary.
Mr. De La Rue, who has done so much for celestial photography, was the first to suggest photographing the moon on a sensitive plate, carried by a frame moving in the apparent direction of her path. He never, however, applied an automatic driving mechanism, but was eventually led to use a clock which caused the whole telescope to revolve upon a polar axis, and thus compensate for the rotation of the earth, and on certain occasions for the motion of the moon herself. In this way he has produced the best results that have been obtained in Europe. Lord Rosse, too, employed a similar sliding plate-holder, but provided with clock-work to move it at an appropriate rate. I have not been able as yet to procure any precise account of either of these instruments.
The first photographic representations of the moon ever made, were taken by my father, Professor John W. Draper, and a notice of them published in his quarto work “On the Forces that Organize Plants,” and also in the September number, 1840, of the London, Edinburgh, and Dublin Philosophical Magazine. He presented the specimens to the New York Lyceum of Natural History. The Secretary of that Association has sent me the following extract from their minutes:—
“March 23d, 1840. Dr. Draper announced that he had succeeded in getting a representation of the moon’s surface by the Daguerreotype.... The time occupied was 20 minutes, and the size of the figure about 1 inch in diameter. Daguerre had attempted the same thing, but did not succeed. This is the first time that anything like a distinct representation of the moon’s surface has been obtained.
“Robt. H. Brownne, Secretary.”
As my father was at that time however much occupied with experiments on the Chemical Action of Light, the Influence of Light on the Decomposition of Carbonic Acid by Plants, the Fixed Lines of the Spectrum, Spectrum Analysis, &c., the results of which are to be found scattered through the Philosophical Magazine, Silliman’s Journal, and the Journal of the Franklin Institute, he never pursued this very promising subject. Some of the pictures were taken with a three inch, and some with a five inch lens, driven by a heliostat.
In 1850, Mr. Bond, taking advantage of the refractor of 15 inches aperture at Cambridge, obtained some fine pictures of the moon, and subsequently of double stars, more particularly Mizar in Ursa Major. The driving power, in this instance, was also applied to move the telescope upon a polar axis.
Besides these, several English and continental observers, Messrs. Hartnup, Phillips, Crookes, Father Secchi, and others, have worked at this branch of astronomy, and, since 1857, Mr. Lewis M. Rutherfurd, of New York, has taken many exquisite lunar photographs, which compare favorably with foreign ones.
But in none of these instances has the use of the sliding plate-holder been persisted in, and its advantages brought into view. In the first place it gets rid completely of the difficulties arising from the moon’s motion in declination, and in the second, instead of injuring the photograph by the tremors produced in moving the whole heavy mass of a telescope weighing a ton or more, it only necessitates the driving of an arrangement weighing scarcely an ounce.
My first trials were with a frame to contain the sensitive plate, held only at three points. Two of these were at the ends of screws to be turned by the hands, and the third was on a spring so as to maintain firm contact. This apparatus worked well in many respects, but it was found that however much care might be taken, the hands always caused some tremor in the instrument. It was evident then that the difficulty from friction which besets the movements of all such delicate machinery, and causes jerking and starts, would have to be avoided in some other way.
I next constructed a metal slide to run between two parallel strips, and ground it into position with the greatest care. This, when set in the direction of the moon’s apparent path, and moved by one screw, worked better than the preceding. But it was soon perceived that although the strips fitted the frame as tightly as practicable, an adhesion of the slide took place first to one strip and then to the other, and a sort of undulatory or vermicular progression resulted. The amount of deviation from a rectilinear motion, though small, was enough to injure the photographs. At this stage of the investigation the regiment of volunteers to which I belonged was called into active service, and I spent several months in Virginia.