| 256. Campbells are Coming | A. Mullen |
| 257. British Grenadiers | A. Mullen |
| 258. A Life on the Ocean Wave | A. Mullen |
| 259. Hearts of Oak | A. Mullen |
| 260. Ivy Green | A. Mullen |
| 261. Red, White and Blue | A. Mullen |
| 317. Ben Bolt | A. Mullen |
| 312. Low Back'd Car | A. Mullen |
| 313. Sprig of Shillelagh | A. Mullen |
| 314. March from Norma | A. Mullen |
| 315. March, Guillaume Tell | A. Mullen |
| 316. Lass O'Gowrie | A. Mullen |
| 284. Réverie (E min.) | W. Vinnicombe |
VIOLIN.
| 170. March St. Olave | F. James |
MANDOLINE AND PIANO.
| 274. Alice where art Thou? | |
| 407. Belle of Chicago March | J. P. Sousa |
| 406. Blue Danube Waltz | Strauss |
| 416. Cadet Two Step (arranged) | Alard |
| 408. Corcoran Cadets March | J. P. Sousa |
| 272. Donau Wellen Waltz | Ivanovici |
| 414. Faust Waltz and Flower Song | Gounod |
| 277. Hiawatha Popular Cake Walk | Neil Moret |
| 401. High School Cadets March | J. P. Sousa |
| 289. Honey are you true | Sydney Osborne |
| 267. Kathleen Mavourneen | Crouch |
| 399. Liberty Bell March | J. P. Sousa |
| 400. Manhattan Beach March | J. P. Sousa |
| 411. March Past of the National Fencibles | J. P. Sousa |
| 410. March Past of the Rifle Regiment | J. P. Sousa |
| 255. Oceana Schottische | W. H. Stevens |
| 279. Over the Waves | Rosas |
| 409. Our Flirtation March | J. P. Sousa |
| 412. Semper Fidelis March | J. P. Sousa |
| 398. Washington Post March | J. P. Sousa |
BANJO AND PIANO.
| 429. Belle of Chicago March | J. P. Sousa |
| 406. Cadet Two Step (arranged) | Alard |
| 430. Corcoran Cadets March | J. P. Sousa |
| 428. High School Cadets March | J. P. Sousa |
| 419. Liberty Belle March | J. P. Sousa |
| 418. Manhattan Beach March | J. P. Sousa |
| 433. March Past of the National Fencibles | J. P. Sousa |
| 432. March Past of the Rifle Regiment | J. P. Sousa |
| 431. Our Flirtation March | J. P. Sousa |
| 434. Semper Fidelis March | J. P. Sousa |
| 417. Washington Post March | J. P. Sousa |
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| PORTRAITS. | PORTRAITS (continued) | PORTRAITS (continued) |
| VOL. 8. | Ferdinand David | |
| Prof. and Mrs. Holloway and Family | Elderhorst Quartette | I. B. Poznanski |
| Eugene Polonaski | H. Wilhelm Ernst | Rene Ortmans |
| Hugo Kupferschmidt | Miss Muriel Handley | A. Simonetti |
| Dr. Joachim | Miska Hauser | W. Ten Have |
| Anton Schumacher | M. Paganini | Mdlle. Wietrowitz |
| William Christ Basle | Louis Spohr | Miss Hildegard Werner |
| M. Coward-Klee | A. Stradivarius | Fred Furnace |
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| The Joachim Quartet | G. Viotti | M. Césare Thomson |
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| VOL. 7. | Cologne Gurzenich Quartette | Stanley W. G. Barfoot |
| W. A. Mozart | Wm. Henley | G. de Angelis |
| Miss Kate Lee | Miss Leonora Jackson | Marcello Rossi |
| R. Peckotsch | J. Koh-Alblas | FACSIMILES AND PICTURES. |
| Gordon Tanner | A. Oppenheim (violinist) | Paganini on his Death-bed |
| Eugene Meier | A. Oppenheim (pianist) | Letter of Ch. de Bériot |
| W. V. Fisher | Mdlle. Jeanette Orloff | Letter of Camillo Sivori |
| Paganini | Dr. H. Pudor | Defeasance of a bond by Roger Wade Crowder |
| T. B. Parsons | C. L. Walger | Viola di Gamba by Carlo Bergonzi, 1713 |
| Joseph Guarnerius del Gesu Violin, 1733 | W. E. Whitehouse | Facsimile Labels in Nos. 32, 34, 35, 37, 505, 58 |
| VOL. 6. | Miss Gladys May Hooley | Lira da Gamba, by Linarolo, reproduction of Painting by Tintoretto |
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| Ole Bull | John Dunn | |
| Arcangelo Corelli | Heinrich Maria Hain | |
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TRANSCRIBER NOTES
Symbol inverted asterism (three asterisks arranged as inverted triangle) is presented as ⁂ (asterism) in this e-text.
Inconsistent spelling and apparent printer errors have been retained as printed in original book, except obvious punctuation errors have been repaired.