Little Daffydowndilly confessing

Little Daffydowndilly had never been known to tell a lie in all his life. Nor did he tell one now. He hesitated a moment or two, but finally confessed that he had run away from school, on account of his great dislike to Mr. Toil; and that he was resolved to find some place in the world where he should never see or hear of the old schoolmaster again.

“Oh, very well, my little friend!” answered the stranger. “Then we shall go together; for I, likewise, have had a good deal to do with Mr. Toil, and should be glad to find some place where he was never heard of.”

Our friend Daffydowndilly would have been better pleased with a companion of his own age, with whom he might have gathered flowers along the roadside, or have chased butterflies, or have done many other things to make the journey pleasant. But he had wisdom enough to understand that he should get along through the world much easier by having a man of experience to show him the way. So he accepted the stranger’s proposal, and they walked on very sociably together.

They had not gone far when the road passed by a field where some haymakers were at work, mowing down the tall grass, and spreading it out in the sun to dry. Daffydowndilly was delighted with the sweet smell of the new-mown grass, and thought how much pleasanter it must be to make hay in the sunshine, under the blue sky, and with the birds singing sweetly in the neighboring trees and bushes, than to be shut up in a dismal schoolroom, learning lessons all day long, and continually scolded by old Mr. Toil. But, in the midst of these thoughts, while he was stopping to peep over the stone wall he started back and caught hold of his companion’s hand.

“Quick, quick!” cried he. “Let us run away, or he will catch us!”

“Who will catch us?” asked the stranger.

“Mr. Toil, the old schoolmaster!” answered Daffydowndilly. “Don’t you see him amongst the haymakers?”

And Daffydowndilly pointed to an elderly man, who seemed to be the owner of the field, and the employer of the men at work there. He had stripped off his coat and waistcoat, and was busily at work in his shirt-sleeves. The drops of sweat stood upon his brow; but he gave himself not a moment’s rest, and kept crying out to the haymakers to make hay while the sun shone. Now strange to say, the figure and features of this old farmer were precisely the same as those of old Mr. Toil, who, at that very moment, must have been just entering his schoolroom.

“Don’t be afraid,” said the stranger. “This is not Mr. Toil the schoolmaster, but a brother of his, who was bred a farmer; and the people say he is the more disagreeable man of the two. However, he won’t trouble you unless you become a laborer on the farm.”

Little Daffydowndilly believed what his companion said, but he was very glad, nevertheless, when they were out of sight of the old farmer, who bore such a singular resemblance to Mr. Toil. The two travellers had gone but little farther, when they came to a spot where some carpenters were erecting a house. Daffydowndilly begged his companion to stop a moment; for it was a very pretty sight to see how neatly the carpenters did their work, with their broad-axes and saws, and planes, and hammers, shaping out the doors, and putting in the window-sashes, and nailing on the clapboards; and he could not help thinking that he should like to take a broad-axe, a saw, a plane, and a hammer, and build a little house for himself. And then, when he should have a house of his own, old Mr. Toil would never dare to molest him.

But, just while he was delighting himself with this idea, little Daffydowndilly beheld something that made him catch hold of his companion’s hand, all in a fright.

“Make haste. Quick, quick!” cried he. “There he is again!”

“Who?” asked the stranger, very quietly.

“Old Mr. Toil,” said Daffydowndilly, trembling. “There! He that is overseeing the carpenters. ’Tis my old schoolmaster, as sure as I’m alive!”

The stranger cast his eyes where Daffydowndilly pointed his finger; and he saw an elderly man, with a carpenter’s rule and compass in his hand. This person went to and fro about the unfinished house, measuring pieces of timber, and marking out the work that was to be done, and continually exhorting the other carpenters to be diligent. And wherever he turned his hard and wrinkled visage, the men seemed to feel that they had a task-master over them, and sawed, and hammered, and planed, as if for dear life.

“Oh, no! this is not Mr. Toil the schoolmaster,” said the stranger. “It is another brother of his, who follows the trade of carpenter.”

“I am very glad to hear it,” quoth Daffydowndilly; “but if you please, sir, I should like to get out of his way as soon as possible.”

Then they went on a little farther, and soon heard the sound of a drum and fife. Daffydowndilly pricked up his ears at this, and besought his companion to hurry forward, that they might not miss seeing the soldiers. Accordingly they made what haste they could, and soon met a company of soldiers gayly dressed, with beautiful feathers in their caps, and bright muskets on their shoulders. In front marched two drummers and two fifers, beating on their drums and playing on their fifes with might and main, and making such lively music that little Daffydowndilly would gladly have followed them to the end of the world. And if he was only a soldier, then, he said to himself, old Mr. Toil would never venture to look him in the face.

“Quick step! Forward march!” shouted a gruff voice.

Little Daffydowndilly started, in great dismay; for this voice which had spoken to the soldiers sounded precisely the same as that which he had heard every day in Mr. Toil’s schoolroom, out of Mr. Toil’s own mouth. And, turning his eyes to the captain of the company, what should he see but the very image of old Mr. Toil himself, with a smart cap and feather on his head, a pair of gold epaulets on his shoulders, a laced coat on his back, a purple sash round his waist, and a long sword, instead of a birch-rod, in his hand. And though he held his head so high, and strutted like a turkey-cock, still he looked quite as ugly and disagreeable as when he was hearing lessons in the schoolroom.

“This is certainly old Mr. Toil,” said Daffydowndilly, in a trembling voice. “Let us run away, for fear he should make us enlist in his company!”

“You are mistaken again, my little friend,” replied the stranger very composedly. “This is not Mr. Toil the schoolmaster, but a brother of his, who has served in the army all his life. People say he’s a terribly severe fellow; but you and I need not be afraid of him.”

“Well, well,” said little Daffydowndilly, “but, if you please, sir, I don’t want to see the soldiers any more.”

So the child and the stranger resumed their journey; and, by and by, they came to a house by the roadside, where a number of people were making merry. Young men and rosy-cheeked girls, with smiles on their faces, were dancing to the sound of a fiddle. It was the pleasantest sight that Daffydowndilly had yet met with, and it comforted him for all his disappointments.

“Oh, let us stop here,” cried he to his companion; “for Mr. Toil will never dare to show his face where there is a fiddler, and where people are dancing and making merry. We shall be quite safe here!”

But these last words died away upon Daffydowndilly’s tongue; for, happening to cast his eyes on the fiddler, whom should he behold again but the likeness of Mr. Toil, holding a fiddle-bow instead of a birch-rod, and flourishing it with as much ease and dexterity as if he had been a fiddler all his life! He had somewhat the air of a Frenchman, but still looked exactly like the old schoolmaster; and Daffydowndilly even fancied that he nodded and winked at him, and made signs for him to join in the dance.

“Oh dear me!” whispered he, turning pale, “it seems as if there was nobody but Mr. Toil in the world. Who could have thought of his playing on a fiddle!”

“This is not your old schoolmaster,” observed the stranger, “but another brother of his, who was bred in France, where he learned the profession of a fiddler. He is ashamed of his family, and generally calls himself Monsieur le Plaisir; but his real name is Toil, and those who have known him best think him still more disagreeable than his brothers.”

“Oh, take me back!—take me back!” cried poor little Daffydowndilly, bursting into tears. “If there is nothing but Toil all the world over, I may just as well go back to the schoolhouse!”

“Yonder it is,—there is the schoolhouse!” said the stranger; for though he and little Daffydowndilly had taken a great many steps, they had travelled in a circle instead of a straight line. “Come; we shall go back to school together.”

There was something in his companion’s voice that little Daffydowndilly now remembered, and it is strange that he had not remembered it sooner. Looking up into his face, behold! there again was the likeness of old Mr. Toil; so that the poor child had been in company with Toil all day, even while he was doing his best to run away from him. Some people are of opinion that old Mr. Toil was a magician, and possessed the power of multiplying himself into as many shapes as he saw fit.

Be this as it may, little Daffydowndilly had learned a good lesson, and from that time forward was diligent at his task, because he knew that diligence is not a whit more toilsome than sport or idleness. And when he became better acquainted with Mr. Toil, he began to think that his ways were not so very disagreeable, and that the old schoolmaster’s smile of approbation made his face almost as pleasant as even that of Daffydowndilly’s mother.

Nathaniel Hawthorne.


THE EARTH IS THE LORD’S

The earth is the Lord’s and the fulness thereof;
The world, and they that dwell therein.
For he hath founded it upon the seas,
And established it upon the floods.
Who shall ascend into the hill of the Lord?
Or who shall stand in his holy place?
He that hath clean hands and a pure heart;
Who hath not lifted up his soul unto vanity,
And hath not sworn deceitfully.
From the Book of Psalms.

THE SINGING LEAVES

“What fairings will ye that I bring?”
Said the King to his daughters three;
“For I to Vanity Fair am bound,
Now say what shall they be?”
Then up and spake the eldest daughter,
That lady tall and grand:
“Oh, bring me pearls and diamonds great,
And gold rings for my hand.”
Thereafter spake the second daughter,
That was both white and red:
“For me bring silks that will stand alone,
And a gold comb for my head.”
Then came the turn of the least daughter,
That was whiter than thistledown,
And among the gold of her blithesome hair
Dim shone the golden crown.
“There came a bird this morning,
And sang ’neath my bower eaves,
Till I dreamed, as his music made me,
‘Ask thou for the Singing Leaves’”
Then the brow of the King swelled crimson
With a flush of angry scorn:
“Well have ye spoken, my two eldest,
And chosen as ye were born;
“But she, like a thing of peasant race,
That is happy behind the sheaves;”
Then he saw her dead mother in her face,
And said, “Thou shalt have thy leaves.”
He mounted and rode three days and nights
Till he came to Vanity Fair,
And ’twas easy to buy the gems and the silk,
But no Singing Leaves were there.
Then deep in the greenwood rode he,
And asked of every tree,
“Oh, if you have ever a Singing Leaf
I pray you give it me!”
But the trees all kept their counsel,
And never a word said they,
Only there sighed from the pine tree-tops
A music of seas far away.
Only the pattering aspen
Made a sound of growing rain,
That fell ever faster and faster,
Then faltered to silence again.
“Oh, where shall I find a little foot-page
That would win both hose and shoon,
And will bring to me the Singing Leaves
If they grow under the moon?”
Then lightly turned him Walter the page,
By the stirrup as he ran:
“Now pledge you me the truesome word
Of a king and gentleman,
“That you will give me the first, first thing
You meet at your castle-gate,
And the Princess shall get the Singing Leaves,
Or mine be a traitor’s fate.”
The King’s head dropt upon his breast
A moment, as it might be;
’Twill be my dog, he thought, and said,
“My faith I plight to thee.”
Then Walter took from next his heart
A package small and thin,
“Now give you this to the Princess Anne,
The Singing Leaves are therein.”
As the King rode in the castle-gate
A maiden to meet him ran,
And “Welcome, father!” she laughed and cried
Together, the Princess Anne.
“Lo, here the Singing Leaves,” quoth he,
“And woe, but they cost me dear!”
She took the packet, and the smile
Deepened down beneath the tear.
It deepened down till it reached her heart,
And then gushed up again,
And lighted her tears as the sudden sun
Transfigures the summer rain.
And the first Leaf, when it was opened,
Sang: “I am Walter the page,
And the songs I sing ’neath thy window,
Are my only heritage.”
And the second Leaf sang: “But in the land
That is neither on earth nor sea,
My lute and I are lords of more
Than thrice this kingdom’s fee.”
And the third Leaf sang, “Be mine! Be mine!”
And ever it sang, “Be mine!”
Then sweeter it sang and ever sweeter,
And said, “I am thine, thine, thine!”
At the first Leaf she grew pale enough,
At the second she turned aside,
At the third, ’twas as if a lily flushed
With a rose’s red heart’s tide.
“Good counsel gave the bird,” said she,
“I have my hope thrice o’er,
For they sing to my very heart,” she said,
“And it sings to them evermore.”
She brought to him her beauty and truth,
But and broad earldoms three,
And he made her queen of the broader lands
He held of his lute in fee.
James Russell Lowell.

THE CLOCKS OF RONDAINE

Centuries ago there stood on the banks of a river a little town called Rondaine. The river was a long and winding stream which ran through different countries. Sometimes it was narrow and swift and sometimes broad and placid. Sometimes it hurried through mountain passes and again it meandered quietly through fertile plains. In some places it was of a blue color and in others of a dark and sombre hue. And so it changed until it threw itself into the warm, far-spreading sea.

But it was otherwise with the little town. As far back as anybody could remember, it had always been the same that it was at the time of our story. And the people who lived there could see no reason to suppose that it would ever be different from what it was then. It was a pleasant little town and its citizens were very happy. So why should there be any change in it?

If Rondaine had been famed for anything at all, it would have been for the number of its clocks. It had many churches, and in the steeple of each of these churches there was a clock. There were town buildings which stood upon the great central square. Each of these had a tower, and in each tower was a clock. Then there were clocks at street corners and in the market-place; clocks over shop doors, and a clock at each end of the bridge.

Many of these clocks were fashioned in some quaint and curious way. In one of the largest a stone man came out and struck the hours with a stone hammer, while a stone woman struck half hours with a stone broom; and in another an iron donkey kicked the hours on a bell behind him. It would be impossible to tell all the odd ways in which the clocks of Rondaine struck.

It was very interesting to lie awake in the night and hear the clocks strike. First would come a faint striking from one of the churches in the by-streets, a modest sound; then from another quarter would be heard a more confident clock striking the hour clearly and distinctly. When they were quite ready, but not a moment before, the seven bells of the large church on the square would chime the hour. The sound of these bells seemed to wake up the stone man in the tower of the town building and he struck the hour with his hammer. And when every sound had died away, the iron donkey would kick out the hour on his bell.

The very last clock to strike in Rondaine was one belonging to a little old lady with white hair, who lived in a little white house in one of the prettiest and cleanest streets in the town. Her clock was in a little white tower at the corner of her house. Long after every other clock had struck, the old lady’s clock would strike quickly and with a tone that said, “I know that I am right, and I wish other people to know it.”

In a small house which stood at a corner of two streets in the town there lived a young girl named Arla. Her room was at the top of the house, and one of its windows opened to the west and another to the south. Arla liked to leave these windows open so that the sound of the clocks might come in. It was not because she wanted to know the hour that she used to lie awake and listen to the clocks. She could tell this from her own little clock in her room.

On the front of her clock, just below the dial, was a sprig of a rosebush beautifully made of metal, and on this, just after the hour had sounded, there was a large green bud. At a quarter past the hour this bud opened a little, so that the red petals could be seen; fifteen minutes later it was a half-blown rose, and at a quarter of an hour more it was nearly full blown. Just before the hour the rose opened to its fullest extent, and so remained until the clock had finished striking, when it immediately shut up into a great green bud.

This clock was a great delight to Arla; for not only was it a very pleasant thing to watch the unfolding of the rose, but it was a satisfaction to think that her little clock always told her exactly what time it was, no matter what the other clocks of Rondaine might say.

Arla’s father and mother were thrifty, industrious people. They were very fond of their daughter, and wished her to grow up a thoughtful, useful woman. In the early morning, listening to the clocks of Rondaine, Arla did a great deal of thinking. It so happened on the morning of the day before Christmas she began to think of something which had never entered her mind before.

“How in the world,” she said to herself, “do the people of Rondaine know when it is really Christmas? Christmas begins at twelve o’clock on Christmas Eve; but as some of the people depend on one clock and some upon others, a great many of them cannot truly know when Christmas Day has really begun. Not one of the clocks strikes at the right time! As for that iron donkey, I believe he kicks whenever he feels like it. And yet there are people who go by him!” With these thoughts in her mind, Arla could not go to sleep again. She heard all the clocks strike, and lay awake until her own little clock told her that she ought to get up.

During this time she had made up her mind what she should do. There was yet one day before Christmas, and if the people of the town could be made to see in what a deplorable condition they were, they might have time to set the matter right so that all the clocks should strike the correct hour and everybody should know exactly when Christmas Day began. Arla was sure that the citizens had never given this matter proper thought.

When she went down to breakfast, she asked permission of her mother to take a day’s holiday. Her mother was quite willing to give her the day before Christmas in which she could do as she pleased. So Arla started out gayly to attend to the business she had in hand. Everybody in Rondaine knew her father and mother and a great many of them knew her, so there was no reason why she should be afraid to go where she chose. In one hand she carried a small covered basket in which she had placed her rose clock.

The first place she visited was the church where she and her parents always attended service. When she entered the dimly lighted church, Arla soon saw the sexton. He was a pleasant-faced little man whom she knew very well.

“Good morning, sir,” said she. “Do you take care of the church clock?”

“Yes, my little friend,” said he.

“Well, then,” said Arla, “I think you ought to know that your clock is eleven minutes too fast. I came here to tell you so that you might change it, and make it strike properly.”

The sexton’s eyes began to twinkle. He was a man of merry mood. “That is very good of you, little Arla; very good indeed. And now that we are about it, isn’t there something else you would like to change? What do you say to having these stone pillars put to one side, so that they may be out of the way of the people when they come in? Or what do you say to having our clock tower taken down and set out there in the square before the church door? Now tell me, shall we do these things together, wise little friend?”

A tear or two came into Arla’s eyes and she went away. “I suppose,” she said to herself, “that it would be too much trouble to climb to the top of the tower to set the clock right. But that was no reason why he should make fun of me. I don’t like him as well as I used to.”

She now made her way to the great square of the town, and entered the building at the top of which stood the stone man with his hammer. She found the doorkeeper in a little room by the side of the entrance. Arla thought she would be careful how she spoke to him.

“If you please, sir,” she said with a courtesy, “I should like to say something to you. And I hope you will not be offended when I tell you that your clock is not right. Your stone man and your stone woman are both too slow. They sometimes strike as much as seven minutes after they ought to strike.”

The grave, middle-aged man looked steadily at Arla through his spectacles. “Child,” said he, “for one hundred and fifty years the open tower on this building has stood there. And through all these years, in storm and in fair weather, by daylight or in the darkness of the night, that stone man and that stone woman have struck the hours and the half hours. And now you, a child, come to me and ask me to change that which has not been changed in one hundred and fifty years!”

Arla could answer nothing with those spectacles fixed upon her.

“Good morning, sir,” she said, as she turned and hurried into the street. She walked on until she came to the house of the little old lady with white hair. She concluded to stop and speak to her about her clock. “She is surely willing to alter that,” said Arla, “for it is so very much out of the way.”

The old lady knew who Arla was and received her very kindly; but when she heard why the young girl had come to her, she flew into a passion. “Never since I was born,” she said, “have I been spoken to like this! My great-grandfather lived in this house before me; that clock was good enough for him! My grandfather lived in this house before me; that clock was good enough for him! My father and mother lived in this house before me; that clock was good enough for them! I was born in this house, have always lived in it; that clock is good enough for me! I heard its strokes when I was but a little child: I hope to hear them at my last hour; and sooner than raise my hand against the clock of my ancestors, I would cut off that hand!”

Tears came into Arla’s eyes; she was a little frightened. “I hope you will pardon me,” she said, “for truly I did not wish to offend you. Nor did I think your clock is not a good one. I only meant that you should make it better; it is nearly an hour out of the way.”

The sight of Arla’s tears cooled the anger of the little old lady. “Child,” she said, “you do not know what you are talking about, and I forgive you. But remember this: never ask persons as old as I am to alter the principles which have always made clear to them what they should do, or the clocks which have always told them when they should do it.” And kissing Arla, she bade her good-by.

“Principles may last a great while without altering,” thought Arla, as she went away, “but I am sure it is very different with clocks.”

The poor girl now felt a good deal discouraged. “The people do not seem to care whether their clocks are right or not,” she said to herself.

Determined to make one more effort, Arla walked quickly to the town building, at the top of which was the clock with the iron donkey. This building was a sort of museum. It had a great many curious things in it, and it was in charge of an ingenious man who was very learned and skilful.

When Arla had told the superintendent why she had come to him, he did not laugh at her nor did he get angry, but he listened attentively to all that she had to say. “You must know, Arla,” he said, “that our iron donkey not only kicks out the hours, but five minutes before doing so he turns his head around and looks at the bell behind him; and then, when he has done kicking, he puts his head back into its former position. All this action requires a great many wheels and cogs and springs and levers. At noon on every bright day I set the donkey right, being able to get the correct time from a sundial which stands in the courtyard. But his works—which I am sorry to say are not well made—are sure to get a great deal out of the way before I set him again. But so far as I know, every person but yourself is perfectly satisfied with our donkey clock.”

“I suppose so,” said Arla, with a sigh; “but it is really a great pity that every striking clock in Rondaine should be wrong!”

“But how do you know they are all wrong?” asked the superintendent.

“Oh, that is easy enough,” said Arla, “when I lie awake in the early morning, I listen to their striking, and then I look at my own rose clock to see what time it really is.”

“Your rose clock?” said the superintendent.

“This is it,” said Arla, opening her basket and taking out her little clock.

The superintendent took it into his hands and looked at it, outside and inside. And then, still holding it, he stepped out into the courtyard. When in a few moments he returned, he said, “I have compared your clock with my sundial, and find that it is ten minutes slow!”

“My—clock—ten—minutes—slow!” exclaimed Arla, with wide-open eyes.

“Yes,” said the superintendent. “Such a clock as this—which is a very ingenious and beautiful one—ought frequently to be compared with a sundial, and set to the proper hour.”

Arla sat quiet for a moment and then she said: “I think I shall not care any more to compare the clocks of Rondaine with my little rose clock. If the people do not care to know exactly when Christmas Day begins, I can do nobody any good by listening to the different strikings and then looking at my own little clock.”

“Especially,” said the superintendent, with a smile, “when you are not sure that your rose clock is right. But if you bring your little clock and your key here on any day when the sun is shining, I shall set it to the time shadowed on the sundial, or show you how to do it yourself.”

“Thank you,” said Arla, and she took her leave.

As she walked home she lifted the lid of the basket and looked at her little rose clock. “To think of it!” she said, “that you should be sometimes too fast and sometimes too slow! And worse than that, to think that some of the other clocks have been right and you have been wrong. I can hardly believe it of you.”

But the little clock never went to be compared with the sundial. “Perhaps you are right now,” Arla would say to her clock each day when the sun shone, “and I shall not take you until some time when I feel very sure that you are wrong.”

Whether it was right or wrong Arla was satisfied that no other clock in Rondaine was its equal. But she kept her thoughts to herself, and never again attempted to regulate the affairs of others.—Frank R. Stockton.

From “Fanciful Tales,” published by Charles Scribner’s Sons.


THE CAMEL’S NOSE

Once in his shop a workman wrought,
With languid hand and listless thought,
When through the open window’s space,
Behold! a camel thrust his face:
“My nose is cold,” he meekly cried;
“Oh, let me warm it by thy side!”
Since no denial word was said,
In came the nose, in came the head;
As sure as sermon follows text,
The long and scraggy neck came next;
And then, as falls the threatening storm,
In leaped the whole ungainly form.
Aghast the owner gazed around,
And on the rude invader frowned,
Convinced, as closer still he pressed,
There was no room for such a guest;
Yet more astonished heard him say,
“If thou art troubled, go away,
For in this place I choose to stay.”
Lydia Huntley Sigourney.

LORD ULLIN’S DAUGHTER

A chieftain, to the Highlands bound,
Cries, “Boatman, do not tarry!
And I’ll give thee a silver pound,
To row us o’er the ferry.”
“Now, who be ye, would cross Lochgyle,
This dark and stormy water?”
“Oh! I’m the chief of Ulva’s Isle,
And this Lord Ullin’s daughter.
“And fast before her father’s men
Three days we’ve fled together,
For should he find us in the glen,
My blood would stain the heather.
“His horsemen hard behind us ride;
Should they our steps discover,
Then who would cheer my bonny bride,
When they have slain her lover?”
Out spoke the hardy Highland wight,
“I’ll go, my chief—I’m ready:
It is not for your silver bright,
But for your winsome lady:
“And, by my word! the bonny bird
In danger shall not tarry;
So, though the waves are raging white,
I’ll row you o’er the ferry.”
By this the storm grew loud apace,
The water-wraith was shrieking;
And, in the scowl of Heaven, each face
Grew dark as they were speaking.
But still, as wilder blew the wind,
And as the night drew drearer,
Adown the glen rode armèd men,
Their trampling sounded nearer.
“O haste thee, haste!” the lady cries,
“Though tempests round us gather,
I’ll meet the raging of the skies,
But not an angry father.”
The boat has left a stormy land,
A stormy sea before her—
When, oh! too strong for human hand,
The tempest gathered o’er her.
And still they rowed amidst the roar
Of waters fast prevailing;
Lord Ullin reached that fatal shore—
His wrath was changed to wailing.
For sore dismayed, through storm and shade,
His child he did discover:
One lovely arm she stretched for aid,
And one was round her lover.
“Come back! come back!” he cried, in grief,
“Across this stormy water;
And I’ll forgive your Highland chief,
My daughter!—Oh! my daughter!”
’Twas vain: the loud waves lashed the shore,
Return or aid preventing:
The waters wild went o’er his child—
And he was left lamenting.
Thomas Campbell.

Knowledge is proud that he has learnt so much;
Wisdom is humble that he knows no more.

GOD SAVE THE KING

God save our Lord the King,
Long live our noble King,
God save the King:
Send him victorious,
Happy and glorious,
Long to reign over us;
God save the King.
Thy choicest gifts in store
On him be pleased to pour;
Long may he reign:
May he defend our laws,
And ever give us cause
To sing with heart and voice,
God save the King.

Transcriber's Notes

Obvious typographical errors have been silently corrected. Hyphenation has been standardised, but other variations in spelling and punctuation remain unchanged.

In the name of the author Zitkala-S̈a, S̈ represents S surmounted by a diaeresis.