Title: Gutenberg, and the Art of Printing
Author: Emily C. Pearson
Release date: March 5, 2016 [eBook #51358]
Most recently updated: October 23, 2024
Language: English
Other information and formats: www.gutenberg.org/ebooks/51358
Credits: Produced by Brian Coe, Charlie Howard, and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by the Library of Congress)
Transcriber’s Note
Text originally printed in Old English or Black Letter is indicated here by boldface.
BY
EMILY C. PEARSON,
AUTHOR OF “RUTH’S SACRIFICE,” “THE POOR WHITE,” “PRINCE
PAUL,” “OUR PARISH,” ETC.
BOSTON:
NOYES, HOLMES AND COMPANY,
117 Washington Street.
1871.
Entered according to Act of Congress, in the year 1870, by
Emily C. Pearson,
in the Office of the Librarian of Congress at Washington.
RIVERSIDE, CAMBRIDGE:
STEREOTYPED AND PRINTED BY
H. O. HOUGHTON AND COMPANY.
TO THE GIFTED INTELLECTS,
WILLING HEARTS,
AND DEXTEROUS FINGERS
ENGAGED IN MAKING THE GREAT ART
A BLESSING TO THE WORLD.
Printing has been styled “The telescope of the soul.” As the optical instrument brings near and magnifies objects remote and invisible, so printing puts us in communication with minds of the past and present, and preserves the thoughts of this age for future generations.
But no one of the good and great of the past was permitted to lead the way in embodying thought on the printed page, save the wonderful man sketched in this volume. Out of a full heart of reverence, then, it is most fitting to embalm the memory of Gutenberg.
While musing on certain old archives touching the history of printing, it was suggested by literary friends, that we weave a memorial narrative of the chevalier and artisan honored in bringing the art to light. Accordingly we engaged in the work, having culled the most authentic warp and woof within reach.
Devised in the quiet of old libraries, and in the hush of peace, our little history finds itself heralded by the march of armies, and the clash of empires. War, ever to be deplored as the author of almost unmingled evil, has turned attention to the cradles of printing,—Strasbourg and Mentz. Directly we recognize them, shake hands, and are at home with those glorious old Rhenish cities, made famous for all time.
It is an interesting fact that the final completion of the world-famed Minster or Cathedral of Strasbourg, closely preludes the time when the art of printing had its rise. Earth’s loftiest spire may well mark the place where Heaven gave the greatest treasure-art to man.
Pains have been taken to harmonize the accounts of early printing by various credible authors, and when in doubt from conflicting statements, for safety and defense, we have taken shelter under the wings of the encyclopædias.
Led on by the romance of the broken betrothal, and afterwards most happy marriage, we love to linger over the art devised and cherished in the sanctity of the inventor’s home. Nobly did the Lady Anna exercise her “right” and to her, almost equally with her husband, are we indebted, since she cheered his way, inspiring courage in his work.
In a cell of St. Arbogast, our hero found a quiet retreat for some of his secret experiments; never was an old ruin turned to better account. The Library and Scriptorium of the great Cathedral also paid tribute to this man’s genius. But magnificent things were accomplished in Mentz, after his unparalleled overthrow in Strasbourg. “Organizing victory out of defeat,” he took into partnership the two men of the time best fitted for the purpose, and engaged anew in his chosen vocation. One is startled at the sequel of this fraternal alliance in the estrangement of those so knit together in pursuit and interest; but the stupendous enterprise of the firm, and the stricken man mysteriously “betrayed in the house of his friends,” were alike upheld by an Unseen Hand.
His persistence and noble purpose in inventing—how infinitely more worthy of a place on immortal records than are the deeds of the warrior!
The design of our work allows only a brief sketch of the progress of the art subsequent to the days of Gutenberg.
It is gratifying to note that certain ladies early engaged in the ennobling employment, and for many years won golden opinions.
We gratefully acknowledge obligations to Messrs. Rand, Avery, and Frye, 3 Cornhill, Boston; and also to Messrs. H. O. Houghton and Co., Riverside, Cambridge, for their courtesy in explaining the various processes of their model establishments, to assist the writer in forming a correct idea of the present state of the art.
Andover, December, 1870.