I.The Authorities on the so-called Civilization of Ancient Mexico and Adjacent Lands, and the Interpretation of such Authorities.
THE ancient so-called civilization which the Spaniards found in Mexico and Central America is the subject of much controversy: in the first place as regards its origin, whether indigenous, or allied to and derived from the civilizations of the Old World; and in the second place as regards its character, whether it was something more than a kind of grotesque barbarism, or of a nature that makes even the Spanish culture, which supplanted it, inferior in some respects by comparison.[964] The first of these problems, as regards its origin, is considered in another place. As respects the second, or its character, it is proposed here to follow the history of opinions.
In a book published at Seville in 1519, Martin Fernandez d’Enciso’s Suma de geographia que trata de todas las partidas y provincias del mundo: en especial de las Indias,[965] the European reader is supposed to have received the earliest hints of the degree of civilization—if it be so termed—of which the succeeding Spanish writers made so much. A brief sentence was thus the shadowy beginning of the stories of grandeur and magnificence[966] which we find later in Cortes, Bernal Diaz, Las Casas, Torquemada, Sahagún, Ramusio, Gomara, Oviedo, Zurita, Tezozomoc, and Ixtlilxochitl, and which is repeated often with accumulating effect in Acosta, Herrera, Lorenzana, Solis, Clavigero, and their successors.[967] Bandelier[968] points out how Robertson, in his views of Mexican civilization as in “the infancy of civil life,”[969] really opened the view for the first time of the exaggerated and uncritical estimates of the older writers, which Morgan has carried in our day to the highest pitch, and, as it would seem, without sufficient recognition of some of the contrary evidence.
It has usually been held that the creation among the Mexicans about thirty years after the founding of Mexico of a chief-of-men (Tlacatecuhtli) instituted a feudal monarchy. Bandelier,[970] speaking of the application of feudal terms by the old writers to Mexican institutions, says: “What in their first process of thinking was merely a comparative, became very soon a positive terminology for the purpose of describing institutions to which this foreign terminology never was adapted.” He instances that the so-called “king” of these early writers was a translation of the native term, which in fact only meant “one of those who spoke;” that is, a prominent member of the council.[971] Bandelier traces the beginning of the feudal ideas as a graft upon the native systems, in the oldest document issued by Europeans on Mexican soil, when Cortes (May 20, 1519) conferred land on his allies, the chiefs of Axapusco and Tepeyahualco, and for the first time made their offices hereditary. It is Bandelier’s opinion that “the grantees had no conception of the true import of what they accepted; neither did Cortes conceive the nature of their ideas.” This was followed after the Spanish occupation of Mexico by the institution of “repartimientos,” through which the natives became serfs of the soil to the conquerors.[972]
The story about this unknown splendor of a strange civilization fascinated the world nearly half a century ago in the kindly recital of Prescott;[973] but it was observed that he quoted too often the somewhat illusory and exaggerated statements of Ixtlilxochitl, and was not a little attracted by the gorgeous pictures of Waldeck and Dupaix. With such a charming depicter, the barbaric gorgeousness of this ancient empire, as it became the fashion to call it, gathered a new interest, which has never waned, and Morgan[974] is probably correct in affirming that it “has called into existence a larger number of works than were ever before written upon any people of the same number and of the same importance.”[975] Even those who, like Tylor, had gone to Mexico sceptics, had been forced to the conclusion that Prescott’s pictures were substantially correct, and setting aside what he felt to be the monstrous exaggerations of Solis, Gomara, and the rest, he could not find the history much less trustworthy than European history of the same period.[976] It has been told in another place[977] how the derogatory view, as opposed to the views of Prescott, were expressed by R. A. Wilson in his New Conquest of Mexico, in assuming that all the conquerors said was baseless fabrication, the European Montezuma becoming a petty Indian chief, and the great city of Mexico a collection of hovels in an everglade,—the ruins of the country being accounted for by supposing them the relics of an ancient Phœnician civilization, which had been stamped out by the inroads of barbarians, whose equally barbarious descendants the Spaniards were in turn to overcome. It cannot be said that such iconoclastic opinions obtained any marked acceptance; but it was apparent that the notion of the exaggeration of the Spanish accounts was becoming sensibly fixed in the world’s opinion. We see this reaction in a far less excessive way in Daniel Wilson’s Prehistoric Man (i. 325, etc.), and he was struck, among other things, with the utter obliteration of the architectural traces of the conquered race in the city of Mexico itself.[978] When, in 1875, Hubert H. Bancroft published the second volume of his Native Races, he confessed “that much concerning the Aztec civilization had been greatly exaggerated by the old Spanish writers, and for obvious reasons;” but he contended that the stories of their magnificence must in the main be accepted, because of the unanimity of witnesses, notwithstanding their copying from one another, and because of the evidence of the ruins.[979] He strikes his key-note in his chapter on the “Government of the Nahua Nations,” in speaking of it as “monarchical and nearly absolute;”[980] but it was perhaps in his chapter on the “Palaces and Households of the Nahua Kings,” where he fortifies his statement by numerous references, that he carried his descriptions to the extent that allied his opinions to those who most unhesitatingly accepted the old stories.[981]
The most serious arraignment of these long-accepted views was by Lewis H. Morgan, who speaks of them as having “caught the imagination and overcome the critical judgment of Prescott, ravaged the sprightly brain of Brasseur de Bourbourg, and carried up in a whirlwind our author at the Golden Gate.”[982]
Morgan’s studies had been primarily among the Iroquois, and by analogy he had applied his reasoning to the aboriginal conditions of Mexico and Central America, thus degrading their so-called civilization to the level of the Indian tribal organization, as it was understood in the North.[983] Morgan’s confidence in its deductions was perfect, and he was not very gracious in alluding to the views of his opponents. He looked upon “the fabric of Aztec romance as the most deadly encumbrance upon American ethnology.”[984] The Spanish chroniclers, as he contended, “inaugurated American aboriginal history upon a misconception of Indian life, which has remained substantially unquestioned till recently.”[985] He charges upon ignorance of the structure and principles of Indian society, the perversion of all the writers,[986] from Cortes to Bancroft, who, as he says, unable to comprehend its peculiarities, invoked the imagination to supply whatever was necessary to fill out the picture.[987] The actual condition to which the Indians of Spanish America had reached was, according to his schedule, the upper status of barbarism, between which and the beginning of civilization he reckoned an entire ethnical period. “In the art of government they had not been able to rise above gentile institutions and establish political society. This fact,” Morgan continues, “demonstrates the impossibility of privileged classes and of potentates, under their institutions, with power to enforce the labor of the people for the erection of palaces for their use, and explains the absence of such structures.”[988]
This is the essence of the variance of the two schools of interpretation of the Aztec and Maya life. The reader of Bancroft will find, on the other hand, due recognition of an imperial system, with its monarch and nobles and classes of slaves, and innumerable palaces, of which we see to-day the ruins. The studies of Bandelier are appealed to by Morgan as substantiating his view.[989] Mrs. Zelia Nuttall (Proc. Am. Assoc. Adv. Sci., Aug., 1886) claims to be able to show that the true interpretation of the Borgian and other codices points in part at least to details of a communal life.
The special issues which for a test Morgan takes with Bancroft are in regard to the character of the house in which Montezuma lived, and of the dinner which is represented by Bernal Diaz and the rest as the daily banquet of an imperial potentate. Morgan’s criticism is in his Houses and House Life of the American Aborigines (Washington, 1881).[990] The basis of this book had been intended for a fifth Part of his Ancient Society, but was not used in that publication. He printed the material, however, in papers on “Montezuma’s Dinner” (No. Am. Rev., Ap. 1876), “Houses of the Moundbuilders” (Ibid., July, 1876), and “Study of the Houses and House Life of the Indian Tribes” (Archæol. Inst. of Amer. Publ.). These papers amalgamated now make the work called Houses and House Life.[991]
Morgan argues that a communal mode of living accords with the usages of aboriginal hospitality, as well as with their tenure of lands,[992] and with the large buildings, which others call palaces, and he calls joint tenement houses. He instances, as evidence of the size of such houses, that at Cholula four hundred Spaniards and one thousand allied Indians found lodging in such a house; and he points to Stephens’s description of similar communal establishments which he found in our day near Uxmal.[993] He holds that the inference of communal living from such data as these is sufficient to warrant a belief in it, although none of the early Spanish writers mention such communism as existing; while they actually describe a communal feast in what is known as Montezuma’s dinner;[994] and while the plans of the large buildings now seen in ruins are exactly in accord with the demands of separate families united in joint occupancy. In such groups, he holds, there is usually one building devoted to the purpose of a Tecpan, or official house of the tribe.[995] Under the pressure to labor, which the Spaniards inflicted on their occupants, these communal dwellers were driven, to escape such servitude, into the forest, and thus their houses fell into decay. Morgan’s views attracted the adhesion of not a few archæologists, like Bandelier and Dawson; but in Bancroft, as contravening the spirit of his Native Races, they begat feelings that substituted disdain for convincing arguments.[996] The less passionate controversialists point out, with more effect, how hazardous it is, in coming to conclusions on the quality of the Nahua, Maya, or Quiché conditions of life, to ignore such evidences as those of the hieroglyphics, the calendars, the architecture and carvings, the literature and the industries, as evincing quite another kind, rather than degree, of progress, from that of the northern Indians.[997]
II.Bibliographical Notes upon the Ruins and Archæological Remains of Mexico and Central America.
Elsewhere in this work some account is given of the comprehensive treatment of American antiquities. It is the purpose of this note to characterize such other descriptions as have been specially confined to the antiquities of Mexico, Central America, and adjacent parts; together with noting occasionally those more comprehensive works which have sections on these regions. The earliest and most distinguished of all such treatises are the writings of Alexander von Humboldt,[998] to whom may be ascribed the paternity of what the French define as the Science of Americanism, which, however, took more definite shape and invited discipleship when the Société Américaine de France was formed, and Aubin in his Mémoire sur la peinture didactique et l’écriture figurative des Anciens Méxicains furnished a standard of scholarship. How new this science was may be deduced from the fact that Robertson, the most distinguished authority on early American history, who wrote in English, in the last part of the preceding century, had ventured to say that in all New Spain there was not “a single monument or vestige of any building more ancient than the Conquest.” After Humboldt, the most famous of what may be called the pioneers of this art were Kingsborough, Dupaix, and Waldeck, whose publications are sufficiently described elsewhere. The most startling developments came from the expeditions of Stephens and Catherwood, the former mingling both in his Central America and Yucatan the charms of a personal narrative with his archæological studies, while the draughtsman, beside furnishing the sketches for Stephens’s book, embodied his drawings on a larger scale in the publication which passes under his own name.[999] The explorations of Charnay are those which have excited the most interest of late years, though equally significant results have been produced by such special explorers as Squier in Nicaragua, Le Plongeon in Yucatan, and Bandelier in Mexico.
The labors of the French archæologist, which began in 1858, resulted in the work Cités et ruines Américaines: Mitla, Palenqué, Izamal, Chichen-Itza, Uxmal, recueillies et photographiées par Désiré Charnay, avec un Texte par M. Viollet le Duc. (Paris, 1863.) Charnay contributed to this joint publication, beside the photographs, a paper called “Le Méxique, 1858-61,—souvenirs et impressions de Voyage.” The Architect Viollet le Duc gives us in the same book an essay by an active, well-equipped, and ingenious mind, but his speculations about the origin of this Southern civilization and its remains are rather curious than convincing.[1000]
THE PYRAMID OF CHOLULA.
After a drawing in Cumplido’s Spanish translation of Prescott’s Mexico, vol. iii. (Mexico, 1846.)
The public began to learn better what Charnay’s full and hearty confidence in his own sweeping assertions was, when he again entered the field in a series of papers on the ruins of Central America which he contributed (1879-81) to the North American Review (vols. cxxxi.-cxxxiii.), and which for the most part reached the public newly dressed in some of the papers contributed by L. P. Gratacap to the American Antiquarian,[1001] and in a paper by F. A. Ober on “The Ancient Cities of America,” in the Amer. Geog. Soc. Bulletin, Mar., 1888. Charnay took moulds of various sculptures found among the ruins, which were placed in the Trocadero Museum in Paris.[1002] What Charnay communicated in English to the No. Amer. Review appeared in better shape in French in the Tour du Monde (1886-87), and in a still riper condition in his latest work, Les anciens villes du Nouveau Monde: voyages d’explorations au Méxique et dans l’Amérique Centrale. 1857-1882. Ouvrage contenant 214 gravures et 19 cartes ou plans. (Paris, 1885.)[1003]
GREAT MOUND OF CHOLULA.
After a sketch in Bandelier’s Archæological Tour, p. 233, who also gives a plan of the mound. The modern Church of Nuestra Señora de los Remedios is on the summit, where there are no traces of aboriginal works. A paved road leads to the top. A suburban road skirts its base, and fields of maguey surround it. The circuit of the base is 3859 feet, and the mound covers nearly twenty acres. Estimates of its height are variously given from 165 to 208 feet, according as one or another base line is chosen. It is built of adobe brick laid in clay, and it has suffered from erosion, slides, and other effects of time. There are some traces of steps up the side. Bandelier (pl. xv.) also gives a fac-simile of an old map of Cholula. The earliest picture which we have of the mound, evidently thought by the first Spaniards to be a natural one, is in the arms of Cholula (1540). There are other modern cuts in Carbajal-Espinosa’s Mexico (i. 195); Archæologia Americana (i. 12); Brocklehurst’s Mexico to-day, 182. The degree of restoration which draughtsmen allow to themselves, accounts in large measure for the great diversity of appearance which the mound makes in the different drawings of it. There is a professed restoration by Mothes in Armin’s Heutige Mexico, 63, 68, 72. The engraving in Humboldt is really a restoration (Vues, etc., pl. vii., or pl. viii. of the folio ed.). Bandelier gives a slight sketch of a restoration (p. 246, pl. viii.).
We proceed now to note geographically some of the principal ruins. In the vicinity of Vera Cruz the pyramid of Papantla is the conspicuous monument,[1004] but there is little else thereabouts needing particular mention. Among the ruins of the central plateau of Mexico, the famous pyramid of Cholula is best known. The time of its construction is a matter about which archæologists are not agreed, though it is perhaps to be connected with the earliest period of the Nahua power. Duran, on the other hand, has told a story of its erection by the giants, overcome by the Nahuas.[1005] Its purpose is equally debatable, whether intended for a memorial, a refuge, a defence, or a spot of worship—very likely the truth may be divided among them all.[1006] It is a similar problem for divided opinion whether it was built by a great display of human energy, in accordance with the tradition that the bricks which composed its surface were passed from hand to hand by a line of men, extending to the spot where they were made leagues away, or constructed by a slower process of accretion, spread over successive generations, which might not have required any marvellous array of workmen.[1007] The fierce conflict which—as some hold—Cortés had with the natives around the mound and on its slopes settled its fate; and the demolition begun thereupon, and continued by the furious desolaters of the Church, has been aided by the erosions of time and the hand of progress, till the great monument has become a ragged and corroded hill, which might to the casual observer stand for the natural base, given by the Creator, to the modern chapel that now crowns its summit; but if Bandelier’s view (p. 249) is correct, that none of the conquerors mention it, then the conflict which is recorded took place, not here, but on the vanished mound of Quetzalcoatl, which in Bandelier’s opinion was a different structure from this more famous mound, while other writers pronounce it the shrine itself of Quetzalcoatl.[1008]
MEXICAN CALENDAR STONE.
After a cut in Harper’s Magazine. An enlarged engraving of the central head is given on the title-page of the present volume. A photographic reproduction, as the “Stone of the Sun,” is given in Bandelier’s Archæological Tour, p. 54, where he summarizes the history of it, with references, including a paper by Alfredo Chavero, in the Anales del Museo nacional de México, and another, with a cut, by P. J. J. Valentini, in Amer. Antiq. Soc. Proc., April, 1878, and in The Nation, Aug. 8 and Sept. 19, 1878. Chavero’s explanation is translated in Brocklehurst’s Mexico to-day, p. 186. The stone is dated in a year corresponding to a.d. 1479, and it was early described in Duran’s Historia de las Indias, and in Tezozomoc’s Crónica mexicana. Tylor (Anahuac, 238) says that of the drawings made before the days of photography, that in Carlos Nebel’s Viaje pintoresco y Arqueológico sobre la República Mejicana, 1829-1834 (Paris, 1839), is the best, while the engravings given by Humboldt (pl. xxiii.) and others are more or less erroneous. Cf. other cuts in Carbajal’s México, i. 528; Bustamante’s Mañanas de la Alameda (Mexico, 1835-36); Short’s No. Amer. of Antiq., 408, 451, with references; Bancroft’s Native Races, ii. 520; iv. 506; Stevens’s Flint Chips, 309.
Various calendar disks are figured in Clavigero (Casena, 1780); a colored calendar on agave paper is reproduced in the Archives de la Commission Scientifique du Méxique, iii. 120. (Quaritch held the original document in Aug., 1888, at £25, which had belonged to M. Boban.)
For elucidations of the Mexican astronomical and calendar system see Acosta, vi. cap. 2; Granados y Galvez’s Tardes Americanas (1778); Humboldt’s essay in connection with pl. xxiii. of his Atlas; Prescott’s Mexico, i. 117; Bollaert in Memoirs read before the Anthropol. Soc. of London, i. 210; E. G. Squier’s Some new discoveries respecting the dates on the great calendar stone of the ancient Mexicans, with observations on the Mexican cycle of fifty-two years, in the American Journal of Science and Arts, 2d ser., March, 1849, pp. 153-157; Abbé J. Pipart’s Astronomie, Chronologie et rites des Méxicaines in the Archives de la Soc. Amér. de France (n. ser. i.); Brasseur’s Nat. Civ., iii. livre ii.; Bancroft’s Nat. Races, ii. ch. 16; Short, ch. 9, with ref., p. 445; Cyrus Thomas in Powell’s Rept. Ethn. Bureau, iii. 7. Cf. Brinton’s Abor. Amer. Authors, p. 38; Brasseur’s “Chronologie historique des Méxicaines” in the Actes de la Soc. d’Ethnographie (1872), vol. vi.; Wilson’s Prehistoric Man, i. 355, for the Toltecs as the source of astronomical ideas, with which compare Bancroft, v. 192; the Bulletin de la Soc. royale Belge de Géog., Sept., Oct., 1886; and Bandelier in the Peabody Mus. Repts., ii. 572, for a comparison of calendars.
Wilson in his Prehistoric Man (i. 246) says: “By the unaided results of native science, the dwellers on the Mexican plateau had effected an adjustment of civil to solar time so nearly correct that when the Spaniards landed on their coast, their own reckoning, according to the unreformed Julian calendar, was really eleven days in error, compared with that of the barbarian nation whose civilization they so speedily effaced.”
See what Wilson (Prehistoric Man, i. 333) says of the native veneration for this calendar stone, when it was exhumed. Mrs. Nuttall (Proc. Am. Asso. Adv. Sci., Aug., 1886) claims to be able to show that this monolith is really a stone which stood in the Mexican market-place, and was used in regulating the stated market-days.
We have reference to a Cholula mound in some of the earliest writers. Bernal Diaz counted the steps on its side.[1009] Motolinía saw it within ten years of the Conquest, when it was overgrown and much ruined. Sahagún says it was built for defensive purposes. Rojas, in his Relacion de Cholula, 1581, calls it a fortress, and says the Spaniards levelled its convex top to plant there a cross, where later, in 1594, they built a chapel. Torquemada, following Motolinía and the later Mendieta, says it was never finished, and was decayed in his time, though he traced the different levels. Its interest as a relic thus dates almost from the beginnings of the modern history of the region. Boturini mentions its four terraces. Clavigero, in 1744, rode up its sides on horseback, impelled by curiosity, and found it hard work even then to look upon it as other than a natural hill.[1010] The earliest of the critical accounts of it, however, is Humboldt’s, made from examinations in 1803, when much more than now of its original construction was observable, and his account is the one from which most travellers have drawn,—the result of close scrutiny in his text and of considerable license in his plate, in which he aimed at something like a restoration.[1011] The latest critical examination is in Bandelier’s “Studies about Cholula and its vicinity,” making part iii. of his Archæological Tour in Mexico in 1881.[1012]
What are called the finest ruins in Mexico are those of Xochicalco, seventy-five miles southwest of the capital, consisting of a mound of five terraces supported by masonry, with a walled area on the summit. Of late years a cornfield surrounds what is left of the pyramidal structure, which was its crowning edifice, and which up to the middle of the last century had five receding stories, though only one now appears. It owes its destruction to the needs which the proprietors of the neighboring sugar-works have had for its stones. The earliest account of the ruins appeared in the “Descripcion (1791) de los antiqüedades de Xochicalco” of José Antonio Alzate y Ramirez, in the Gacetas de Literatura (Mexico, 1790-94, in 3 vols.; reprinted Puebla, 1831, in 4 vols.), accompanied by plates, which were again used in Pietro Marquez’s Due Antichi Monumenti de Architettura Messicana (Roma, 1804),[1013] with an Italian version of Alzate, from which the French translation in Dupaix was made. Alzate furnished the basis of the account in Humboldt’s Vues (i. 129; pl. ix. of folio ed.), and Waldeck (Voyage pitt., 69) regrets that Humboldt adopted so inexact a description as that of Alzate. From Nebel (Viage pintoresco) we get our best graphic representations, for Tylor (Anahuac) says that Casteñeda’s drawings, accompanying Dupaix, are very incorrect. Bancroft says that one, at least, of these drawings in Kingsborough bears not the slightest resemblance to the one given in Dupaix. In 1835 there were explorations made under orders of the Mexican government, which were published in the Revista Mexicana (i. 539,—reprinted in the Diccionario Universal, x. 938). Other accounts, more or less helpful, are given by Latrobe, Mayer,[1014] and in Isador Löwenstern’s Le Méxique (Paris, 1843).[1015]
COURT IN THE MEXICO MUSEUM.
Note.—The opposite view of the court of the Museum is from Charnay, p. 57. He says: “The Museum cannot be called rich, in so far that there is nothing remarkable in what the visitor is allowed to see.” The vases, which had so much deceived Charnay, earlier, as to cause him to make casts of them for the Paris Museum, he at a later day pronounced forgeries; and he says that they, with many others which are seen in public and private museums, were manufactured at Tlatiloco, a Mexican suburb, between 1820 and 1828. See Holmes on the trade in Mexican spurious relics in Science, 1886.
The reclining statue in the foreground is balanced by one similar to it at an opposite part of the court-yard. One is the Chac-mool, as Le Plongeon called it, unearthed by him at Chichen-Itza, and appropriated by the Mexican government; the other was discovered at Tlaxcala.
The round stone in the centre is the sacrificial stone dug up in the great square in Mexico, of which an enlarged view is given on another page.
The museum is described in Bancroft, iv. 554; in Mayer’s Mexico as it was, etc., and his Mexico, Aztec, etc.; Fossey’s Mexique.
On Le Plongeon’s discovery of the Chac-mool see Amer. Antiq. Soc. Proc., Apr., 1877; Oct., 1878, and new series, i. 280; Nadaillac, Eng. tr., 346; Short, 400; Le Plongeon’s Sacred Mysteries, 88, and his paper in the Amer. Geog. Soc. Journal, ix. 142 (1877). Hamy calls it the Toltec god Tlaloc, the rain-god; and Charnay agrees with him, giving (pp. 366-7) cuts of his and of the one found at Tlaxcala.
The ancient Anahuac corresponds mainly to the valley of Mexico city.[1016] Bancroft (iv. 497) shows in a summary way the extent of our knowledge of the scant archæological remains within this central area.[1017]
In the city of Mexico not a single relic of the architecture of the earlier peoples remains,[1018] though a few movable sculptured objects are preserved.[1019]
OLD MEXICAN BRIDGE NEAR TEZCUCO.
After a sketch in Tylor’s Anahuac, who thinks it the original Puente de las Bergantinas, where Cortes had his brigantines launched. The span is about 20 feet, and this Tylor thinks “an immense span for such a construction.” Cf. H. H. Bancroft, Native Races, iv. 479, 528. Bandelier (Peabody Mus. Reports, ii. 696) doubts its antiquity.
Tezcuco, on the other side of the lake from Mexico, affords some traces of the ante-Conquest architecture, but has revealed no such interesting movable relics as have been found in the capital city.[1020] Twenty-five miles north of Mexico are the ruins of Teotihuacan, which have been abundantly described by early writers and modern explorers. Bancroft (iv. 530) makes up his summary mainly from a Mexican official account, Ramon Almaraz’s Memoria de los trabajos ejecutados por la comision cientifica de Pachuca (Mexico, 1865), adding what was needed to fill out details from Clavigero, Humboldt, and the later writers.[1021]
Bancroft (iv. ch. 10), in describing what is known of the remains in the northern parts of Mexico, gives a summary of what has been written regarding the most famous of these ruins, Quemada in Zacatecas.[1022]
THE INDIO TRISTE.
After a photograph in Bandelier’s Archæological Tour, p. 68. He thinks it was intended to be a bearer of a torch, and has no symbolical meaning.
Bancroft (iv. ch. 7) has given a separate chapter to the antiquities of Oajaca (Oaxaca) and Guerrero, as the most southern of what he terms the Nahua people, including and lying westerly of the Isthmus of Tehuantepec, and he speaks of it as a region but little known to travellers, except as they pass through a part of it lying on the commercial route from Acapulco to the capital city of Mexico. Bancroft’s summary, with his references, must suffice for the inquirer for all except the principal group of ruins in this region, that of Mitla (or Lyó-Baa), of which a full recapitulation of authorities may be made, most of which are also to be referred to for the lesser ruins, though, as Bancroft points out, the information respecting Monte Alban and Zachila is far from satisfactory. Of Monte Alban, Dupaix and Charnay are the most important witnesses, and the latter says that he considers Monte Alban “one of the most precious remains, and very surely the most ancient of the American civilizations.”[1023] On Dupaix alone we must depend for what we know of Zachila.
It is, however, of Mitla (sometime Miquitlan, Mictlan) that more considerable mention must be made, and its ruins, about thirty miles southerly from Mexico, have been oftenest visited, as they deserve to be; and we have to regret that Stephens never took them within the range of his observations. Their demolition had begun during a century or two previous to the Spanish Conquest, and was not complete even then. Nature is gloomy, and even repulsive in its desolation about the ruins;[1024] but a small village still exists among them. The place is mentioned by Duran[1025] as inhabited about 1450; Motolinía describes it as still lived in,[1026] and in 1565-74 it had a gobernador of its own. Burgoa speaks of it in 1644.[1027]
GENERAL PLAN OF MITLA.
After Bandelier’s sketch (Archæological Tour, p. 276). KEY:
A, the ruins on the highest ground, with a church
and curacy built into the walls.
B, C, E, are ruins outside the village.
D is within the modern village.
F is beyond the river.
The earliest of the modern explorers were Luis Martin, a Mexican architect, and Colonel de la Laguna, who examined the ruins in 1802; and it was from Martin and his drawings that Humboldt drew the information with which, in 1810, he first engaged the attention of the general public upon Mitla, in his Vues des Cordillères. Dupaix’s visit was in 1806. The architect Eduard L. Mühlenpfordt, in his Versuch einer getreuen Schilderung der Republik Mejico (Hannover, 1844, in 2 vols.), says that he made plans and drawings in 1830,[1028] which, passing into the hands of Juan B. Carriedo, were used by him to illustrate a paper, “Los palacios antiguos de Mitla,” in the Ilustracion Mexicana (vol. ii.), in which he set forth the condition of the ruins in 1852. Meanwhile, in 1837, some drawings had been made, which were twenty years later reproduced in the ninth volume of the Smithsonian Contributions to Knowledge, as Brantz Mayer’s Observations on Mexican history and archæology, with a special notice of Zapotec, remains as delineated in Mr. J. G. Sawkins’s drawings of Mitla, etc. (Washington, 1857). Bancroft points out (iv. 406) that the inaccuracies and impossibilities of Sawkins’ drawings are such as to lead to the conclusion that he pretended to explorations which he never made, and probably drafted his views from some indefinite information; and that Mayer was deceived, having no more precise statements than Humboldt’s by which to test the drawings. Matthieu Fossey visited the ruins in 1838; but his account in his Le Méxique (Paris, 1857) is found by Bancroft to be mainly a borrowed one. G. F. von Tempsky’s Mitla, a narrative of incidents and personal adventure on a journey in Mexico, Guatemala and Salvador, 1853-1855, edited by J. S. Bell (London, 1858), deceives us by the title into supposing that considerable attention is given in the book to Mitla, but we find him spending but a part of a day there in February, 1854 (p. 250). The book is not prized; Bandelier calls it of small scientific value, and Bancroft says his plates must have been made up from other sources than his own observations.[1029] Charnay, here, as well as elsewhere, made for us some important photographs in 1859.[1030] This kind of illustration received new accessions of value when Emilio Herbrüger issued a series of thirty-four fine plates as Album de Vistas fotográficas de las Antiguas Ruinas de los palacios de Mitla (Oaxaca, 1874). In 1864, J. W. von Müller, in his Reisen in den Vereinigten Staaten, Canada und Mexico (Leipzig, in 3 vols.), included an account of a visit.[1031] The most careful examination made since Bancroft summarized existing knowledge is that of Bandelier in his Archæological Tour in Mexico in 1881 (Boston, 1885), published as no. ii. of the American series of the Papers of the Archæological Institute of America, which is illustrated with heliotypes and sketch plans of the ruins and architectural details in all their geometrical symmetry. Bancroft (iv. 392, etc.) could only give a plan of the ruins based on the sketches of Mühlenpfordt as published by Carriedo, but the student will find a more careful one[1032] in Bandelier, who also gives detailed ones of the several buildings (pl. xvii., xviii.)
SACRIFICIAL STONE.
After a photograph in Bandelier’s Archæological Tour, p. 67. See on another page, cut of the court-yard of the Museum, where this stone is preserved. Cf. Humboldt, pl. xxi.; Bandelier in Amer. Antiq., 1878; Bancroft, iv. 509; Stevens’s Flint Chips, 311. There is a discussion of the stone in Orozco y Berra’s El Cuauhxicalli de Tizoc, in the Anales del Museo Nacional, i. no. 1; ii. no. 1. On the sacrificial stone of San Juan Teotihuacan, see paper by Amos W. Butler in the Amer. Antiq., vii. 148. A cut in Clavigero (ii.) shows how the stone was used in sacrifices; the engraving has been often copied. In Mrs. Nuttall’s view this stone simply records the periodical tribute days (Am. Ass. Adv. Sci. Proc., Aug. 1886).
There is no part of Spanish America richer in architectural remains than the northern section of Yucatan, and Bancroft (iv. ch. 5) has occasion to enumerate and to describe with more or less fullness between fifty and sixty independent groups of ruins.[1033] Stephens explored forty-four of these abandoned towns, and such was the native ignorance that of only a few of them could anything be learned in Merida. And yet that this country was the land of a peculiar architecture was known to the earliest explorers. Francisco Hernandez de Cordova in 1517, Juan de Grijalva in 1518, Cortés himself in 1519, and Francisco de Montejo in 1527 observed the ruins in Cozumel, an island off the northwest coast of the peninsula, and at other points of the shore.[1034] It is only, however, within the present century that we have had any critical notices. Rio heard reports of them merely. Lorenzo de Zavala saw only Uxmal, as his account given in Dupaix shows. The earliest detailed descriptions were those of Waldeck in his Voyage pittoresque et achéologique dans la province d’Yucatan (Paris, 1838, folio, with steel plates and lithographs), but he also saw little more than the ruins of Uxmal, in the expedition in which he had received pecuniary support from Lord Kingsborough.[1035] It is to John L. Stephens and his accompanying draughtsman, Frederic Catherwood, that we owe by far the most essential part of our knowledge of the Yucatan remains. He had begun a survey of Uxmal in 1840, but had made little progress when the illness of his artist broke up his plans. Accordingly he gave the world but partial results in his Incidents of Travel in Central America. Not satisfied with his imperfect examination, he returned to Yucatan in 1841, and in 1843 published at New York the book which has become the main source of information for all compilers ever since, his Incidents of Travel in Yucatan (N. Y., 1842; London, 1843; again, N. Y., 1856, 1858). It was in the early days of the Daguerrean process, and Catherwood took with him a camera, from which his excellent drawings derive some of their fidelity. They appeared in his own Views of Ancient Monuments in Central America (N. Y., 1844), on a larger scale than in Stephens’s smaller pages.