Ruskin on, 149;
drawings for, exhibited at Paris (1889), 174;
drawings of, in Victoria and Albert Museum, 256;
models for, 273;
excellence of drawings in, 282
Lanterne Magique, La, French and Belgian edition of Under the Window, 281
Leighton, Lord, purchaser of Kate Greenaway drawings, 180;
funeral of, 201;
Kate Greenaway on death of, 203
Leiningen-Westerburg, Count of, on Kate Greenaway’s art, 117
Leslie, G. D., R.A., influence of, in Kate Greenaway’s work, 270
Liberty, Mr. Arthur Lasenby, Treasurer of Memorial Committee, 256
Library, The, drawing for, 85
‘Lilies,’ sold, 224
Literary World, The, on Under the Window, 281
Little Ann and other Poems, 22, 58;
dedicated to Mrs. Locker-Lampson, 96;
drawings for new edition of, 105;
Stacy Marks, R.A., on, 121;
drawings for, exhibited at Paris (1889), 174;
drawings of, in Victoria and Albert Museum, 256;
models for 273;
excellence of drawings in, 281
‘Little Dinky,’ tail-piece for London Lyrics, 101
‘Little Fanny,’ frontispiece to Routledge’s Christmas Number, 101
Little Folks, first appearance in, 51;
‘PoorNelly’ in, 280
‘Little Girl and Green Cradle,’ at Royal Institute (1895), 197
‘Little Girl in Red,’ at Royal Institute (1895), 192, 197
‘Little Girl in Scarlet Coat,’ sold, 224
‘Little Girl with Doll,’ at Royal Academy (1878), 69
‘Little Girl with Fan,’ at Royal Academy (1880), 85
‘Little Girl with Tea Rose,’ sold, 224
‘Little Girlie,’ drawing sold at Chicago, 182
‘Little Go-Cart, The,’ sold, 183
‘Little Model, The,’ 275
‘Little Phyllis,’ drawing sold at Chicago, 182
Little Wide-Awake, frontispiece to, 85
Liverpool Exhibition (1895), Kate Greenaway’s work at, 192
Locker-Lampson, Frederick, Under the Window, 57;
beginning of friendship with, 86;
association with, 87;
London Lyrics, frontispiece to, 88;
tail-piece to, 101;
suggestions for names for Kate Greenaway’s house at Hampstead, 91;
verses for Christmas cards by, 92;
criticisms of Kate Greenaway’s drawings and verses, 93, 95;
on Ruskin, 93;
on Burne-Jones, 94;
Poems on his children, with illustrations by Kate Greenaway, 96;
death of, 96;
on Kate Greenaway’s imitators, 106;
on new studio at Frognal, 144;
references to, in Kate Greenaway’s letters, 164, 167;
introduces Kate Greenaway to Mrs. Allingham, 172;
visit to, 185
letters to Kate Greenaway, from, 88, 90, 91, 92, 95;
letters from Kate Greenaway, to, 86, 89, 91, 92, 94, 96, 266, 274
Locker-Lampson, Mrs., friendship with, 96;
letters to Kate Greenaway, 96, 97;
member of Memorial Committee, 256
Locker-Lampson, Godfrey, Esq., Kate Greenaway sends drawings to, at Eton, 96;
book-plate for, 182
Locker-Lampson, Miss Dorothy, Kate Greenaway corrects drawings by, 96;
book-plate for, 182
Locker-Lampson, Miss Maud, 234
Loffelt, M. A. C., on Kate Greenaway’s art, 117
Loftie, Rev. W. J., early recollections of Kate Greenaway, 45;
on Kate Greenaway’s designs for valentine, 48;
‘Art at Home’ Series, 48;
as friend of Kate Greenaway, 167
London Lyrics, frontispiece to, 88;
tail-piece to, 101
Lord Ormont and His Aminta, Kate Greenaway on, 196
Lostalot, M. Alfred de, on Kate Greenaway’s work, 106
‘Love’s Baubles’ (Byam Shaw), Kate Greenaway on, 218
‘Lucy Locket,’ sold, 183; daintiness of, 271
Macmillan & Co., illustrations to Miss Yonge’s novels for, 77;
frontispiece to Amateur Theatricals, 78;
St. Nicholas, 78;
The Library, 85
Magazine of Art, poem by Mr. Austin Dobson, illustrated by Kate Greenaway, 124;
proposed article on ‘Later Work of Kate Greenaway,’ for, 252
Mallock, Mr., and The New Republic, Kate Greenaway on, 214, 215
Mannerisms of Kate Greenaway, 267
Marigold Garden, 58;
designs from, in Painting Book, 128;
publication of, 129;
drawings for, exhibited at Paris (1889), 174;
drawing of title-page sold at Chicago, 182; models for, 273;
excellence of drawings in, 282
Marks, H. Stacy, R.A., encouragement from, 51;
letters to Kate Greenaway from, 80, 81, 84, 104, 121;
as friend of Kate Greenaway, 167;
on Pied Piper of Hamelin, 172;
influence of, on Kate Greenaway’s work, 270
Martineau, Mrs. Basil, 167
‘Mary had a Little Lamb,’ 272
Mason, George, A.R.A., influence of, on Kate Greenaway’s work, 270
Mavor’s English Spelling Book, 58;
Ruskin on, 128;
success of, 129;
Athenæum on, 129;
drawings for, used in Almanacks, 129;
development of style in, 282
‘May-Dance, The,’ 270, 275
‘May Morning on Magdalen Tower’ (Mr. Holman Hunt, O.M.), Kate Greenaway on, 219
letters from Kate Greenaway to, 180, 186
Meadows, Kenny, Kate Greenaway on illustrations to Midsummer Night’s Dream by, 204
Memorial to Kate Greenaway, 256;
Committee, 256
Meredith, George, O.M., Kate Greenaway on work of, 196
Millais, Sir J. E., _P._R.A., portraits of Duke of Argyll and Miss Nina Campbell, Ruskin on, 137;
Kate Greenaway on work of, 219, 228
Millard, Miss, Kate Greenaway on, 231
Miller, Mrs., recollections of Kate Greenaway by, 52, 167
‘Misses,’ at Royal Academy, 78
Models, child, Kate Greenaway’s tact with, 52, 273, 274
Modern Art, Kate Greenaway on, 185, 228, 229
Modern Painting (Mr. George Moore), Kate Greenaway on, 218
Mother Goose, 58;
publication and success of, 100;
H. Stacy Marks, R.A., on, 104;
Ruskin on, 116;
designs from, in Painting Book, 128;
models for, 273
‘Muff, The,’ 275
‘Mulberry Bush, The,’ drawing sold at Chicago, 182
‘Musing,’ sold, in 1877, 55
Muther, Dr., on Kate Greenaway’s work, 5, 267
‘My Lady and Her Pages,’ sold, 76
‘My Lord’s Page and my Lady’s Maid,’ sold, 76
National Zeitung on Under the Window, 85, 281
Nelthorpe, Mrs. Sutton, letters from Kate Greenaway to, 166, 167, 208
Neue Freie Presse, on Kate Greenaway’s work, 268
Nevill, Lady Dorothy, 167;
commission from, 172;
member of Memorial Committee, 256
Nevill, Miss Meresia, member of Memorial Committee, 256
New English Art Club, Kate Greenaway on, 221
Newhaven Court, Kate Greenaway’s visits to, 86
New Republic, The, Kate Greenaway on, 214, 215
Nicholas Nickleby, Kate Greenaway on, 216
Nickson, Miss Sarah, book-plate for, 182
Nordau, Dr. Max, on Kate Greenaway’s work, 265
Northcote, Lady, commission from, 172
Nude, studies from the, 43;
Ruskin’s advice on, 117, 133, 147
Nursery Rhymes, sketches for, 251
‘Nursery Toy Books,’ designs for, 49
‘Odd House,’ visit to the, 10
‘Off to the Village’ (‘Boy with Basket of Apples’), 178
Oil-painting, 237;
difficulties with, 241, 242, 244
‘Old Farm House, The,’ 270
‘Old Steps, The,’ sold, 183
‘On the Road to the Ball,’ sold, 76
‘Ophelia’ (Sir J. E. Millais, P.R.A.), Kate Greenaway on, 228, 229, 242
Orient Line Guide, title-page for, 49, 179
‘Over the Tea,’ sold, 183
Painting Book, Kate Greenaway’s, 58, 128
Paris Exhibition, 1889, contributions to, 5, 174
Paris Exhibition, 1900, invitation to contributeto, 248;
invitation declined, 249
Passage from Some Memoirs (by Mrs. Richmond Ritchie), Kate Greenaway on, 196
Peace of Polissena, The, by Miss Francesca Alexander, design for cover of, 170
‘Peeper, A,’ 50
Pemberton Gardens, Greenaways’ house in, 52
Pen and pencil sketches, 279
People’s Magazine, early work for, 45, 46, 75
Perspective, instruction in, from Ruskin, 167;
from John Greenaway, 168;
lack of knowledge of, 167
‘Picnic, The,’ 279
Pied Piper of Hamelin, The, 58;
models for, 273
Pinwell, George, influence of, in Kate Greenaway’s work, 272;
style of, 282
Ponsonby, Hon. Gerald, 167;
portraits belonging to, 270;
commission from, 172;
portraits of children of, 180;
letters from Kate Greenaway to, 181, 182, 184, 186
Ponsonby, Lady Maria, 167;
letters from Kate Greenaway to, 185, 187, 209, 212, 220, 231;
member of Memorial Committee, 256
Ponsonby, Miss Eileen, portrait of, 276
Ponsonby, Miss Joan, portrait of, 276
Ponsonby, Miss Mabel, portrait of, 276
‘Poor Nelly,’ 280
Portraitist, Kate Greenaway as a, 275
‘Portrait of a Lady,’ 276
‘Portrait of a Little Boy, A,’ at Royal Institute (1880), 178
‘Portrait of a Little Lad,’ at Royal Academy (1890), 178
Portraits in oils, 237
Præterita (by John Ruskin), reference in, to Mavor, 129;
to Dame Wiggins, 130, 145, 151;
Kate Greenaway on, 161;
last chapter of, 175
Princess Christian, Kate Greenaway’s meeting with, 27, 224;
introduction to, 100;
correspondence with, 100
Princess Louise, meeting with, 241
Princess Maud of Wales, wedding present for, 201
Princess Royal, meeting with, 27
‘Processions,’ drawings of, 211, 216, 274
Punch, first appearance in, 86;
references to Kate Greenaway in 1881, 102;
‘Grinaway Christmas Cards,’ 102, 103
Queen of the Pirate Isle, The, 58;
Ruskin on, 156;
publication of, 163;
vignette on title-page of, 282
Queen Victoria’s Jubilee Garland, publication of, 163
Quiver of Love, illustrations in, 47;
publication of, 53
Reading Books (Longman’s), Kate Greenaway’s refusal to illustrate, 184
Religion, Kate Greenaway’s views of, 189, 190, 234, 235
‘Rescue, The’ (Sir J. E. Millais, P.R.A.), Kate Greenaway on, 229
Richards, Miss Laura E., verses by, 183
Richmond Ritchie, Mrs., letters to and from, 98;
proposed collaboration with, 100
Roberts, Lord, meeting with, 237
Robinson, Mr. Lionel, on Kate Greenaway as children’s artist, 62, 180
‘Rock, Moss, and Ivy,’ drawing by Kate Greenaway in Sheffield Museum, 134
Rolleston, the Chappells’ house at, 10;
fire at, 35
Rossetti, D. G., Kate Greenaway on work of, 229, 231
Routledge, Messrs., work for, 100;
Little Wide-Awake, frontispiece to, 85;
Every Girl’s Annual, 85;
Mother Goose, 100;
Christmas Number, frontispiece (‘Little Fanny’), 101;
A Day in a Child’s Life, 101;
Almanack, first (1883), 122;
Pied Piper of Hamelin, success of, 171;
Book of Games, 174;
Almanacks for, 1892-95, 181
Rover, biography of, 164, 195, 198, 207, 236, 237, 244
Rowfant, Kate Greenaway’s visits to, 86, 185
Royal Academy, first exhibit at, 55;
‘Little Girl with Doll’ (1878), 69;
‘Misses’ (1879), 78;
‘Little Girl with Fan’ (1880), 85;
‘Portrait of a Little Lad’ (1890), 178;
‘A Girl’s Head’ (1891), 179;
‘Baby Boy’ at (1895), 192
Royal Institute of Painters in Water-Colours, Kate Greenaway elected a Member of, 174, 178, 271;
exhibits at (1890), 178;
(1891) ‘An Old Farm House,’ ‘A Cottage in Surrey,’ 179;
(1894) ‘A Girl’ at, 184;
(1896) ‘Little Bo-Peep’ at, 201;
last exhibits at, in 1897:
‘Girl in Hat and Feathers,’ ‘Two Little Girls in a Garden,’ 211
Royal Progress of King Pepito, The, 174
Royal Society of British Artists. See Suffolk Street Gallery
Ruskin, John, on Kate Greenaway’s work, 5;
on Under the Window, 63;
Lecture on Mrs. Allingham and Kate Greenaway, 65, 114;
first meeting with Kate Greenaway, 110;
on Mother Goose drawings, 105, 116;
on Kate Greenaway design on glass, 106;
on the 1884 Almanack, 127;
on Language of Flowers, 128;
on Mavor’s English Spelling Book, 128;
on Dame Wiggins of Lee, 130;
portrait of, by Kate Greenaway, 135;
suggested collaboration with Kate Greenaway in a book on Botany, 136;
on Millais’ portraits of ‘The Marquess of Lorne’ and ‘Miss Nina Lehmann’ (Lady Campbell), 137;
references to Miss Francesca Alexander, 133, 138;
on house at Frognal, 142;
illness of, 145, 151, 154, 170;
Præterita, autobiography of, 145, 151, 175;
Kate Greenaway on, 161;
‘Natural History of a dull Beach,’ 146, 154;
on drawings from the Nude, 147;
on Language of Flowers, 149;
on Correspondence of Sir Philip Sidney and Hubert Languet, 154;
on A Apple Pie, 156;
on Mrs. Allingham, 161;
practice of destroying letters, etc., 163;
instructs Kate Greenaway in perspective, 167;
on John Greenaway as his rival therein, 168;
on Pied Piper drawings, 168, 172, 175;
on Bellini’s ‘Venus, Mistress of the World,’ 168;
Christ’s Folk in the Apennine, 170;
last foreign tour, 175;
visit of Kate Greenaway to, 186;
as ‘Mr. Herbert’ in The New Republic, 215;
death of, 248
letters to Kate Greenaway from, 82, 83, 84, 99, 105, 109, 110, 114, 115, 117, 118, 119, 120, 121, 122, 127, 128, 132, 133, 134, 135, 136, 137, 138, 139, 140, 142, 143, 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158, 160, 161, 166, 168, 169, 170, 171, 172, 175, 176, 177
letters from Kate Greenaway to, 160, 164, 165, 166, 187, 188, 195, 196, 197, 198, 199, 200, 202, 203, 205, 206, 207, 208, 209, 211, 212, 214, 215, 216, 217, 218, 219, 220, 221, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246, 247