So we see, that in a degree, at least, Vers de Société is, like Beauty, in the eye of the beholder.

But a consensus of opinion seems to prove that the keynote of Vers de Société is lightness, both of theme and treatment. Yet though light, it must not be trashy. It is the lightness of beaten gold-leaf, not the lightness of chaff. It is valuable, not worthless.

The spirit of the work depends on an instant perception and a fine appreciation of values, seen through the medium of a whimsical kindliness.

Let this be expressed with perfect taste and skill, and with a courtly sense of humor, and the result may be classed among those immortal ephemeræ which we call Vers de Société.


A Vers de Société Anthology


TO CELIA

DRINK to me only with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup,
And I’ll not ask for wine.
The thirst, that from the soul doth rise,
Doth ask a drink divine;
But might I of Jove’s nectar sip,
I would not change for thine.
I sent thee, late, a rosy wreath,
Not so much honoring thee,
As giving it a hope that there
It could not withered be.
But thou thereon didst only breathe
And sent’st it back to me;
Since when it grows, and smells, I swear,
Not of itself, but thee.
Ben Jonson.

CUPID

BEAUTIES, have you seen this toy,
Called love, a little boy,
Almost naked, wanton, blind,
Cruel now, and then as kind?
If he be amongst ye, say!
He is Venus’ runaway.
He hath of marks about him plenty;
Ye shall know him among twenty;
All his body is a fire,
And his breath a flame entire,
That, being shot like lightning in,
Wounds the heart, but not the skin.
He doth bear a golden bow,
And a quiver, hanging low,
Full of arrows, that outbrave
Dian’s shafts, where, if he have
Any head more sharp than other,
With that first he strikes his mother.
Trust him not: his words, though sweet,
Seldom with his heart do meet;
All his practice is deceit,
Every gift is but a bait;
Not a kiss but poison bears,
And most treason in his tears.
If by these ye please to know him,
Beauties, be not nice, but show him,
Though ye had a will to hide him.
Now, we hope, ye’ll not abide him,
Since ye hear his falser play,
And that he’s Venus’ runaway.
Ben Jonson.

ROSALIND’S MADRIGAL

LOVE in my bosom like a bee
Doth suck his sweet:
Now with his wings he plays with me,
Now with his feet.
Within mine eyes he makes his nest,
His bed amidst my tender breast:
My kisses are his daily feast,
And yet he robs me of my rest.
Ah, wanton, will ye?
And if I sleep, then percheth he
With pretty flight,
And makes his pillow of my knee
The live-long night.
Strike I my lute, he tunes the string,
He music plays if so I sing,
He lends me every lovely thing:
Yet cruel he my heart doth sting:
Whist, wanton, still ye!
Else I with roses every day
Will whip you hence:
And bind you, when you long to play,
For your offence.
I’ll shut mine eyes to keep you in,
I’ll make you fast it for your sin,
I’ll count your power not worth a pin;
Alas, what hereby shall I win,
If he gainsay me?
What if I beat the wanton boy
With many a rod?
He will repay me with annoy,
Because a god.
Then sit thou safely on my knee,
And let thy bower my bosom be;
Lurk in my eyes I like of thee:
O, Cupid so thou pity me,
Spare not, but play thee.
Thomas Lodge.

ALL THINGS EXCEPT MYSELF I KNOW

I   KNOW when milk does flies contain;
I know men by their bravery;
I know fair days from storm and rain;
And what fruit apple-trees supply;
And from their gums the trees descry;
I know when all things smoothly flow;
I know who toil or idle lie;
All things except myself I know.
I know the doublet by the grain;
The monk beneath the hood can spy;
Master from man can ascertain;
I know the nun’s veiled modesty;
I know when sportsmen fables ply;
Know fools who scream and dainties stow;
Wine from the butt I certify;
All things except myself I know.
Know horse from mule by tail and mane;
I know their worth or high or low;
Bell, Beatrice, I know the twain;
I know each chance of cards and die;
I know what visions prophesy,
Bohemian heresies, I trow;
I know men of each quality;
All things except myself I know.

ENVOY

Prince, I know all things ’neath the sky,
Pale cheeks from those of rosy glow;
I know death whence can no man fly;
All things except myself I know.
François Villon.

CUPID AND CAMPASPE

CUPID and my Campaspe played
At cards for kisses; Cupid paid.
He stakes his quiver, bow, and arrows,
His mother’s doves and team of sparrows;
Loses them too; then down he throws
The coral of his lip, the rose
Growing on his cheek, but none knows how;
With these the crystal of his brow,
And then the dimple of his chin:—
All these did my Campaspe win.
At last he set her both his eyes;
She won, and Cupid blind did rise.
O Love! has she done this to thee?
What shall, alas, become of me!
John Lilly.

A DITTY

MY true love hath my heart, and I have his,
By just exchange one to the other given:
I hold his dear, and mine he cannot miss,
There never was a better bargain driven:
My true love hath my heart, and I have his.
His heart in me keeps him and me in one,
My heart in him his thoughts and senses guides:
He loves my heart, for once it was his own,
I cherish his because in me it bides:
My true love hath my heart, and I have his.
Sir Philip Sidney.

SONG FROM “TWELFTH NIGHT”

O  MISTRESS mine! where are you roaming?
O! stay and hear; your true love’s coming,
That can sing both high and low:
Trip no further, pretty sweeting;
Journeys end in lovers’ meeting,
Every wise man’s son doth know.
What is love? ’tis not hereafter:
Present mirth hath present laughter;
What’s to come is still unsure:
In delay there lies no plenty;
Then come kiss me, sweet and twenty,
Youth’s a stuff will not endure.
William Shakespeare.

SIGH NO MORE
(From “Much Ado About Nothing”)

SIGH no more, ladies, sigh no more,
Men were deceivers ever;
One foot in sea, and one on shore,
To one thing constant never;
Then sigh not so,
But let them go,
And be you blithe and bonny;
Converting all your sounds of woe
Into hey nonny, nonny.
Sing no more ditties, sing no more,
Of dumps so dull and heavy;
The fraud of men was ever so,
Since summer first was leavy:
Then sigh not so,
But let them go,
And be you blithe and bonny;
Converting all your sounds of woe
Into hey nonny, nonny.
William Shakespeare.

PHILLIDA AND CORYDON

IN the merry month of May,
In a morn by break of day,
With a troop of damsels playing
Forth I rode, forsooth, a-maying,
When anon by a woodside,
Where as May was in his pride,
I espied, all alone,
Phillida and Corydon.
Much ado there was, God wot!
He would love, and she would not:
She said, never man was true:
He says, none was false to you.
He said, he had loved her long:
She says, Love should have no wrong.
Corydon would kiss her then,
She says, maids must kiss no men,
Till they do for good and all.
Then she made the shepherd call
All the heavens to witness, truth
Never loved a truer youth.
Thus, with many a pretty oath,
Yea, and nay, and faith and troth!—
Such as silly shepherds use
When they will not love abuse;
Love, which had been long deluded,
Was with kisses sweet concluded:
And Phillida, with garlands gay,
Was made the lady of the May.
Nicholas Breton.

CHERRY-RIPE

THERE is a garden in her face
Where roses and white lilies blow;
A heavenly paradise is that place,
Wherein all pleasant fruits do grow;
There cherries grow that none may buy,
Till cherry-ripe themselves do cry.
Those cherries fairly do enclose
Of Orient pearl a double row,
Which when her lovely laughter shows,
They look like rose-buds fill’d with snow;
Yet them no peer or prince may buy,
Till cherry-ripe themselves do cry.
Her eyes like angels watch them still;
Her brows like bended bows do stand,
Threat’ning with piercing frowns to kill
All that approach with eye or hand
These sacred cherries to come nigh,—
Till cherry-ripe themselves do cry!
Richard Allison.

SEND BACK MY LONG-STRAY’D EYES TO ME

SEND back my long-stray’d eyes to me,
Which, O! too long have dwelt on thee:
But if from you they’ve learnt such ill,
To sweetly smile,
And then beguile,
Keep the deceivers, keep them still.
Send home my harmless heart again,
Which no unworthy thought could stain;
But if it has been taught by thine
To forfeit both
Its word and oath,
Keep it, for then ’tis none of mine.
Yet send me back my heart and eyes,
For I’ll know all thy falsities;
That I one day may laugh, when thou
Shalt grieve and mourn—
Of one the scorn,
Who proves as false as thou art now.
John Donne.

PACK CLOUDS AWAY

PACK clouds away, and welcome day,
With night we banish sorrow:
Sweet air, blow soft, mount, lark, aloft,
To give my love good-morrow.
Wings from the wind to please her mind,
Notes from the lark I’ll borrow;
Bird, prune thy wing! nightingale sing!
To give my love good-morrow,
To give my love good-morrow,
Notes from them all I’ll borrow.
Wake from thy nest, robin-redbreast!
Sing, birds, in every furrow,
And from each bill let music shrill
Give my fair love good-morrow!
Blackbird and thrush, in every bush,
Stare, linnet, and cock-sparrow,
You pretty elves, amongst yourselves,
Sing my fair love good-morrow.
To give my love good-morrow,
Sing, birds, in every furrow.
Thomas Heywood.

SHALL I, WASTING IN DESPAIR

SHALL I, wasting in despair,
Die because a woman’s fair?
Or make pale my cheek with care,
’Cause another’s rosy are?
Be she fairer than the day,
Or the flowery meads in May,
If she be not so to me,
What care I how fair she be!
Should my foolish heart be pined
’Cause I see a woman kind?
Or a well disposèd nature
Joinèd with a lovely feature?
Be she meeker, kinder, than
Turtle-dove or pelican,
If she be not so to me,
What care I how kind she be!
Shall a woman’s virtues move
Me to perish for her love?
Or, her merit’s value known,
Make me quite forget my own?
Be sure with that goodness blest
Which may gain her name of best,
If she seem not such to me,
What care I how good she be!
’Cause her fortune seems too high,
Shall I play the fool and die?
Those that bear a noble mind,
Where they want of richness find,
Think what with them they would do
Who, without them, dare to woo—
And, unless that mind I see,
What care I how great she be!
Great, or good, or kind, or fair,
I will ne’er the more despair:
If she love me, this believe,
I will die ere she shall grieve:
If she slight me when I woo,
I can scorn and let her go:
For, if she be not for me,
What care I for whom she be!
George Wither.

TO THE VIRGINS TO MAKE MUCH OF TIME

GATHER ye rose-buds while ye may,
Old Time is still a-flying;
And this same flower that smiles to-day,
To-morrow will be dying.
The glorious lamp of heaven, the Sun,
The higher he’s a getting,
The sooner will his race be run,
And nearer he’s to setting.
That age is best, which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.
Then be not coy, but use your time,
And while you may, go marry:
For having lost but once your prime,
You may forever tarry.
Robert Herrick.

THE BRACELET

WHEN I tie about thy wrist,
Julia, this my silken twist,
For what other reason is’t
But to show thee how, in part,
Thou my pretty captive art?
—But thy bond-slave is my heart.
’Tis but silk that bindeth thee,
Snap the thread, and thou art free;
But ’tis otherwise with me:
I am bound, and fast bound, so
That from thee I cannot go:
If I could I would not so!
Robert Herrick.

AN OLD RHYME

I  DARE not ask a kisse,
I dare not beg a smile,
Lest having that or this,
I might grow proud the while.
No, no, the utmost share
Of my desire shall be
Only to kisse the aire
That lately kissed thee.
Anonymous.

LOVE ME NOT FOR COMELY GRACE

LOVE me not for comely grace,
For my pleasing eye or face,
Nor for any outward part,
No, nor for my constant heart;
For those may fail or turn to ill,
So thou and I shall sever:
Keep therefore a true woman’s eye,
And love me still, but know not why.
So hast thou the same reason still
To dote upon me ever.
Anonymous.

ON A GIRDLE

THAT which her slender waist confined,
Shall now my joyful temples bind;
No monarch but would give his crown
His arms might do what this has done.
It was my Heaven’s extremest sphere,
The pale which held that lovely dear.
My joy, my grief, my hope, my love
Did all within this circle move!
A narrow compass! and yet there
Dwelt all that’s good, and all that’s fair;
Give me but what this riband bound,
Take all the rest the sun goes round.
Edmund Waller.

TO MY LOVE

I  PR’YTHEE send me back my heart,
Since I can not have thine;
For if from yours you will not part,
Why then should’st thou have mine?
Yet now I think on’t, let it lie;
To find it, were in vain:
For thou’st a thief in either eye
Would steal it back again.
Why should two hearts in one breast lie,
And yet not lodge together?
O love! where is thy sympathy,
If thus our breasts you sever?
But love is such a mystery
I can not find it out;
For when I think I’m best resolved,
I then am in most doubt.
Then farewell care, and farewell woe,
I will no longer pine;
For I’ll believe I have her heart,
As much as she has mine.
Sir John Suckling.

TO ALTHEA (FROM PRISON)

WHEN Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at the grates;
When I lie tangled in her hair,
And fettered to her eye,
The birds that wanton in the air
Know no such liberty.
When flowing cups run swiftly round
With no allaying Thames,
Our careless heads with roses bound,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free,
Fishes that tipple in the deep
Know no such liberty.
When, like committed linnets, I
With shriller throat shall sing
The sweetness, mercy, majesty,
And glories of my King;
When I shall voice aloud how good
He is, how great should be,
Enlargèd winds that curl the flood
Know no such liberty.
Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage:
If I have freedom in my love,
And in my soul am free,
Angels alone that soar above
Enjoy such liberty.
Richard Lovelace.

SONG

HEARS not my Phyllis how the birds
Their feathered mates salute?
They tell their passion in their words;
Must I alone be mute?
Phyllis, without frown or smile,
Sat and knotted all the while.
The god of love in thy bright eyes
Does like a tyrant reign;
But in thy heart a child he lies,
Without his dart or flame.
Phyllis without frown or smile,
Sat and knotted all the while.
So many months in silence past,
And yet in raging love,
Might well deserve one word at last
My passion should approve.
Phyllis, without frown or smile,
Sat and knotted all the while.
Must then your faithful swain expire,
And not one look obtain,
Which he, to soothe his fond desire,
Might pleasantly explain?
Phyllis, without frown or smile,
Sat and knotted all the while.
Sir Charles Sedley.

THE DESPAIRING LOVER

DISTRACTED with care,
For Phyllis the fair,
Since nothing can move her,
Poor Damon, her lover,
Resolves in despair
No longer to languish,
Nor bear so much anguish;
But, mad with his love,
To a precipice goes,
Where a leap from above
Will soon finish his woes.
When, in rage, he came there,
Beholding how steep
The sides did appear,
And the bottom how deep;
His torments projecting,
And sadly reflecting
That a lover forsaken
A new lover may get;
But a neck, when once broken,
Can never be set:
And that he could die
Whenever he would;
But that he could live
But as long as he could;
How grievous soever
The torment might grow,
He scorned to endeavour
To finish it so.
But hold, unconcern’d,
At the thoughts of the pain,
He calmly return’d
To his cottage again.
William Walsh.

CUPID MISTAKEN

AS after noon, one summer’s day,
Venus stood bathing in a river;
Cupid a-shooting went that way,
New strung his bow, new fill’d his quiver.
With skill he chose his sharpest dart:
With all his might his bow he drew:
Swift to his beauteous parent’s heart
The too-well-guided arrow flew.
“I faint! I die!” the goddess cried:
“O cruel, could’st thou find none other
To wreak thy spleen on: Parricide!
Like Nero, thou hast slain thy mother.”
Poor Cupid, sobbing, scarce could speak;
“Indeed, mama, I did not know ye:
Alas! how easy my mistake?
I took you for your likeness, Chloe.”
Matthew Prior.

THE CONTRAST

IN London I never know what I’d be at,
Enraptured with this, and enchanted with that;
I’m wild with the sweets of variety’s plan,
And Life seems a blessing too happy for man.
But the Country, Lord help me! sets all matters right;
So calm and composing from morning to night;
Oh! it settles the spirits when nothing is seen
But an ass on a common, a goose on a green.
In town if it rain, why it damps not our hope,
The eye has her choice, and the fancy her scope
What harm though it pour whole nights or whole days?
It spoils not our prospects, or stops not our ways.
In the country what bliss, when it rains in the fields,
To live on the transports that shuttlecock yields;
Or go crawling from window to window, to see
A pig on a dung-hill, or crow on a tree.
In London if folks ill together are put,
A bow may be dropt, and a quiz may be cut;
We change without end; and if lazy or ill,
All wants are at hand, and all wishes at will.
In the country you’re nail’d, like a pale in the park,
To some stick of a neighbour that’s cramm’d in the ark;
And ’tis odds, if you’re hurt, or in fits tumble down,
You reach death ere the doctor can reach you from town.
In London how easy we visit and meet,
Gay pleasure’s the theme, and sweet smiles are our treat;
Our morning’s a round of good-humoured delight,
And we rattle, in comfort, to pleasure at night.
In the country, how sprightly! our visits we make
Through ten miles of mud, for Formality’s sake;
With the coachman in drink, and the moon in a fog,
And no thought in our head but a ditch or a bog.
In London the spirits are cheerful and light,
All places are gay and all faces are bright;
We’ve ever new joys, and revived by each whim,
Each day on a fresh tide of pleasure we swim.
But how gay in the country! what summer delight
To be waiting for winter from morning to night!
Then the fret of impatience gives exquisite glee
To relish the sweet rural subjects we see.
In town we’ve no use for the skies overhead,
For when the sun rises then we go to bed;
And as to that old-fashion’d virgin the moon;
She shines out of season, like satin in June.
In the country these planets delightfully glare
Just to show us the object we want isn’t there;
O, how cheering and gay, when their beauties arise,
To sit and gaze round with the tears in one’s eyes!
But ’tis in the country alone we can find
That happy resource, that relief of the mind,
When, drove to despair, our last efforts we make,
And drag the old fish-pond, for novelty’s sake:
Indeed, I must own, tis a pleasure complete
To see ladies well draggled and wet in their feet;
But what is all that to the transport we feel
When we capture, in triumph, two toads and an eel?
I have heard tho’, that love in a cottage is sweet,
When two hearts in one link of soft sympathy meet:
That’s to come—for as yet I, alas! am a swain
Who require, I own it, more links to my chain.
Your magpies and stock-doves may flirt among trees,
And chatter their transports in groves, if they please:
But a house is much more to my taste than a tree,
And for groves, O! a good grove of chimneys for me.
In the country, if Cupid should find a man out,
The poor tortured victim mopes hopeless about;
But in London, thank Heaven! our peace is secure,
Where for one eye to kill, there’s a thousand to cure.
I know love’s a devil, too subtle to spy,
That shoots through the soul, from the beam of an eye;
But in London these devils so quick fly about,
That a new devil still drives an old devil out.
In town let me live then, in town let me die,
For in truth I can’t relish the country, not I.
If one must have a villa in summer to dwell,
O, give me the sweet shady side of Pall Mall!
Charles Morris.

OH, TELL ME HOW TO WOO THEE