allows for necessary labor, ii. 56;
and value, ii. 39, 64.

Principle, the sense of, how blunted, i. 8.

Property, distribution of, ii. 67, 68;
principles of, ii. 71;
loss of in war, ii. 32, 38.

Proteus, character of Shakespeare's, i. 64.

Prout, i. 63 (note).
(See Ruskin, Mr., "Notes on Prout and Hunt.")

Provence, winds of, ii. 135.

"Protestant," ii. 140.

Protestantism, remarks on, ii. 3, 4;
aspect of, at home and abroad, ii. 11;
hypocrisy of, ii. 4;
of Italians, French, and Austrians, ii. 5.

Protests, uselessness of, ii. 17.

Protractor, the use of the, i. 181 (note), 184.

Prussia, Frederick William IV. of, ii. 7 (note).
(See also Franco-Prussian war.)

Public, the, defined, i. 15;
their judgment in art, i. 15;
and in other matters, i. 17;
their ignorance of nature, i. 17;
Frederick Walker, how affected by, i. 122.

Public Institutions and the National Gallery, list of letters on, i. 36.
(See National Gallery, British Museum.)

Pullen, Mr. F. W., Letter to on St. Mark's, Venice, i. 170 (note).

Punishment, ii. 134


Quarles Harris' port, ii. 66.

Quebec, emigration to, ii. 87.


Rabbah, ii. 174.

Radetzky, ii. —;
his character, ii. 5.

Railways, list of letters on, ii. 77;
accidents, ii. 88, 89;
doubling of lines, ii. 88, 89;
at Dulwich, ii. 97;
economy, ii. 83;
investment in, ii. 81;
management of, ii. 82;
ownership of, ii. 81-83;
payment of pointsmen, ii. 83, 88;
stations, decoration of, ii. 88, 89.

Rainbows, reflection of in water, i. 201.

Raphael, i. 43, 75;
distinction in art before and after, i. 62;
pictures of in the Louvre, i. 49;
in the National Gallery, i. 47;
restored by David and Vernet, ib.

Rationalism, modern, and the Liber Studiorum, i. 97 (note).

Rauch, Christian, ii. 17, 18 (note).

Reader, The, Letters in—
(November 12, 1864) "The Conformation of the Alps," i. 173.
(November 26, 1864) "Concerning Glaciers," i. 175.
(December 3, 1864) "English v. Alpine Geology," i. 181.
(December 10, 1864) "Concerning Hydrostatics," i. 185.
Letters and articles, etc., referred to:
by "M. A. C." and "G. M.," i. 185 (note);
Jukes, Mr., i. 181 (note), 182 (note), 184 (note), 185 (note);
Murchison, Sir R., i. 173 (note);
"Tain Caimbeul," i. 175 (note).

Real, the, and the ideal, not opposed, i. 7, and note.

Rebekah, ii. 174.

Recitations, Letter on, ii. 180.

Red Prince, the, ii. 112.

Reflections in water, letter on, i. 191;
two kinds of, i. 195 (note);
lines of moonlight on the sea, i. 193;
of rainbows, i. 201.

Reformation, ii. 133;
instruments of, ib. 134.

Reform Bill, 1867, ii. 133.

Religion and mythology, i. 118;
and science, i. 133.

Rembrandt, i. 13, 28, 115 (note).

Rendu's Glaciers of Savoy—letter on Forbes in, i. 187.

Repair of buildings, ii. 138.

Republicanism v. Monarchy in the Franco-Prussian war, ii. 40.

Restoration, modern, letter on, i. 157;
impossible, i. 153;
in Italy, i. 170.

Reverence, a mark of high intellect, i. 189.

Review-writing, ii. 166.

Reynolds, Sir Joshua, effect of gas on his pictures, i. 99;
grace of, ii. 34 (note);
speed of, i. 112;
vehicles used by, i. 98;
Mr. Ruskin's article on, ii. 18 (note).

Rheims Cathedral, i. 154.

Rhine, embankments for the, ii. 112;
foul water of the, i. 195 (note).

Rhone, the, ii. 112.

Ribbesford Church, i. 158.

Ricardo's "Political Economy," ii. 80.

Rich and Poor, money how spent and made by, ii. 98-104.

Richmond, George, R.A., ii. 170;
Professor W. B., i. 170.

Rivers, Italian, ii. 111 seqq.
(See Roman Inundation letters.)

Road-making, ii. 138.

Roads, who should own, ii. 119, 120.

Robert le Diable, opera of, ii. 17.

Rogers' "Italy," i. 83;
Poems, i. 82, 93;
his old servant, i. 104

Roland, a, needed by France, ii. 42;
for one's Oliver, ii, 70.

Roman inundations, list of letters on, ii. 157.

Roman race, the qualities of the, ii. 117.

Rome, and the floods, ii. 116.

Rose, Society of the, ii. 191;
the heraldic sign on Mr. Ruskin's books, ib.

Ross, Sir William, A.R.A., i. 62.

Rosse, microscopes of Lord, i. 94.

Rossetti, i. 74, ii. 166.

Rossini, ii. 194.

Rotterdam, cleanness of, ii. 120.

Rouen Cathedral, i. 154.

Royal Institution, Dr. Liebreich's lecture at, i. 154, and note.

" " Mr. Ruskin's lecture on "The Alps" at, i. 174 (note).

" " Mr. Ruskin's lecture on "Verona" at, ib.

Rubens, advantageous condition in which to see his pictures, i. 39;
characteristics as an artist, i. 39;
his landscapes, i. 13;
his reply to A. Janssens, i. 14 (note);
pictures, at Antwerp, Malines, Cologne, i. 39;
"Judgment of Paris," i. 44, and note;
"Peace and War," i. 39.

Rules, good and bad, ii. 89, 90.

Ruskin, Mr., antipathies of, ii. 183;
an antiquary, i. 153;
art-teaching by correspondence approved by, i. 32;
art-work, how first begun, i. 180;
Austrian friend of, at Venice, ii. 6;
at Bellinzona, ii. 117;
bewildered by modern politics, ii. 3;
and the "Bibliography of R.," ii. 190;
his books, ii. 164 (see below, books of, quoted);
his books read for the sound of the words, i. 161;
botany, notes on, i. 69, 204, ii. 183;
castles, his love of, i. 147, 149, 151 (note);
changes residence, and why, i. 156;
charity of, i. 152, ii. 139, 186;
conscience hereditary to, ii. 69;
a conservative, i. 152, 153, ii. 31;
and Copley Fielding, i. 192;
criticism,—principles of his, i. 190;
rarely replies to, i. 3, 88, ii. 174;
—crossing-sweepers of, ii. 120 (note);
diagram of Alpine aiguilles, i. 186;
dispirited, ii. 188;
drawing of St. Mark's, Venice, i. 161;
excuses from correspondence, ii. 186;
his father,—business of, ii. 87, and note, 102, 103;
an Edinburgh boy, ii. 184;
—Forbes' gratitude to, i. 187 (note);
fortune of, ii. 102, 103;
gardener of, ii. 140;
geology, knowledge and early love of, i. 180, ii. 172;
geological work amongst the Alps, i. 173;
Griggs, Matilda, and, ii. 186;
Guthrie, Dr., and, ii. 184;
Harrison, Mr. W. H., and, ii. 192;
Hartz minerals purchased by, ii. 58;
Holyoake, Mr., and, ii. 73, 74;
illness in 1878, i. 160, and note;
"inconsistency" of, i. 25 (note), ii.;
influence of, on architecture, i. 154 seqq., 157;
insanity, a tender point with, ii. 131;
investment in house property, ii. 106;
investment in railways—"never held a rag of railroad scrip," ii. 82;
Irving, Mr., and, ii. 179 (note);
Italy, knowledge of, ii. 14,
and the Italian question, ii. 3 seqq.;
lectures, refusal to give, ii. 15, and note, 124;
lectures at Westminster Architectural Museum, ii. 174 (note);
Lowe, Mr., and (letter), ii. 189;
at Naples, ii. 116;
natural history, love of, i. 204;
newspapers little read by, ii. 10;
at Oxford, ii. 172, 188;
resigns professorship, i. 163;
political economy of, i. 180, ii. 84, 99, 100 (see s. v.);
publication of books, ii. 163 seqq.;
as a railway traveller, ii. 82;
range of work, ii. 188;
religious tone of his writings, i. 60, and note;
restoration, horror of modern, i. 153, 157, 159, 160;
rich, moderately, ii. 67;
science, love of, i. 132, 180;
servants of, ii. 93;
strikes, proposal as to, ii. 65 (note);
a Tory, i. 152, 153;
Turner, R.'s insight for his work, i. 106;
called mad for praising Turner, i. 106;
arranges the Turner bequest, i. 81, 83, 84, and note, 86, 88, 98, 100;
executor of Turner's will, i. 81;
love of Turner's pictures, i. 10;
Thornbury's "Life of Turner" criticised by, i. 107;
St. Mark's, Venice, and, i. 162, 169;
Ruskin Society, i. 170 (note), ii. 191;
Utopian home, ii. 119;
residence in Venice, i. 87;
wish to buy "Verona" (see Verona), i. 152.

Ruskin, Mr., books of, quoted or referred to:—
"Academy Notes," i. 67 (note), 76 (note), 117; ii. 23 (note).
"A Joy for Ever," i. 25 (note), 102 (note), 189 (note); ii. 156 (note), 158.
"Aratra Pentalici," ii. 125 (note).
"Ariadne Florentina," i. 105 (note), 114 (note).
"Bibliotheca Pastorum," vol. i., ii. 4 (note), 102 (note), 144 (note).
"Cestus of Aglaia," ii. 99 (note).
"Crown of Wild Olive," ii. 23, 60 (note), 157.
"Deucalion," i. 180 (note).
"Eagle's Nest," ii. 125 (note), 140.
"Education in Art," i. 25 (note).
"Elements of Drawing," i. 95; ii. 165 (note).
"Essays on Political Economy," see below, "Munera Pulveris."
Evidence before National Gallery Commission, 1857, i. 48 (note), 84 (note).
"Examples of Venetian Architecture," i. 157 (note).
"Fiction Fair and Foul," ii. 97 (note).
"Fors Clavigera," i. 151, and note, 160 (note), 168, 169, 170; ii. 60 (note), 70 (note), 72, 106 (note), 126 (note), 130, 164 (note), 187, 189.
"Giotto and his Works in Padua," i. 25 (note).
Holbein, article on, ii. 12 (note).
"Home and its Economies," ii. 144 (note).
Lectures on Architecture and Painting, i. 22 (note), 107 (note).
Lectures on Art, ii. 125, 156. (note).
Lecture, on Forms of Stratified Alps, i. 174 (note).
—— on Verona and its ruins, ii. 113 (note).
Letters on the Lord's Prayer, ii. 142.
"Modern Painters," i. 3, 4 (note), 4 (note), 5 (note), 7, 8 (note), 40, 60 (note), 62 (note), 67 (note), 101 (note), 107 (note), 108 (note), 155, 174, 186, 191 (note), 193 (note); ii. 127, 165.
"Munera Pulveris," ii. 44 (note), 71, 72, 84, and note, 89, 226, 262 (note).
"My First Editor," ii. 192 (note).
Notes on Criminal Classes, ii. 131 seqq.
Notes on Prout and Hunt, ii. (note).
Oxford Lectures, ii. 125.
"Political Economy of Art;" see above, "A Joy for Ever."
Pre-Raphaelitism, i. 12, 65 (note).
"Queen of the Air," ii. 171, 201.
"Sesame and Lilies," i. 60 (note); ii. 168 (note), 171 (note).
"Seven Lamps of Architecture," i. 60 (note).
"Stones of Venice," i. 157 (note), 161; ii. 175 (note), 184 (note), 192 (note).
"Time and Tide," ii. 65, 185.
Turner pamphlets, Catalogues of Sketches and Drawings, i. 84, and note, 88 (note), 101 (note).
"      "      Notes, 1857, 86 (note), 92, and note, 102 (note), 204.
"      "      Report, i. 52 (note), 54, and note, 88 (note).
"Two Paths," i. 88, 95.
"Unto this Last," ii. 72 (note).
"Val d'Arno," i, 114 (note); ii. 125.

Russia, England, and India, ii. 31.


"S," letter on capital from, ii. 83 (and note), 84.

Saint Bernard, dogs of, ii. 11.

St. Elmo, ii. 116.

St. George, i. 162;
Company or guild of, i. 169 (note), 190;
fund, ii. 120;
letters on, 187 (note);
museum of, i. 163, ii. 73, 126;
schools of, ii. 146;
Society of the Rose not to take name of, ii. 191.

St. James of the Rialto, i. 165, and note.

St. Jean d'Acre pillars, i. 166.

"St. Lawrence," emigration in the, ii. 87.

St. Michael, i. 162.

St. Mark's, Venice, circular relating to, i. 159;
letters on, i. 169 (note), 170;
antiquity of, i. 161, 162;
architecture of, i. 162;
bill-posters on, i. 168;
bit off it, at Brantwood, i. 167;
photographs of, i. 164;
restoration of south façade, i. 168, and note;
stability of, i. 166, 169;
subscriptions for, i. 163, 169 (note).

St. Paul and Justice, ii. 53.

St. Paul's, Charity children singing at, ii. 149.

Sainte Chapelle, the, i. 136, 153, 154.

Salamanca, battle of, ii. 30.

Salvation, the Light of the hope of, i. 69.

Salvator Rosa, i. 15;
his "Mercury and the Woodman," i. 4.

Sancho, ii. 97.

Sardinia, position of in 1859, ii. 3, 6.

Savoy, cession of, ii. 19, and note.

Scarlet, the purest color, ii. 155.

Schaffhausen, letter from, ii. 13.

Scholarship, result of English, ii. 98.

Schools (see Education, St. George).

Science, list of letters on, i, 171;
connection of the different sciences, i. 132 (note);
what it includes, i. 30;
growth of, i. 32, 132, 134;
and religion, i. 133;
use of, i. 133.

Science of Life," "The, letters in, ii. 143, 149.

Scotch, ballads, i. 76 (note);
"craigs," i. 146;
people, religious tone of, ii. 3, 4, 7.

Scotsman, The, letters in—
(July 20, 1859) "The Italian Question," ii. 3.
( "  23,  " )  "    "        "      ii. 8.
(Aug.  6,  " )  "    "        "    ii. 13.
(Nov. 10, 1873) "Mr. Ruskin and Prof. Hodgson," ii. 44.
( "  18,  "  )    "        "      "          ii. 46.

Scotsman, The, referred to, i. 74 (note).

Scott, Sir Gilbert, design for Foreign Office, i. 99.

----, Sir Walter, books of, referred to—
"The Abbot," chap. xvi. ("The monks of Melrose made good kail," also quoted in the introduction to "The Monastery"), i. 141.
"The Antiquary" (Fairservice), ii. 97.
"Lady of the Lake," canto v. st. x. quoted, i. 181.
"Lay of the Last Minstrel," canto ii. st. viii. quoted, i. 141.
"Redgauntlet," Letter xiii. (Peebles v. Plainstanes), i. 184.
"Rob Roy" (carefu' Mattie), ii. 97.
"Waverley" referred to, ii. 123 (note).

----, Mr. W. B., ii. 165;
reviews Mr. Tyrwhitt's "Sketching Club," ib.

Sculpture, in architecture, i. 126, 137 seqq.;
of hair, i. 143, ii. 12;
portrait statues, i. 140.

Sea, the, ii. 173;
color of, i. 196;
light and shadow on, i. 194 seqq.;
southern and northern seas, ii. 178.

Sedan, battle of, ii. 31, 33.

Seine-series, Turner's, i. 82, 101.

Self-interest, ii. 7, 48, 55.

Sempach, ii. 4, and note;
battle of, i. 182, and note.

Serf-economy in America, ii. 21.

Servants and Houses, list of letters on, ii. 90;
education of, ii. 100;
facilities for leaving places, ii. 101;
good, how to secure, ii. 93;
kindness to means care, ii. 94;
rarity of good, ii. 93, and note;
and masters, ii. 97;
must be permanent to be good, ii. 95, 101;
Mr. Ruskin's experience of, ii. 95.

Service, value of self service, ii. 96.

Sexes, relation of the, ii. 147.

Shadow in distant effect, i. 194 seqq.;
on water, i. 198;
impossible "on clear water, near the eye," i. 192 seqq.

Shakespeare, his mission and work, i. 22 (note);
notes on a word in, ii. 176, 177;
Society, ib.;
quoted or referred to—
"As You Like It," Act 2, sc. 3 (Old Adam), ii. 97.
"      "      Act 2, sc. 7 ("motley's the only wear"), ii. 157.
"Coriolanus," Act 3, sc. 1 ("mutable, rank-scented many"), i. 38.
"Hamlet," Act 5, sc. 1 ("The cat will mew," etc.), ii. 97.
"Julius Cæsar," Act 2, sc. 1 ("And yon grey lines," etc.), ii. 176.
"Measure for Measure" (Lord Angelo), ii. 144.
"Merchant of Venice," ii. 57, i. 165, ii. 179.
"Merry Wives of Windsor," i. 118.
"Midsummer Night's Dream," ii. 5, Act 1, sc. 1, i. 60, 61 (note).
"Romeo and Juliet," Act 2, sc. 4 ("My fan, Peter"), ii. 38.
"Taming of the Shrew" (Grumio), ii. 97, 178.
"      "    "    Act 2, sc. 1 ("Katharine's frets").
"Two Gentlemen of Verona," Act 2, sc. 4 ("As rich in having," etc.), i. 64.
"            "          (Launce), ii. 97.

Shallow, Justice, his theology of death, i. 118.

Sheepshanks collection at Kensington, i. 98 (note).

Sheffield, art impossible in, ii. 126;
ironwork at, ii. 127;
Museum, ii. 73 (note), i. 163;
Western Park at, opened, ii. 126 (note);
strikes at, ii. 106.

Sheffield Daily Telegraph (Sept. 7, 1875), St. George's Museum, ii. 126.

Sheffield Independent (March 8, 1880), Mr. Holyoake on St. George's Museum, ii. 73.

Shelley, quoted to illustrate Turner, i. 20;
his "Cloud," ii. 180.

Shenstone quoted, i. 72, and note.

Shepherd, Mr. R. H., two letters on the Bibliography of Ruskin, to, ii. 190.

Shoeburyness, ii. 114.

Siena, Fount of Joy at, ii. 118.

Sienese, qualities of the race, ii. 117.

Simmons, W. H., engraver of "Light of the World," i. 67 (note).

Sinai, the desert of, ii. 5.

Singing for children, ii. 149.

Sire, meaning of, i. 145.

"Sixty years ago" (letter in Pall Mall Gazette, Jan. 30, 1868), ii. 123.

Slave markets in Mayfair, ii. 21.

Slavery and emancipation, ii. 21, 22;
and liberty, ii. 98, 99;
and sonship, ii. 93, 94, 96.

Smith, Mr. Collingwood, on water colors, i. 104 (note).

Smith, Sydney, memoirs quoted ("Bunch"), ii. 96 (note).

Smoke, no art in midst of, ii. 126.

Socialist, The (Nov., 1877), letter on the "Principles of Property" in, ii. 71.

Society, of Arts, i. 52;
of Artists, Sheffield, ii. 181;
Ashmolean, i. 202;
New Shakespeare, ii. 176, 177;
for the Prevention of Cruelty to Animals, Mr. Ruskin at, ii. 128 (note);
Ruskin Society (of the Rose), ii. 191;
Science Association, Mr. Ruskin at, ii. 65 (note).

Solferino, ii. 3 (note), 31, 33.

Solomon, ii. 141, 173;
"seals of Solomon" (Suleyman), see Arabian Nights.

Solomon, Mr. A., his "Waiting for the Verdict," i. 73 (note).

Son, relation of, to father, ii. 145.

Sonship and slavery, ii. 96-98.

Sorrento, i. 203.

Soult, Marshal, collection of, i. 87 (note).

Southey's Colloquies quoted, i. 21 (note).

Spain, oppressed by Spaniards, ii. 6.

Sparkes, i. 100 (note).

Spencer, Mr. Herbert, quoted, i. 194 (note), ii. 144 (note).

Sport, field, ii. 127.

Sprat, venture a, to catch a herring, ii. 41.

Standard, The, letter "Mr. Ruskin and Mr. Lowe" (Aug. 28, 1877), ii. 189;
article on St. Mark's, Venice, i. 168.

Stanfield, i. 23, 192;
illustrated by Campbell, i. 20;
water-painting by, i. 198.

Statues, commemorative, modern use of, i. 140.

Steam, to be employed after muscular power, ii. 87, 135.

Stones, pressure of, in water, i. 177, 186.

Stothard, engraving of design by, in "Rogers's Poems," i. 93.

Strasburg, ruin of, in Franco-Prussian war, ii. 25.

Street, Mr., influenced by Mr. Ruskin, i. 156;
his New Law Courts, i. 156;
and St. Mark's, i. 170.

Streets, state of London, ii. 119.

Strikes, ii. 42, 43;
letter "Strikes v. Arbitration," ii. 48;
at Cramlington, ii. 106, and note;
Mr. Ruskin's proposal as to, ii. 65 (note);
at Sheffield, ii. 106;
in Staffordshire, ii. 39.

Stucco, ii. 101.

Sunrise, rarely seen, ii. 177.

Supply and Demand, letters on, ii. 39 seqq., 43 seqq.;
beneficial supply, ii. 43;
law of, ii. 81, 84, 93, 94, 105;
Mr. Ruskin and, ii. 99, 100.

Swift, quoted, ii. 167.

Swiss, the people of Bellinzona, ii. 117;
the liberties of Europe and, i. 182;
Protestantism, ii. 3-5.

Sydenham, and railway complaints, ii. 84, and note.

Syro-Phœnicia, the woman of, ii. 174.


"Tain Caimbeul," letter in Reader, i. 175 (note).

Taylor, the trial, ii. 130, and note.

Telford, "Ruskin, T., and Domecq," ii. 60 (note).

Tell, William, ii. 3, and note;
opera of, ii. 194.

Tempera-painting, determined by Angelico, i. 118.

Temple, Rev. F. (Bishop of Exeter), i. 25 (note), 31.

Tennyson, quoted: "Mariana," i. 60 (note);
"In Memoriam," i. 179;
"Enid," ii. 100;
"Break, break," etc., ii. 178;
mentioned, ii. 183 (note).

Territory, extent of, ii. 24.

Thackeray, Miss, "The Chaplain's Daughter" referred to, i. 120, 121 (note);
"Jack the Giant Killer," ib.

Thames, the, i. 183;
its commerce, i. 165 (note);
its mud, ii. 73.

Theatre, the, letter, "At the Play," ii. 185,
(See Drama.)

Theatre, The, letter in, "The Merchant of Venice," ii. 179.

Thorburn, i. 62.

Thornbury, Walter, "Life of Turner," i. 108.

Tiber, inundations, ii. 111, 116, 118.

Ticino, inundations, ii. 113, 117.

Times, The letters in:—
(January 7, 1847) Danger to the National Gallery, i. 37.