It is good to have translations, because they serve as a comment, so far as the judgement of one man goes.—J. Selden.
The reason the classics are not read is because there still lingers a tradition, handed down from the eighteenth century, that it is useless to read them unless in the original. A tone of sarcastic contempt is maintained towards the person who shall presume to peruse Xenophon not in the original Greek, or Virgil not in the original Latin.
In the view of these critics it is the Greek, it is the Latin, that is valuable, not the contents of the volume. Shakespeare, however, the greatest genius of England, thought otherwise. It is known that his ideas of Grecian and Roman history were derived from somewhat rude translations, yet it is acknowledged that the spirit of the ancient warriors and of the ancient luxury lives in his Antony and Cleopatra, and nowhere in all the ancient writers is there a poem breathing the idea of Aphrodite like his Venus and Adonis. The example of so great a genius may shield us in an effort to free the modern mind from this eighteenth-century incubus.
The truth is, the classics are much better understood in a good translation than in the original. To obtain a sufficient knowledge of Greek, for instance, to accurately translate is almost the work of a lifetime. Concentration upon this one pursuit gradually contracts the general perceptions, and it has often happened that an excellent scholar has been deficient in common knowledge, as shown by the singular character of his own notes. But his work of translation in itself is another matter.
It is a treasure; from it poets derive their illustrations; dramatists their plots; painters their pictures. A young mind full of intelligence, coming to such a translation, enters at once into the spirit of the ancient writer. A good translation is thus better than the original.—R. Jefferies. The Dewy Morn.
'Twas this vain idolizing of authors which gave birth to that silly vanity of impertinent citations, and inducing authority in things neither requiring nor deserving it. That saying was much more observable, That men have beards and women none, because quoted from Beza; and that other, Pax res bona est, because brought in with a 'said St. Austin'. But these ridiculous fooleries, to your more generous discerners, signify nothing but the pedantry of the affected sciolist. 'Tis an inglorious acquist to have our heads or volumes laden as were Cardinal Campeius his mules, with old and useless baggage.—J. Glanvill. The Vanity of Dogmatizing.
In quoting of books, quote such authors as are usually read; others you may read for your own satisfaction, but not name them.
Quoting of authors is most for matter of fact; and then I write them as I would produce a witness; sometimes for a free expression, and then I give the author his due, and gain myself praise by reading him.
To quote a modern Dutchman where I may use a classic author, is as if I were to justify my reputation, and I neglect all persons of note and quality that know me, and bring the testimonial of the scullion in the kitchen.—J. Selden. Table Talk.
Next to the originator of a good sentence is the first quoter of it.... We are as much informed of a writer's genius by what he selects as by what he originates. We read the quotation with his eyes, and find a new and fervent sense; as a passage from one of the poets, well recited, borrows new interest from the rendering. As the journals say, 'the italics are ours.' The profit of books is according to the sensibility of the reader. The profoundest thought or passion sleeps as in a mine, until an equal mind and heart finds and publishes it. The passages of Shakespeare that we most prize were never quoted until within this century; and Milton's prose, and Burke, even, have their best fame within it. Every one, too, remembers his friends by their favourite poetry or other reading.
Observe, also, that a writer appears to more advantage in the pages of another book than in his own. In his own, he waits as a candidate for your approbation; in another's he is a lawgiver.—R. W. Emerson. Quotation and Originality.
You despise books; you, whose lives are absorbed in the vanities of ambition, the pursuit of pleasure, or in indolence; but remember that all the known world, excepting only savage nations, is governed by books. All Africa, to the limits of Ethiopia and Nigritia, obeys the book of the Koran, after bowing to the book of the Gospel. China is ruled by the moral book of Confucius, and a great part of India by the Vedah. Persia was governed for ages by the books of one of the Zoroasters.
In a law-suit or criminal process, your property, your honour, perhaps your life, depends on the interpretation of a book which you never read.... You are acquainted with neither Hippocrates nor Boerhaave nor Sydenham; but you place your body in the hands of those who can read them.—Voltaire. Philosophical Dictionary: Books.
The writings of divines are nothing else but a preaching the Gospel to the eye, as the voice preacheth it to the ear. Vocal preaching hath the pre-eminence in moving the affections, and becometh diversified according to the state of the congregations which attend it: this way the milk cometh warmest from the breast. But books have the advantage in many other respects: you may read an able preacher when you have but a mean one to hear. Every congregation cannot hear the most judicious or powerful preachers: but every single person may read the books of the most powerful and judicious; preachers may be silenced or banished, when books may be at hand: books may be kept at a smaller charge than preachers: we may choose books which treat of that very subject which we desire to hear of; but we cannot choose what subject the preacher shall treat of. Books we may have at hand every day and hour: when we can have sermons but seldom, and at set times. If sermons be forgotten, they are gone. But a book we may read over and over till we remember it; and if we forget it, may again peruse it at our pleasure, or at our leisure. So that good books are a very great mercy to the world.—R. Baxter. Christian Directory.
Books of morality are daily written, yet its influence is still little in the world; so the ground is annually ploughed, and yet multitudes are in want of bread. But, surely, neither the labours of the moralist nor of the husbandman are vain: let them for a while neglect their tasks and their usefulness will be known; the wickedness that is now frequent would become universal, the bread that is now scarce would wholly fail.—S. Johnson. Adventurer, 137.
Books have always a secret influence on the understanding: we cannot at pleasure obliterate ideas; he that reads books of science, though without any fixed desire of improvement, will grow more knowing; he that entertains himself with moral or religious treatises will imperceptibly advance in goodness; the ideas which are often offered to the mind will at last find a lucky moment when it is disposed to receive them.—S. Johnson. Adventurer, 137.
It was the maxim, I think, of Alphonsus of Aragon that dead counsellors are safest. The grave puts an end to flattery and artifice, and the information that we receive from books is pure from interest, fear, or ambition. Dead counsellors are likewise most instructive, because they are heard with patience and with reverence. We are not unwilling to believe that man wiser than ourselves from whose abilities we may receive advantage without any danger of rivalry or opposition, and who affords us the light of his experience without hurting our eyes by flashes of insolence.—S. Johnson. Rambler, 87.
But to the Church itself, as I hinted already, all is changed, in its preaching, in its working, by the introduction of Books. The Church is the working recognized Union of our Priests or Prophets, of those who by wise teaching guide the souls of men. While there was no Writing, even while there was no Easy-writing, or Printing, the preaching of the voice was the natural sole method of performing this. But now with Books!—He that can write a true Book, to persuade England, is not he the Bishop and Archbishop, the Primate of England and of all England? I many a time say, the writers of Newspapers, Pamphlets, Poems, Books, these are the real working effective Church of a modern country. Nay, not only our preaching, but even our worship, is not it too accomplished by means of Printed Books?... Fragments of a real 'Church Liturgy' and 'Body of Homilies', strangely disguised from the common eye, are to be found weltering in that huge froth-ocean of Printed Speech we loosely call Literature! Books are our Church too.
On all sides, are we not driven to the conclusion that, of the things which man can do or make here below, by far the most momentous, wonderful and worthy are the things we call Books! Those poor bits of rag-paper with black ink on them;—from the Daily Newspaper to the sacred Hebrew Book, what have they not done, what are they not doing!—For indeed, whatever be the outward form of the things (bits of paper, as we say, and black ink), is it not verily, at bottom, the highest act of man's faculty that produces a Book? It is the Thought of man; the true thaumaturgic virtue; by which man works all things whatsoever. All that he does, and brings to pass, is the vesture of a Thought. This London City, with all its houses, palaces, steam-engines, cathedrals, and huge immeasurable traffic and tumult, what is it but a Thought, but millions of Thoughts made into One;—a huge immeasurable Spirit of a Thought, embodied in brick, iron, smoke, dust, Palaces, Parliaments, Hackney Coaches, Katherine Docks, and the rest of it! Not a brick was made but some man had to think of the making of that brick.—The thing we called 'bits of paper with traces of black ink', is the purest embodiment a Thought of man can have. No wonder it is, in all ways, the activest and noblest.—T. Carlyle. Heroes and Hero-Worship.
The modern scholars have their usual recourse to the Universities of their countries; some few, it may be, to those of their neighbours; and this in quest of books rather than men for their guides, though these are living and those in comparison but dead instructors, which, like a hand with an inscription, can point out the straight way upon the road, but can neither tell you the next turnings, resolve your doubts, or answer your questions, like a guide that has traced it over, and perhaps knows it as well as his chamber. And who are these dead guides we seek in our journey? They are at best but some few authors that remain among us of a great many that wrote in Greek and Latin from the age of Hippocrates to that of Marcus Antoninus, which reaches not much above six hundred years.—Sir W. Temple. Ancient and Modern Learning.
The colleges, whilst they provide us with libraries, furnish no professor of books; and, I think, no chair is so much wanted. In a library we are surrounded by many hundreds of dear friends, but they are imprisoned by an enchanter in these paper and leathern boxes; and, though they know us, and have been waiting two, ten, or twenty centuries for us,—some of them,—and are eager to give us a sign, and unbosom themselves, it is the law of their limbo that they must not speak until spoken to; and as the enchanter has dressed them, like battalions of infantry, in coat and jacket of one cut, by the thousand and ten thousand, your chance of hitting on the right one is to be computed by the arithmetical rule of Permutation and Combination,—not a choice out of three caskets, but out of half a million caskets all alike. But it happens in our experience, that in this lottery there are at least fifty or a hundred blanks to a prize. It seems, then, as if some charitable soul, after losing a great deal of time among the false books, and alighting upon a few true ones which made him happy and wise, would do a right act in naming those which have been bridges or ships to carry him safely over dark morasses and barren oceans, into the heart of sacred cities, into palaces and temples. This would be best done by those great masters of books who from time to time appear,—the Fabricii, the Seldens, Magliabecchis, Scaligers, Mirandolas, Bayles, Johnsons, whose eyes sweep the whole horizon of learning. But private readers, reading purely for love of the book, would serve us by leaving each the shortest note of what he found.—R. W. Emerson. Books.
To look at Teaching, for instance. Universities are a notable, respectable product of the modern ages. Their existence too is modified, to the very basis of it, by the existence of Books. Universities arose while there were yet no Books procurable; while a man, for a single Book, had to give an estate of land. That, in those circumstances, when a man had some knowledge to communicate, he should do it by gathering the learners round him, face to face, was a necessity for him. If you wanted to know what Abelard knew, you must go and listen to Abelard. Thousands, as many as thirty thousand, went to hear Abelard and that metaphysical theology of his. And now for any other teacher who had also something of his own to teach, there was a great convenience opened: so many thousands eager to learn were already assembled yonder; of all places the best place for him was that. For any third teacher it was better still; and grew ever the better, the more teachers there came. It only needed now that the King took notice of this new phenomenon; combined or agglomerated the various schools into one school; gave it edifices, privileges, encouragements, and named it Universitas, or School of all Sciences: the University of Paris, in its essential characters, was there. The model of all subsequent Universities; which down even to these days, for six centuries now, have gone on to found themselves. Such, I conceive, was the origin of Universities. It is clear, however, that with this simple circumstance, facility of getting Books, the whole conditions of the business from top to bottom were changed. Once invent Printing, you metamorphosed all Universities, or superseded them! The Teacher needed not now to gather men personally round him, that he might speak to them what he knew: print it in a Book, and all learners far and wide, for a trifle, had it each at his own fireside, much more effectually to learn it!—Doubtless there is still peculiar virtue in Speech; even writers of Books may still, in some circumstances, find it convenient to speak also,—witness our present meeting here! There is, one would say, and must ever remain while man has a tongue, a distinct province for Speech as well as for Writing and Printing. In regard to all things this must remain; to Universities among others. But the limits of the two have nowhere yet been pointed out, ascertained; much less put in practice: the University which would completely take-in that great new fact, of the existence of Printed Books, and stand on a clear footing for the Nineteenth Century as the Paris one did for the Thirteenth, has not yet come into existence. If we think of it, all that a University, or final highest School, can do for us, is still but what the first School began doing—teach us to read. We learn to read, in various languages, in various sciences; we learn the alphabet and letters of all manner of Books. But the place where we are to get knowledge, even theoretic knowledge, is the Books themselves! It depends on what we read, after all manner of Professors have done their best for us. The true University of these days is a Collection of Books.—T. Carlyle. Heroes and Hero-Worship.
Books will speak plain, when counsellors blanch.—F. Bacon, Lord Verulam. Of Counsell.
is one that has spelt over a great many of books, and his observation is the orthography. He is the surgeon of old authors, and heals the wounds of dust and ignorance. He converses much in fragments and Desunt multa's, and if he piece it up with two lines, he is more proud of that book than the author. He runs over all sciences to peruse their syntaxes, and thinks all learning comprised in writing Latin. He tastes styles, as some discreeter palaters do wine; and tells you which is genuine, which sophisticate and bastard. His own phrase is a miscellany of old words, deceased long before the Caesars, and entombed by Varro, and the modernest man he follows is Plautus. He writes Omneis at length, and quicquid, and his gerund is most inconformable. He is a troublesome vexer of the dead, which after so long sparing must rise up to the judgement of his castigations. He is one that makes all books sell dearer, whilst he swells them into folios with his comments.—J. Earle. Microcosmographie.
There are some subjects of which almost all the world perceive the futility; yet all combine in imposing upon each other as worthy of praise. But chiefly this imposition obtains in literature, where men publicly contemn what they relish with rapture in private, and approve abroad what has given them disgust at home.—O. Goldsmith. Letters from a Citizen of the World.
They who are in the habit of passing sentence upon books,—and what ignoramus in our days does not deem himself fully qualified for sitting in the seat of the scorner?—are apt to think that they have condemned a work irretrievably, when they have pronounced it to be unintelligible. Unintelligible to whom? To themselves, the self-constituted judges. So that their sentence presumes their competency to pronounce it: and this, to every one save themselves, may be exceedingly questionable.
It is true, the very purpose for which a writer publishes his thoughts, is, that his readers should share them with him. Hence the primary requisite of a style is its intelligibleness: that is to say, it must be capable of being understood. But intelligibleness is a relative quality, varying with the capacity of the reader. The easiest book in a language is inaccessible to those who have never set foot within the pale of that language. The simplest elementary treatise in any science is obscure and perplexing, until we become familiar with the terminology of that science. Thus every writer is entitled to demand a certain amount of knowledge in those for whom he writes, and a certain degree of dexterity in using the implements of thought....
When a man says he sees nothing in a book, he very often means that he does not see himself in it: which, if it is not a comedy or a satire, is likely enough.—A. W. and J. C. Hare. Guesses at Truth.
They who make up the final verdict upon every book are
not the partial and noisy readers of the hour when it
appears; but a court as of angels, a public not to be bribed,
not to be entreated, and not to be overawed, decides upon
every man's title to fame. Only those books come down
which deserve to last. Gilt edges, vellum, and morocco,
and presentation copies to all the libraries, will not preserve
a book in circulation beyond its intrinsic date. It must go
with all Walpole's Noble and Royal Authors to its fate.
Blackmore, Kotzebue, or Pollock may endure for a night,
but Moses and Homer stand for ever. There are not in the
world at any one time more than a dozen persons who read
and understand Plato: never enough to pay for an edition
of his works; yet to every generation these come duly
down, for the sake of those few persons, as if God brought
them in his hand. 'No book,' said Bentley, 'was ever
written down by any but itself.' The permanence of all
books is fixed by no effort friendly or hostile, but by their
own specific gravity, or the intrinsic importance of their
contents to the constant mind of man.—R. W. Emerson.
Spiritual Laws.
Talent alone cannot make a writer. There must be a man behind the book.—R. W. Emerson. Goethe.
The opinion of the great body of the reading public is very materially influenced even by the unsupported assertions of those who assume a right to criticize. Nor is the public altogether to blame on this account. Most even of those who have really a great enjoyment in reading are in the same state, with respect to a book, in which a man who has never given particular attention to the art of painting is with respect to a picture. Every man who has the least sensibility or imagination derives a certain pleasure from pictures. Yet a man of the highest and finest intellect might, unless he had formed his taste by contemplating the best pictures, be easily persuaded by a knot of connoisseurs that the worst daub in Somerset House was a miracle of art.
Just such is the manner in which nine readers out of ten judge of a book. They are ashamed to dislike what men who speak as having authority declare to be good.—Lord Macaulay. Mr. Robert Montgomery's Poems.
I know many persons who have the purest taste in literature, and yet false taste in art, and it is a phenomenon which puzzles me not a little; but I have never known any one with false taste in books, and true taste in pictures. It is also of the greatest importance to you, not only for art's sake, but for all kinds of sake, in these days of book deluge, to keep out of the salt swamps of literature, and live on a little rocky island of your own, with a spring and a lake in it, pure and good. I cannot, of course, suggest the choice of your library to you: every several mind needs different books; but there are some books which we all need, and assuredly, if you read Homer, Plato, Aeschylus, Herodotus, Dante, Shakespeare, and Spenser, as much as you ought, you will not require wide enlargement of shelves to right and left of them for purposes of perpetual study.—J. Ruskin. The Elements of Drawing.
'There is no book so bad,' said the bachelor, 'but something good may be found in it.'—Cervantes.
Nor is there any paternal fondness which seems to savour less of absolute instinct, and which may be so well reconciled to worldly wisdom, as this of authors for their books. These children may most truly be called the riches of their father, and many of them have with true filial piety fed their parent in his old age; so that not only the affection but the interest of the author may be highly injured by those slanderers whose poisonous breath brings his book to an untimely end.
Lastly, the slanderer of a book is, in truth, the slanderer of the author ... neither can any one give the names of sad stuff, horrid nonsense, &c., to a book, without calling the author a blockhead; which, though in a moral sense it is a preferable appellation to that of villain, is, perhaps, rather more injurious to his worldly interest.—H. Fielding. Tom Jones.
To complain in print of the multitude of books seems to
me a self-accusing vanity, whilst the querulous reprehenders
add to the cause of complaint and transgress themselves
in that which they seem to wish amended. 'Tis true, the
births of the press are numerous, nor is there less variety
in the humours and fancies of perusers, and while the number
of the one exceeds not the diversity of the other some will
not think that too much which others judge superfluous.
The genius of one approves what another disregardeth.
And were nothing to pass the press but what were suited
to the universal gusto, farewell, typography!... I seek
no applause from the disgrace of others, nor will I, huckster-like,
discredit any man's ware to recommend mine own.
I am not angry that there are so many books already
(bating only the anomalies of impiety and irreligion), nor
will I plead the necessity of publishing mine from feigned
importunities.—J. Glanvill. The Vanity of Dogmatizing.
The foolishest book is a kind of leaky boat on the sea of wisdom; some of the wisdom will get in, anyhow.—O. W. Holmes. The Poet at the Breakfast-Table.
Popish books teach and inform; what we know, we know much out of them. The fathers, church story, school-men, all may pass for popish books; and if you take away them, what learning will you leave? Besides, who must be judge? The customer or the waiter? If he disallows a book it must not be brought into the kingdom; then Lord have mercy upon all scholars! These puritan preachers, if they have anything good, they have it out of popish books, though they will not acknowledge it, for fear of displeasing the people. He is a poor divine that cannot sever the good from the bad.—J. Selden. Table Talk.
Learning hath of late years met with an obstruction in many places which suppresses it from flourishing or increasing, in spite of all its other helps, and that is the inquisition upon the press, which prohibits any book from coming forth without an imprimatur; an old relic of popery, only necessary for the concealing of such defects of government which of right ought to be discovered and amended.—C. Blount. A Just Vindication of Learning, 1693.
[Greek: Méga biblíon méga kakón]
A man who publishes his works in a volume has an infinite advantage over one who communicates his writings to the world in loose tracts and single pieces. We do not expect to meet with anything in a bulky volume till after some heavy preamble, and several words of course, to prepare the reader for what follows: nay, authors have established it as a kind of rule, that a man ought to be dull sometimes, as the most severe reader makes allowances for many rests and nodding-places in a voluminous writer. This gave occasion to the famous Greek proverb which I have chosen for my motto, That a great book is a great evil....
An essay writer must practise in the chemical method and give the virtue of a full draught in a few drops. Were all books reduced thus to their quintessence, many a bulky author would make his appearance in a penny-paper: there would be scarce such a thing in nature as a folio: the works of an age would be contained on a few shelves, not to mention millions of volumes that would be utterly annihilated....
When knowledge, instead of being bound up in books, and kept in libraries and retirements, is thus obtruded upon the public; when it is canvassed in every assembly, and exposed upon every table; I cannot forbear reflecting upon that passage in the Proverbs, 'Wisdom crieth without, she uttereth her voice in the streets.'—J. Addison. Spectator, 124.
For books we shall generally find that the most excellent
in any art or science have been still the smallest and most
compendious; and this not without ground, for it is an
argument that the author was a master of what he wrote,
and had a clear notion and a full comprehension of the
subject before him. For the reason of things lies in a little
compass, if the mind could at any time be so happy as to
light upon it. Most of the writings and discourses in the
world are but illustration and rhetoric, which signifies as
much as nothing to a mind eager in pursuit after the causes
and philosophical truth of things.... The truth is, there
could be no such thing as art or science, could not the mind
of man gather the general natures of things out of the heap
of numberless particulars, and then bind them up into such
short aphorisms or propositions, that so they may be made
portable to the memory, and thereby become ready and at
hand for the judgement to apply and make use of as there
shall be occasion.—R. South. Sermon against long extempore
prayers.
There are many books written by many men, from which two truths only are discoverable by the readers; namely, that the writers thereof wanted two things,—principle and preferment.—C. C. Colton. Lacon.
An amusing catalogue might be made of books which contain but one good passage. They would be a sort of single-speech Hamiltons; if Balaam's palfrey might not be thought a more apt counterpart to them. Killigrew's play of the Parson's Wedding, which in length of massy dullness exceeds many books, is remarkable for one little spark of liveliness. The languishing fine lady of the piece exclaims most characteristically, upon coming in tired with walking: 'I am glad I am come home, for I'm e'en as weary with this walking. For God's sake, whereabouts does the pleasure of walking lie? I swear I have often sought it till I was weary, and yet I could ne'er find it.'—Charron on Wisdom, a cumbrous piece of formality, which Pope's eulogium lately betrayed me into the perusal of, has one splendid passage, page 138, (I think) English translation. It contrasts the open honours with which we invest the sword, as the means of putting man out of the world, with the concealing and retiring circumstances that accompany his introduction into it. It is a piece of gorgeous and happy eloquence.—What could Pope mean by that line,—'sage Montaigne, or more sage Charron?' Montaigne is an immense treasure-house of observation, anticipating all the discoveries of succeeding essayists. You cannot dip in him without being struck with the aphorism, that there is nothing new under the sun. All the writers on common life since him have done nothing but echo him. You cannot open him without detecting a Spectator or starting a Rambler; besides that his own character pervades the whole, and binds it sweetly together. Charron is a mere piece of formality, scholastic dry bones, without sinew or living flesh.—C. Lamb. Table Talk.
Few books have more than one thought: the generality indeed have not quite so many. The more ingenious authors of the former seem to think that, if they once get their candle lighted, it will burn on for ever. Yet even a candle gives a sorry, melancholy light unless it has a brother beside it, to shine on it and keep it cheerful. For lights and thoughts are social and sportive: they delight in playing with and into each other. One can hardly conceive a duller state of existence than sitting at whist with three dummies: and yet many of our prime philosophers have seldom done anything else.—A. W. and J. C. Hare. Guesses at Truth.
A heedy reader shall often discover in other men's compositions perfections far differing from the author's meaning, and such as haply he never dreamed of, and illustrateth them with richer senses and more excellent constructions.—Montaigne.
In hours of high mental activity we sometimes do the book too much honour, reading out of it better things than the author wrote,—reading, as we say, between the lines. You have had the like experience in conversation: the wit was in what you heard, not in what the speakers said. Our best thought came from others. We heard in their words a deeper sense than the speakers put into them, and could express ourselves in other people's phrases to finer purpose than they knew.—R. W. Emerson. Quotation and Originality.
There are some fine passages, I am told, in that book.
Are there? Then beware of them. Fine passages are mostly culs de sac. For in books also does one see