Unworthy land to harbour such a sweetness,
A virtue in which all ennobling thoughts dwelt,
Pure thoughts, kind thoughts, high thoughts, her sex's wonder!
—hadst thou not thy play-books, and books of jests and
fancies, about thee, to keep thee merry, even as thou
keepest all companies with thy quips and mirthful tales?—Child
of the Green-room, it was unkindly done of thee.
Thy wife, too, that part-French, better-part Englishwoman!—that
she could fix upon no other treatise to bear away
in kindly token of remembering us, than the works of
Fulke Greville, Lord Brooke—of which no Frenchman, nor
woman of France, Italy, or England, was ever by nature
constituted to comprehend a tittle! Was there not Zimmerman
on Solitude?
Reader, if haply thou art blessed with a moderate collection,
be shy of showing it; or if thy heart overfloweth to
lend them, lend thy books; but let it be to such a one as
S. T. C.—he will return them (generally anticipating the
time appointed) with usury; enriched with annotations,
tripling their value. I have had experience. Many are
these precious MSS. of his—(in matter oftentimes, and
almost in quantity not unfrequently, vying with the originals)—in
no very clerky hand—legible in my Daniel; in
old Burton; in Sir Thomas Browne; and those abstruser
cogitations of the Greville, now, alas! wandering in Pagan
lands.—I counsel thee, shut not thy heart, nor thy library,
against S. T. C.—C. Lamb. The Two Races of Men.
BORROWING AND LENDING
I own I borrow books with as much facility as I lend.
I cannot see a work that interests me on another person's
shelf, without a wish to carry it off: but, I repeat, that
I have been much more sinned against than sinning in the
article of non-return; and am scrupulous in the article of
intention.—J. H. Leigh Hunt. My Books.
WEDDED TO BOOKS
If people are to be wedded to their books, it is hard that,
under our present moral dispensations, they are not to be
allowed the usual exclusive privileges of marriage. A friend
thinks no more of borrowing a book nowadays, than a
Roman did of borrowing a man's wife; and what is worse,
we are so far gone in our immoral notions on this subject,
that we even lend it as easily as Cato did his spouse. Now
what a happy thing ought it not to be to have exclusive
possession of a book,—one's Shakespeare for instance; for
the finer the wedded work, the more anxious of course we
should be, that it should give nobody happiness but ourselves.
Think of the pleasure of not only being with it in
general, of having by far the greater part of its company,
but of having it entirely to oneself; of always saying
internally, 'It is my property'; of seeing it well-dressed
in 'black or red', purely to please one's own eyes; of
wondering how any fellow could be so impudent as to
propose borrowing it for an evening; of being at once
proud of his admiration, and pretty certain that it was in
vain; of the excitement nevertheless of being a little uneasy
whenever we saw him approach it too nearly; of wishing
that it could give him a cuff of the cheek with one of its
beautiful boards, for presuming to like its beauties as well
as ourselves; of liking other people's books, but not at
all thinking it proper that they should like ours; of getting
perhaps indifferent to it, and then comforting ourselves
with the reflection that others are not so, though to no
purpose; in short, of all the mixed transport and anxiety
to which the exclusiveness of the book-wedded state would
be liable; not to mention the impossibility of other people's
having any literary offspring from our fair unique, and
consequently of the danger of loving any compilations but
our own. Really, if we could burn all other copies of our
originals, as the Roman Emperor once thought of destroying
Homer, this system would be worth thinking of. If we
had a good library, we should be in the situation of the
Turks with their seraglios, which are a great improvement
upon our petty exclusivenesses. Nobody could then touch
our Shakespeare, our Spenser, our Chaucer, our Greek and
Italian writers. People might say, 'Those are the walls
of the library!' and 'sigh, and look, and sigh again'; but
they should never get in. No Retrospective rake should
anticipate our privileges of quotation. Our Mary Wollstonecrafts
and our Madame de Staëls—no one should
know how finely they were lettered,—what soul there was
in their disquisitions. We once had a glimpse of the feelings
which people would have on these occasions. It was in
the library of Trinity College, Cambridge. The keeper of
it was from home; and not being able to get a sight of
the manuscript of Milton's Comus, we were obliged to content
ourselves with looking through a wire-work, a kind
of safe, towards the shelf on which it reposed. How we
winked, and yearned, and imagined we saw a corner of the
all-precious sheets, to no purpose! The feelings were not
very pleasant, it is true; but then as long as they were
confined to others, they would of course only add to our
satisfaction.—J. H. Leigh Hunt. Wedded to Books.
THE ART OF BOOK-KEEPING
How hard, when those who do not wish
To lend, that's lose, their books,
Are snared by anglers—folks that fish
With literary hooks;
Who call and take some favourite tome,
But never read it through;—
They thus complete their set at home,
By making one at you.
Behold the bookshelf of a dunce
Who borrows—never lends:
Yon work, in twenty volumes, once
Belonged to twenty friends.
New tales and novels you may shut
From view—'tis all in vain;
They're gone—and though the leaves are 'cut'
They never 'come again'.
For pamphlets lent I look around,
For tracts my tears are spilt;
But when they take a book that's bound,
'Tis surely extra-guilt.
A circulating library
Is mine—my birds are flown;
There's one odd volume left to be
Like all the rest, a-lone.
I, of my Spenser quite bereft,
Last winter sore was shaken;
Of Lamb I've but a quarter left,
Nor could I save my Bacon.
My Hall and Hill were levelled flat,
But Moore was still the cry;
And then, although I threw them Sprat,
They swallowed up my Pye.
O'er everything, however slight,
They seized some airy trammel;
They snatched my Hogg and Fox one night,
And pocketed my Campbell.
And then I saw my Crabbe at last,
Like Hamlet's, backward go;
And as my tide was ebbing fast,
Of course I lost my Rowe.
I wondered into what balloon
My books their course had bent;
And yet, with all my marvelling, soon
I found my Marvell went.
My Mallet served to knock me down,
Which makes me thus a talker;
And once, while I was out of town,
My Johnson proved a Walker.
While studying o'er the fire one day
My Hobbes amidst the smoke,
They bore my Colman clean away,
And carried off my Coke.
They picked my Locke, to me far more
Than Bramah's patent's worth;
And now my losses I deplore
Without a Home on earth.
If once a book you let them lift,
Another they conceal;
For though I caught them stealing Swift,
As swiftly went my Steele.
Hope is not now upon my shelf,
Where late he stood elated;
But, what is strange, my Pope himself
Is excommunicated.
My little Suckling in the grave
Is sunk, to swell the ravage;
And what 'twas Crusoe's fate to save
'Twas mine to lose—a Savage.
Even Glover's works I cannot put
My frozen hands upon;
Though ever since I lost my Foote
My Bunyan has been gone.
My Hoyle with Cotton went; oppressed,
My Taylor too must sail;
To save my Goldsmith from arrest,
In vain I offered Bayle.
I Prior sought, but could not see
The Hood so late in front;
And when I turned to hunt for Lee,
Oh! where was my Leigh Hunt?
I tried to laugh, old care to tickle,
Yet could not Tickell touch,
And then, alas! I missed my Mickle,
And surely mickle's much.
'Tis quite enough my griefs to feed,
My sorrows to excuse,
To think I cannot read my Reid,
Nor even use my Hughes.
To West, to South, I turn my head,
Exposed alike to odd jeers;
For since my Roger Ascham's fled,
I ask 'em for my Rogers.
They took my Horne—and Horne Tooke, too,
And thus my treasures flit;
I feel when I would Hazlitt view,
The flames that it has lit.
My word's worth little, Wordsworth gone,
If I survive its doom;
How many a bard I doated on
Was swept off—with my Broome.
My classics would not quiet lie,
A thing so fondly hoped;
Like Dr. Primrose, I may cry,
'My Livy has eloped!'
My life is wasting fast away—
I suffer from these shocks;
And though I've fixed a lock on Gray,
There's grey upon my locks.
I'm far from young—am growing pale—
I see my Butter fly;
And when they ask about my ail,
'Tis Burton! I reply.
They still, have made me slight returns,
And thus my griefs divide;
For oh! they've cured me of my Burns,
And eased my Akenside.
But all I think I shall not say,
Nor let my anger burn;
For as they never found me Gay,
They have not left me Sterne.
S. Laman Blanchard.
THE BOOK OF NATURE
Of this fair volume which we World do name,
If we the sheets and leaves could turn with care,
Of Him who it corrects, and did it frame,
We clear might read the art and wisdom rare:
Find out His power which wildest powers doth tame,
His providence extending everywhere,
His justice which proud rebels doth not spare,
In every page, no, period of the same.
But silly we, like foolish children, rest
Well pleased with coloured vellum, leaves of gold,
Fair dangling ribands, leaving what is best,
On the great Writer's sense ne'er taking hold;
Or if by chance our minds do muse on aught,
It is some picture on the margin wrought.
W. Drummond.
In Nature's infinite book of secrecy
A little I can read.
W. Shakespeare. Antony and Cleopatra.
THE BOOK
Eternal God! Maker of all
That have lived here since the Man's fall!
The Rock of Ages! in whose shade
They live unseen when here they fade!
Thou knew'st this paper when it was
Mere seed, and after that but grass;
Before 'twas dressed or spun, and when
Made linen, who did wear it then,
What were their lives, their thoughts and deeds,
Whether good corn, or fruitless weeds.
Thou knew'st this tree, when a green shade
Covered it, since a cover made,
And where it flourished, grew, and spread,
As if it never should be dead.
Thou knew'st this harmless beast, when he
Did live and feed by thy decree
On each green thing; then slept, well fed,
Clothed with this skin, which now lies spread
A covering o'er this aged book,
Which makes me wisely weep, and look
On my own dust; mere dust it is,
But not so dry and clean as this.
Thou knew'st and saw'st them all, and though
Now scattered thus, dost know them so.
O knowing, glorious Spirit! when
Thou shalt restore trees, beasts and men,
When thou shalt make all new again,
Destroying only death and pain,
Give him amongst thy works a place
Who in them loved and sought thy face!
H. Vaughan.
THE BOOK OF LIFE
That Life is a Comedy oft hath been shown,
By all who Mortality's changes have known;
But more like a Volume its actions appear,
Where each Day is a Page and each Chapter a year.
'Tis a Manuscript Time shall full surely unfold,
Though with Black-Letter shaded, or shining with gold;
The Initial, like youth, glitters bright on its Page,
But its text is as dark—as the gloom of old Age.
Then Life's Counsels of Wisdom engrave on thy breast,
And deep on thine Heart be her lessons impressed.
Though the Title stands first it can little declare
The Contents which the Pages ensuing shall bear;
As little the first day of Life can explain
The succeeding events which shall glide in its train.
The Book follows next, and, delighted, we trace
An Elzevir's beauty, a Gutenberg's grace;
Thus on pleasure we gaze with as raptured an eye,
Till, cut off like a Volume imperfect, we die!
Then Life's Counsels of Wisdom engrave on thy breast,
And deep on thine Heart be her lessons impressed.
Yet e'en thus imperfect, complete, or defaced,
The skill of the Printer is still to be traced;
And though death bend us early in life to his will,
The wise hand of our Author is visible still.
Like the Colophon lines is the Epitaph's lay,
Which tells of what age and what nation our day,
And, like the Device of the Printer, we bear
The form of the Founder, whose Image we wear.
Then Life's Counsels of Wisdom engrave on thy breast,
And deep on thine Heart be her lessons impressed.
The work thus completed its Boards shall enclose,
Till a Binding more bright and more beauteous it shows;
And who can deny, when Life's Vision hath passed,
That the dark Boards of Death shall surround us at last.
Yet our Volume illumed with fresh splendours shall rise,
To be gazed at by Angels, and read to the skies,
Reviewed by its Author, revised by his Pen,
In a fair new Edition to flourish again.
Then Life's Counsels of Wisdom engrave on thy breast,
And deep on thine Heart be her lessons impressed.
THE WIND OVER THE CHIMNEY
See, the fire is sinking low,
Dusky red the embers glow,
While above them still I cower,
While a moment more I linger,
Though the clock, with lifted finger,
Points beyond the midnight hour.
Sings the blackened log a tune
Learned in some forgotten June
From a school-boy at his play,
When they both were young together,
Heart of youth and summer weather
Making all their holiday.
And the night-wind rising, hark!
How above there in the dark,
In the midnight and the snow,
Ever wilder, fiercer, grander.
Like the trumpets of Iskander,
All the noisy chimneys blow!
Every quivering tongue of flame
Seems to murmur some great name,
Seems to say to me, 'Aspire!'
But the night-wind answers, 'Hollow
Are the visions that you follow,
Into darkness sinks your fire!'
Then the flicker of the blaze
Gleams on volumes of old days,
Written by masters of the art,
Loud through whose majestic pages
Rolls the melody of ages,
Throb the harp-strings of the heart.
And again the tongues of flame
Start exulting and exclaim:
'These are prophets, bards, and seers;
In the horoscope of nations,
Like ascendant constellations,
They control the coming years.'
But the night-wind cries: 'Despair!
Those who walk with feet of air
Leave no long-enduring marks;
At God's forges incandescent
Mighty hammers beat incessant,
These are but the flying sparks.
'Dust are all the hands that wrought;
Books are sepulchres of thought;
The dead laurels of the dead
Rustle for a moment only,
Like the withered leaves in lonely
Churchyards at some passing tread.'
Suddenly the flame sinks down;
Sink the rumours of renown;
And alone the night-wind drear
Clamours louder, wilder, vaguer,—
''Tis the brand of Meleager
Dying on the hearth-stone here!'
And I answer,—'Though it be,
Why should that discomfort me?
No endeavour is in vain;
Its reward is in the doing,
And the rapture of pursuing
Is the prize the vanquished gain.'
H. W. Longfellow. Wise Books.
For half the truths they hold are honoured tombs.—G.
Eliot. The Spanish Gipsy.
A GREAT NECROMANCER
Alonso of Aragon was wont to say of himself that he
was a great Necromancer, for that he used to ask counsel
of the dead: meaning Books.—F. Bacon, Lord Verulam.
Apophthegmes.
BOOKS FOR MAGIC
Resolve you, doctors, Bacon can by books
Make storming Boreas thunder from his cave,
And dim fair Luna to a dark Eclipse.
The great arch-ruler, potentate of hell,
Trembles, when Bacon bids him, or his fiends,
Bow to the force of his Pentageron.
What art can work, the frolic friar knows,
And therefore will I turn my Magic books,
And strain out Necromancy to the deep.
I have contrived and framed a head of brass
(I made Belcephon hammer out the stuff),
And that by art shall read Philosophy:
And I will strengthen England by my skill,
That if ten Caesars lived and reigned in Rome,
With all the legions Europe doth contain,
They should not touch a grasse of English ground:
The work that Ninus reared at Babylon,
The brazen walls framed by Semiramis,
Carved out like to the portal of the sun,
Shall not be such as rings the English strand
From Dover to the market place of Rye.
R. Greene. The Honourable History of
Friar Bacon and Friar Bungay.
THE SECRET OF STRENGTH
'Tis a custom with him
I' the afternoon to sleep: there thou may'st brain him,
Having first seized his books; or with a log
Batter his skull, or paunch him with a stake,
Or cut his wezand with thy knife. Remember
First to possess his books; for without them
He's but a sot, as I am, nor hath not
One spirit to command: they all do hate him
As rootedly as I. Burn but his books.
W. Shakespeare. The Tempest.
RED LETTERS AND CONJURING
Smith. The clerk of Chatham: he can write and read
and cast accompt.
Cade. O monstrous!
Smith. We took him setting of boys' copies.
Cade. Here's a villain!
Smith. Has a book in his pocket with red letters in't.
Cade. Nay, then, he is a conjurer.
W. Shakespeare. Second Part of King Henry the Sixth.
MERLIN'S BOOK
You read the book, my pretty Vivien!
O aye, it is but twenty pages long,
But every page having an ample marge,
And every marge enclosing in the midst
A square of text that looks a little blot,
The text no larger than the limbs of fleas;
And every square of text an awful charm,
Writ in a language that has long gone by.
So long, that mountains have arisen since
With cities on their flanks—you read the book!
And every margin scribbled, crost, and crammed
With comment, densest condensation, hard
To mind and eye; but the long sleepless nights
Of my long life have made it easy to me.
And none can read the text, not even I;
And none can read the comment but myself;
And in the comment did I find the charm.
Lord Tennyson. Idylls of the King: Vivien.
FAST AND LOOSE
Fast bind, fast find: my Bible was well bound;
A Thief came fast, and loose my Bible found:
Was't bound and loose at once? how can that be?
'Twas loose for him, although 'twas bound for me.
READ THE SCRIPTURES
Read the Scriptures, which Hyperius holds available
of itself; 'the mind is erected thereby from all worldly
cares, and hath much quiet and tranquillity.' For, as Austin
well hath it, 'tis scientia scientiarum, omni melle dulcior,
omni pane suavior, omni vino hilarior: 'tis the best nepenthe,
surest cordial, sweetest alterative, presentest diverter: for
neither as Chrysostom well adds, 'those boughs and leaves
of trees which are plashed for cattle to stand under, in the
heat of the day, in summer, so much refresh them with
their acceptable shade, as the reading of the Scripture
doth recreate and comfort a distressed soul, in sorrow and
affliction.' Paul bids us 'pray continually'; quod cibus
corpori, lectio animae facit, saith Seneca, 'as meat is to the
body, such is reading to the soul.' 'To be at leisure without
books is another hell, and to be buried alive.' Cardan calls
a library the physic of the soul; 'Divine authors fortify the
mind, make men bold and constant'; and (as Hyperius adds)
'godly conference will not permit the mind to be tortured
with absurd cogitations.'—R. Burton. The Anatomy of
Melancholy.
TO THE HOLY BIBLE
O Book! Life's guide! how shall we part,
And thou so long seized of my heart?
Take this last kiss; and let me weep
True thanks to thee before I sleep.
Thou wert the first put in my hand
When yet I could not understand,
And daily didst my young eyes lead
To letters, till I learnt to read.
But as rash youths, when once grown strong,
Fly from their nurses to the throng,
Where they new consorts choose, and stick
To those till either hurt or sick;
So with the first light gained from thee
Ran I in chase of vanity,
Cried dross for gold, and never thought
My first cheap book had all I sought.
Long reigned this vogue; and thou cast by,
With meek, dumb looks didst woo mine eye,
And oft left open would'st convey
A sudden and most searching ray
Into my soul, with whose quick touch
Refining still, I struggled much.
By this mild art of love at length
Thou overcam'st my sinful strength,
And having brought me home, didst there
Show me that pearl I sought elsewhere,—
Gladness, and peace, and hope, and love,
The secret favours of the Dove;
Her quickening kindness, smiles, and kisses,
Exalted pleasures, crowning blisses,
Fruition, union, glory, life,
Thou didst lead to, and still all strife.
Living, thou wert my soul's sure ease,
And dying mak'st me go in peace:—
Thy next effects no tongue can tell;
Farewell, O Book of God! farewell!
H. Vaughan.
ON BUYING THE BIBLE
'Tis but a folly to rejoice or boast
How small a price thy well-bought Pen'worth cost:
Until thy death thou shalt not fully know
Whether thy purchase be good cheap, or no;
And at that day, believe 't, it will appear
If not extremely cheap, extremely dear.
F. Quarles. Divine Fancies.
'I READ ONLY THE BIBLE'
Read the most useful books, and that regularly, and
constantly. Steadily spend all the morning in this employ,
or, at least, five hours in four-and-twenty.
'But I read only the Bible.' Then you ought to teach
others to read only the Bible, and, by parity of reason, to
hear only the Bible. But if so, you need preach no more.
'Just so,' said George Bell. 'And what is the fruit? Why,
now he neither reads the Bible, nor anything else. This
is rank enthusiasm.' If you need no book but the Bible,
you are got above St. Paul. He wanted others too. 'Bring
the books,' says he, 'but especially the parchments,' those
wrote on parchment. 'But I have no taste for reading.'
Contract a taste for it by use, or return to your trade.—J.
Wesley. Minutes of Some Late Conversations.
A MAN OF ONE BOOK
I want to know one thing,—the way to heaven; how
to land safe on the happy shore. God himself has condescended
to teach me the way. For this very end He
came from heaven. He hath written it down in a book.
O give me the book! At any price, give me the book of
God. I have it: here is knowledge enough for me. Let
me be homo unius libri. Here then I am, far from the busy
ways of men. I sit down alone; only God is here. In His
presence I open, I read His book.... And what I thus
learn, that I teach.—J. Wesley. Preface to Sermons.
HOMO UNIUS LIBRI
When St. Thomas Aquinas was asked in what manner
a man might best become learned, he answered, 'By reading
one book.' The homo unius libri is indeed proverbially
formidable to all conversational figurantes.—R. Southey.
The Doctor.
THE SCRIPTURES: WHAT ARE THEY?
I remember he alleged many a scripture, but those
I valued not; the scriptures, thought I, what are they?
A dead letter, a little ink and paper, of three or four shillings
price. Alas! What is the scripture? Give me a ballad,
a news-book, George on horseback, or Bevis of Southampton;
give me some book that teaches curious arts, that
tells of old fables; but for the holy scriptures I cared not.—J.
Bunyan. Sighs from Hell.
'THE PILGRIM'S PROGRESS'
I know of no book, the Bible excepted, as above all
comparison, which I, according to my judgement and
experience, could so safely recommend as teaching and
enforcing the whole saving truth according to the mind
that was in Christ Jesus, as the Pilgrim's Progress. It is,
in my conviction, incomparably the best summa theologiae
evangelicae ever produced by a writer not miraculously
inspired.
This wonderful work is one of the few books which may
be read repeatedly at different times, and each time with
a new and different pleasure. I read it once as a theologian—and
let me assure you that there is great theological
acumen in the work—once with devotional feelings—and
once as a poet. I could not have believed beforehand that
Calvinism could be painted in such exquisitely delightful
colours....
The Pilgrim's Progress is composed in the lowest style of
English, without slang or false grammar. If you were to
polish it, you would at once destroy the reality of the
vision. For works of imagination should be written in
very plain language; the more imaginative they are the
more necessary it is to be plain.—S. T. Coleridge. Table
Talk.
NO BOOK LIKE THE BIBLE
I would have you every morning read a portion of
the Holy Scriptures, till you have read the Bible from the
beginning to the end: observe it well, read it reverently
and attentively, set your heart upon it, and lay it up in
your memory and make it the direction of your life: it
will make you a wise and a good man. I have been acquainted
somewhat with men and books, and have had
long experience in learning, and in the world: there is no
book like the Bible for excellent learning, wisdom, and use;
and it is want of understanding in them that think or speak
otherwise.—Sir M. Hale. A Letter to one of his Sons, after
his recovery from the Smallpox.
TO A FAMILY BIBLE
What household thoughts around thee, as their shrine,
Cling reverently!—of anxious looks beguiled,
My mother's eyes, upon thy page divine,
Each day were bent—her accents gravely mild,
Breathed out thy love: whilst I, a dreamy child,
Wandered on breeze-like fancies oft away,
To some lone tuft of gleaming spring-flowers wild,
Some fresh-discovered nook for woodland play,
Some secret nest: yet would the solemn Word
At times, with kindlings of young wonder heard,
Fall on my wakened spirit, there to be
A seed not lost:—for which, in darker years,
O Book of Heaven! I pour, with grateful tears,
Heart blessings on the holy dead and thee!
Felicia D. Hemans.
THE BOOK OF BOOKS
No man was a greater lover of books than he [Shelley].
He was rarely to be seen, unless attending to other people's
affairs, without a volume of some sort, generally of Plato
or one of the Greek tragedians. Nor will those who understand
the real spirit of his scepticism, be surprised to hear
that one of his companions was the Bible. He valued it
for the beauty of some of its contents, for the dignity of
others, and the curiosity of all; though the philosophy
of Solomon he thought too Epicurean, and the inconsistencies
of other parts afflicted him. His favourite part was
the book of Job, which he thought the grandest of tragedies.
He projected founding one of his own upon it; and I will
undertake to say, that Job would have sat in that tragedy
with a patience and profundity of thought worthy of the
original. Being asked on one occasion, what book he
would save for himself if he could save no other? he
answered, 'The oldest book, the Bible.'—J. H. Leigh Hunt.
My Books.
A VERY PRICELESS THING
Precious temporal things are growing [in these years of
peace]; priceless spiritual things. We know the Shakespeare
Dramaturgy; the Rare-Ben and Elder-Dramatist
affair; which has now reached its culmination. Yes; and
precisely when the Wit-combats at the Mermaid are waning
somewhat, and our Shakespeare is about packing up for
Stratford,—there comes out another very priceless thing;
a correct Translation of the Bible; that which we still use.
Priceless enough this latter; of importance unspeakable!
Reynolds and Chadderton petitioned for it, at the Hampton-Court
Conference, long since; and now, in 1611, by labour
of Reynolds, Chadderton, Dr. Abbot, and other prodigiously
learned and earnest persons, 'forty-seven in number,' it
comes out beautifully printed; dedicated to the Dread
Sovereign; really in part a benefit of his to us. And so
we have it here to read, that Book of Books: 'barbarous
enough to rouse, tender enough to assuage, and possessing
how many other properties,' says Goethe;—possessing this
property, inclusive of all, add we, That it is written under
the eye of the Eternal; that it is of a Sincerity like very
Death; the truest Utterance that ever came by Alphabetic
Letters from the Soul of Man. Through which, as through
a window divinely opened, all men could look, and can
still look, beyond the visual Air-firmaments and mysterious
Time-oceans, into the Light-sea of Infinitude, into the
stillness of Eternity; and discern in glimpses, with such
emotions and practical suggestions as there may be, their
far-distant, longforgotten Home.—T. Carlyle. Historical
Sketches.
MATERIAL FOR POESY
What can we imagine more proper for the ornaments of
wit and learning in the story of Deucalion than in that
of Noah? Why will not the actions of Samson afford as
plentiful matter as the labours of Hercules? Why is not
Jephthah's daughter as good a woman as Iphigenia? and
the friendship of David and Jonathan more worthy celebration
than that of Theseus and Pirithous? Does not the
passage of Moses and the Israelites into the Holy Land
yield incomparably more poetic variety than the voyages
of Ulysses or Aeneas? Are the obsolete, threadbare tales
of Thebes and Troy half so stored with great, heroical, and
supernatural actions (since verse will needs find or make
such) as the wars of Joshua, of the Judges, of David, and
divers others?... All the books of the Bible are either
already most admirable and exalted pieces of poesy, or are
the best material in the world for it.—A. Cowley. Preface
to Davideis.
SACRED AND PROFANE WRITERS