Mr. Guppy went down on his knees. I was well behind my table, and not much frightened. I said, "Get up from that ridiculous position immediately, sir, or you will oblige me to break my implied promise and ring the bell!"
"Hear me out, miss!" said Mr. Guppy, folding his hands.
"I can not consent to hear another word, sir," I returned, "unless you get up from the carpet directly, and go and sit down at the table, as you ought to do if you have any sense at all."
IN RE GUPPY. EXTRAORDINARY PROCEEDINGS.
He looked piteously, but slowly rose and did so.
"Yet what a mockery it is, miss," he said, with his hand upon his heart, and shaking his head at me in a melancholy manner over the tray, "to be stationed behind food at such a moment. The soul recoils from food at such a moment, miss."
"I beg you to conclude," said I; "you have asked me to hear you out, and I beg you to conclude."
"I will, miss," said Mr. Guppy. "As I love and honor, so likewise I obey. Would that I could make Thee the subject of that vow, before the shrine!"
"That is quite impossible," said I, "and entirely out of the question."
"I am aware," said Mr. Guppy, leaning forward over the tray, and regarding me, as I again strangely felt, though my eyes were not directed to him, with his late intent look, "I am aware that in a worldly point of view, according to all appearances, my offer is a poor one. But, Miss Summerson! Angel!—No, don't ring!—I have been brought up in a sharp school, and am accustomed to a variety of general practice. Though a young man, I have ferreted out evidence, got up cases, and seen lots of life. Blest with your hand, what means might I not find of advancing your interests, and pushing your fortunes! What might I not get to know, nearly concerning you? I know nothing now, certainly; but what might I not, if I had your confidence, and you set me on?"
I told him that he addressed my interest, or what he supposed to be my interest, quite as unsuccessfully as he addressed my inclination; and he would now understand that I requested him, if he pleased, to go away immediately.
"Cruel Miss," said Mr. Guppy, "hear but another word! I think you must have seen that I was struck with those charms, on the day when I waited at the Whytorseller. I think you must have remarked that I could not forbear a tribute to those charms when I put up the steps of the 'ackney-coach. It was a feeble tribute to Thee, but it was well meant. Thy image has ever since been fixed in my breast. I have walked up and down, of an evening, opposite Jellyby's house, only to look upon the bricks that once contained Thee. This out of to-day, quite an unnecessary out so far as the attendance, which was its pretended object, went, was planned by me alone for Thee alone. If I speak of interest, it is only to recommend myself and my respectful wretchedness. Love was before it, and is before it."
"I should be pained, Mr. Guppy," said I, rising and putting my hand upon the bell-rope, "to do you, or any one who was sincere, the injustice of slighting any honest feeling, however disagreeably expressed. If you have really meant to give me a proof of your good opinion, though ill-timed and misplaced, I feel that I ought to thank you. I have very little reason to be proud, and I am not proud. I hope," I think I added, without very well knowing what I said, "that you will now go away as if you had never been so exceedingly foolish, and attend to Messrs. Kenge and Carboy's business."
"Half a minute, miss!" cried Mr. Guppy, checking me as I was about to ring. "This has been without prejudice?"
"I will never mention it," said I, "unless you should give me future occasion to do so."
"A quarter of a minute, miss! In case you should think better—at any time, however distant, that's no consequence, for my feelings can never alter—of any thing I have said, particularly what might I not do—Mr. William Guppy, eighty-seven, Penton Place, or, if removed, or dead (of blighted hopes or any thing of that sort), care of Mrs. Guppy, three hundred and two, Old Street Road, will be sufficient."
I rang the bell, the servant came, and Mr. Guppy, laying his written card upon the table, and making a dejected bow, departed. Raising my eyes as he went out, I once more saw him looking at me after he had passed the door.
I sat there for another hour or more, finishing my books and payments, and getting through plenty of business. Then I arranged my desk, and put every thing away, and was so composed and cheerful that I thought I had quite dismissed this unexpected incident. But, when I went up-stairs to my own room, I surprised myself by beginning to laugh about it, and then surprised myself still more by beginning to cry about it. In short I was in a flutter for a little while; and felt as if an old chord had been more coarsely touched than it ever had been since the days of the dear old doll, long buried in the garden.
CHAPTER X.—The Law-Writer.
On the eastern borders of Chancery Lane, that is to say, more particularly, in Cook's Court, Cursitor Street, Mr. Snagsby, Law Stationer, pursues his lawful calling. In the shade of Cook's Court, at most times a shady place, Mr. Snagsby has dealt in all sorts of blank forms of legal process; in skins and rolls of parchment; in paper—foolscap, brief, draft, brown, white, whitey-brown, and blotting; in stamps; in office-quills, pens, ink, India-rubber, pounce, pins, pencils, sealing-wax, and wafers; in red-tape, and green ferret; in pocket-books, almanacs, diaries, and law lists; in string boxes, rulers, inkstands—glass and leaden, penknives, scissors, bodkins, and other small office-cutlery; in short, in articles too numerous to mention; ever since he was out of his time, and went into partnership with Peffer. On that occasion, Cook's Court was in a manner revolutionized by the new inscription in fresh paint, Peffer and Snagsby, displacing the time-honored and not easily to be deciphered legend, Peffer, only. For smoke, which is the London ivy, had so wreathed itself round Peffer's name, and clung to his dwelling-place, that the affectionate parasite quite overpowered the parent tree.
Peffer is never seen in Cook's Court now. He is not expected there, for he has been recumbent this quarter of a century in the church-yard of St. Andrew's, Holborn, with the wagons and hackney-coaches roaring past him, all the day and half the night, like one great dragon. If he ever steal forth when the dragon is at rest, to air himself again in Cook's Court, until admonished to return by the crowing of the sanguine cock in the cellar at the little dairy in Cursitor Street, whose ideas of daylight it would be curious to ascertain, since he knows from his personal observation next to nothing about it—if Peffer ever do revisit the pale glimpses of Cook's Court, which no law-stationer in the trade can positively deny, he comes invisibly, and no one is the worse or wiser.
In his life-time, and likewise in the period of Snagsby's "time" of seven long years, there dwelt with Peffer, in the same law-stationering premises, a niece—a short, shrewd niece, something too violently compressed about the waist, and with a sharp nose like a sharp autumn evening, inclining to be frosty toward the end. The Cook's-Courtiers had a rumor flying among them, that the mother of this niece did, in her daughter's childhood, moved by too jealous a solicitude that her figure should approach perfection, lace her up every morning with her maternal foot against the bed-post for a stronger hold and purchase; and further, that she exhibited internally pints of vinegar and lemon-juice: which acids, they held, had mounted to the nose and temper of the patient. With whichsoever of the many tongues of Rumour this frothy report originated, it either never reached, or never influenced, the ears of young Snagsby; who, having wooed and won its fair subject, on his arrival at man's estate, entered into two partnerships at once. So now, in Cook's Court, Cursitor Street, Mr. Snagsby and the niece are one; and the niece still cherishes her figure—which, however tastes may differ, is unquestionably so far precious, that there is mighty little of it.
Mr. and Mrs. Snagsby are not only one bone and one flesh, but, to the neighbors' thinking, one voice too. That voice, appearing to proceed from Mrs. Snagsby alone, is heard in Cook's Court very often. Mr. Snagsby, otherwise than as he finds expression through these dulcet tones, is rarely heard. He is a mild, bald, timid man, with a shining head, and a scrubby clump of black hair sticking out at the back. He tends to meekness and obesity. As he stands at his door in Cook's Court, in his gray shop-coat and black calico sleeves, looking up at the clouds; or stands behind a desk in his dark shop, with a heavy flat ruler, snipping and slicing at sheepskin, in company with his two 'Prentices; he is emphatically a retiring and unassuming man. From beneath his feet, at such times, as from a shrill ghost unquiet in its grave, there frequently arise complainings and lamentations in the voice already mentioned; and, haply on some occasions, when these reach a sharper pitch than usual, Mr. Snagsby mentions to the 'Prentices, "I think my little woman is a-giving it to Guster!"
This proper name, so used by Mr. Snagsby, has before now sharpened the wit of the Cook's-Courtiers to remark that it ought to be the name of Mrs. Snagsby; seeing that she might with great force and expression be termed a Guster, in compliment to her stormy character. It is, however, the possession, and the only possession, except fifty shillings per annum and a very small box indifferently filled with clothing, of a lean young woman from a workhouse (by some supposed to have been christened Augusta); who, although she was farmed or contracted for, during her growing time, by an amiable benefactor of his species resident at Tooting, and can not fail to have been developed under the most favorable circumstances, "has fits"—which the parish can't account for.
Guster, really aged three or four and twenty, but looking a round ten years older, goes cheap with this unaccountable drawback of fits; and is so apprehensive of being returned on the hands of her patron Saint, that except when she is found with her head in the pail, or the sink, or the copper, or the dinner, or any thing else that happens to be near her at the time of her seizure, she is always at work. She is a satisfaction to the parents and guardians of the 'Prentices, who feel that there is little danger of her inspiring tender emotions in the breast of youth; she is a satisfaction to Mrs. Snagsby, who can always find fault with her; she is a satisfaction to Mr. Snagsby, who thinks it a charity to keep her. The Law-stationer's establishment is, in Guster's eyes, a temple of plenty and splendor. She believes the little drawing-room up-stairs, always kept, as one may say, with its hair in papers and its pinafore on, to be the most elegant apartment in Christendom. The view it commands of Cook's Court, at one end (not to mention a squint into Cursitor Street), and of Coavins's the Sheriff's Officer's backyard at the other, she regards as a prospect of unequaled beauty. The portraits it displays in oil—and plenty of it too—of Mr. Snagsby looking at Mrs. Snagsby, and of Mrs. Snagsby looking at Mr. Snagsby, are in her eyes as achievements of Raphael or Titian. Guster has some recompense for her many privations.
Mr. Snagsby refers every thing not in the practical mysteries of the business, to Mrs. Snagsby. She manages the money, reproaches the Tax-gatherers, appoints the times and places of devotion on Sundays, licenses Mr. Snagsby's entertainments, and acknowledges no responsibility as to what she thinks fit to provide for dinner; insomuch that she is the high standard of comparison among the neighboring wives, a long way down Chancery Lane on both sides, and even out in Holborn, who, in any domestic passages of arms, habitually call upon their husbands to look at the difference between their (the wives') position and Mrs. Snagsby's, and their (the husbands') behavior and Mr. Snagsby's. Rumor, always flying, bat-like, about Cook's Court, and skimming in and out at every body's windows, does say that Mrs. Snagsby is jealous and inquisitive; and that Mr. Snagsby is sometimes worried out of house and home, and if he had the spirit of a mouse he wouldn't stand it. It is even observed that the wives who quote him to their self-willed husbands as a shining example, in reality look down upon him; and that nobody does so with greater superciliousness than one particular lady, whose lord is more than suspected of laying his umbrella on her as an instrument of correction. But these vague whisperings may arise from Mr. Snagsby's being, in his way, rather a meditative and poetical man; loving to walk in Staple Inn in the summer time, and to observe how countrified the sparrows and the leaves are: also to lounge about the Rolls Yard of a Sunday afternoon, and to remark (if in good spirits) that there were old times once, and that you'd find a stone coffin or two, now under that chapel, he'll be bound, if you was to dig for it. He solaces his imagination, too, by thinking of the many Chancellors and Vices and Masters of the Rolls, who are deceased, and he gets such a flavor of the country out of telling the two 'Prentices how he has heard say that a brook "as clear as crystal" once ran down the middle of Holborn, when Turnstile really was a turnstile leading slap away into the meadows—gets such a flavor of the country out of this, that he never wants to go there.
The day is closing in and the gas is lighted, but is not yet fully effective, for it is not quite dark. Mr. Snagsby, standing at his shop-door, looking up at the clouds, sees a crow, who is out late, skim westward over the leaden slice of sky belonging to Cook's Court. The crow flies straight across Chancery Lane and Lincoln's Inn Garden, into Lincoln's Inn Fields.
Here, in a large house, formerly a house of state, lives Mr. Tulkinghorn. It is let off in sets of chambers now; and in those shrunken fragment of its greatness, lawyers lie like maggots in nuts. But its roomy staircases, passages, and ante-chambers still remain; and even its painted ceilings, where Allegory, in Roman helmet and celestial linen, sprawls among balustrades and pillars, flowers, clouds, and big-legged boys, and makes the head ache—as would seem to be Allegory's object always, more or less. Here, among his many boxes labeled with transcendent names, lives Mr. Tulkinghorn, when not speechlessly at home in country-houses where the great ones of the earth are bored to death. Here he is to-day, quiet at his table. An Oyster of the old school, whom nobody can open.
Like as he is to look at, so is his apartment in the dusk of the present afternoon. Rusty, out of date, withdrawing from attention, able to afford it. Heavy, broad-backed, old-fashioned mahogany and horse-hair chairs, not easily lifted, obsolete tables with spindle-legs and dusty baize covers, presentation prints of the holders of great titles in the last generation, or the last but one, environ him. A thick and dingy Turkey-carpet muffles the floor where he sits, attended by two candles in old-fashioned silver candlesticks, that give a very insufficient light to his large room. The titles on the backs of his books have retired into the binding; every thing that can have a lock has got one; no key is visible. Very few loose papers are about. He has some manuscript near him, but is not referring to it. With the round top of an inkstand, and two broken bits of sealing-wax, he is silently and slowly working out whatever train of indecision is in his mind. Now, the inkstand top is in the middle: now, the red bit of sealing-wax, now the black bit. That's not it. Mr. Tulkinghorn must gather them all up, and begin again.
Here, beneath the painted ceiling, with foreshortened Allegory staring down at his intrusion as if it meant to swoop upon him, and he cutting it dead, Mr. Tulkinghorn has at once his house and office. He keeps no staff; only one middle-aged man usually a little out at elbows, who sits in a high Pew in the hall, and is rarely overburdened with business. Mr. Tulkinghorn is not in a common way. He wants no clerks. He is a great reservoir of confidences, not to be so tapped. His clients want him; he is all in all. Drafts that he requires to be drawn, are drawn by special pleaders in the Temple on mysterious instructions; fair copies that he requires to be made, are made at the stationer's, expense being no consideration. The middle-aged man in the Pew knows scarcely more of the affairs of the Peerage, than any crossing-sweeper in Holborn.
The red bit, the black bit, the inkstand top, the other inkstand top, the little sand-box. So! You to the middle, you to the right, you to the left. This train of indecision must surely be worked out now or never. Now! Mr. Tulkinghorn gets up, adjusts his spectacles, puts on his hat, puts the manuscript in his pocket, goes out, tells the middle-aged man out at elbows, "I shall be back presently." Very rarely tells him any thing more explicit.
Mr. Tulkinghorn goes, as the crow came—not quite so straight, but nearly—to Cook's Court, Cursitor Street. To Snagsby's, Law Stationer's, Deeds engrossed and copied, Law-Writing executed in all its branches, &c., &c., &c.
It is somewhere about five or six o'clock in the afternoon, and a balmy fragrance of warm tea hovers in Cook's Court. It hovers about Snagsby's door. The hours are early there; dinner at half-past one, and supper at half past nine. Mr Snagsby was about to descend into the subterranean regions to take tea, when he looked out of his door just now, and saw the crow who was out late.
"Master at home?"
Guster is minding the shop, for the 'Prentices take tea in the kitchen, with Mr. and Mrs. Snagsby; consequently, the robe-maker's two daughters, combing their curls at the two glasses in the two second-floor windows of the opposite house are not driving the two 'Prentices to distraction, as they fondly suppose, but are merely awakening the unprofitable admiration of Guster, whose hair won't grow and never would, and, it is confidently thought, never will.
"Master at home?" says Mr. Tulkinghorn.
Master is at home, and Guster will fetch him. Guster disappears, glad to get out of the shop, which she regards with mingled dread and veneration, as a storehouse of awful implements of the great torture of the law: a place not to be entered after the gas is turned off.
Mr. Snagsby appears: greasy, warm, herbaceous, and chewing. Bolts a bit of bread and butter. Says, "Bless my soul, sir! Mr. Tulkinghorn!"
"I want half a word with you, Snagsby."
"Certainly, sir! Dear me, sir, why didn't you send your young man round for me? Pray walk into the back shop, sir!" Snagsby has brightened in a moment.
The confined room, strong of parchment-grease is warehouse, counting-house, and copying-office. Mr. Tulkinghorn sits, facing round, on a stool at the desk.
"Jarndyce and Jarndyce, Snagsby."
"Yes, sir." Mr. Snagsby turns up the gas, and coughs behind his hand, modestly anticipating profit. Mr. Snagsby, as a timid man, is accustomed to cough with a variety of expressions, and so to save words.
"You copied some affidavits in that cause for me lately."
"Yes sir, we did."
"There was one of them," says Mr. Tulkinghorn, carelessly feeling—tight, unopenable oyster of the old school!—in the wrong coat-pocket, "the handwriting of which is peculiar, and I rather like. As I happened to be passing, and thought I had it about me, I looked in to ask you—but I haven't got it. No matter, any other time will do—Ah! here it is!—I looked in to ask you who copied this?"
"Who copied this, sir?" says Mr. Snagsby, taking it, laying it flat on the desk, and separating all the sheets at once with a twirl and a twist of the left hand peculiar to law-stationers. "We gave this out, sir. We were giving out rather a large quantity of work just at that time. I can tell you in a moment who copied it, sir, by referring to my book."
Mr. Snagsby takes his book down from the safe, makes another bolt of the bit of bread and butter which seems to have stopped short, eyes the affidavit aside, and brings his right forefinger traveling down a page of the book. "Jewby—Packer—Jarndyce."
"Jarndyce! Here we are, sir," says Mr. Snagsby. "To be sure! I might have remembered it. This was given out, sir, to a writer who lodges just over on the opposite side of the lane."
Mr. Tulkinghorn has seen the entry, found it before the law-stationer, read it while the forefinger was coming down the hill.
"What do you call him? Nemo?" says Mr. Tulkinghorn.
"Nemo, sir. Here it is. Forty-two folio. Given out on the Wednesday night, at eight o'clock; brought in on the Thursday morning, at half after nine."
"Nemo!" repeats Mr. Tulkinghorn. "Nemo is Latin for no one."
"It must be English for some one, sir, I think," Mr. Snagsby submits, with his deferential cough. "It is a person's name. Here it is, you see, sir! Forty-two folio. Given out, Wednesday night, eight o'clock; brought in, Thursday morning, half after nine."
The tail of Mr. Snagsby's eye becomes conscious of the head of Mrs. Snagsby looking in at the shop-door to know what he means by deserting his tea. Mr. Snagsby addresses an explanatory cough to Mrs. Snagsby, as who should say, "My dear, a customer!"
"Half after nine, sir," repeats Mr. Snagsby. "Our law-writers, who live by job-work, are a queer lot; and this may not be his name, but it's the name he goes by. I remember now, sir, that he gives it in a written advertisement he sticks up down at the Rule Office, and the King's Bench Office, and the Judges' Chambers, and so forth. You know the kind of document, sir—wanting employ?"
Mr. Tulkinghorn glances through the little window at the back of Coavins's, the sheriff's officer's, where lights shine into Coavins's windows. Coavins's coffee-room is at the back, and the shadows of several gentlemen under a cloud loom cloudily upon the blinds. Mr. Snagsby takes the opportunity of slightly turning his head, to glance over his shoulder at his little woman, and to make apologetic motions with his mouth to this effect: "Tul-king-horn—rich—in-flu-en-tial!"
"Have you given this man work before?" asks Mr. Tulkinghorn.
"O dear, yes, sir! Work of yours."
"Thinking of more important matters, I forget where you said he lived!"
"Across the lane, sir. In fact, he lodges at a—" Mr. Snagsby makes another bolt, as if the bit of bread and butter were insurmountable—"at a rag and bottle shop."
"Can you show me the place as I go back?"
"With the greatest pleasure, sir!"
Mr. Snagsby pulls off his sleeves and his gray coat, pulls on his black coat, takes his hat from its peg. "Oh! here is my little woman!" he says aloud. "My dear, will you be so kind as to tell one of the lads to look after the shop, while I step across the lane with Mr. Tulkinghorn? Mrs. Snagsby, sir—I shan't be two minutes, my love!"
Mrs. Snagsby bends to the lawyer, retires behind the counter, peeps at them through the window-blind, goes softly into the back office, refers to the entries in the book still lying open. Is evidently curious.
"You will find that the place is rough, sir," says Mr. Snagsby, walking deferentially in the road, and leaving the narrow pavement to the lawyer; "and the party is very rough. But they're a wild lot in general, sir. The advantage of this particular man is, that he never wants sleep. He'll go it right on end, if you want him to, as long as ever you like."
It is quite dark now, and the gas-lamps have acquired their full effect. Jostling against clerks going to post the day's letters, and against counsel and attorneys going home to dinner, and against plaintiffs and defendants, and suitors of all sorts, and against the general crowd, in whose way the forensic wisdom of ages has interposed a million of obstacles to the transaction of the commonest business of life—diving through law and equity, and through that kindred mystery, the street mud, which is made of nobody knows what, and collects about us nobody knows whence or how: we only knowing in general that when there is too much of it, we find it necessary to shovel it away—the lawyer and the law-stationer come to a Rag and Bottle Shop, and general emporium of much disregarded merchandise, lying and being in the shadow of the wall of Lincoln's Inn, and kept, as is announced in paint to all whom it may concern, by one Krook.
"This is where he lives, sir," says the law-stationer.
"This is where he lives, is it?" says the lawyer unconcernedly. "Thank you."
"Are you not going in, sir?"
"No, thank you, no; I am going on to the Fields at present. Good evening. Thank you!" Mr. Snagsby lifts his hat, and returns to his little woman and his tea.
But, Mr. Tulkinghorn does not go on to the Fields at present. He goes a short way, turns back, comes again to the shop of Mr. Krook, and enters it straight. It is dim enough, with a blot-headed candle or so in the windows, and an old man and a cat sitting in the back part by a fire. The old man rises and comes forward, with another blot-headed candle in his hand.
"Pray, is your lodger within?"
"Male or female, sir?" says Mr. Krook.
"Male. The person who does copying."
Mr. Krook has eyed his man narrowly. Knows him by sight. Has an indistinct impression of his aristocratic repute.
"Did you wish to see him, sir?"
"Yes."
"It's what I seldom do myself," says Mr. Krook with a grin. "Shall I call him down? But it's a weak chance if he'd come, sir!"
"I'll go up to him, then," says Mr. Tulkinghorn.
"Second floor, sir. Take the candle. Up there!" Mr. Krook, with his cat beside him, stands at the bottom of the staircase, looking after Mr. Tulkinghorn. "Hi—hi!" he says, when Mr. Tulkinghorn has nearly disappeared. The lawyer looks down over the hand-rail. The cat expands her wicked mouth, and snarls at him.
"Order, Lady Jane! Behave yourself to visitors, my lady! You know what they say of my lodger?" whispers Krook, going up a step or two.
"What do they say of him?"
"They say he has sold himself to the Enemy; but you and I know better—he don't buy. I'll tell you what, though; my lodger is so black-humored and gloomy, that I believe he'd as soon make that bargain as any other. Don't put him out, sir. That's my advice!"
Mr. Tulkinghorn with a nod goes on his way. He comes to the dark door on the second floor. He knocks, receives no answer, opens it, and accidentally extinguishes his candle in doing so.
The air of the room is almost bad enough to have extinguished it, if he had not. It is a small room, nearly black with soot, and grease, and dirt. In the rusty skeleton of a grate, pinched at the middle as if Poverty had griped it, a red coke fire burns low. In the corner, by the chimney, stand a deal table and a broken desk: a wilderness marked with a rain of ink. In another corner, a ragged old portmanteau on one of the two chairs, serves for cabinet or wardrobe; no larger one is needed, for it collapses like the cheeks of a starved man. The floor is bare; except that one old mat, trodden to shreds of rope-yarn, lies perishing upon the hearth. No curtain vails the darkness of the night, but the discolored shutters are drawn together; and through the two gaunt holes pierced in them, famine might be staring in—the Banshee of the man upon the bed.
For, on a low bed opposite the fire, a confusion of dirty patchwork, lean-ribbed ticking, and coarse sacking, the lawyer, hesitating just within the doorway sees a man. He lies there, dressed in shirt and trowsers, with bare feet. He has a yellow look, in the spectral darkness of a candle that has guttered down, until the whole length of its wick (still burning) has doubled over, and left a tower of winding-sheet above it. His hair is ragged, mingling with his whiskers and his beard—the latter, ragged too, and grown, like the scum and mist around him, in neglect. Foul and filthy as the room is, foul and filthy as the air, it is not easy to perceive what fumes those are which most oppress the senses in it; but through the general sickliness and faintness, and the odor of stale tobacco, there comes into the lawyer's mouth the bitter, vapid taste of opium.
"Hallo, my friend!" he cries, and strikes his iron candlestick against the door.
He thinks he has awakened his friend. He lies a little turned away, but his eyes are surely open.
"Hallo, my friend!" he cries again. "Hallo! Hallo!"
As he rattles on the door, the candle which has drooped so long, goes out, and leaves him in the dark; with the gaunt eyes in the shutters staring down upon the bed.
My Uncle Beagley, who commenced his commercial career very early in the present century as a bagman, will tell stories. Among them, he tells his Single Ghost story so often, that I am heartily tired of it. In self-defense, therefore, I publish the tale, in order that when next the good, kind old gentleman offers to bore us with it, every body may say they know it. I remember every word of it.
One fine autumn evening, about forty years ago, I was traveling on horseback from Shrewsbury to Chester. I felt tolerably tired, and was beginning to look out for some snug wayside inn, where I might pass the night, when a sudden and violent thunder-storm came on. My horse, terrified by the lightning, fairly took the bridle between his teeth, and started off with me at full gallop through lanes and cross-roads, until at length I managed to pull him up just near the door of a neat-looking country inn.
"Well," thought I, "there was wit in your madness, old boy, since it brought us to this comfortable refuge." And alighting, I gave him in charge to the stout farmer's boy who acted as hostler. The inn-kitchen, which was also the guest-room, was large, clean, neat, and comfortable, very like the pleasant hostelry described by Izaak Walton. There were several travelers already in the room—probably, like myself, driven there for shelter—and they were all warming themselves by the blazing fire while waiting for supper. I joined the party. Presently, being summoned by the hostess, we all sat down, twelve in number, to a smoking repast of bacon and eggs, corned beef and carrots, and stewed hare.
The conversation naturally turned on the mishaps occasioned by the storm, of which every one seemed to have had his full share. One had been thrown off his horse; another, driving in a gig, had been upset into a muddy dyke; all had got a thorough wetting, and agreed unanimously that it was dreadful weather—a regular witches' sabbath!
"Witches and ghosts prefer for their sabbath a fine moonlight night to such weather as this!"
These words were uttered in a solemn tone, and with strange emphasis, by one of the company. He was a tall, dark-looking man, and I had set him down in my own mind as a traveling merchant or peddler. My next neighbor was a gay, well-looking, fashionably-dressed young man, who, bursting into a peal of laughter, said:
"You must know the manners and customs of ghosts very well, to be able to tell that they dislike getting wet or muddy."
The first speaker, giving him a dark fierce look, said:
"Young man, speak not so lightly of things above your comprehension."
"Do you mean to imply that there are such things as ghosts?"
"Perhaps there are, if you had courage to look at them."
The young man stood up, flushed with anger. But presently resuming his seat, he said, calmly:
"That taunt should cost you dear, if it were not such a foolish one."
"A foolish one!" exclaimed the merchant, throwing on the table a heavy leathern purse. "There are fifty guineas. I am content to lose them, if, before the hour is ended, I do not succeed in showing you, who are so obstinately prejudiced, the form of any one of your deceased friends; and if, after you have recognized him, you allow him to kiss your lips."
We all looked at each other, but my young neighbor, still in the same mocking manner, replied:
"You will do that, will you?"
"Yes," said the other—"I will stake these fifty guineas, on condition that you will pay a similar sum if you lose."
After a short silence, the young man said, gayly:
"Fifty guineas, my worthy sorcerer, are more than a poor college sizar ever possessed; but here are five, which, if you are satisfied, I shall be most willing to wager."
The other took up his purse, saying, in a contemptuous tone:
"Young gentleman, you wish to draw back?"
"I draw back!" exclaimed the student.—"Well! if I had the fifty guineas, you should see whether I wish to draw back!"
"Here," said I, "are four guineas, which I will stake on your wager."
No sooner had I made this proposition than the rest of the company, attracted by the singularity of the affair, came forward to lay down their money; and in a minute or two the fifty guineas were subscribed. The merchant appeared so sure of winning, that he placed all the stakes in the student's hands, and prepared for his experiment. We selected for the purpose a small summer-house in the garden, perfectly isolated, and having no means of exit but a window and a door, which we carefully fastened, after placing the young man within. We put writing materials on a small table in the summer-house, and took away the candles. We remained outside, with the peddler among us. In a low solemn voice he began to chant the following lines:
Then, raising his voice solemnly, he said:
"You asked to see your friend, Francis Villiers, who was drowned, three years ago, off the coast of South America—what do you see?"
"I see," replied the student, "a white light arising near the window; but it has no form; it is like an uncertain cloud."
We—the spectators—remained profoundly silent.
"Are you afraid?" asked the merchant, in a loud voice.
"I am not," replied the student, firmly.
After a moment's silence, the peddler stamped three times on the ground, and sang:
Once more the solemn question:
"You, who would see revealed the mysteries of the tomb—what do you see now?"
The student answered, in a calm voice, but like that of a man describing things as they pass before him:
"I see the cloud taking the form of a phantom; its head is covered with a long vail—it stands still."
"Are you afraid?"
"I am not."
We looked at each other in horror-stricken silence, while the merchant, raising his arms above his head, chanted, in a sepulchral voice:
"What do you see?" said he.
"I see the phantom advance; he lifts his vail—'tis Francis Villiers!—he approaches the table—he writes!—'tis his signature!"
"Are you afraid?"
A fearful moment of silence ensued; then the student replied, but in an altered voice:
"I am not."
With strange and frantic gestures, the merchant then sang:
"What do you see?"
"He comes—he approaches—he pursues me—he is stretching out his arms—he will have me! Help! help! Save me!"
"Are you afraid now?" asked the merchant, in a mocking voice.
A piercing cry, and then a stifled groan, were the only reply to this terrible question.
"Help that rash youth!" said the merchant, bitterly. "I have, I think, won the wager; but it is sufficient for me to have given him a lesson. Let him keep his money, and be wiser for the future."
He walked rapidly away. We opened the door of the summer-house, and found the student in convulsions. A paper, signed with the name "Francis Villiers," was on the table. As soon as the student's senses were restored, he asked vehemently where was the vile sorcerer who had subjected him to such a horrible ordeal—he would kill him! He sought him throughout the inn in vain; then, with the speed of a madman, he dashed off across the fields in pursuit of him—and we never saw either of them again. That, children, is my Ghost Story!
"And how is it, uncle, that after that, you don't believe in ghosts?" said I, the first time I heard it.
"Because, my boy," replied my uncle, "neither the student nor the merchant ever returned; and the forty-five guineas, belonging to me and the other travelers, continued equally invisible. Those two swindlers carried them off, after having acted a farce, which we, like ninnies, believed to be real."
One morning while Bernardin de Saint Pierre was admiring, through one of the windows of his apartment, the glowing radiance of the rising sun, and thinking, perhaps, of transferring its bright tints, and the fragrance of early dawn, and the glittering dew-drops, to the pages of his Harmonies de la Nature, a stranger entered with noiseless step; he saluted the poet with deep reverence, respectfully apologizing for so early an intrusion, and it was not until after repeated invitations that he was prevailed upon to take a seat beside him. The young man's face bore the dark olive hue of the southern sun, his black hair fell in waves from his temples, over the collar of his military coat. His look was at once pensive and modest, yet proud. The fashion of his dress, his high boots, the white and fringed gloves, proclaimed him an officer of the French Republic, whom the close of the campaign in Italy had allowed to return home. And such indeed he was, as he took care to inform Bernardin, when his excitement at finding himself in the presence of the celebrated author had a little subsided.
"I congratulate you, sir," said Saint Pierre, "on having served under the great captain, who has so gloriously terminated this campaign. I can enter into such triumphs, for I, too, have been a soldier."
"Would that I were one no longer," exclaimed the young officer—"that I had never been one. War is hateful to me! I know neither enmity nor ambition—the conqueror and the conquered are alike to me. This soft, lovely, morning, with its dewy freshness, passed in tranquil conversation or lonely musings, has more charms for me than all the pomp and circumstance of war. Then, what an avenue to fame! by slaughter!—butchery! Laurels have been strewn in my path. I see nothing but the blood through which I have been wading."
The poet extended his hand to the young soldier, who respectfully kissed it. "Yours," he said, "is true glory. The names of Paul and Virginia will live forever in the memories and heads of men. Ah, sir! this is the brightest day of my life. I asked of fortune only that I might live to see you, to tell you as man, the delightful hours my youth owed to you, and now my bright hope is realized. Behold the treasure of my boyhood, the delight of my manhood, my companion in the college—on the fields of Montenotte and Lodi"—and the stranger took from his pocket a well-worn copy of Paul and Virginia, the leaves kept together only by a few threads.
With all Saint Pierre's modesty, he could not but be deeply moved by the enthusiasm of the young officer. At a time like this, when war was raging both at home and abroad, it was rather unusual to find a soldier warmly interested in an Indian idyl, and busying himself about a poet, in his obscure retreat on the banks of a pretty stream.
"I am delighted," he said, "not so much with your too indulgent estimate of an ephemeral book, but with the sympathy between us—that bond of common love for mankind and for nature, a love of whose inspirations my book is but a feeble utterance of. It is only in some such obscure corner as this, that we dare now own that we love God and Heaven, the dewy morning and peace on earth. Discord still reigns at Paris. Is it not so?"
The young officer looked up with a sad expression in his dark eyes. "Alas, yes! it is reigning more furiously than ever; but it is too painful a subject; let us change it. Are you at present engaged in any work? and are these its first sheets?"
Bernardin smiled as he answered—"They are old memorials to the Directory at Paris. I was once the secretary, the literary man of the revolutionary club of Essoune, the republicans of that town having more warmth of patriotism than power of style, employed me to draw up their memorials, and I escaped the guillotine by accepting the office."
"The author of Paul and Virginia secretary to a village revolutionary club!"
"Neither more nor less. It was not very poetical; but so it was. However, during that time I have had some hours of leisure which I have devoted to a work that has been the dream of my life, and the thought of which has cheered me, in the forests of Sweden, and under the burning skies of the Isle of France. My object is to reveal the divine intelligence to the human race, through the universal relation between all beings. From physical order I elicit physical good; from the good, the moral, and from the moral, God. And the title of the book is to be the Harmonies of Nature. I was working at it when you came in, and meditating on the wise providence which, while giving to different beings different organs, has supplied the apparent inequality by special qualities and counterbalancing advantages. I intend also to treat of the harmonies of the stars. Oh! how beautiful are our nights in France!"
"And I, too, thought so, till I had seen the nights in Italy," exclaimed the young stranger. "There every star is a living token of friendship or of love. Two friends parted by long exile each pledge themselves to look at the same star at the same hour, and the light thus shared is a link between them. The young girl gives to the bright stars of the summer nights her own name and that of her lover, till the whole firmament is full of Bettinas and Ciprianas, Francescas and Giottos. Should one of these tender links be severed by death, the still remaining one is comforted in her sorrow by seeing the bright memorial of her beloved still shining on the borders of that heavenly horizon, where their meeting will be forever."
"This is indeed a tender harmony. Yes, love is every where. But," continued Bernardin, delighted at being understood; "but tell me, do you yourself write? With mental energies such as yours, why should you not cast upon the troubled waters of this age some thought that may yet be the fructifying seed to be found after many days. All soldiers write well."
"I do write a little, sir," and the young officer blushed as he answered; "since your kind encouragement has anticipated my request, and thus emboldened me to make it, I venture to ask you to cast your eye over a few pages written to beguile the hours of a lonely midnight watch. You will remember it is the book of a soldier, and one almost a foreigner."
"I thank you for the confidence reposed in me," said Saint Pierre, "and I am persuaded the friend will have no need to bias the judge in the impartial opinion that you have a right to claim from me."
The young officer now rose, and with a request to be allowed to repeat his visit, and a cordial, though respectful pressure of Saint Pierre's hand, took his leave, and long after the garden-gate had closed behind him, Bernardin stood watching the cloud of dust in which had disappeared his young visitor, and the steed on which he galloped back to Paris.
"So, then," thought the philosopher, as he re-entered his cottage, "there still exist some few minds free from the consuming toils of ambition. Who would ever have expected to find a lover of nature with a republican epaulet? There is a simplicity in this youth most attractive; how modestly did he speak of himself; how bitterly lament the horrors of war; and his enjoyment of this lovely, dewy morning, was that of a sage no less than of a poet. Doubtless the manuscript is some learned treatise on the art of war—the subject not his choice but the necessity of his position. The art of war!—art indeed—the art of killing the arts!"
Bernardin de Saint Pierre was mistaken. The manuscript was a pastoral romance—conceive his delight—A Pastoral Romance! "Yes!" he said, "the noble mind must let fly the falcon imagination to cater for it. It can not feed on the garbage around."
Day after day now elapsed without bringing his young visitor; but some months after, Bernardin, seated at a table placed under the shade of trees of his own planting, and covered with flowers gathered to serve as models for his word-paintings, was enjoying the soft evening breeze, when the visit of an officer was announced; and to his great surprise, instead of him whom he was eagerly advancing to welcome, he beheld a stranger. He had, indeed, the same black hair falling from his temples, the same dark eyes, the same olive hue of the man of the sun and the Mediterranean. But he saw not the same person; his new visitor was at least ten years older than the first.
"I am the elder brother, sir, of an officer who, some months since, did himself the honor of calling upon you."
"His visit still lives in my memory as one most pleasant. He confided to me a manuscript which I would be glad to take this opportunity of returning, with my assurances of entire sympathy in his love of nature, and still more in his noble indignation against tyrants, his eloquent invectives against ambition. Tell him, too, from me, how much I admire his style; its rich imagery—its—"
"I must not let you go on, sir, for such praise has already rendered it difficult to avow myself the author of the book. I had not courage to submit it to you myself, but my younger and more adventurous brother gladly availed himself of it as a plea for his intrusion."
After some courteous words interchanged between the new visitor and Bernardin, the latter pointed to the flowers and said, "I was at that moment thinking of your brother; he had told me of the names given by loving hearts in Italy to the stars, and I was reflecting that our associations with flowers were still trammeled by such a rugged nomenclature; it is enough to make the science of botany detestable."
"Ah, sir, you will teach all to love it; already has your Etudes de la Nature made it popular throughout Europe. I myself had formed a floral dial at a villa at Florence where my regiment was quartered; every hour of the night and of the day was marked by the opening of different flowers. I am passionately fond of them, and can well understand the Dutchman lavishing a fortune upon a tulip, and spending a life in giving it some new variety of tint."
"What a simple-minded family!" thought Bernardin. "One brother worships the starry splendor of the heavens, and the other luxuriates in flowers, and spends his idle garrison hours in watching them as they bud forth at every hour of the day; and these two young men are soldiers! War has not hardened their hearts, nor conquest made them despise simple pleasures." And now, Saint Pierre, leaning on his new friend, proceeded to show him his flowers, "which," he said, "though not like the lovely products of the fertile Italy you have conquered, yet, as my own planting are not without their fragrance for the old man;" and as they walked along, he repeated to himself rather than to his companion,