Campbell MSS, II, 26.
151. green cross.
172. bleed.
Dr Joseph Robertson's Note-Book, January 1, 1830, No 4.
P. 151.
B. Add: Kinloch MSS, VII, 89.
D. Read: a. 'Lord Randal,' Minstrelsy, etc. b. 'Lord Rannal,' Campbell MSS, II, 269.
I. Add: h. Communicated by Mr George M. Richardson. i. Communicated by Mr George L. Kittredge.
K. b. Insert after Popular Rhymes: 1826, p. 295. Add: d. 'The Crowdin Dou,' Kinloch MSS, I, 184.
Add: P. 'Lord Ronald, my son,' communicated by Mr Macmath, of Edinburgh.
Q. 'Lord Randal,' Pitcairn's MSS, III, 19.
R. 'Little wee toorin dow,' Pitcairn's MSS, III, 13, from tradition.
153 a. I failed to mention, though I had duly noted them, three versions of 'L'Avvelenato,' which are cited by Professor D'Ancona in his Poesia popolare Italiana, pp 106 ff.
D. The Canon Lorenzo Panciatichi refers to the ballad in a 'Cicalata in lode della Padella e della Frittura,' recited at the Crusca, September 24, 1656, and in such manner as shows that it was well known. He quotes the first question of the mother, "Dove andastù a cena," etc. To this the son answered, he says, that he had been poisoned with a roast eel: and the mother asking what the lady had cooked it in, the reply was, In the oil pot.
E. A version obtained by D'Ancona from the singing of a young fellow from near Pisa, of which the first four stanzas are given. Some verses after these are lost, for the testament is said to supervene immediately.
F. A version from Lecco, which has the title, derived from its burden, 'De lu cavalieri e figliu de re,' A. Trifone Nutricati Briganti, Intorno ai Canti e Racconti popolari del Leccese p. 17. The first four stanzas are cited, and it appears from these that the prince had cooked the eel himself, and, appropriately, in a gold pan.
154 a, first paragraph. F is given by Meltzl, Acta Comparationis, 1880, columns 143 f, in another dialect.
154 b. Magyar. The original of this ballad, 'A megétett János,' 'Poisoned John' (as would appear, in the Szekler idiom), was discovered by the Unitarian bishop Kriza, of Klausenburg, and was published by him in J. Arany's 'Koszoru,' in 1864. It is more exactly translated by Meltzl in the Acta Comparationis Litterarum Universarum, 1880, VII, columns 30 f, the original immediately preceding. Aigner has omitted the second stanza, and made the third into two, in his translation. The Szekler has ten two-line stanzas, with the burden, Ah, my bowels are on fire! Ah, make ready my bed! In the second stanza John says he has eaten a four-footed crab; in the sixth he leaves his elder brother his yoke of oxen; in the seventh he leaves his team of four horses to his younger brother. Also translated in Ungarische Revue, 1883, p. 139, by G. Heinrich.
B, another Szekler version, taken down by Meltzl from the mouth of a girl, is in seven two-line stanzas, with the burden, Make my bed, sweet mother! 'János,' Acta, cols 140 f, with a German translation. John has been at his sister-in-law's, and had a stuffed chicken and a big cake. At his elder sister's they gave him the back of the axe, bloody stripes. He bequeaths to his elder sister remorse and sickness; to his sister-in-law six oxen and his wagon; to his father illness and poverty; to his mother kindness and beggary.
156 b, second paragraph. Polish: add Roger, p. 66, No 119. Add further: Little Russian, Golovatsky, Part I, pp 206, 207, 209, Nos 32, 33, 35. Masovian, Kozlowski, No 14, p. 52, p. 53. (Sacharof, IV, 7 == Čelakovský, III, 108.)
157 a, second paragraph. Kaden translates Nannarelli, p. 52. (Köhler.)
157 b. Italian A is translated by Evelyn Carrington in The Antiquary, III, 156 f. D also by Freiligrath, II, 226, ed. Stuttgart, 1877.
158 a. B. Found in Kinloch MSS, VII, 89. The sixth stanza is not there, and was probably taken from Scott, D.
160 a. D. Read: a. Minstrelsy, etc. b. Campbell MSS, II, 269.
163 a. I. Add: h. By Mr George M. Richardson, as learned by a lady in Southern New Hampshire, about fifty years ago, from an aged aunt. i. By Mr George L. Kittredge, obtained from a lady in Exeter, N. H.
164 a. K. Insert under b, after Scotland: 1826, p. 295. Add: d. Kinloch MSS, I, 184.
164 b. K 62. Read: head and his feet.
165.
Communicated by Mr Macmath, of Edinburgh, as derived from his aunt, Miss Jane Webster, formerly of Airds of Kells, now (January, 1883) of Dalry, Kirkcudbrightshire, who learned it more than fifty years ago from Mary Williamson, then a nurse-maid at Airds.
Pitcairn's MSS, III, 19. "This was communicated to me by my friend Patrick Robertson, Esq., Advocate,[427] who heard it sung by an old lady in the North Country; and though by no means enthusiastic about popular poetry, it struck him so forcibly that he requested her to repeat it slowly, so as he might write it down." Stanzas 2-5 "were very much similar to the set in Scott's Minstrelsy," and were not taken down.
Pitcairn's MSS, III, 11. "From tradition: widow Stevenson."
Communicated to Percy by Rev. P. Parsons, of Wye, near Ashford, Kent, April 19, 1775: taken down by a friend of Mr Parsons "from the spinning-wheel, in Suffolk."
166 a. Insert after C:
D. b. Disordered: b 1 == a 1; b 2 == a 4; b 3 == a 51,2 + a 23,4; b 4 == a 3; a 21,2, 53,4, are wanting.
b. 13, been at the hunting.
32. I fear ye've drunk poison.
33 == a 23. I supd wi my auntie.
41,2 == a 31,2. your supper.
This copy may be an imperfect recollection of a.
166 b.
I. h. Four stanzas only, 1, 2, 6, 7.
12. my own little one.
14. at the heart ... and fain.
61. will you leave mother.
71. will you leave grandma.
73. a rope.
k. Seven stanzas.
13. to see grandmother.
14. sick at heart, and fain.
23. Stripëd eels fried.
3 == a 6, d 5, h 3.
31,2. Your grandmother has poisoned you.
33. I know it, I know it.
4 == a 6. 41,2. would you leave mother.
5 == a 8, b 9, h 7.
51,2. would you leave sister.
53. A box full of jewels.
6 == a 7; 7 == a 8.
61,2. would you leave grandmother.
63. A rope for to hang her.
71,2. O where shall I make it.
K. Add after c:
d. 11, my bonnie wee crowdin, and always.
21. frae your stepmither.
22. She gied me a bonnie wee fish, it was baith black and blue.
51. my ain wee dog.
61. And whare is your ain wee dog.
Q. "The second, third, fourth, and fifth stanzas were very much similar to the set Lord Ronald, in Scott's Border Minstrelsy, and as Mr Robertson was hurried he did not take down the precise words." MS., p. 21.
Ronald is changed to Randal in 6, 7, but is left in 8.
R. Written in four-line stanzas.
P. 168 a, first paragraph. Add: Swedish E, Aminson, Bidrag till Södermanlands Kulturhistoria, III, 37, eight stanzas. Nine stanzas of Finnish B are translated by Schott, Acta Comparationis, 1878, IV, cols 132, 133. The murder here is for wife-seduction, a peculiar and assuredly not original variation.
168 b. B is translated by Adolph von Marées, p. 27; by Graf von Platen, II, 329, Stuttgart, 1847; after Herder into Magyar, by Dr Karl von Szász.
P. 172 a. Swedish. Professor George Stephens points me to two localized prose outlines of the story, one from Småland, the other from Skåne; 'Truls och hans barn,' in the Svenska Fornminnesföreningens Tidskrift, II, 77 f.
P. 179 a. Swedish. II. Add: I, 'Risa lill,' Wigström, Folkdiktning, II, 28.
180 a, lines 25, 26. Read: A, G, M, X.
181 a. German. Add: D, 'Der Ritter und seine Geliebte,' Ditfurth, Deutsche Volks- und Gesellschaftslieder des 17. und 18. Jahrhunderts, p. 14, No 13. (Köhler.)
181 b. French. C. A still more corrupted copy in Poésies populaires de la France, III, fol. 143, 'La fausse morte.' D. Fol. 215 of the same volume, a very pretty ballad from Périgord, which has lost most of the characteristic incidents, but not the tragic conclusion.
182 b, first paragraph. A similar scene, ending happily, in I Complementi della Chanson d'Huon de Bordeaux, pubblicati da A. Graf, pp 26 ff. (Köhler.)
183 b, stanzas 27, 28. Compare:
'Den förtrollade Jungfrun,' Arwidsson, II, 260, No 136, A I, 2.
P. 187. F. Insert the title 'Young Hyndhorn.'
G. Insert: Kinloch MSS, VII, 117.
192. Dr Davidson informs me that many years ago he heard a version of 'Hind Horn,' in four-line stanzas, in which, as in 'Horn et Rymenhild' and 'Horn Childe and Maiden Rimnild,' Horn took part in a joust at the king's court,
He remembers further only these stanzas:
193 b (2). Add: 'Herr Lovmand,' Kristensen, I, 136, No 52.
194. A corrupt fragment of a ballad, 'Der Bettler,' in Schröer's Ausflug nach Gottschee, p. 210 f (Köhler), retains features like 'Hind Horn.' The beggar comes to a wedding, and sits by the stove. The bride kindly says, Nobody is thinking of the beggar, and hands him a glass of wine. He says, Thanks, fair bride; thou wast my first wife. Upon this the bridegroom jumps over the table, crying, Bachelor I came, and bachelor will go.
The Epirots and Albanians have a custom of betrothing or marrying, commonly in early youth, and of then parting for a long period. A woman was lately (1875) buried at Iannina who, as the archbishop boasted in the funeral discourse, had preserved her fidelity to a husband who had been separated from her thirty years. This unhappy usage has given rise to a distinct class of songs. Dozon, Chansons populaires bulgares, p. 294, note.
195 b (5). The German popular rhymed tale of Henry the Lion is now known to have been composed by the painter Heinrich Götting, Dresden, 1585. Germania, XXVI, 453, No 527.
198 a, to first paragraph. For the marvellous transportation in these stories, see a note by Liebrecht in Jahrbücher für rom. u. eng. Literatur, III, 147. In the same, IV, 110, Liebrecht refers to the legend of Hugh of Halton, recounted by Dugdale in his Antiquities of Warwickshire, II, 646, ed. of 1730, and Monasticon Anglicanum, IV, 90 f, ed. 1823 (and perhaps in Dugdale's Baronage of England, but I have not found it there). Hugo is another Gerard: the two half-rings miraculously unite. (Köhler.) See, also, Landau on Torello, 'Der Wunderritt,' Quellen des Dekameron 1884, pp 193-218.
198 b, third paragraph. Other versions of 'Le Retour du Mari:' Fleury, Littérature Orale de la Basse-Normandie, p. 268; E. Legrand, Romania, X, 374, also from Normandy.
A ballad of the nature of 'Le Retour du Mari' is very popular in Poland: Kolberg, No 22, pp 224 ff, some dozen copies; Wojcicki, I, 287; Wojcicki, II, 311 == Kolberg's c; Lipinski, p. 159 == Kolberg's i; Konopka, p. 121, No 20; Kozłowski, No 5, p. 35, p. 36, two copies. In Moravian, 'První milejší,' 'The First Love,' Sušil, No 135, p. 131. The general course of the story is that a young man has to go to the war the day of his wedding or the day after. He commits his bride to her mother, saying, Keep her for me seven years; and if I do not then come back, give her to whom you please. He is gone seven years, and, returning then, asks for his wife. She has just been given to another. He asks for a fiddle [pipe], and says he will go to the wedding. They advise him to stay away, for there will be a disturbance. No, he will only stand at the door and play. The bride jumps over four tables, and makes a courtesy to him on a fifth, welcomes him and dismisses the new bridegroom.
199 a, end of the first paragraph. I forgot to mention the version of Costantino, agreeing closely with Camarda's, in De Rada, Rapsodie d'un poema albanese raccolte nelle colonie del Napoletano, pp 61-64.
200. A maid, parting from her lover for three years, divides her ring with him. He forgets, and prepares to marry another woman. She comes to the nuptials, and is not known. She throws the half ring into a cup, drinks, and hands the cup to him. He sees the half ring, and joins it to his own. This is my wife, he says. She delivered me from death. He annuls his marriage, and espouses the right woman. Miklosisch, Ueber die Mundarten der Zigeuner, IV, Märchen u. Lieder, 15th Tale, pp 52-55, at the end of a story of the class referred to at p. 401 f. (Köhler.)
A personage appeared at Magdeburg in 1348 in the disguise of a pilgrim, asked for a cup of wine from the archbishop's table, and, in drinking, dropped into the cup from his mouth the seal ring of the margrave Waldemar, supposed to have been long dead, but whom he confessed or avowed himself to be. Klöden, Diplomatische Geschichte des für falsch erklärten Markgrafen Waldemar, p. 189 f. (Köhler.)
A wife who long pursues her husband, lost to her through spells, drops a ring into his broth at the feast for his second marriage, is recognized, and they are happily reunited: The Tale of the Hoodie, Campbell, West Highland Tales, I, 63-66.
In a pretty Portuguese ballad, which has numerous parallels in other languages, a long-absent husband, after tormenting his wife by telling her that she is a widow, legitimates himself by saying, Where is your half of the ring which we parted? Here is mine: 'Bella Infanta,' Almeida-Garrett, II, 11, 14, Braga, Cantos p. do Archipelago Açoriano, p. 300; 'Dona Infanta,' 'Dona Catherina,' Braga, Romanceiro Geral, pp 3 f, 7.
See, further, for ring stories, Wesselofsky, Neue Beiträge zur Geschichte der Salomonsage, in Archiv für Slavische Philologie, VI, 397 f; Hahn, Neugriechische Märchen, No 25.
The cases in which a simple ring is the means of recognition or confirmation need, of course, not be multiplied.
200 a, line twenty-four. For Alesha read Alyosha.
205. G. In Kinloch MSS, VII, 117. After "from the recitation of my niece, M. Kinnear, 23 August, 1826," is written in pencil "Christy Smith," who may have been the person from whom Miss Kinnear derived the ballad, or another reciter. Changes are made in pencil, some of which are written over in ink, some not. The printed copy, as usual with Kinloch, differs in some slight respects from the manuscript.
a. From the recitation of Miss Jane Webster, formerly of Airds of Kells, now of Dalry, both in the Stewartry of Kirkcudbright, December 12, 1882. b. From Miss Jessie Jane Macmath and Miss Agnes Macmath, nieces of Miss Webster, December 11, 1882: originally derived from an old nurse. Communicated by Mr Macmath, of Edinburgh.
207 b. Add: F. 13, 71, 91, 132, Hyndhorn.
208. I. b. 1-3, 6, 8, 10, 14, 16-19, wanting.
Burden 2: Wi my hey-dey an my hey deedle downie.
51. O gie to me your aul beggar weed.