a, b, from the papers of the late Robert White, Esq., of Newcastle-on-Tyne: c, R. Bell, Ancient Poems, Ballads, etc. (1857), p. 122: d, fragmentary lines as remembered by Mrs Andrews, Mr White's sister, from her mother's singing.
Scott's Minstrelsy, III, 246, ed. 1803; III, 6, ed. 1833: the copy principally used supplied by Mr Sharpe, the three last stanzas from a penny pamphlet and from tradition.
Motherwell's MS., p. 502. From the recitation of Mrs Notman.
Kinloch MSS, I, 327.
Motherwell's Minstrelsy, p. 180. From recitation.
Percy MS., p. 57; ed. Hales and Furnivall, I, 133.
A. a, b.
Obtained from recitation "many years ago" wrote Mr White in 1873, by James Telfer, of Laughtree Liddesdale, in some part of the neighboring country: the copy has the date 1818. c is said by the editor to have been taken down from the recitation of an old fiddler in Northumberland, but when and by whom he does not tell us. The three are clearly more or less "corrected" copies of the same original, c having suffered most from arbitrary changes. Alterations for rhyme's sake, or for propriety's, that are written above the lines or in the margin of a 2, 5, 8, 19, are adopted in c without advertisement.
Burden. b. I the brave night sae early:
c. I the brave nights so early:
d. I (or O) the life o the one, the randy.
11. c. Brand, and always in c.
12. a. daughters.
b. He's courted.
21. c. years that tide; that tide is written over of age in a.
22. c. When sae.
42. c. But thou.
52. b. best o these.
c. best of tho. of tho is written over o them a in a.
62. b, c. have met.
71. c. Till at last they met.
72. c. He's aye for ill and never.
81. b. O Earl Bran.
c. Now Earl Brand. Now in the margin of a.
82. b, c. Slay this.
92. b. man that wears.
c. carl that wears, carl ... wears written over man ... has in a.
112. b. where have stoln this fair.
c. And where have ye stown this fair.
141. c. nigh to dead.
2. b, c. What makes her wear.
151. c. If she's been.
2. b, c. What makes her wear the gold sae high.
161. c. When came the carl to the lady's yett.
2. b. rapped at.
c. He rudely, rudely rapped thereat.
172. b. maids playen.
c. a playing.
d. She's out with the fair maids playing at the ball.
181. b. mistkane (?): 2. b, c. Ye may count.
b2. young Earl.
In a lea is written over moor, and With the young, etc., stands as a "correction."
211. b, c. The lady looket [looked] over [owre] her left shoulder then.
221. b, c. If they come on me one by one,
2. b. Ye may stand by and see them fall.
c. You may stand by till the fights be done.
d. Then I will slay them every one.
231. b. all in all.
d. all and all.
2. d. Then you will see me the sooner fall.
2. b. has slain.
271. c. river Donne:
2. b. And he lighted down.
c. And there they lighted to wash his wound.
282. b. It's but the glent.
c. It's nothing but the glent and my scarlet hood.
291. c. yett.
292. b. Sae ruddly as he rappet at.
c. So faint and feebly he rapped thereat.
301. b. O my son's slain and cut down.
c. O my son's slain, he is falling to swoon.
Instead of 32, c has:
B.
3. A stanza resembling this is found in Beaumont and Fletcher's 'Knight of the Burning Pestle' (1611), Dyce, II, 172, but may belong to some other ballad, as 'The Knight and Shepherd's Daughter:'
84. ware.
181. Marie.
204. flang'd.
C.
123. MS. scâd.
D.
10. The following stanza, superscribed "Mrs Lindores, Kelso," was found among Mr Kinlock's papers, and was inserted at I, 331, of the Kinlock MSS. It may be a first recollection of D 10, but is more likely to be another version:
E.
5-6. "Two stanzas are here omitted, in which Lord William offers her the choice of returning to her mother, or of accompanying him; and the ballad concludes with this [the 6th] stanza, which is twice repeated in singing." Motherwell's preface.
F.
34. MS. merrymen.
62. of one palfray.
7, 8 are written in one stanza. Half a page, or about nine stanzas, is gone after st. 11.
[107] 'Erlinton,' though not existing in a two-line stanza, follows immediately after 'Earl Brand.' The copy of 'The Douglas Tragedy' in Smith's Scottish Minstrel, III, 86, is merely Scott's, with changes to facilitate singing.
[108] B*, III, 853, a fragment of five stanzas, has been dropped by Grundtvig from No 82, and assigned to No 249. See D. g. F. IV, 494.
[109] Though the paradise has not been transmitted in any known copy of 'Earl Brand,' it appears very distinctly in the opening stanza of 'Leesome Brand' A. This last has several stanzas towards the close (33-35) which seem to belong to 'Earl Brand,' and perhaps derived these, the "unco land," and even its name, by the familiar process of intermixture of traditions.
[110] See No 5, pp. 64, 65, 66.
[111] Compare vv 49-56, "Wilt thou ride to them, or wilt thou fight with them, or wilt thou stand by thy love, sword in hand?" "I will not ride to them, I will not fight with them [i. e., begin the fight], but I will stand by my love, sword in hand," with Norwegian A, 29, 30: "Shall we ride to the wood, or shall we bide like men?" "We will not ride to the wood, but we will bide like men." And also with Danish Æ, sts 14, 15.
[112] The chief branches, besides the Helgi lay and Walter, are the saga in Snorri's Edda, Skáldskaparmal, § 50; that in Saxo Grammaticus, Stephanius, ed. 1644, pp. 88-90; Sörla þáttr, in Fornaldar Sögur, I, 391 ff; the Shetland ballad printed in Low's Tour through the Islands of Orkney and Shetland, 108 ff, and in Barry's History of the Orkney Islands, 2d ed., 489 ff, and paraphrased in Hibbert's Description of the Shetland Islands, 561 ff; the Thidrik saga, §§ 233-239, Unger; Gudrun, v-viii. The names of father, daughter, and lover in these are: (1) Hügni, ——, Högni, Högin-, Högni, ——, [Artus], Hagen; (2) [Sigrún], Hilde-gunde, Hildr, Hilda, Hildr, Hildina, Hildr, Hilde; (3) Helgi, [Walter], Hedin, Hithin-, Hedin, ----, [Herburt], Hetel. Hagan, in 'Waltharius,' may be said to take the place of the father, who is wanting; and this is in a measure true also of Hedin, Helgi's half-brother, in the lay of Helgi Hiörvard's son. See the excellent discussion of the saga by Klee, Zur Hildesage, Leipzig, 1873.
The Swedish ballad, 'Herr Hjelmer,' A, Arwidsson, I, 155, No 21; B, C, Afzelius, II, 178, 226, No 74 (Helmer); D, E. Wigström, Folkdiktning, p. 25, No 10 (Hjelman), has several points of agreement with Ribold and the Hilde saga. The hero kills six of seven brothers [also the father, in A], spares the seventh on oath of fidelity, and is treacherously slain by him. The youngest brother carries her lover's head to his sister, is invited to drink by her (in three of the four copies), and slain while so engaged; reminding us of Hildina in the Shetland ballad. Danish 'Herr Hjælm,' Grundtvig, Danske Folkeminder, 1861, p. 81, agrees with the Swedish, except that there are only three brothers.
[113] Helgakviða Hjörvarðssonar, ed. Grundtvig, 42-44, Ribold og Guldborg, A 33, 34, B 46, D 46, 47, E 42, Q 24. The observation is Professor Bugge's.
[114] Höttr, er Óðinn var reyndar, Hood, who was Odin really, Fornaldar Sögur, II, p. 25. Klee observes, p. 10 f, that Högni [Hagen] is the evil genius of the Hildesage. Sometimes he is the heroine's father; in 'Waltharius,' strangely enough, the hero's old friend (and even there a one-eyed man.) Klee treats the introduction of a rival lover (as in the Shetland ballad and Gudrun) as a departure from the older story. But we have the rival in Helgi Hundingslayer. The proper marplot in this lay is Blind the Ill-witted (Odin), whose part is sustained in 'Earl Brand' by the malicious Hood, in several Norwegian ballads by a very enigmatical "false Pál greive," in two other Norwegian ballads and one Danish by an old man, and, what is most remarkable, in the Shetland ballad by the rejected lover of Hildina (the Sir Nilaus of Danish D, Hertug Nilssón of some Norwegian copies), who bears the name Hiluge, interpreted with great probability by Conrad Hofmann (Munich Sitzungsberichte, 1867, II, 209, note), Illhugi, der Bössinnige, evil-minded (Icelandic íllhugaðr, ílluðigr.)
[115] Inimicitias Othinus serit, Saxo, p. 142, ed. 1644. See Grimm, Deutsche Mythologie, I, 120, note 2, III, 56, new ed., for Odin's bad points, though some of Grimm's interpretations might now be objected to.
[116] Et de la tombe de monseigneur Tristan yssoit une ronce belle et verte et bien feuilleue, qui alloit par dessus la chapelle, et descendoit le bout de la ronce sur la tombe de la royne Yseult, et entroit dedans. La virent les gens du pays et la comptèrent au roy Marc. Le roy la fist couper par troys foys, et quant il l'avoit le jour fait couper, le lendemain estoit aussi belle comme avoit aultre fois esté. Fol. cxxiv as cited by Braga, Rom. Ger., p. 185.