CHAPTER XI.

There is, perhaps, no comparison so apposite, though it be a homely one, to the condition of affairs in Italy at this time—upon the election of a new Pope—as that of a change of trumps at a game of cards. All persons and matters remain the same as they were before, yet their values and relationships are all changed; the aspect of the entire scene is altered; those who before were in little esteem are exalted, and those who were in great power and estimation are abased. All the persons with whom Inglesant had been connected were more or less affected by it, except Cardinal Rinuccini, to whom it made little difference. To the Cavaliere and to Malvolti it was ruin. The former was so deeply involved in debt, in private feuds, and entanglements with the authorities, his character was so utterly lost with all parties, and his means of usefulness to any so small, that it is probable that even the elevation to power of the Barbarini faction would not have been of much use to him. But, whatever might have been his prospects had the election resulted otherwise, his only chance now of safety from prison and even death was in Inglesant's connection with his sister, and in the protection he might hope to experience upon that account; his only hope depended upon the force of Inglesant's affection. The fear of private assassination kept him almost confined to his chamber. Malvolti's circumstances were still more hopeless; notorious for every species of vice and crime, and hateful even to the very bravoes and dregs of the Italian populace, he had now lost all hope of alliance or even assistance from his friend the Cavaliere, who discarded him the moment that he was of no further use. Maddened by this treatment and by despair, no way seemed open to him except that of desperate revenge. Towards Inglesant his hatred was peculiarly intense, being mixed with a certain kind of superstitious dread. He regarded him almost as the shade of his murdered brother, returned from the grave to dog his steps. It was his presence which had thwarted his last desperate attempt within the Conclave, his last hope of earning protection and rewards. He expected nothing but punishment and severe retribution at Inglesant's hands. Surrounded as he was by perils and enemies on every side, this peril and this dreaded enemy stood most prominently in his path; a blow struck here would be not only a measure of self-defence, but a sweet gratification of revenge, and a relief from an appalling supernatural terror. This terrible semblance of his murdered victim once out of his path, he might hope that the vision of a bloody hearthstone in England might not be so constantly before his eyes.

To Inglesant himself the bright prospects which seemed opening before him gave little satisfaction. He was exhausted in body by his long detention within the Conclave, and the tone of his spirit was impaired by the intrigue and hypocrisy of which he had been a witness and a partaker. It is impossible to kneel morning after morning before the Sacrament, in a spirit of worldliness and chicane, without being soiled and polluted in the secret places of the soul. The circumstances of his visit to Umbria and to Florence, howbeit in both he had been preserved almost by a miracle from actual sin, had left an evil mark upon his conscience. He felt little of the sweet calm and peace he had enjoyed for a season in the company of Molinos, during his first visit to Rome. Something of his old misery returned upon him, and he felt himself again the sport of the fiend, who was working out his destruction by some terrible crime, of which he was the agent, and the Italian murderer the cause.

"This man is at large in Rome," said Don Agostino to him one day; "I should advise you to have him assassinated. It is time the earth was rid of such a villain, and the Roman law is useless in such a case. All protection is withdrawn from him, and every man, high and low, within the city will rejoice at his death."

Inglesant shook his head.

"I do not value my life, God knows, at a straw's worth," he said. "Because he murdered my brother, foully and treacherously, he and I shall too surely meet some day; but the time is not yet come. Surely if the devil can afford to wait, much more can I."

He spoke more to himself than to the other, and there is reason to suppose that Don Agostino made arrangements to have Malvolti assassinated on his own responsibility; but the Italian avoided his bravoes for a time.

Some short time after the Pope's election, in the height of the Carnival,[#] a masked ball was given in the Palace Doria, at which Don Agostino had arranged a set composed entirely of his own friends. It was composed in imitation of the old comedies of the Atellanas, upon which the Punchinello and Harlequinade of all nations has been formed, and which, being domestic dramas performed in masques by the Roman youth with an old-fashioned elegance and simplicity, were peculiarly fitted for performance at a modern masquerade. A primitive and rude form of pantomime, founded on caricature and burlesque, with a few characters boldly drawn, has none of the charm of the later comedy, which is a picture of real life with its variety of character and incident, and possesses that excellent art of showing men as they are, while representing them as they seem to be. But, though it fell short of this higher perfection, the broad farce and few characters of the older form of comedy are not wanting in much lively and yet serious painting of human life, which is all the more serious and pathetic from its broad and unconscious farce. The jester, the knave, the old man, the girl, the lover,—these types that are eternal and yet never old,—with the endless complication in which, both on the stage and real life, they are perpetually involved, are susceptible of infinite application and interest to the imagination. As the rehearsal progressed Inglesant was struck and interested with these ideas, and as the night came on there seemed to him to be in the world nothing but play within play, scene within scene. Between the most incidental acts of an excited and boisterous crowd and the most solemn realities of life and death it seemed to him impossible to distinguish otherwise than in degree; all appeared part of that strange interlude which, between the Dramas of Eternity, is performed continually upon the stage of life.

[#] It is generally stated by historians that the election of Cardinal Chigi took place on April 7th, 1655, and as Easter that year fell on April 15th, there appears some discrepancy in this part of the narrative. The reader must decide between these contending authorities.

The set was a large one, consisting of the ordinary pantomime types, supplemented by duplicates, peasants, priests, sbirri (always a favourite subject of satire and practical jokes), country girls, and others. Don Agostino, whose wit was ready and brilliant, took the part of clown or jester, and Inglesant that of the stage lover, a rôle requiring no great effort to sustain. The part of Columbine was sustained by a young girl, a mistress of Don Agostino, of considerable beauty and wit, and as yet unspoiled by the wicked life of Rome. She was dressed as a Contadina, or peasant girl, in holiday costume. Harlequin was played by a young Count, a boy of weak intellect, involved in every species of dissipation, and consigned to ruin by designing foes, of whom some were of his own family.

As the ball progressed the party attracted great notice by the clever interludes and acts they performed between the dances. In these the usual tricks and practical jokes were introduced sparingly, relieved by a higher style of wit, and by allusions to the topics of the day and to the foibles of the society of Rome. The parts were all well sustained, and Don Agostino exerted himself successfully to give brilliancy and life to the whole party. The young Harlequin-Count, who had at first seemed only to excel in lofty capers and somersaults, was the first who showed tokens of fatigue. He became gradually listless and careless, so that he changed his part, and became the butt of the rest, instead of their tormentor.

A dance in sets had just begun, and Inglesant could not help being struck with his disconsolate manner, which showed itself plainly, even through his masque and disguise. It seemed that others noticed it as well, for as Inglesant met the Contadina in one of the combinations of the figure, she said in the pause of the dance,—

"Do you see the Count, Cavaliere? He is on the brink of ruin, body and soul. His cousin, and one or two more who are in the set, are engaged with him in some desperate complication, and are working upon his feeble mind and his terror. Cannot you help him at all?"

When the dance ceased Inglesant went over to the Count, intending to speak to him, but his cousin and others of the set were talking earnestly to him, and Inglesant stepped back. He saw that the longer his treacherous friends spoke to him the more broken down and crushed in spirit did the poor Harlequin-Count become; and it was evident to Inglesant that here a play was being enacted within the play, and that, as often is the case, one of the deep tragedies of life was appearing in the fantastic dress of farce. As he stood dreamily watching what occurred, Don Agostino called him off to commence another comic act, and when at the first pause he turned to look for the Count, he could no longer see him. His cousin and the others were present, however, and soon after the set was again formed for another dance.

The stifling air of the crowded rooms, and the fatigue of the part he had to perform, wrought upon Inglesant's brain; the confused figures of the dance dazzled his sight, and the music sounded strange and grotesque. As the partners crossed each other, and he came again to the Contadina in his turn, she grasped his hand in hers, and said, hurriedly,—

"Do you see who is standing in the Count's place?"

Inglesant looked, and certainly, in the place of the dance which should have been occupied by the Count, was a tall figure in the dress of a white friar, over which was carelessly thrown a black domino, which allowed the dark fiery eyes of the wearer to be seen.

"The Count has gone," whispered the girl, trembling all over as she spoke, "no one knows whither; no one knows who this man is who has come in his place. He is gone to drown himself in the river; this is the devil who supports his part."

In spite of the girl's visible agitation and his own excitement, Inglesant laughed, and, taking her words as a jest, turned again to look at the strange masque, intending to make some ludicrous comment to reassure his friend. To his astonishment the words died upon his lips, and an icy chill seemed to strike through his blood and cause his heart to beat violently. A sensation of dread overpowered him, the dance-music sounded wild and despairing in his ears, and the ever-varying throng of figures, waving with a thousand colours, swam before his eyes. In the appearance of the stranger, which was simply that of a tall man, there was nothing to account for this; and except that he kept his piercing eyes steadily fixed upon Inglesant, there was nothing in his manner to attract attention. Inglesant went through the rest of the dance mechanically, and suddenly, as it seemed to him, the music stopped.

The dance being over, most of Don Agostino's party, tired with their exertions, withdrew to the buffet of an adjoining apartment for refreshment. Inglesant had taken off his masque, and standing by the buffet, a little apart from the rest, was fanning himself with it, and cooling his parched throat with iced wine, when he was aware that the strange figure had followed him. It was standing before him with a glass in its hand, which it seemed to fill from a bottle of peculiar shape, which Inglesant recognized as one only used to contain a rare Italian wine.

"Cavaliere," the strange masque said in a soft and polite voice, "this wine will do you more good than that which you are drinking; it cools and rests the brain. Will you drink with me?"

As he spoke he offered Inglesant the glass he held, and filled another, and at the same instant, the Contadina came up to Inglesant and hung upon his arm.

Inglesant, who was unmasked, stood with the glass in his hand, waiting for the other to remove his domino before he bowed and drank; but the stranger did not do so.

After a moment's pause, amid the breathless silence of the whole group, who were looking on, the stranger said, speaking with a courteous speech and gesture, which if acted were perfectly well assumed,—

"Pardon me that I do not remove my masque; it is my misfortune that I am not able to do so."

Impressed by the other's manner, it struck Inglesant in a moment that this must be some great noble, perhaps a Prince of the Church, for whom it would be injudicious to appear unmasked, and bowing courteously, he raised the glass to his lips.

As he did so the black eyes of the disguised friar were fixed steadily upon him, and the Contadina said in his ear, in an eager, frightened whisper,—

"Do not drink."

The tremor of her voice, and of her figure on his arm, brought back in a moment the terror and distrust which the bearing and manner of the other had dispelled, and raising the cup, he let his lip rest for a moment in the liquor, but did not drink. Then replacing the glass upon the buffet, he said coolly,—

"It is a good wine, but my English habit has spoiled my taste. I do not like the Italian Volcanic wines."

"I regret it," said the other, turning away; "they are a quietus for the fever of life."

The party breathed more freely as he left the room, and the Contadina, taking the glass which Inglesant had put down, emptied its contents upon the floor.

They followed the domino into the ball-room, where they saw him speaking to the Count's cousin, and to two or three others of the group, who had remained there or sought refreshment elsewhere.

As the last dance began, in the early daybreak which made the lamps burn faintly, and cast a pale and melancholy light over the gay dresses and the moving figures, over the gilding and marble, and the dim lovely paintings on the walls, Inglesant was conscious of a strange and death-like feeling that benumbed his frame. He was bitterly cold, and his sight became dim and uncertain. The music seemed to grow wilder and more fantastic, and the crowded dancers, grotesque and goblin-like to any eyes, became unreal as a dream to his.

Suddenly, as before, the music ceased, and not knowing what he did, Inglesant became separated from his friends, and was borne by the throng to the doors and down the staircase into the courtyard and the street.

The Piazza and the Corso beyond were crowded with carriages, and with servants carrying dim torches, and the morning air was rent with confused noise.

Nearly unconscious, Inglesant allowed himself to be carried onward by the crowd of persons leaving the palace on foot—a motley throng in every variety of costume, and he was soon borne out of the square into the Corso and down the street.

Suddenly he heard a voice behind, clear and distinct to his ears, at least, amid the confused noise,—

"There he is—now strike!"

Turning round quickly, he saw the masque within two yards of him, with something in the folds of his gown which shone in the light. In another moment he would have been close to him, when they were swept apart by a sudden movement of the crowd, and Don Agostino's carriage, surrounded by servants, passed close by the spot to which Inglesant had drifted. He was recognized, and Agostino welcomed him eagerly, saying,—

"I have been looking for you everywhere."

They proceeded along the Corso, Inglesant still like a man in a dream, and turned down towards the bridge of St. Angelo. At the corner of a street leading to the river, another pause occurred. The carriage of a great French noble and Prince of the Church—which had followed the Corso farther on—was passing when they turned into the street, and according to the formal etiquette of the day, even at that hour and in the crowded street, Don Agostino's coachman stopped his horses before the carriage of his master's superior, and the servants opened the door that one of the gentlemen at least might alight. At the same moment, there seemed to be some confusion in the crowd at the top of the short street leading to the river; and Inglesant, still hardly knowing what he did, alighted, with the double purpose of seeing what was the matter, and of saluting his patron. As he did so, one of the servants said to him,—

"They are bringing up a dead body, sir."

It was true. A body had just been drawn out of the river, and, placed on nets and benches of a boat, was being carried on the shoulders of fishermen up the street. As it passed, Inglesant could see the face, which hung drooping towards him over the edge of the nets. It was the face of the Harlequin-Count.

It had scarcely passed, when Inglesant heard—as a man hears over and over again repeated in a ghastly dream—the same voice that spoke before, saying,—

"There he is again. If you let him get back to the coach you will lose him. Go round by the horses' heads."

The restlessness of the impatient horses had made a little space clear of the crowd, and the same had happened in front of the horses of the Cardinal-Duke, so that the street between them was comparatively clear. Strangely frightened and distressed, Inglesant struggled back to Agostino's carriage, and had just reached the door when the masque, passing round the horses' heads, sprang upon him, and struck a violent blow with the glancing steel. The state of his victim's brain saved him. The moment he reached the door he reeled against it, and the weapon glanced off his person, the hilt striking him a violent blow on the chest. He fell backwards into the coach, and Agostino caught a second blow in his sleeve. The startled servants threw themselves upon the murderer, but he slipped through their hands and escaped.

*      *      *      *      *

Two days after the ball, when the morning of Ash Wednesday broke with the lovely Italian dawn, a strange and sudden transformation had passed over Rome. Instead of a people wild with pleasure, laughing, screaming, joking like children, feasting, dancing, running about, from mere lightness of heart; in the place of fairs, theatres, and booths in the open streets, instead of the public gardens and walks crowded with parti-coloured masquers, full of sportive pranks, and decked out with every vagary and grotesque freak of costume, you saw a city quiet and silent as the grave, yet full of human forms; you heard nothing but the tolling of bells and the faint echo of solemn chants. The houses and churches were hung with black; the gay tapestries and silks, the theatres, the play-actors, and the gay dresses, had all vanished, and in their place the streets were full of cowled and silent penitents. They walked with downcast and pallid faces; if you spoke to them they did not answer, but gazed upon you with wondering eyes. Men and women alike wore the black gown and hood of penance, and from the proudest noble to the poorest peasant, thronged into the Churches and received alike the emblem of their common fate—the ashes and dust from whence they came, and to which they would return.

Before the masked ball, exhausted in health by the long confinement in the Conclave, and tormented in mind by disappointed desire and by accusing conscience, Inglesant had been sinking into almost as great misery as that which he had endured before he came to Rome. The perils and terror that had entered unbidden among the guests during that night of revelry had worked a marvellous change upon him, and he awoke from a species of trance, which had lasted two days, with his spirits cleared and strengthened. He was, in fact, like a man whom a violent fever has just left, languid in body, but with a mind at rest and in peace, with the wild dreams and visions of delirium gone. The earth seems, at least to him, calm and peaceful, full of voices of prayer and strains of penitential song. He looks out upon life languidly, it is true, but with a friendly, pleased countenance, as upon a well-known landscape recalling happy days. So it was with Inglesant, that the wild riot of the Carnival being over, the peace of Lent began within his soul. The blow that had been struck at his life restored him to life, and took away the superstitious dread that was gradually consuming his reason. He had met his brother's murderer, not alone in some solitary place and picked time, planned before with diabolic purpose by the enemy of mankind, but in a crowd, and as it seemed by chance. He had himself been passive, and urged by no demoniac prompting to some terrible act of vengeance; still more, his enemy had failed, miraculously, as it seemed to him. Surely, then, his fears had been in vain; he was not delivered over to Satan, nay, probably the Lord Himself still regarded him with compassion, still watched over and defended his life. Some work was doubtless reserved for him to do; for him, living always on the verge of delirium, whom a little extra pressure upon the brain-nerve might at any moment estrange altogether from reason, and deprive of intellect and of intercourse with men. For such as he, nevertheless, under such protection, what might not yet be possible? The dews of the Divine Grace cool the fevered brain more surely than any cordial, and soften and water the parched and thirsty heart. The pleasant Italian March day was soft and balmy as the loveliest day of June in England. The scent of jasmin and Daphne flowers filled the air; soft showers fell at intervals over the garden slopes of that part of Rome; the breath of Zephyr swept sweetness into the weary sense. Let him join the hooded throng of penitents; let him, dust and ashes, snatched it may be "è flamma" from the very flames, yet still by the grace of God in his right mind, take his ashes with a grateful heart.

For the appearance, amid the chaos of his life, of a guiding Divine Hand, delightful as it is to any man, must be unspeakably so to him who, to the difficulties, sufficiently great, which ordinarily beset a man in his path through life, adds this overwhelming one—the imminent chance at any moment of losing consciousness altogether, with the power of thought and choice of seeing objects rightly, and of self-control and self-command. How eagerly one to whom life is complicated in such sort as this must welcome a Divine guidance may easily be seen—one who otherwise is wandering among a phantasmagoria of objects, among which he must, so far as his wavering consciousness allows him, and for the moment that consciousness may remain his own, shape his course so as to avoid ruin.

In the fresh morning air, full of delicious warmth and sweetness, and with this angelic messenger leading his soul, Inglesant went out. He had no sufficient motive to take him to any particular Church; but chance or some nobler power directed that he should turn his steps to the right in passing into the Via di S. Giovanni, and following the crowd of penitents, should arrive at the portico of the Church of the Lateran.

The space in front of the magnificent façade was crowded with draped forms, and the wail of the rare organ music reached the outer perfumed air. The marble pavement of the interior, precious beyond calculation, was thronged with the dark crowd, and the costly marble of the walls and tombs was streaked and veiled by the wreaths of incense which lingered in the building. The low chanting and the monotonous accompaniment of the organs filled the Church, and high over the altar, brilliant with a thousand lights, flashed the countless gems of the wonderful tabernacle, and the Cœna of plate of inestimable cost. On either side the gilded brass of the four columns of the Emperor Titus, brought from Jerusalem itself, reflected back the altar lights; and beset with precious stones where the body of the Lord once had hung, was evident to all beholders the very wood of the Holy Cross.

As Inglesant entered, the ashes had been sprinkled three times with holy water, and the clouds of incense gradually rose over the kneeling crowd, as the people began to receive the ashes upon their foreheads, thronging up in silence and order. At the same time the choir began to sing the Antiphons, accompanied by the heavenly music of the matchless organs, and penetrating by their distinct articulation the remotest corners of the Church.

"Immutemur habitu," they began, "let us change our garments; in ashes and sackcloth let us fast and lament before the Lord. Because," and the pealing anthem rose in ecstatic triumph to the emblazoned roof, "plenteous in mercy to forgive our sins is this God of ours."

"Ah! yes," thought Inglesant, "let us change our garments; these dark robes that seem ashes and sackcloth, may they not be the chosen garment of the marriage supper of the King? Clothed and in one's right mind, by the heavenly mercy we already walk the celestial pavement, and hear the pealing anthems of the angelic choir."

"Emendemus in melius," the anthem went on, "let us amend for the better in that in which we have ignorantly sinned—ne subito præoccupati die mortis, quæramus spatium poenitentiæ, et invenire non possimus."

The mighty voice, as of God Himself, seemed to single out and speak to Inglesant alone, "Lest suddenly overtaken by the day of death." Ah! who so well as he knew what that meant, who so lately as he had stood face to face with the destroyer?

He covered his face with his hands.

As the chanting of the Antiphon continued; he reached the steps of the high altar, and in his turn knelt to receive the ashes upon his brow.

In a pause of the anthem the chanting ceased, and the organs played a slow movement in the interval. Nothing was heard but the monotonous undertone of the priests.

As Inglesant knelt upon the marble an overpowering sense of helplessness filled his soul, so worthless and fragile he seemed to himself before the eternal existence, that the idea of punishment and penitence was lost in the sense of utter nothingness.

"Ah! Lord God," he thought, "shattered in mind and brain I throw myself on Thee; without Thee I am lost in the vortex of the Universe; my intellect is lost except it steadies itself upon the idea of Thee. Without Thee it has no existence. How canst Thou be angry with that which is not?"

He bowed his head in utter prostration of spirit to receive the ashes.

"Memento, homo," the priest began—ah! surely it must be easy to remember that, "quia pulvis es——"

Inglesant heard no more. A sudden thrill of earth, like the familiar scent of flowers to a dying man, passed through him, and he lifted up his eyes. Opposite to him across the corner of the altar steps knelt Lauretta, her lustrous eyes full of tears fixed upon him with an inexpressible tenderness and interest. His eyes met hers for an instant, then he dropped his head again before the priest; but the thought and presence of heaven was gone from him, and nothing but the roses and loves of earth remained.

He rose from his knees. The throng of penitents surrounded him, and he suffered himself to be swept onward, down the long nave, till he reached the door through which the crowd was pouring out. There, however, he stopped.

CHAPTER XII.

The old Duke of Umbria was dying. He lay clothed, as he had once said to Inglesant, in the "Angelica Vestis," the sacred wafer in his mouth. Below in the Palace Chapel, in the great Duomo, in Rome itself, masses were being said day by day, and the ineffable Host raised to heaven, in intercessory prayer for this man's soul. If any deserved an unruffled passage over the dark river, he did. He had sought long and earnestly to find a more excellent way, and had shrunk from no effort nor painful mortification if he might at last walk in it when found. He had resigned himself and all that he possessed in implicit obedience to the doctrine and the See of Rome. He had crowned a blameless and beneficent life by acts of unparalleled devotion and piety; nevertheless, an unruffled passage he did not have. The future was dark and full of dread, and he suffered all the terrors of the grave with a troubled mind. Lying thus in dull misery of body, and in mental apprehension and unrest, he bethought himself of Inglesant. Having surrendered himself, soul and body, into the hands of those who stood about his bed, he knew that it was useless to let his mind wander after any of those unauthorized teachers from whom in past days he had sought instruction; but in Inglesant he had, for the first time, met a man who, walking to all appearance in the straitest paths of the Catholic Church, seemed to possess a freedom of spirit greater than the Sectaries themselves could boast. Even when suffering the rebukes of an accusing conscience, and the bewilderment of a disordered brain, there was in Inglesant an unfettered possession of the things of this life, and even of the life to come, which had astonished the old man, who, unaccused by his own conscience, was yet so confined and hampered in this world, and in such continual dread of that other which was shortly to be revealed to him.

He expressed to his director a wish that Inglesant might be sent for. It was impossible to deny him this request, even had it been thought desirable. Inglesant was a trusted confidant of the dominant Society of Rome, a favourite of the new Pope, and had, besides, been influential, as was believed, in obtaining that crowning triumph—the cession of the Duchy to the Papal See. A messenger was therefore despatched to Rome requesting his immediate presence. The summons found him with Lauretta and her father, engaged in preparations for his speedy marriage.

This connection was regarded with great favour by Don Agostino and most of his friends; but was looked upon, as far as they condescended to notice it at all, with suspicion by the heads of the Jesuit Society.

They were beginning to dread the influence of Molinos, and Inglesant had already incurred some suspicion by his intimacy with the Spaniard. The Pope was supposed to be not altogether opposed to the new doctrine, and the Jesuits were unwilling to lose an obedient servant, who might be useful to them. There was, however, no sufficient reason in this why he should be forbidden to visit the old Duke, who was certainly dying, and therefore beyond the reach of dangerous influence; and Inglesant, remembering the interest he had felt in the Duke, and the favours which he had lavished upon him, hastened to set out.

When he arrived in Umbria he found the Duke had rallied a little, and he received him with the warmest expressions of delight. He was never content save when he was in the room, and his very presence seemed to restore strength and life to the exhausted old man. Those who watched about his bed in the interests of Rome, if they had felt any apprehensions of the result of Inglesant's visit, were speedily reassured, for the Duke did not seem desirous of conversing upon religious matters with him, and, indeed, rather avoided them. He seemed to cling to Inglesant as to the only remaining link to that world which he was so soon to leave, and to take a strange pleasure in furnishing him with those appliances of earthly enjoyment which had until now long ceased to be of interest to himself. Among other gifts he insisted on his accepting a suit of superb armour which had been made expressly for his idolized son. In this suit, in which he caused Inglesant to be arrayed, he declared that he well represented the patron saint of his nation, St. George of England, and pleased himself with the reflection that the fief with which he had endowed Inglesant bore the name of the same saint.

"You are il Cavaliere di San Georgio," he said to his favourite, as he stood by his couch, sheathed in the superb but useless and fantastic armour of the seventeenth century, with cuirass, greaves, and cuisses of polished and jewelled metal, worn over the ordinary dress, and combined with the lace and velvet which ornamented the whole. It is true that the steel plates were covered with silver and gold chasing of arabesques not of the most Christian type, and the perfect sword-blade was engraved with hieroglyphics not of the most saintly kind; nevertheless Inglesant, as he stood, did certainly resemble somewhat closely a splendid renaissance St. George.

"You are il Cavaliere di San Georgio," said the Duke, "and you must wear that armour when you go to meet your bride. I have arranged a train worthy of so illustrious a bridegroom."

Inglesant's marriage had taken a great hold in the imagination of the dying man, and his mind, to the surprise of those who had known him longest, seemed to dwell entirely upon nuptials and festivals. The strain and terror which his spirit had suffered for so long had probably done their work, and, like as on a harpsichord with a snapped string, the set purpose and composure was lost, and nothing but fragments of fantasias could be played. That magic influence of the wonderful ducal palace which Inglesant had been conscious of at his first visit, and of which the Duke had seemed hitherto altogether regardless, at the last moments of his life appeared to assert its power and force; and what to others seemed mere dotage appeared to Inglesant like a wintry gleam of mysterious light that might be the earnest of a happier time,—a return from the dark regions of superstitious fear to the simple delights of common human life. The sway of this strange house was as powerful over Inglesant himself as it had been before; but he now stood upon higher ground than he had done formerly. The events which had occurred in the meantime had not been entirely without effect. His triumph over the temptation of the flesh in the forest pavilion had secured to him a higher place in the spiritual walk, and the escape from the assassin's dagger had sobered his spirit and indescribably touched his heart. The "Kings' Courts," of which this house was but a type,—the Italian world in which he had lived so long,—had, therefore, now less power than ever to crush Inglesant's religious instinct; but it gave it a certain colour, a sort of renaissance Christianity, which bore a likeness to the character of the art-world in which it had grown up,—a Christianity of florid ornament and of somewhat fantastic issues.

As the Duke gradually became weaker, and seemed every day to be on the point of death, he became the more anxious that Inglesant's marriage should be completed, and at last insisted upon his delaying his return to Rome no longer. Inglesant, who expected almost hour by hour the Duke's decease, would have been content to wait; but the dying man would take no denial. He pleased himself with giving orders for Inglesant's train, and ordered his favourite page, an Austrian boy, to accompany him, and to return immediately when the marriage was celebrated, that he might receive the fullest description of the particulars of the event.

It was long before sunrise that Inglesant set out, accompanied by his train, hoping to cross the mountains before the heat began. His company consisted of several men-at-arms, with their grooms and horse boys, and the Austrian page. They ascended the mountains in the earlier part of the night, and towards dawn they reached a flat plain. The night had been too dark to allow them to see the steep and narrow defiles, full of oaks and beech; and as they passed over the dreary plain in the white mist, their figures seemed vast and indistinct in the dim light; but now, as the streaks of the dawn grew brighter in the east behind them, they could see the fir trees clothing the distant slopes, and here and there one of the higher summits still covered with white snow. The scene was cold and dead and dreary as the grave. A heavy mist hung over the mountain plain, and an icy lake lay black and cold beneath the morning sky. As they reached the crest of the hill the mist rose, stirred by a little breeze at sunrise, and the gorges of the descent lay clear before them. The sun arose behind them, gilding the mountain tops, and tracing streaks and shades of colour on the rising mist sparkling with glittering dew-drops; while dark and solemn beneath them lay the pine-clothed ravines and sloping valleys, with here and there a rocky peak; and farther down still the woods and hills gave place at last to the plain of the Tiber, at present dark and indistinguishable in the night.

As the sun arose behind them one by one the pine ravines became lighted, and the snowy summits, soft and pink with radiant light, stood out against the sky, which became every instant of a deeper blue. The sunlight, stealing down the defiles and calling forth into distinct shape and vision tree and rock and flashing stream, spread itself over the oak woods in the valleys, and shone at last upon the plain, embossed and radiant with wood and green meadow, and marble towers and glistering water—the waters of the Tiber running onwards towards Rome. Mysterious forms and waves of light, the creatures of the morning and of the mist, floated before the sight, and from the dark fir trees murmurs and mutterings of ethereal life fell upon the ear. Sudden and passionate flushes of colour tinted the pine woods and were gone, and beneath the branches and across the paths fairy lights played for a moment and passed away.

The party halted more than once, but it was necessary to make the long descent before the heat began, and they commenced carefully to pick their way down the stony mountain road, which wound down the ravines in wild unequal paths. The track now precipitous, now almost level, took them round corners and masses of rock sometimes hanging above their heads, revealing continually new reaches of valley, and new defiles clothed with fir and oak. Mountain flowers and trailing ivy and creeping plants hung in festoons on every side, lizards ran across the path, birds fluttered above them or darted into the dark recesses where the mountain brooks were heard; everything sang the morning psalm of life, with which, from field and mountain solitudes, the free children of nature salute the day.

The Austrian boy felt the beauty of the scene, and broke out into singing.

"When the northern gods," he said to Inglesant, "rode on their chevisance they went down into the deep valleys singing magic songs. Let us into this dark valley, singing magic songs, also go down; who knows what strange and hidden deity, since the old pagan times lost and forgotten, we may find among the dark fir dingles and the laurel shades?"

And he began to sing some love ditty.

Inglesant did not hear him. The beauty of the scene, ethereal and unreal in its loveliness, following upon the long dark mountain ride, his sleepless nights and strange familiarity with approaching death by the couch of the old Duke, confused his senses, and a presentiment of impending fate filled his mind. The recollection of his brother rose again in his remembrance, distinct and present as in life; and more than once he fancied that he heard his voice, as the cry of some mountain beast or sound of moaning trees came up the pass. No other foreshadowing than this very imperfect one warned him of the approaching crisis of his life.

The sun was fully up, and the light already brilliant and intense, when they approached a projecting point where the slope of wood ended in a tower of rock jutting upon the road. The path by which they approached it was narrow and ragged, but beyond the rock the ground spread itself out, and the path was carried inward towards the right, having the sloping hillside on the one hand, covered with scattered oaks, while, on the other, a slip of ground separated it from the ravine. At the turning of the road, where the opening valley lay before them as they reached the corner, face to face with Inglesant as he checked his horse, was the Italian, the inquisitive stranger of the theatre at Florence, the intruder into the Conclave, the masque of the Carnival ball, the assassin of the Corso—that Malvolti who had treacherously murdered his brother and sought his own life. Alone and weary, his clothes worn and threadbare, he came toiling up the pass. Inglesant reined in his horse suddenly, a strange and fierce light in his eyes and face. The Italian started back like some wild creature of the forest brought suddenly to bay, a terrified cry broke from him, and he looked wildly round as if intending flight. The nature of the ground caught him as in a trap; on the one hand the sloping hillside steep and open, on the other tangled rugged ground, slightly rising between the road and the precipice, cut off all hope of sudden flight. He looked wildly round for a moment, then, when the horsemen came round the rocky wall and halted behind their leader, his eyes came back to Inglesant's face, and he marked the smile upon his lips and in his eyes, and saw his hand steal downwards to the hunting piece he carried at the saddle; then with a terrible cry, he threw himself on his knees before the horse's head, and begged for pity,—pity and life.

Inglesant took his hand from his weapon, and turning slightly to the page and to the others behind him, he said,—

"This man, messeri, is a murderer and a villain, steeped in every crime; a cruel secret midnight cut-throat and assassin; a lurker in secret corners to murder the innocent. He took my brother, a noble gentleman whom I was proud to follow, treacherously at an advantage, and slew him. I see him now before me lying in his blood. He tried to take my life,—I, who scarcely even knew him,—in the streets of Rome. Now he begs for mercy, what say you, gentleman? what is his due?"

"Shoot the dog through the head. Hang him on the nearest tree. Carry him into Rome and torture him to death."

The Italian still continued on his knees, his hands clasped before him, his face working with terror and agony that could not be disguised.

"Mercy, monsignore," he cried. "Mercy. I cannot, I dare not, I am not fit to die. For the blessed Host, monsignore, have mercy—for the love of Jesu—for the sake of Jesu."

As he said these last words Inglesant's attitude altered, and the cruel light faded out of his eyes. His hand ceased to finger the carabine at his saddle, and he sat still upon his horse, looking down upon the abject wretch before him, while a man might count fifty. The Italian saw, or thought he saw, that his judge was inclining to mercy, and he renewed his appeals for pity.

"For the love of the crucifix, monsignore; for the blessed Virgin's sake."

But Inglesant did not seem to hear him. He turned to the horsemen behind him, and said,—

"Take him up, one of you, on the crupper. Search him first for arms. Another keep his eye on him, and if he moves or attempts to escape, shoot him dead. You had better come quietly;" he continued, "it is your only chance for life."

Two of the men-at-arms dismounted and searched the prisoner, but found no arms upon him. He seemed indeed to be in the greatest distress from hunger and want, and his clothes were ragged and thin. He was mounted behind one of the soldiers and closely watched, but he made no attempt to escape, and indeed appeared to have no strength or energy for such an effort.

They went on down the pass for about an Italian league. The country became more thickly wooded, and here and there on the hillsides patches of corn appeared, and once or twice in a sheltered spot a few vines. At length, on the broad shoulder of the hill round which the path wound, they saw before them a few cottages, and above them, on the hillside, in a position that commanded the distant pass till it opened on the plain, was a Chapel, the bell of which had just ceased ringing for mass.

Inglesant turned his horse's head up the narrow stony path, and when the gate was reached, he dismounted and entered the Chapel, followed by his train. The Capella had apparently been built of the remains of some temple or old Roman house, for many of the stones of the front were carved in bold relief. It was a small narrow building, and possessed no furniture save the altar and a rude pulpit built of stones; but behind the altar, painted on the plaster of the wall, was the rood or crucifix, the size of life. Who the artist had been cannot now be told; it might have been the pupil of some great master, who had caught something of the master's skill, or, perhaps, in the old time, some artist had come up the pass from Borgo san Sepolcro, and had painted it for the love of his art and of the Blessed Virgin; but, whoever had done it, it was well done, and it gave a sanctity to the little Chapel, and possessed an influence of which the villagers were not unconscious, and of which they were even proud.

The mass had commenced some short time as the train entered, and such few women and peasants as were present turned in surprise.

Inglesant knelt upon the steps before the altar, and the men-at-arms upon the floor of the Chapel, the two who guarded the prisoner keeping close behind their leader.

The priest, who was an old and simple-looking countryman, continued his office without stopping; but when he had received the sacred elements himself, he turned, and, influenced probably by his appearance and by his position at the altar, he offered Inglesant the Sacrament. He took it, and the priest, turning again to the altar, finished the mass.

Then Inglesant rose, and when the priest turned again he was standing before the altar with his drawn sword held lengthwise across his hands.

"My Father," he said, "I am the Cavaliere di San Georgio, and as I came across the mountains this morning on my way to Rome, I met my mortal foe, the murderer of my brother, a wretch whose life is forfeit by every law, either of earth or heaven, a guilty monster steeped in every crime. Him, as soon as I had met him,—sent by this lonely and untrodden way as it seems to me by the Lord's hand,—I thought to crush at once, as I would a venomous beast, though he is worse than any beast. But, my Father, he has appealed from me to the adorable Name of Jesus, and I cannot touch him. But he will not escape. I give him over to the Lord. I give up my sword into the Lord's hands, that He may work my vengeance upon him as it seems to Him good. Henceforth he is safe from earthly retribution, but the Divine Powers are just. Take this sword, reverend Father, and let it lie upon the altar beneath the Christ Himself; and I will make an offering for daily masses for my brother's soul."

The priest took the sword, and kneeling before the altar, placed it thereon like a man acting in a dream.

He was one of those child-like peasant-priests to whom the great world was unknown, and to whom his mountain solitudes were peopled as much by the saints and angels of his breviary as by the peasants who shared with him the solitudes and the legends that gave to these mountain fastnesses a mysterious awe. To such a man as this it seemed nothing strange that the blessed St. George himself, in jewelled armour, should stand before the altar in the mystic morning light, his shining sword in his hand.

He turned again to Inglesant, who had knelt down once more.

"It is well done, monsignore," he said, "as all that thou doest doubtless is most well. The sword shall remain here as thou sayest, and the Lord doubtless will work His blessed will. But I entreat, monsignore, thy intercession for me, a poor sinful man; and when thou returnest to thy place, and seest again the Lord Jesus, that thou wilt remind Him of His unworthy priest. Amen."

Inglesant scarcely heard what he said, and certainly did not understand it. His sense was confused by what had happened, and by the sudden overmastering impulse upon which he had acted. He moved as in a dream; nothing seemed to come strange to him, nothing startled him, and he took slight heed of what passed. He placed his embroidered purse, heavy with gold, in the priest's hand, and in his excitement totally forgot to name his brother, for whose repose masses were to be said.

He signed to his men to release the prisoner, and, his trumpets sounding to horse before the Chapel gate, he mounted and rode on down the pass.

But his visit was not forgotten, and long afterwards, perhaps even to the present day, popular tradition took the story up, and related that once, when the priest of the mountain Chapel was a very holy man, the blessed St. George himself, in shining armour, came across the mountains one morning very early, and himself partook of the Sacrament and all his train; and appealed triumphantly to the magic sword—set with gold and precious stones—that lay upon the altar from that morning, by virtue of which no harm can befall the village, no storm strike it, and, above all, no pillage of armed men or any violence can occur.

The Austrian boy returned to Umbria with his story of the marriage; but the old Duke never heard it. No sooner had Inglesant left him than his depression and despair returned; he loathed the sight of the day, and of the costly palace in which he lived; the gay arts and the devised fancies by which men have sought to lure happiness became intolerable to him; and, ill as he was, he caused himself to be removed to the Castel Durante, amid the lonely mountain ravines, to abide his end. As Inglesant bowed beneath the care-cloth—the fine linen cloth laid over the newly-married in the Church,—kneeling till mass was ended, with his heart full of love and brightness and peace, the last of the house of Revere—"worn out," says the chronicler, with a burst of unusual candour, "by priestly torments"—breathed his last, and went to another world, where, it may be hoped, sacrifice and devotion are better rewarded than they are here, and superstitious terrors are unknown.