The record being finished, the point was lifted off the foil, the cylinder turned back to its original position, and the point allowed to run again over the depressions it had made in the metal sheet. The latter now became the active part, imparting to the air by means of the diaphragm vibrations similar in duration and quality to those that affected it when the record was being made.

It is interesting to notice that the phonograph principle was originally employed by Edison as a telephone “relay.” His attention had been drawn to the telephone recently produced by Graham Bell, and to the evil effects of current leakage in long lines. He saw that the amount of current wasted increased out of proportion to the length of the lines—even more than in the proportion of the squares of their lengths—and he hoped that a great saving of current would be effected if a long line were divided into sections and the sound vibrations were passed from one to the other by mechanical means. He used as the connecting link between two sections a strip of moistened paper, which a needle, attached to a receiver, indented with minute depressions, that handed on the message to another telephone. The phonograph proper, as a recording machine, was an after-thought.

Edison’s first apparatus, besides being heavy and clumsy, had in practice faults which made it fall short of the description given in the Times. Its tone was harsh. The records, so far from enduring a thousand repetitions, were worn out by a dozen. To these defects must be added a considerable difficulty in adjusting a record made on one machine to the cylinder of another machine.

Edison, being busy with his telephone and electric lamp work, put aside the phonograph for a time. Graham Bell, his brother, Chichester Bell, and Charles Sumner Tainter, developed and improved his crude ideas. They introduced the Graphophone, using easily removable cylinder records. For the tinfoil was substituted a thin coating of a special wax preparation on light paper cylinders. Clockwork-driven motors replaced the hand motion, and the new machines were altogether more handy and effective. As soon as he had time Edison again entered the field. He conceived the solid wax cylinder, and patented a small shaving apparatus by means of which a record could be pared away and a fresh surface be presented for a new record.

The phonograph or graphophone of to-day is a familiar enough sight; but inasmuch as our readers may be less intimately acquainted with its construction and action than with its effects, a few words will now be added about its most striking features.

In the first place, the record remains stationary while the trumpet, diaphragm and stylus pass over it. The reverse was the case with the tinfoil instrument.

The record is cut by means of a tiny sapphire point having a circular concave end very sharp at the edges, to gouge minute depressions into the wax. The point is agitated by a delicate combination of weights and levers connecting it with a diaphragm of French glass 1/140 inch thick. The reproducing point is a sapphire ball of a diameter equal to that of the gouge. It passes over the depressions, falling into them in turn and communicating its movements to a diaphragm, and so tenderly does it treat the records that a hundred repetitions do not inflict noticeable damage.

It is a curious instance of the manner in which man unconsciously copies nature that the parts of the reproducing attachment of a phonograph contains parts corresponding in function exactly to those bones of the ear known as the Hammer, Anvil, and Stirrup.

To understand the inner working of the phonograph the reader must be acquainted with the theory of sound. All sound is the result of impulses transmitted by a moving body usually reaching the ear through the medium of the air. The quantity of the sound, or loudness, depends on the violence of the impulse; the tone, or note, on the number of impulses in a given time (usually fixed as one second); and the quality, or timbre, as musicians say, on the existence of minor vibrations within the main ones.

If we were to examine the surface of a phonograph record (or phonogram) under a powerful magnifying glass we should see a series of scoops cut by the gouge in the wax, some longer and deeper than others, long and short, deep and shallow, alternating and recurring in regular groups. The depth, length, and grouping of the cuts decides the nature of the resultant note when the reproducing sapphire point passes over the record—at a rate of about ten inches a second.

The study of a tracing made on properly prepared paper by a point agitated by a diaphragm would enable us to understand easily the cause of that mysterious variation in timbre which betrays at once what kind of instrument has emitted a note of known pitch. For instance, let us take middle C, which is the result of a certain number of atmospheric blows per second on the drum of the ear. The same note may come from a piano, a violin, a banjo, a man’s larynx, an organ, or a cornet; but we at once detect its source. It is scarcely imaginable that a piano and a cornet should be mistaken for one another. Now, if the tracing instrument had been at work while the notes were made successively it would have recorded a wavy line, each wave of exactly the same length as its fellows, but varying in its outline according to the character of the note’s origin. We should notice that the waves were themselves wavy in section, being jagged like the teeth of a saw, and that the small secondary waves differed in size.

The minor waves are the harmonics of the main note. Some musical instruments are richer in these harmonics than others. The fact that these delicate variations are recorded as minute indentations in the wax and reproduced is a striking proof of the phonograph’s mechanical perfection.

Furthermore, the phonograph registers not only these composite notes, but also chords or simultaneous combinations of notes, each of which may proceed from a different instrument. In its action it here resembles a man who by constant practice is able to add up the pounds, shillings, and pence columns in his ledger at the same time, one wave system overlapping and blending with another.

The phonograph is not equally sympathetic with all classes of sounds. Banjo duets make good records, but the guitar gives a poor result. Similarly, the cornet is peculiarly effective, but the bass drum disappointing. The deep chest notes of a man come from the trumpet with startling truth, but the top notes on which the soprano prides herself are often sadly “tinny.” The phonograph, therefore, even in its most perfect form is not the equal of the exquisitely sensitive human ear; and this may partially be accounted for by the fact that the diaphragm in both recorder and reproducer has its own fundamental note which is not in harmony with all other notes, whereas the ear, like the eye, adapts itself to any vibration.

Yet the phonograph has an almost limitless répertoire. It can justly be claimed for it that it is many musical instruments rolled into one. It will reproduce clearly and faithfully an orchestra, an instrumental soloist, the words of a singer, a stump orator, or a stage favourite. Consequently we find it every where—at entertainments, in the drawing-room, and even tempting us at the railway station or other places of public resort to part with our superfluous pence. At the London Hippodrome it discourses to audiences of several thousand persons, and in the nursery it delights the possessors of ingeniously-constructed dolls which, on a button being pressed and concealed machinery being brought into action, repeat some well-known childish melody.

It must not be supposed that the phonograph is nothing more than a superior kind of scientific toy. More serious duties than those of mere entertainment have been found for it.

At the last Presidential Election in the States the phonograph was often called upon to harangue large meetings in the interests of the rival candidates, who were perhaps at the time wearing out their voices hundreds of miles away with the same words.

Since the pronunciation of a foreign language is acquired by constant imitation of sounds, the phonograph, instructed by an expert, has been used to repeat words and phrases to a class of students until the difficulties they contain have been thoroughly mastered. The sight of such a class hanging on the lips—or more properly the trumpet—of a phonograph gifted with the true Parisian accent may be common enough in the future.

As a mechanical secretary and substitute for the shorthand writer the phonograph has certainly passed the experimental stage. Its daily use by some of the largest business establishments in the world testify to its value in commercial life. Many firms, especially American, have invested heavily in establishing phonograph establishments to save labour and final expense. The manager, on arriving at his office in the morning, reads his letters, and as the contents of each is mastered, dictates an answer to a phonograph cylinder which is presently removed to the typewriting room, where an assistant, placing it upon her phonograph and fixing the tubes to her ears, types what is required. It is interesting to learn that at Ottawa, the seat of the Canadian Government, phonographs are used for reporting the parliamentary proceedings and debates.

There is therefore a prospect that, though the talking-machine may lose its novelty as an entertainer, its practical usefulness will be largely increased. And while considering the future of the instrument, the thought suggests itself whether we shall be taking full advantage of Mr. Edison’s notable invention if we neglect to make records of all kinds of intelligible sounds which have more than a passing interest. If the records were made in an imperishable substance they might remain effective for centuries, due care being taken of them in special depositories owned by the nation. To understand what their value would be to future generations we have only to imagine ourselves listening to the long-stilled thunder of Earl Chatham, to the golden eloquence of Burke, or the passionate declamations of Mrs. Siddons. And in the narrower circle of family interests how valuable a part of family heirlooms would be the phonograms containing a vocal message to posterity from Grandfather this, or Great-aunt that, whose portraits in the drawing-room album do little more than call attention to the changes in dress since the time when their subjects faced the camera!

Record-Making and Manufacture.—Phonographic records are of two shapes, the cylindrical and the flat, the latter cut with a volute groove continuously diminishing in diameter from the circumference to the centre. Flat records are used in the Gramophone—a reproducing machine only. Their manufacture is effected by first of all making a record on a sheet of zinc coated with a very thin film of wax, from which the sharp steel point moved by the recording diaphragm removes small portions, baring the zinc underneath. The plate is then flooded with an acid solution, which eats into the bared patches, but does not affect the parts still covered with wax. The etching complete, the wax is removed entirely, and a cast or electrotype negative record made from the zinc plate. The indentations of the original are in this represented by excrescences of like size; and when the negative block is pressed hard down on to a properly prepared disc of vulcanite or celluloid, the latter is indented in a manner that reproduces exactly the tones received on the “master” record.

Cylindrical records are made in two ways, by moulding or by copying. The second process is extremely simple. The “master” cylinder is placed on a machine which also rotates a blank cylinder at a short distance from and parallel to the first. Over the “master” record passes a reproducing point, which is connected by delicate levers to a cutting point resting on the “blank,” so that every movement of the one produces a corresponding movement of the other.

This method, though accurate in its results, is comparatively slow. The moulding process is therefore becoming the more general of the two. Edison has recently introduced a most beautiful process for obtaining negative moulds from wax positives. Owing to its shape, a zinc cylinder could not be treated like a flat disc, as, the negative made, it could not be detached without cutting. Edison, therefore, with characteristic perseverance, sought a way of electrotyping the wax, which, being a non-conductor of electricity, would not receive a deposit of metal. The problem was how to deposit on it.

Any one who has seen a Crookes’ tube such as is used for X-ray work may have noticed on the glass a black deposit which arises from the flinging off from the negative pole of minute particles of platinum. Edison took advantage of this repellent action; and by enclosing his wax records in a vacuum between two gold poles was able to coat them with an infinitesimally thin skin of pure gold, on which silver or nickel could be easily deposited. The deposit being sufficiently thick the wax was melted out and the surface of the electrotype carefully cleaned. To make castings it was necessary only to pour in wax, which on cooling would shrink sufficiently to be withdrawn. The delicacy of the process may be deduced from the fact that some of the sibilants, or hissing sounds of the voice, are computed to be represented by depressions less than a millionth of an inch in depth, and yet they are most distinctly reproduced! Cylinder records are made in two sizes, 2-1/2 and 5 inches in diameter respectively. The larger size gives the most satisfactory renderings, as the indentations are on a larger scale and therefore less worn by the reproducing point. One hundred turns to the inch is the standard pitch of the thread; but in some records the number is doubled.

Phonographs, Graphophones, and Gramophones are manufactured almost entirely in America, where large factories, equipped with most perfect plant and tools, work day and night to cope with the orders that flow in freely from all sides. One factory alone turns out a thousand machines a day, ranging in value from a few shillings to forty pounds each. Records are made in England on a large scale; and now that the Edison-Bell firm has introduced the unbreakable celluloid form their price will decrease. By means of the Edison electrotyping process a customer can change his record without changing his cylinder. He takes the cylinder to the factory, where it is heated, placed in the mould, and subjected to great pressure which drives the soft celluloid into the mould depressions; and behold! in a few moments “Auld Lang Syne” has become “Home, Sweet Home,” or whatever air is desired. Thus altering records is very little more difficult than getting a fresh book at the circulating library.

The Photographophone.

This instrument is a phonograph working entirely by means of light and electricity.

The flame of an electric lamp is brought under the influence of sound vibrations which cause its brilliancy to vary at every alteration of pitch or quality.

The light of the flame is concentrated through a lens on to a travelling photographic sensitive film, which, on development in the ordinary way, is found to be covered with dark and bright stripes proportionate in tone to the strength of the light at different moments. The film is then passed between a lamp and a selenium plate connected with an electric circuit and a telephone. The resistance of the selenium to the current varies according to the power of the light thrown upon it. When a dark portion of the film intercepts the light of the lamp the selenium plate offers high resistance; when the light finds its way through a clear part of the film the resistance weakens. Thus the telephone is submitted to a series of changes affecting the “receiver.” As in the making of the record speech-vibrations affect light, and the light affects a sensitive film; so in its reproduction the film affects a sensitive selenium plate, giving back to a telephone exactly what it received from the sound vibrations.

One great advantage of Mr. Ruhmer’s method is that from a single film any number of records can be printed by photography; another, that, as with the Telegraphone (see below), the same film passed before a series of lamps successively is able to operate a corresponding number of telephones.

The inventor is not content with his success. He hopes to record not merely sounds but even pictures by means of light and a selenium plate.

The Telephonograph.

Having dealt with the phonograph and the telephone separately, we may briefly consider one or two ingenious combinations of the two instruments. The word Telephonograph signifies an apparatus for recording sounds sent from a distance. It takes the place of the human listener at the telephone receiver.

Let us suppose that a Reading subscriber wishes to converse along the wires with a friend in London, but that on ringing up his number he discovers that the friend is absent from his home or office. He is left with the alternative of either waiting till his friend returns, which may cause a serious loss of time, or of dictating his message, a slow and laborious process. This with the ordinary telephonic apparatus. But if the London friend be the possessor of a Telephonograph, the person answering the call-bell can, if desired to do so, switch the wires into connection with it and start the machinery; and in a very short time the message will be stored up for reproduction when the absent friend returns.

The Telephonograph is the invention of Mr. J. E. O. Kumberg. The message is spoken into the telephone transmitter in the ordinary way, and the vibrations set up by the voice are caused to act upon a recording stylus by the impact of the sound waves at the further end of the wires. In this manner a phonogram is produced on the wax cylinder in the house or office of the person addressed, and it may be read off at leisure. A very sensitive transmitter is employed, and if desired the apparatus can be so arranged that by means of a double-channel tube the words spoken are simultaneously conveyed to the telephone and to an ordinary phonograph, which insures that a record shall be kept of any message sent.

The Telegraphone, produced by Mr. Valdemar Poulsen, performs the same functions as the telephonograph, but differs from it in being entirely electrical. It contains no waxen cylinder, no cutting-point; their places are taken respectively by a steel wire wound on a cylindrical drum (each turn carefully insulated from its neighbours) and by a very small electro-magnet, which has two delicate points that pass along the wire, one on either side, resting lightly upon it.

As the drum rotates, the whole of the wire passes gradually between the two points, into which a series of electric shocks is sent by the action of the speaker’s voice at the further end of the wires. The shocks magnetise the portion of steel wire which acts as a temporary bridge between the two points. At the close of three and a half minutes the magnet has worked from one end of the wire coil to the other; it is then automatically lifted and carried back to the starting-point in readiness for reproduction of the sounds. This is accomplished by disconnecting the telegraphone from the telephone wires and switching it on to an ordinary telephonic earpiece or receiver. As soon as the cylinder commences to revolve a second time, the magnet is influenced by the series of magnetic “fields” in the wires, and as often as it touches a magnetised spot imparts an impulse to the diaphragm of the receiver, which vibrates at the rate and with the same force as the vibrations originally set up in the distant transmitter. The result is a clear and accurate reproduction of the message, even though hours and even days may have elapsed since its arrival.

As the magnetic effects on the wire coil retain their power for a considerable period, the message may be reproduced many times. As soon as the wire-covered drum is required for fresh impressions, the old one is wiped out by passing a permanent magnet along the wire to neutralise the magnetism of the last message.

Mr. Poulsen has made an instrument of a different type to be employed for the reception of an unusually lengthy communication. Instead of a wire coil on a cylinder, a ribbon of very thin flat steel spring is wound from one reel on to another across the poles of two electro-magnets, which touch the lower side only of the strip. The first magnet is traversed by a continuous current to efface the previous record; the second magnetises the strip in obedience to impulses from the telephone wires. The message complete, the strip is run back, and the magnets connected with receivers, which give out loud and intelligent speech as the strip again traverses them. The Poulsen machine makes the transmission of the same message simultaneously through several telephones an easy matter, as the strip can be passed over a series of electro-magnets each connected with a telephone.

THE TELAUTOGRAPH.

It is a curious experience to watch for the first time the movements of a tiny Telautograph pen as it works behind a glass window in a japanned case. The pen, though connected only with two delicate wires, appears instinct with human reason. It writes in a flowing hand, just as a man writes. At the end of a word it crosses the t’s and dots the i’s. At the end of a line it dips itself in an inkpot. It punctuates its sentences correctly. It illustrates its words with sketches. It uses shorthand as readily as longhand. It can form letters of all shapes and sizes.

And yet there is no visible reason why it should do what it does. The japanned case hides the guiding agency, whatever it may be. Our ears cannot detect any mechanical motion. The writing seems at first sight as mysterious as that which appeared on the wall to warn King Belshazzar.

In reality it is the outcome of a vast amount of patience and mechanical ingenuity culminating in a wonderful instrument called the Telautograph. The Telautograph is so named because by its aid we can send our autographs, i.e. our own particular handwriting, electrically over an indefinite length of wire, as easily as a telegraph clerk transmits messages in the Morse alphabet. Whatever the human hand does on one telautograph at one end of the wires, that will be reproduced by a similar machine at the other end, though the latter be hundreds of miles away.

The instrument stands about eighteen inches high, and its base is as many inches square. It falls into two parts, the receiver and the transmitter. The receiver is vertical and forms the upright and back portion of the telautograph. At one side of it hangs an ordinary telephone attachment. The transmitter, a sloping desk placed conveniently for the hand, is the front and horizontal portion. The receiver of one station is connected with the transmitter of another station; there being ordinarily no direct communication between the two parts of the same instrument.

An attempt will be made to explain, with the help of a simple diagram, the manner in which the telautograph performs its duties.

These duties are threefold. In the first place, it must reproduce whatever is written on the transmitter. Secondly, it must reproduce only what is written, not all the movements of the hand. Thirdly, it must supply the recording pen with fresh paper to write on, and with fresh ink to write with.

In our diagram we must imagine that all the coverings of the telautograph have been cleared away to lay bare the most essential parts of the mechanism. For the sake of simplicity not all the coils, wires, and magnets having functions of their own are represented, and the drawing is not to scale. But what is shown will enable the reader to grasp the general principles which work the machine.

Turning first of all to the transmitter, we have P, a little platform hinged at the back end, and moving up and down very slightly in front, according as pressure is put on to or taken off it by the pencil. Across it a roll of paper is shifted by means of the lever S, which has other uses as well. To the right of P is an electric bell-push, E, and on the left K, another small button.

The pencil is at the junction of two small bars CC’, which are hinged at their other end to the levers AA’. Any motion of the pencil is transmitted by CC’ to AA’, and by them to the arms LL’, the extremities of which, two very small brushes ZZ’, sweep along the quadrants RR’. This is the first point to observe, that the position of the pencil decides on which sections of the quadrants these little brushes rest, and consequently how much current is to be sent to the distant station. The quadrants are known technically as rheostats, or current-controllers. Each quadrant is divided into 496 parts, separated from each other by insulating materials, so that current can pass from one to the other only by means of some connecting wire. In our illustration only thirteen divisions are given, for the sake of clearness. The dark lines represent the insulation. WW’ are the very fine wire loops connecting each division of the quadrant with its neighbours. If then a current from the battery B enters the rheostat at division 1 it will have to pass through all these wires before it can reach division 13. The current always enters at 1, but the point of departure from the rheostat depends entirely upon the position of the brushes Z or Z’. If Z happens to be on No. 6 the current will pass through five loops of wire, along the arm L, and so through the main wire to the receiving station; if on No. 13, through twelve loops.

Before going any further we must have clear ideas on the subject of electrical resistance, upon which the whole system of the telautograph is built up. Electricity resembles water in its objection to flow through small passages. It is much harder to pump water through a half-inch pipe than through a one-inch pipe, and the longer the pipe is, whatever its bore, the more work is required. So then, two things affect resistance—size of pipe or wire, and length of pipe or wire.

The wires WW’ are very fine, and offer very high resistance to a current; so high that by the time the current from battery B has passed through all the wire loops only one-fifteenth or less of the original force is left to traverse the long-distance wire.

The rheostats act independently of one another. As the pencil moves over the transmitting paper, a succession of currents of varying intensity is sent off by each rheostat to the receiving station.

The receiver, to which we must now pay attention, has two arms DD’, and two rods FF’, corresponding in size with AA’ and CC’ of the transmitter. The arms DD’ are moved up and down by the coils TT’ which turn on centres in circular spaces at the bend of the magnets MM’. The position of these coils relatively to the magnets depend on the strength of the currents coming from the transmitting station. Each coil strains at a small spiral spring until it has reached the position in which its electric force is balanced by the retarding influence of the spring. One of the cleverest things in the telautograph is the adjustment of these coils so that they shall follow faithfully the motions of the rods LL’ in the transmitter.

We are now able to trace the actions of sending a message. The sender first presses the button E to call the attention of some one at the receiving station to the fact that a message is coming, either on the telephone or on the paper. It should be remarked, by-the-bye, that the same wires serve for both telephone and telautograph, the unhooking of the telephone throwing the telautograph out of connection for the time.

He then presses the lever S towards the left, bringing his transmitter into connection with the distant receiver, and also moving a fresh length of paper on to the platform P. With his pencil he writes his message, pressing firmly on the paper, so that the platform may bear down against an electric contact, X. As the pencil moves about the paper the arms CC’ are constantly changing their angles, and the brushes ZZ’ are passing along the segments of the rheostats.

Currents flow in varying intensity away to the coils TT’ and work the arms DD’, the wires FF’, and the pen, a tiny glass tube.

In the perfectly regulated telautograph the arms AA’ and the arms DD’ will move in unison, and consequently the position of the pen must be the same from moment to moment as that of the pencil.

Mr. Foster Ritchie, the clever inventor of this telautograph, had to provide for many things besides mere slavish imitation of movement. As has been stated above, the pen must record only those movements of the pencil which are essential. Evidently, if while the pencil returns to dot an i a long line were registered by the pen corresponding to the path of the pencil, confusion would soon ensue on the receiver; and instead of a neatly-written message we should have an illegible and puzzling maze of lines. Mr. Ritchie has therefore taken ingenious precautions against any such mishap. The platen P on being depressed by the pencil touches a contact, X, which closes an electric circuit through the long-distance wires and excites a magnet at the receiving end. That attracts a little arm and breaks another circuit, allowing the bar Y to fall close to the paper. The wires FF’ and the pen are now able to rest on the paper and trace characters. But as soon as the platen P rises, on the removal of the pencil from the transmitting paper, the contact at X is broken, the magnet at the receiver ceases to act, the arm it attracted falls back and sets up a circuit which causes the bar to spring up again and lift the pen. So that unless you are actually pressing the paper with your pencil, the pen is not marking, though it may be moving.

As soon as a line is finished a fresh surface of paper is required at both ends. The operator pushes the lever S sideways, and effects the change mechanically at his end. At the same time a circuit is formed which excites certain magnets at the receiver and causes the shifting forward there also of the paper, and also breaks the writing current, so that the pen returns for a moment to its normal position of rest in the inkpot.

It may be asked: If the wires are passing currents to work the writing apparatus, how can they simultaneously affect the lifting-bar, Y? The answer is that currents of two different kinds are used, a direct current for writing, a vibratory current for depressing the lifting-bar. The direct current passes from the battery B through the rheostats RR’ along the wires, through the coils working the arms DD’ and into the earth at the far end; but the vibratory current, changing its direction many times a second and so neutralising itself, passes up one wire and back down the other through the lifting-bar connection without interfering with the direct current.

The message finished, the operator depresses with the point of his pencil the little push-key, K, and connects his receiver with the distant transmitter in readiness for an answer.

The working speed of the telautograph is that of the writer. If shorthand be employed, messages can be transmitted at the rate of over 100 words per minute. As regards the range of transmission, successful tests have been made by the postal authorities between Paris and London, and also between Paris and Lyons. In the latter case the messages were sent from Paris to Lyons and back directly to Paris, the lines being connected at Lyons, to give a total distance of over 650 miles. There is no reason why much greater length of line should not be employed.

The telautograph in its earlier and imperfect form was the work of Professor Elisha Gray, who invented the telephone almost simultaneously with Professor Graham Bell. His telautograph worked on what is known as the step-by-step principle, and was defective in that its speed was very limited. If the operator wrote too fast the receiving pen lagged behind the transmitting pencil, and confusion resulted. Accordingly this method, though ingenious, was abandoned, and Mr. Ritchie in his experiments looked about for some preferable system, which should be simpler and at the same time much speedier in its action. After four years of hard work he has brought the rheostat system, explained above, to a pitch of perfection which will be at once appreciated by any one who has seen the writing done by the instrument.

The advantages of the Telautograph over the ordinary telegraphy may be briefly summed up as follows:—

Anybody who can write can use it; the need of skilled operators is abolished.

A record is automatically kept of every message sent.

The person to whom the message is sent need not be present at the receiver. He will find the message written out on his return.

The instrument is silent and so insures secrecy. An ordinary telegraph may be read by sound; but not the telautograph.

It is impossible to tap the wires unless, as is most unlikely, the intercepting party has an instrument in exact accord with the transmitter.

It can be used on the same wires as the ordinary telephone, and since a telephone is combined with it, the subscriber has a double means of communication. For some items of business the telephone may be used as preferable; but in certain cases, the telautograph. A telephone message may be heard by other subscribers; it is impossible to prove the authenticity of such a message unless witnesses have been present at the transmitting end; and the message itself may be misunderstood by reason of bad articulation. But the telautograph preserves secrecy while preventing any misunderstanding. Anything written by it is for all practical purposes as valid as a letter.

We must not forget its extreme usefulness for transmitting sketches. A very simple diagram often explains a thing better than pages of letter-press. The telautograph may help in the detection of criminals, a pictorial presentment of whom can by its means be despatched all over the country in a very short time. And in warfare an instrument flashing back from the advance-guard plans of the country and of the enemy’s positions might on occasion prove of the greatest importance.

MODERN ARTILLERY.

The vast subject of artillery in its modern form, including under this head for convenience’ sake not only heavy ordnance but machine-guns and small-arms, can of necessity only be dealt with most briefly in this chapter.

It may therefore be well to take a general survey and to define beforehand any words or phrases which are used technically in describing the various operations.

The employment of firearms dates from a long-distant past, and it is interesting to note that many an improvement introduced during the last century is but the revival of a former invention which only lack of accuracy in tools and appliances had hitherto prevented from being brought into practical usage.

So far back as 1498 the art of rifling cannon in straight grooves was known, and a British patent was taken out in 1635 by Rotsipan. The grooves were first made spiral or screwed by Koster of Birmingham about 1620. Berlin possesses a rifled cannon with thirteen grooves dated 1664. But the first recorded uses of such weapons in actual warfare was during Louis Napoleon’s Italian campaign in 1859, and two years later by General James of the United States Army.

The system of breech-loading, again, is as old as the sixteenth century, and we find a British patent of 1741; while the first United States patent was given in 1811 for a flint-lock weapon.

Magazine guns of American production appeared in 1849 and 1860, but these were really an adaptation of the old matchlock revolvers, said to belong to the period 1480-1500. There is one in the Tower of London credited to the fifteenth century, and a British patent of 1718 describes a well-constructed revolver carried on a tripod and of the dimensions of a modern machine-gun. The inventor gravely explains that he has provided round chambers for round bullets to shoot Christians, and square chambers with square missiles for use against the Turks!

The word “ordnance” is applied to heavy guns of all kinds, and includes guns mounted on fortresses, naval guns, siege artillery, and that for use in the field. These guns are all mounted on stands or carriages, and may be divided into three classes:—

(i.) Cannon, or heavy guns.

(ii.) Howitzers, for field, mountain, or siege use, which are lighter and shorter than cannon, and designed to throw hollow projectiles with comparatively small charges.

(iii.) Mortars, for throwing shells at a great elevation.

The modern long-range guns and improved howitzers have, however, virtually superseded mortars. Machine-guns of various forms are comparatively small and light, transportable by hand, and filling a place between cannon and small-arms, the latter term embracing the soldier’s personal armament of rifle and pistol or revolver, which are carried in the hand.

A group of guns of the like design are generally given the name of their first inventor, or the place of manufacture: such as the Armstrong gun, the Vickers-Maxim, the Martini-Henry rifle, or the Enfield.

The indifferent use of several expressions in describing the same weapon is, however, rather confusing. One particular gun may be thus referred to:—by its weight in tons or cwt., as “the 35-ton gun”; by the weight of its projectile, as “a 68-pounder”; by its calibre, that is, size of bore, as “the 4-inch gun.” Of these the heavier breech-loading (B.-L.) and quick-firing (Q.-F.) guns are generally known by the size of bore; small Q.-F.’s, field-guns, &c., by the weight of projectile. It is therefore desirable to enter these particulars together when making any list of service ordnance for future reference.

No individual gun, whether large or small, is a single whole, but consists of several pieces fastened together by many clever devices.

The principal parts of a cannon are:—

(1) The chase, or main tube into which the projectile is loaded; terminating at one end in the muzzle.

(2) The breech-piece, consisting of (a) the chamber, which is bored out for a larger diameter than the chase to contain the firing-charge. (b) The breech-plug, which is closed before the charge is exploded and screwed tightly into place, sealing every aperture by means of a special device called the “obturator,” in order to prevent any gases passing out round it instead of helping to force the projectile forwards towards the muzzle.

The whole length of inside tube is termed the barrel, as in a machine-gun, rifle, or sporting-piece, but in the two latter weapons the breech-opening is closed by sliding or springing back the breech-block or bolt into firing position.

Old weapons as a rule were smooth-bored (S.-B.), firing a round missile between which and the barrel a considerable amount of the gases generated by the explosion escaped and caused loss of power, this escape of gas being known as windage.

In all modern weapons we use conical projectiles, fitted near the base with a soft copper driving-band, the diameter of which is somewhat larger than that of the bore of the gun, and cut a number of spiral grooves in the barrel. The enormous pressure generated by the explosion of the charge forces the projectile down the bore of the gun and out of the muzzle. The body of the projectile, made of steel or iron, being smaller in diameter than the bore, easily passes through, but the driving-band being of greater diameter, and being composed of soft copper, can only pass down the bore with the projectile by flowing into the grooves, thus preventing any escape of gas, and being forced to follow their twist. It therefore rotates rapidly upon its own longitudinal axis while passing down the barrel, and on leaving the muzzle two kinds of velocity have been imparted to it;—first, a velocity of motion through the air; secondly, a velocity of rotation round its axis which causes it to fly steadily onward in the required direction, i.e. a prolongation of the axis of the gun. Thus extreme velocity and penetrating power, as well as correctness of aim, are acquired.

The path of a projectile through the air is called its trajectory, and if uninterrupted its flight would continue on indefinitely in a perfectly straight line. But immediately a shot has been hurled from the gun by the explosion in its rear two other natural forces begin to act upon it:—

Gravitation, which tends to bring it to earth.

Air-resistance, which gradually checks its speed.

(Theoretically, a bullet dropped perpendicularly from the muzzle of a perfectly horizontal rifle would reach the ground at the same moment as another bullet fired from the muzzle horizontally, the action of gravity being the same in both cases.)

Its direct, even course is therefore deflected till it forms a curve, and sooner or later it returns to earth, still retaining a part of its velocity. To counteract the attraction of gravity the shot is thrown upwards by elevating the muzzle, care being taken to direct the gun’s action to the same height above the object as the force of gravitation would draw the projectile down during the time of flight. The gunner is enabled to give the proper inclination to his piece by means of the sights; one of these, near the muzzle, being generally fixed, while that next the breech is adjustable by sliding up an upright bar which is so graduated that the proper elevation for any required range is given.

The greater the velocity the flatter is the trajectory, and the more dangerous to the enemy. Assuming the average height of a man to be six feet, all the distance intervening between the point where a bullet has dropped to within six feet of the earth, and the point where it actually strikes is dangerous to any one in that interval, which is called the “danger zone.” A higher initial velocity is gained by using stronger firing charges, and a more extended flight by making the projectile longer in proportion to its diameter. The reason why a shell from a cannon travels further than a rifle bullet, both having the same muzzle velocity, is easily explained.

A rifle bullet is, let us assume, three times as long as it is thick; a cannon shell the same. If the shell have ten times the diameter of the bullet, its “nose” will have 10 × 10 = 100 times the area of the bullet’s nose; but its mass will be 10 × 10 × 10 = 1000 times that of the bullet.

In other words, when two bodies are proportional in all their dimensions their air-resistance varies as the square of their diameters, but their mass and consequently their momentum varies as the cube of their diameters. The shell therefore starts with a great advantage over the bullet, and may be compared to a “crew” of cyclists on a multicycle all cutting the same path through the air; whereas the bullet resembles a single rider, who has to overcome as much air-resistance as the front man of the “crew” but has not the weight of other riders behind to help him.

As regards the effect of rifling, it is to keep the bullet from turning head over heels as it flies through the air, and to maintain it always point forwards. Every boy knows that a top “sleeps” best when it is spinning fast. Its horizontal rotation overcomes a tendency to vertical movement towards the ground. In like manner a rifle bullet, spinning vertically, overcomes an inclination of its atoms to move out of their horizontal path. Professor John Perry, F.R.S., has illustrated this gyroscopic effect, as it is called, of a whirling body with a heavy flywheel in a case, held by a man standing on a pivoted table. However much the man may try to turn the top from its original direction he will fail as long as its velocity of rotation is high. He may move the top relatively to his body, but the table will turn so as to keep the centre line of the top always pointing in the same direction.

Rifles.

Up to the middle of last century our soldiers were armed with the flint-lock musket known as “Brown Bess,” a smooth-bore barrel 3/4-inch in diameter, thirty-nine inches long, weighing with its bayonet over eleven pounds. The round leaden bullet weighed an ounce, and had to be wrapped in a “patch” or bit of oily rag to make it fit the barrel and prevent windage; it was then pushed home with a ramrod on to the powder-charge, which was ignited by a spark passing from the flint into a priming of powder. How little its accuracy of aim could be depended upon, however, is proved by the word of command when advancing upon an enemy, “Wait till you see the whites of their eyes, boys, before you fire!”

In the year 1680 each troop of Life Guards was supplied with eight rifled carbines, a modest allowance, possibly intended to be used merely by those acting as scouts. After this we hear nothing of them until in 1800 the 95th Regiment received a 20-bore muzzle-loading rifle, exchanged about 1835 for the Brunswick rifle firing a spherical bullet, an improvement that more than doubled its effective range. The companies so armed became known as the Rifle Brigade. At last, in 1842, the old flint-lock was superseded for the whole army by the original percussion musket, a smooth-bore whose charge was exploded by a percussion cap made of copper. [That this copper had some commercial value was shown by the rush of “roughs” to Aldershot and elsewhere upon a field-day to collect the split fragments which strewed the ground after the troops had withdrawn.]

Soon afterward the barrel was rifled and an elongated bullet brought into use. This missile was pointed in front, and had a hollowed base so contrived that it expanded immediately the pressure of exploding gases was brought to bear on it, and thus filled up the grooves, preventing any windage. The one adopted by our army in the year 1852 was the production of M. Minié, a Frenchman, though an expanding bullet of English invention had been brought forward several years before.

Meanwhile the Prussians had their famous needle-gun, a breech-loading rifled weapon fired by a needle attached to a sliding bolt; as the bolt is shot forward the needle pierces the charge and ignites the fulminate by friction. This rifle was used in the Prusso-Austrian war of 1866 some twenty years after its first inception, and the French promptly countered it by arming their troops with the Chassepôt rifle, an improved edition of the same principle. A piece which could be charged and fired in any position from five to seven times as fast as the muzzle-loader, which the soldier had to load standing, naturally caused a revolution in the infantry armament of other nations.

The English Government, as usual the last to make a change, decided in 1864 upon using breech-loading rifles. Till a more perfect weapon could be obtained the Enfields were at a small outlay converted into breech-loaders after the plans of Mr. Snider, and were henceforward known as Snider-Enfields. Eventually—as the result of open competition—the Martini-Henry rifle was produced by combining Henry’s system of rifling with Martini’s mechanism for breech-loading. This weapon had seven grooves with one turn in twenty-two inches, and weighed with bayonet 10 lb. 4 oz. It fired with great accuracy, the trajectory having a rise of only eight feet at considerable distances, so that the bullet would not pass over the head of a cavalry man. Twenty rounds could be fired in fifty-three seconds.

Now in the latter years of the century all these weapons have been superseded by magazine rifles, i.e. rifles which can be fired several times without recourse to the ammunition pouch. They differ from the revolver in having only one firing chamber, into which the cartridges are one by one brought by a simple action of the breech mechanism, which also extracts the empty cartridge-case. The bore of these rifles is smaller and the rifling sharper; they therefore shoot straighter and harder than the large bore, and owing to the use of new explosives the recoil is less.

The French Lebel magazine rifle was the pioneer of all now used by European nations, though a somewhat similar weapon was familiar to the Americans since 1849, being first used during the Civil War. The Henry rifle, as it was called, afterwards became the Winchester.

The German army rifle is the Mauser, so familiar to us in the hands of the Boers during the South African War—loading five cartridges at once in a case or “clip” which falls out when emptied. The same rifle has been adopted by Turkey, and was used by the Spaniards in the late Spanish-American War.

The Austrian Mannlicher, adopted by several continental nations, and the Krag-Jorgensen now used in the north of Europe and as the United States army weapon, resemble the Mauser in most particulars. Each of these loads the magazine in one movement with a clip.

The Hotchkiss magazine rifle has its magazine in the stock, holding five extra cartridges pushed successively into loading position by a spiral spring.

Our forces are now armed principally with the Lee-Enfield, which is taking the place of the Lee-Metford issued a few years ago. These are small-bore rifles of .303 inch calibre, having a detachable box, which is loaded with ten cartridges (Lee-Metford eight) passed up in turn by a spring into the breech, whence, when the bolt is closed, they are pushed into the firing-chamber. The empty case is ejected by pulling back the bolt, and at the same time another cartridge is pressed up from the magazine and the whole process repeated. When the cut-off is used the rifle may be loaded and fired singly, be the magazine full or empty.

The Lee-Enfield has five grooves (Lee-Metford ten), making one complete turn from right to left in every ten inches. It weighs 9 lb. 4 oz., and the barrel is 30.197 inches long. The range averages 3500 yards.

We are now falling into line with other powers by adopting the “clip” form instead of the box for loading. The sealed pattern of the new service weapon is thus provided, and has also been made somewhat lighter and shorter while preserving the same velocity.

We are promised an even more rapid firing rifle than any of these, one in which the recoil is used to work the breech and lock so that it is a veritable automatic gun. Indeed, several continental nations have made trial of such weapons and reported favourably upon them. One lately tried in Italy works by means of gas generated by the explosion passing through a small hole to move a piston-rod. It is claimed that the magazine can hold as many as fifty cartridges and fire up to thirty rounds a minute; but the barrel became so hot after doing this that the trial had to be stopped.

The principal result of automatic action would probably be excessive waste of cartridges by wild firing in the excitement of an engagement. It is to-day as true as formerly that it takes on the average a man’s weight of lead to kill him in battle.

To our neighbours across the Channel the credit also belongs of introducing smokeless powder, now universally used; that of the Lee-Metford being “cordite.” To prevent the bullets flattening on impact they are coated with a hard metal such as nickel and its alloys. If the nose is soft, or split beforehand, a terribly enlarged and lacerated wound is produced; so the Geneva Convention humanely prohibited the use of such missiles in warfare.

Before quitting this part of our subject it is as well to add a few words about pistols.

These have passed through much the same process of evolution as the rifle, and have now culminated in the many-shotted revolver.

During the period 1480-1500 the match-lock revolver is said to have been brought into use; and one attributed to this date may be seen in the Tower of London.

Two hundred years ago, Richards, a London gunsmith, converted the ancient wheel-lock into the flint-lock; he also rifled his barrel and loaded it at the breech. The Richards weapon was double-barrelled, and unscrewed for loading at the point where the powder-chamber ended; the ball was placed in this chamber in close contact with the powder, and the barrel rescrewed. The bullet being a soft leaden ball, was forced, when the charge was fired, through the rifled barrel with great accuracy of aim.

The percussion cap did not oust the flint-lock till less than a century ago, when many single-barrelled pistols, such as the famous Derringer, were produced; these in their turn were replaced by the revolver which Colt introduced in 1836-1850. Smith and Wesson in the early sixties improved upon it by a device for extracting the empty cartridges automatically. Livermore and Russell of the United States invented the “clip,” containing several cartridges; but the equally well-known Winchester has its cartridges arranged in a tube below the barrel, whence a helical spring feeds them to the breech as fast as they are needed.

At the present time each War Department has its own special service weapon. The German Mauser magazine-pistol for officer’s use fires ten shots in ten seconds, a slight pressure of the trigger setting the full machinery in motion; the pressure of gas at each explosion does all the rest of the work—extracts and ejects the cartridge case, cocks the hammer, and presses springs which reload and close the weapon, all in a fraction of a second. The Mannlicher is of the same automatic type, but its barrel moves to the front, leaving space for a fresh cartridge to come up from the magazine below, while in the Mauser the breech moves to the rear during recoil. The range is half a mile. The cartridges are made up in sets of ten in a case, which can be inserted in one movement.

Machine-Guns.

Intermediate between hand-borne weapons and artillery, and partaking of the nature of both, come the machine-guns firing small projectiles with extraordinary rapidity.

Since the United States made trial of Dr. Gatling’s miniature battery in the Civil War (1862-1865), invention has been busy evolving more and more perfect types, till the most modern machine-gun is a marvel of ingenuity and effectiveness.

The Gatling machine-gun, which has been much improved in late years by the Accles system of “feed,” and is not yet completely out of date, consists of a circular series of ten barrels—each with its own lock—mounted on a central shaft and revolved by a suitable gear. The cartridges are successively fed by automatic actions into the barrels, and the hammers are so arranged that the entire operation of loading, closing the breech, firing and withdrawing the empty cartridge-cases (which is known as their “longitudinal reciprocating motion”) is carried on while the locks are kept in constant revolution, along with the barrels and breech, by means of a hand-crank. One man places a feed-case filled with cartridges into the hopper, another turns the crank. As the gun is rotated the cartridges drop one by one from the feed-cases into the grooves of the carrier, and its lock loads and fires each in turn. While the gun revolves further the lock, drawing back, extracts and drops the empty case; it is then ready for the next cartridge.

In action five cartridges are always going through some process of loading, while five empty shells are in different stages of ejection. The latest type, fitted with an electro-motor, will fire at the rate of one thousand rounds per minute, and eighty rounds have actually been fired within ten seconds! It is not, however, safe to work these machine-guns so fast, as the cartridges are apt to be occasionally pulled through unfired and then explode among the men’s legs. The automatic guns, on the contrary, as they only work by the explosion, are free from any risk of such accidents.

The feed-drums contain 104 cartridges, and can be replaced almost instantly. One drumful can be discharged in 5-1/4 seconds. The small-sized Gatling has a drum-feed of 400 cartridges in sixteen sections of twenty-five each passed up without interruption.

The gun is mounted for use so that it can be pointed at any angle, and through a wide lateral range, without moving the carriage.

The Gardner.—The Gatling, as originally made, was for a time superseded by the Gardner, which differed from it in having the barrels (four or fewer in number) fixed in the same horizontal plane. This was worked by a rotatory handle on the side of the gun. The cartridges slid down a feed-case in a column to the barrel, where they were fired by a spring acting on a hammer.

The Nordenfelt.—Mr. Nordenfelt’s machine-gun follows this precedent; its barrels—10, 5, 4, 2, or 1 in number—also being arranged horizontally in a strong, rigid frame. Each barrel has its own breech-plug, striker, spring, and extractor, and each fires independently of the rest, so that all are not out of action together. The gun has a swivelled mount easily elevated and trained, and the steel frames take up the force of the discharge. In rapid firing one gunner can work the firing-handle while another lays and alters the direction. The firing is operated by a lever working backwards and forwards by hand, and the gun can be discharged at the rate of 600 rounds per minute.

The Hotchkiss.—The Hotchkiss gun, or revolving cannon, is on a fresh system, that of intermittent rotation of the barrels without any rotation of breech or mechanism. There is only one loading piston, one spring striker, and one extractor for all the barrels. The shock of discharge is received against a massive fixed breech, which distributes it to the whole body.

Like the Nordenfelt, however, it can be dismounted and put together again without the need of tools. The above pattern throws 1 lb. projectiles.

The Maxim.—Differing from all these comes the Maxim gun, so much in evidence now with both land and sea service. It is made up of two portions:—

(1) Fixed: a barrel-casing, which is also a water-jacket, and breech-casing.

(2) Recoiling: a barrel and two side plates which carry lock and crank.

This recoiling portion works inside the fixed.

The gun is supplied with ammunition by a belt holding 250 cartridges passing through a feed-block on the top. Its mechanism is worked automatically; first by the explosion of the charge, which causes the barrel to recoil backwards and extends a strong spring which, on reasserting itself, carries it forwards again. The recoiling part moves back about an inch, and this recoil is utilised by bringing into play mechanism which extracts the empty cartridge-case, and on the spring carrying the barrel forward again moves a fresh one into position. Under the barrel casing is the ejector tube through which the empty cartridge-cases are ejected from the gun.

The rate of fire of the Maxim gun is 600 rounds per minute. Deliberate fire means about 70 rounds per minute; rapid fire will explode 450 rounds in the same time. As the barrel becomes very hot in use the barrel-casing contains seven pints of water to keep it cool. About 2000 rounds can be fired at short intervals; but in continuous firing the water boils after some 600 rounds, and needs replenishing after about 1000. A valved tube allows steam, but not water to escape.

The operator works this gun by pressing a firing-lever or button. After starting the machine he merely sits behind the shield, which protects him from the enemy, directing it, as it keeps on firing automatically so long as the bands of cartridges are supplied and a finger held on the trigger or button. By setting free a couple of levers with his left hand, and pressing his shoulder against the padded shoulder-piece, he is able to elevate or depress, or train the barrel horizontally, without in any way interfering with the hail of missiles.

We use two sizes, one with .45 bore for the Navy, which takes an all-lead bullet weighing 480 grains, and the other with .303 bore, the ordinary nickel-coated rifle bullet for the Army. But as the Maxim gun can be adapted to every rifle-calibre ammunition it is patronised by all governments.

The gun itself weighs 56 lbs., and is mounted for use in various ways: on a tripod, a field stand, or a field carriage with wheels. This carriage has sixteen boxes of ammunition, each containing a belt of 250 cartridges, making 4000 rounds altogether. Its total weight is about half a ton, so that it can be drawn by one horse, and it is built for the roughest cross-country work. A little machine, which can be fixed to the wheel, recharges the belts with cartridges by the working of a handle.

For ships the Maxim is usually mounted on the ordinary naval cone mount, or it can be clamped to the bulwark of the deck or the military “top” on the mast.

But there is a most ingenious form of parapet mounting, known as the garrison mount, which turns the Maxim into a “disappearing gun,” and can be used equally well for fortress walls or improvised entrenchments. The gun is placed over two little wheels on which it can be run along by means of a handle pushed behind in something the fashion of a lawn-mower. Arrived at its destination, the handle, which is really a rack, is turned downwards, and on twisting one of the wheels the gun climbs it by means of a pinion-cog till it points over the wall, to which hooks at the end of two projecting bars firmly fix it, the broadened end of the handle being held by its weight to the ground. It is locked while in use, but a few turns of the wheel cause it to sink out of sight in as many seconds.

The rifle-calibre guns may also be used as very light horse artillery to accompany cavalry by being mounted on a “galloping carriage” drawn by a couple of horses, and with two seats for the operators. The carriage conveys 3000 rounds, and the steel-plated seats turn up and form shields during action.

It is interesting to notice that an extra light form of the gun is made which may be carried strapped on an infantryman’s back and fired from a tripod. Two of these mounted on a double tricycle can be propelled at a good pace along a fairly level road, and the riders dismounting have, in a few moments, a valuable little battery at their disposal.

The Pom-pom, of which we have heard so much in the late war, is a large edition of the Maxim automatic system with some differences in the system. Its calibre is 1-1/2 inches. Instead of bullets it emits explosive shells 1 lb. in weight, fitted with percussion fuses which burst them into about twelve or fourteen pieces. The effective range is up to 2000 yards, and it will carry to 4000 yards. An improved Pom-pom recently brought out hurls a 1-1/4 lb. shell with effect at a mark 3000 yards away, and as far as 6000 yards before its energy is entirely exhausted. The muzzle velocity of this weapon is 2350 feet a second as against the 1800 feet of the older pattern. They both fire 300 rounds a minute.

The Colt automatic gun is an American invention whose automatic action is due to explosion of the charge, not to recoil. The force by which the motions of firing, extracting, and loading are performed is derived from the powder-gases, a portion of which—passing through a small vent in the muzzle—acts by means of a lever on the mechanism of the gun.

This is also in two parts: (a) barrel, attached to (b) breech-casing, in which gear for charging, firing, and ejecting is contained. The barrel, made of a strong alloy of nickel, has its cartridges fed in by means of belts coiled in boxes attached to the breech-casing, the boxes moving with the latter so that the movements of the gun do not affect it. These boxes contain 250 cartridges each and are easily replaced.

The feed-belt is inserted, and the lever thrown down and moved backward—once by hand—as far as it will go; this opens the breech and passes the first cartridge from the belt to the carrier. The lever is then released and the spring causes it to fly forward, close the vent, and transfer the cartridge from the carrier to the barrel, also compressing the mainspring and opening and closing the breech.

On pulling the trigger the shot is fired, and after the bullet has passed the little vent, but is not yet out of the muzzle, the force of the expanding gas, acting through the vent on the piston, sets a gas-lever in operation which acts on the breech mechanism, opens breech, ejects cartridge-case, and feeds another cartridge into the carrier. The gas-lever returning forces the cartridge home in the barrel and closes and locks the breech.

The hammer of the gun acts as the piston of an air-pump, forcing a strong jet of air into the chamber, and through the barrel, thus removing all unburnt powder, and thoroughly cleansing it. The metal employed is strong enough to resist the heaviest charge of nitro-powder, and the accuracy of its aim is not disturbed by the vibrations of rapid fire. It does not heat fast, so has no need of a water-jacket, any surplus heat being removed by a system of radiation.

The bore is made of any rifle calibre for any small-arm ammunition, and is fitted with a safety-lock. For our own pieces we use the Lee-Metford cartridges. Four hundred shots per minute can be fired.

The gun consists altogether of ninety-four pieces, but the working-pieces, i.e. those only which need be separated for cleaning, &c., when in the hands of the artilleryman, are less than twenty. It can be handled in action by one man, the operation resembling that of firing a pistol.

The machine weighs 40 lbs., and for use by cavalry or infantry can be mounted on the Dundonald Galloping Carriage. The ammunition-box, containing 2000 rounds ready for use, carries the gun on its upper side, and is mounted on a strong steel axle. A pole with a slotted end is inserted into a revolving funnel on the bend of the shaft, the limbering-up being completed by an automatic bolt and plug.

The gun-carriage itself is of steel, with hickory wheels and hickory and steel shafts, detachable at will. The simple harness suits any saddled cavalry horse, and the shafts work in sockets behind the rider’s legs. Its whole weight with full load of ammunition is under four hundredweight.